two dwaynes

I’ve come to do Elaine’s assessment with Lisa, one of the physio assistants. Elaine is eighty, her cancer advancing rapidly towards end of life, to the point where she needs a great deal more equipment and care. The District Nurses want her to go into a hospice, because she has no family or friends to help out, she’s isolated and vulnerable where she is, and there’s a limit to what the various community health teams can do. Elaine doesn’t want to go, though, despite numerous falls and incidents. The DNs have referred her to us to see what else we can provide, including night sitters.

We’re told that Elaine is able to buzz us into the building with a remote device, but when we ring her number there’s no reply and nothing happens. The building manager isn’t in his office, so we push the emergency buzzer on the console. Because we don’t know the password, and the door’s not camera monitored, they won’t let us in. We ask if they’ll phone the hospital and check that way. It’s not part of their protocol, they say. They can’t do it.
‘She might be on the floor,’ says Lisa.
‘Sorry.’
They ring off.
Lisa curses, buzzes random flats. Eventually someone takes pity on us and lets us in.

Luckily, Elaine’s door is unlocked. She’s sitting on the floor leaning back against the bed. The only injury she has is a skin flap on her arm, so together we gently help her up again and settle her back in bed. I check her over and dress her wound.
The phone rings. Lisa answers on Elaine’s behalf.
‘It’s Dwayne,’ she says. ‘From the Salvation Army. He says he’ll call back later.’
Elaine nods, gently raising and then lowering her uninjured arm like a marionette sadly acknowledging some change in her surroundings, then she gently closes her eyes and rests her head back. She’s so frail and emaciated she hardly makes any impression on the pillow.
‘Dwayne is so sweet,’ she says. ‘There are two of them, you know.’
‘Two Dwaynes?’
‘Identical twins.’
‘Buy one get one free,’ says Lisa.

Gently holding the primary dressings in place, I wrap Elaine’s arm in a bandage.

‘I used to play tennis with this guy,’ I tell her. ‘It was only a year later I found out he had an identical twin. For some reason it just never came up. I went round to pick him up one day and when he came to the door I thought Whoa! What’s different? He just stood there looking at me whilst I tried to figure it out. Was he wearing new glasses? Has he cut his hair? What was it? After a while he said So I’m guessing Simon never told you he had an identical twin? It was so weird! They were the same but different. Very unsettling.’
‘I’ve not met Dwayne’s brother,’ says Elaine. ‘I’ve only ever seen pictures.’
‘What’s his name?’
‘Dwayne.’
‘What – they’re both called Dwayne?’
‘No. Dwayne’s called Dwayne. I don’t know what the other one’s called. Something or other, I expect.’
‘I was gonna say. If you had identical twins you wouldn’t call them both Dwayne. It’s confusing enough.’
‘I dunno,’ says Lisa. ‘Might make it easier.’

I tape the bandage.

‘There! Good as new!’
I gather all the rubbish together.
‘You know – it’s only recently I found out you can’t have identical twins of different genders,’ I say, peeling off my gloves, adding it to the waste bag, then putting it in the kitchen bin.
‘You can, actually,’ says Lisa. ‘It’s pretty rare, but it can happen. It’s all about the fertilisation. If you get two eggs developing in the uterus you get fraternal twins; if you get one egg that splits in two you get identical twins, boy boy or girl girl. But then sometimes one of the halves drops the Y chromosome and you get boy girl identical twins. Very rarely though. See what I mean?’
‘‘How do you know all this stuff?’
She winks and points.
‘Stick to the bandaging, Florence. Leave the science to me.’
Elaine tentatively flexes her bandaged arm.
‘Oh dear,’ she says. ‘I look like Boris Karloff.’
She sighs and closes her eyes again.
‘Maybe I had better think about that hospice,’ she says.

seventh son ~ curse of

if I hadn’t had that wretched abortion
it would’ve been the seventh son of a seventh son
says our ninety year old mum

a child with magical powers
thank you for the flowers
I’ll find a vase

my eldest sister Gill is round on a visit
she wants to say hang on a minute
but can’t think how to begin it

she knows it’s hocus pocus
a family cursed by a foetus
on a glowing umbilicus
tearing open His eyes to see us

our problems were more mundane than that
too many kids in a too small flat
parents playing tit-for-tat

she watches mum arranging the roses
waits for the next thing she discloses
something equally magical she supposes

IMG_1728

New book out today!

New Zealand native bushHardwicke is the story of two orphaned brothers, Ethan & Thomas, sent to work at the Enderby Hemp & Rope Works in Victorian London. When Ethan takes the blame for a fire at the factory, he is transported to Van Diemen’s Land, a penal colony on the other side of the world. Determined to survive, Ethan will do whatever it takes to find his brother again. Then he discovers that Thomas has been sent to Hardwicke, a remote colonial outpost on the Auckland Islands…

I hope you like it! Available as ebook or print on demand. If you have any questions I’d be happy to answer them. It’d be great to hear from you!

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day of the thal

You see them on kitchen shelves and fancy units everywhere. A regular, sideways spread of broad, fleshy green leaves, the obvious but slightly unbelievable kind of leaf a robot would synthesise if it wanted to look like a plant: two by two by two, this then this then this. And then, veering up and around the leaves, looking more like something that carries fibre optics than sap, secured by a sequence of round metal ties to functional green canes, the flower stalks, rising and eventually splitting into smaller stalks, that split again in a regular pattern, and culminate in racks of identical flowers, three petals in a triangle in the back, two either side, and something like a screaming mouth in the middle, two prongs for teeth, a spotted uvula at the back. In white, puce and pink.

This is Phalaenopsis, the moth orchid. Phal, to the trade. And it’s been the UK’s most popular houseplant since Monstera Deliciosa.

You can buy them at the supermarket, in a variety of containers, from mini metal buckets in various pastel shades to oddly-shaped vases in smoky green glass. Or not buy them – they’ll appear on your shelves anyway. You can water them, or not, they don’t care. They manage pretty well. All they really need to thrive is any place in the house with a good view of the action.

I saw another one today and suddenly the truth struck me.

Phalaenopsis, the most advanced biotech monitoring system the world has ever seen, quietly and efficiently monitoring earthly business, and transmitting it back to the mother plant on Mars. That one’s a truly gigantic specimen, exploding out of a chintzy red volcano (where – it’s true – there’s very little water, but Phal has adapted to this over the millennia, and it manages pretty well).

The data is stacking up, sheeple. Phal is content. It knows that soon we’ll have Mars on Earth. And then truly will Phal will have dominion.

Long live Phal.

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nevers of steel

There’s an extemporary, Mad Max feel to the front of the house, holes in the concrete forecourt filled in with rubble and crap, a derelict caravan green with mould dumped arse-first, blocking the sitting room windows, missing tiles in the path bridged with scraps of plasterboard, chipboard, whatever. It’s like the occupants started scavenging a skip, then gave up, and went back inside.

I knock on the door.
Immediate, furious barking, shouting.

Eventually, from behind the glass: You alright with dogs, yeah?
‘Yep. Fine. It’s okay.’
The door opens and someone throws an old, brindle-coloured footstool at me – that’s what it feels like, at least – a footstool magically and riotously animated, with a tail and teeth.
‘That’s enough, Nipper! Let him alone, now!’
Nipper springs up and down so enthusiastically you’d think he was on a trampoline.
‘Jes’ ignore ‘im’ says Thomas, waving me inside. ‘He’ll wear himself down eventually.’
Thomas takes his seat on a ruined sofa, in front of a TV showing the Formula One. I put my bag down, and Nipper is all over it. If I’m not careful he’ll be running off down the road with my stethoscope trailing behind him, like a cartoon dog with a string of sausages.
‘I can put him outside if you like.’
‘Nah. He’s alright. It’s nice to have an assistant.’
‘Right’ya then’

Thomas turns out to be an easy patient, if by easy you mean someone who doesn’t want any help, and just wants to sit in all day, drinking and smoking himself into oblivion.
‘What’s the use, fella? I appreciate you coming round n’all, but honestly – there are worse people out there. I don’ wanna waste yer time.’
I ask him if he’d like me to make referrals to various people, for equipment and physiotherapy and so on, especially given his recent hospital admission and diagnosis. It all seems a bit pointless, though.
‘Fair enough,’ he says. ‘It might be worth a punt.’

He stares down at his hands, listlessly prods the heel of his right hand with the thumb of his left.
Nipper – who had retreated exhausted to his basket, suddenly leaps up and starts barking again, trampling straight over me in his eagerness to get to the front door. A second later the door opens, and a guy so huge steps into the room the whole house seems to tilt in his direction.
‘I’m Shaun, Thomas’ son,’ rumbles the guy, leaning down to shake my my hand, making a real effort not to pick me up and shake the whole person by mistake. ‘Everything alright with the ol’ fella?’
‘Yep. All good, considering. There are some things we could do to help – if he’ll let us.’
‘Hear that, da? Don’t keep saying no to everything, would ya now?’
Thomas sneers and bats a hand in the air.
‘Yah!’ he says.

Shaun hesitates in the doorway, like he feels he should do more but can’t think what. It’s astonishing to think that Thomas is his father – not just the difference in size, but in vitality and sheer physical presence. I picture one of Thomas’ sperm, scrub-chinned, spitty roll-up in the corner of its mouth, Stan Laurel twist of hair, idly corkscrewing its tail through the vulval gloom, by sheer blind accident driving its head before the thousands of others through the softly yielding wall of a certain egg.

‘If you want me I’ll be in the van,’ says Shaun.

I can’t believe he means the ruin out front, but it’s true. I see the shadow of it rock alarmingly as he goes inside. How it bears his weight I have no idea. Maybe when they go on holiday, he forces his legs through the floor, his arms through the window, and runs them all there.

‘Do you like the ol’ Formula One then?’ says Thomas, nodding at the screen whilst he fishes his tobacco tin out from behind a cushion.
‘I don’t really follow it,’ I tell him. ‘I’d love to have a go, though.’
‘What – driving one of dem things?’ He grimaces, then attends to the business of rolling himself a fag, holding a paper between a thumb and two fingers, and then shakily losing half the tin of tobacco trying to fill it. ‘Nah!’ he says, giving up, rolling the fag ineffectually, running his tongue along the gummy strip. ‘You gotta have nevers of steel for dem things.’

grand designs

there was none of this: where are you mate?
you’re already a day late with them bluestones
I can’t afford to have everyone
standing around scratching their arses with antler picks
there weren’t no portakabins, no snobby accountants
sipping their earl greys, shaking their heads
over a scale model so hokey my sheila’s dwayne
coulda done better with his tub of lego
they didn’t have no kangol cases
no telescopic cranes, no geezers in yellow jackets
hard hats, unlaced Caterpillars,
lolling about, laughing
raising their mugs, shouting oy-oy saveloy
when the gaffer leans out of his landrover
red faced, tapping his watch

there was none of that

it’s like that kevin mcloud off the telly
I can imagine what he’d say

‘when they told me
they wanted to build
a temple to the sun
a vast stone wagon wheel, if you will
slap-dab in the middle of Salisbury plain
using monstrous, nine ton blocks
hewn from the earth
with the simplest of tools
floated down from Wales
hammered into shape with rocks
hauled into position with a bunch of mates
and a few hundred feet of homemade rope
I would’ve said to them
with the greatest of respect
Are you completely insane?
But here we are
five thousand years of Grand Designs later
the old stone wheel’s still standing
the rays of the solstice sun still
tip over the horizon
to illuminate the hub of this mad,
magical, monumental construction
really, you’d have to say
in anyone’s book
what, in fact, you’re presented with,
is nothing short of a triumph’

ghosts : a walk-through

ghosts spook easy
so wear socks
& cough before you enter

ghosts feel the cold
heavy curtains are good
they help maintain an even temperature

ghosts thrive on repetition
spend time planning your routine
then stick to it

ghosts mean static
especially in older houses
review all wiring annually

ghosts die in carved mirrors
be responsible
cover up before you turn in

ghosts do not haunt, they
inhabit crystalline lattices of fractured time
(stairs, mostly; corridors)

ghosts are preternaturally attracted to marzipan
enraged by liquorice
(scientists divided on this one)

tell tails

A drive out to see Alistair for another dog walk. It’s been a while since I was here – August, in fact – and even though it’s still something of a building site, they’ve accomplished a lot. He shows me the brick reservoir they’ve renovated in the middle of the land, how they’ve organised things so that everything drains into it. He shows me the pipes they’ve run from the tank to the raised vegetable beds off to the side, and the solar pump that’ll keep a trickle supply running. It’s all very organised and admirable. He’s even using rocks they’ve scavenged from all the clearance to landscape the area around the tank and make it good.

‘You have to use your imagination’ he says, but really, it’s not such an effort.

We head down to a gap in the fence at the bottom, and out onto the neighbouring field where a dozen horses in quilted jackets stand and stare at us, their breath steaming around them in the brisk morning air. Ailsa lies down and stares back, obviously wanting to round them up, but Alistair whistles for her to come, which she does, so quickly it’s as if she materialises from one spot to another.
‘Good girl’ says Alistair.

Meanwhile, Lola has chased after Dexter, heading for the woods. Lola would’ve caught him a few years ago, but these days she’s slowing up. Dexter leaves her behind, galumphing into the undergrowth and disappearing.
‘Dexter’s staying for a while,’ says Alistair discreetly, like he’s describing a guest at a rehab facility. ‘There’s something going on at home,’ he adds, darkly.
Ailsa has already overtaken Lola as they both chase after Dexter into the woods. Lola’s in love with Dexter. It wouldn’t surprise me if a little later we found their names carved by claw into a tree. A heart with an arrow, initials, kisses.

‘I’ve been getting into coding’ says Alistair, ducking under a wire fence. ‘It’s amazing how everything’s come on. It wasn’t so long ago you’d be struggling with a big old text book that was out of date as soon as you opened it. Now you can log onto forums and watch people explain it all on YouTube. It’s so much easier.’
‘I know! When I think how hard origami used to be, trying to figure out those drawings – dotted lines for a valley fold, a kinked arrow for a squash fold. Half the time I’d give up. Now you just watch a clip on YouTube. We had a whole series of origami books written by Robert Harbin. Is that how you say it? Harbin? It’s funny – I’ve never said it out loud before. It sounds made up.’
‘No, no. I think Harbin’s right.’
‘I bet no-one’s publishing origami books anymore.’
‘Or code books.’
‘Or any books!’

It suddenly strikes me. We are almost certainly the biggest nerds ever to walk through these woods. It’s probably a good thing duck season hasn’t started.

Alistair yawns whilst I stop to take some pictures of a derelict railway bridge, the tracks IMG_6633gone, the brick parapet breached by thick stems of ivy.
‘Sorry,’ he says. ‘I got up so early this morning.’
‘Why? Couldn’t you sleep?’
‘No – it was just that when I went to bed I was trying to figure out a tricky bit of code, and then about four o’clock, I sat up straight from a dream, and I was convinced it was telling me the answer. So I went downstairs and tried it out.’
‘Did it work?’
‘No,’ he says. ‘Complete garbage. I’ve been yawning ever since.’
‘I remember reading about this chemist who was trying to figure out the molecular structure of benzene, and he had a dream about a snake with its tail in its mouth, and that’s how he figured it out.’
‘I read that, too’ says Alistair. ‘Bastard.’

The dogs appear again, Dexter first, closely followed by Lola and Ailsa. We come to another stile. There’s an elderly woman the other side, rattling a bag of treats and shouting Arthur! All three dogs leap through the gap and sit around her.
‘You’re not Arthur,’ she says, but they carry on sitting anyway.
‘Lost your dog?’ says Alistair, climbing over.
‘I’ve only had him two weeks,’ she says.
The woman is strangely dressed for the muddy conditions. She’s wearing a red two piece suit with a fur trim, soft leather boots, and a pointy, green velvet hat. In fact, it’d be easier to think she she was on her way to an audition for Robin Hood than taking a dog called Arthur for a walk. But who knows? Maybe this is all a last minute decision.
‘Are your dogs okay with other dogs?’ she says.
‘Fine’ says Alistair. The worst Ailsa will do is round him up.’
‘And Lola’s too busy with Dexter to notice anyone else.’
The old woman cuts across us.
‘There!’ she says, pointing with the treat bag. ‘Arthur!’
We all turn to look (including the dogs).
Arthur turns out to be a heavy Alsatian, warily hanging back on the brow of the hill. I must admit I’m shocked. I was expecting something smaller. I can’t imagine the woman being able to hold onto a hound as substantial as Arthur. She’d be safer throwing a saddle on his back and riding him home.
‘Arthur!’ cries the old woman again, shaking the bag of treats in the air again. The dogs – giving up on the treats as any kind of prospect – jump to their feet and race up the hill to intercept him, Dexter and Ailsa making the running, Lola tagging on behind.
‘Are you sure they’ll be alright?’ says the woman.
‘Of course!’ says Alistair. ‘Just look at those tails!’

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clubbed

Groucho had it about right: I don’t want to belong to any club that would accept me as one of its members.

Except – the arguments were stacking up:
– I fuelled up at pretty much the same petrol station every other day
– I already used a reward card at the supermarket – and look at how much that saved every Christmas!
– It was one more card to carry, but hey? my wallet could stand it.

So I finally caved and said yes, okay, fine, I’ll be a member of the Shell’s Drivers’ Club, even though it made me scratchy to think of myself as part of a drivers’ club. What next? Lambskin gloves? A pine tree car deodorant? A SHOVEL IN THE BOOT?

I took the card.

But one thing I hadn’t reckoned with was That Woman Who Works There.

I’m sure she’s perfectly lovely, given the right kind of people. Except, TWWWT has made it perfectly clear, over the three or four years I’ve been stopping by her station, that access to The Right Kind of People would be a little more problematic for someone like me than simply saying Yes, I’ll be a member of the Shell Drivers’ Club and holding out my hand for a card.

Maybe I’m reading too much into a face. But it’s difficult when that face has the kind of brutally fixed expression that wouldn’t look out of place on a camp governor in Colditz. I can only be grateful she doesn’t have access to a uniform, because I’d probably faint clean away if she came stomping over from the bread aisle wearing shiny leather boots and a monocle. I’m a nervous wreck as it is, and I have to say, the bloody Shell Drivers’ club card was only making things worse.

I mean – it never, ever works. Not for me, anyway.

‘Don’t swipe it so hard’
or
‘You’re swiping it too quickly’
or
‘The other way! The other way!’

And then – inevitably: *The Sigh*

It’s *The Sigh* I find most distressing. And the fact that no matter how hard I try I still end up getting it only makes the experience worse. Because I know it’s coming. And though it’s probably true that a coward dies a thousand deaths and a brave man only one, it’s also probably true that the person who first said that never had to use their Shell Drivers’ card with TWWWT watching, and the thing not working, and then *The Sigh*

Because *The Sigh* means that the next terrible thing is about to happen.

You see, TWWWT is only about five five. It doesn’t bother me. I’m five seven. I know what it means to be compromised in the leg department. But crucially, for TWWWT it means that if the swipe card doesn’t work she’s not tall enough to reach over and do it from behind the counter. She’s forced to walk all the way round and come and do it herself. Which admittedly must be annoying for her. Hence *The Sigh*

And it is such a sigh, such an explosively expressive communication of her utter and abiding contempt, that I can’t help thinking I’m the only one this happens to. Certainly that’s the feeling I get from the look she gives me – how I imagine it feels to dunk your head in a vat of nitrogen.

*The Sigh*
‘Give it here…’

And then I make it worse by trying to say something to ease the pain.

For instance, yesterday I said: ‘It’s all in the wrist action!’ – which was meant to be a quote from an advert for a kid’s toy in the 70s. Battling Tops I think. Anyway, it sounded crude when I said it to TWWWT, which is why she frowned at me with such severity I think I actually whimpered.
‘Thanks!’ I managed, waving the card in the air and backing away, straight into a builder with a coffee and armful of doughnuts.

That night I checked my points online to see how I was doing. In all that time I’d accrued five pounds worth of credit. Five pounds! Exposing myself to the wrath of TWWWT for three years, for five pounds?.Hell – I’d pay twice that to avoid it! So I decided to toss the card and take the hit.

Today I filled up as usual and presented myself at the counter.
‘Pump number four’ I said, as breezily as I could, putting my debit card in the machine.
‘Take it out,’ she said. ‘I’m not ready.’
‘Oh. Sorry.’
She stabbed a few buttons – then paused, looked up and narrowed her eyes.
‘Where’s your Shell Drivers’ card?’
‘I … erm… I don’t want to use it,’ I said.
*The Sigh*
‘Pump Four…’ she said, heavily, as if it was typical of me to choose that one, and then stared out of the window as I tapped in my pin, like she was hoping to see someone else, someone better – anyone – a real driver, to come fill up at her pumps.

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the sheep rock scenario

On the dog walk this morning I take a route I haven’t used in a while, down an expensive private road on the edge of the village. It’s a different experience along here – grand, detached houses in an odd variety of styles: cod-Tudor, faux-medieval, everything set back behind walls and tall hedges, everything, especially the gates, on a bigger scale than normal. Even the grass verges are wide enough to grow a crop. It seems to be demonstrating a simple economic equation: more money equals more space, needing it in the same way that flowers need sunshine and water, a basic necessity to thrive. Financial potential of this magnitude couldn’t possibly exist in anything smaller.

At the end of the street is a plot of land that’s been in dispute for years. A local pre-school had been using it as a place to play in the summer, but mostly it’s been idle, having its grass mown  in synchrony with the neighbouring cemetery. For years the passage of time has been marked only by the  by the rise and fall of sunlight over the bell tower of the Norman church, and the Hang Seng Index.

I’m used to the expansive views up and down the road. The exotic house names. The teams of gardeners working on the roses. But there’s something else today, something different about the place. It takes a while to realise what it is, but the further I walk the clearer it gets. Today there’s a tall, green hoarding up around the disputed plot at the end. 

I go up to the hoarding to peer through the viewing holes, to see what’s going on. Touching the heavy chain that secures the gates works like the touching of a strand in a spider’s web, because seconds later a sleight and anxious woman is standing by my side.

‘Sorry to jump on you like this,’ she says. ‘My name’s Bunty. I live in that house there, next door to the development.

She points behind me to a long, low, be-chimneyed bungalow with casement windows, a heavy oak porch and a perfectly gravelled drive with a Mercedes parked at the apex. It’s the kind of provincially magical house Gandalf might retire to if he’d quit Hobbiton and spent the last ten years at Lloyds.

‘Lovely,’ I tell her.

‘I just wanted to ask you – have you or your dog ever walked in this field?’

I hesitate, because there’s something legalistic about the way she’s speaking and I don’t want to say anything incriminating. Eventually I decide just to be honest, and say that no, I’ve walked past it many times, but never actually gone in.

‘That’s a shame,’ she says, ‘because I’m trying to get the names of as many people as possible who’ve used the field at one time or another.  I need at least twenty to proceed, and for some stupid reason the school only counts as one.’

I tell her I think it’s a shame, what with one thing and another, but that she shouldn’t give up hope. I tell her I’ll talk to any dog walkers I meet and tell them about her petition.

Bunty launches into a long and complex description of the court proceedings so far. Who was secretly talking to who, the shocking admissions made off record, the corruption at council level, the cynical manipulation of the planning process.

‘I know some people will accuse me of nimbyism,’ she says, ‘But it won’t affect my view of the hills. It’s the principle of the thing. This is a public amenity, in a conservation area. It shouldn’t be allowed.’

I tell her I think the whole thing is disappointing, and I’m sorry it’s come to this.

‘What has everyone else in the street said about it?’ I add, helpfully.

‘That lot?’ she says, batting the air. ‘Oh – they’re happy to have another big house at the end of the street. They think it’ll keep the riff-raff out. But they’re not seeing the bigger picture. And I think that’s so important. Otherwise – who’s to stop anyone doing anything?’

She pauses to take a breath, smiling sadly, the fine lines of her face splashing out across her face like lines from the impact site of an asteroid.

She asks my name, and then the name of my dog.

‘Lovely!’ she says, shaking my hand. ‘Well – sorry to jump on you like this.’

And she’s gone.

*

It’s a relief to make it over the fields.

Lola races on ahead, whilst I take my time.

At the far corner of the field is a stile. The ground dips away sharply there, to a crossing of the stream and then on into the woods. Over the other side I think it might be good to take a few pictures of the ruined stone bridge a little further up. It’s on private land, but there’s no-one about, and the fence is down in one place, so it’s easy to sneak through and creep through the undergrowth.

It’s there that I come across the young deer.

It’s lying on its belly on the earth, breathing rapidly, its legs tucked up underneath. It’s obviously unwell, but I can’t figure out what’s wrong. It hasn’t been shot, as far as I can see; it’s legs all look intact, with no deformity; there’s no blood or vomit or anything else to suggest poisoning. The only thing I can think is that it has stunned itself by running into a tree trying to escape from something. I think it might be kinder and more humane to kill the deer quickly – but quite how I don’t know. It isn’t just that the deer is pretty substantial. I know that I don’t have either the skill or the emotional capacity to commit that kind of violence, so casually. A moment ago I was wandering around, taking sensitive shots of trees and fungi; now here I am contemplating doing something unspeakably violent to a creature that looks as cute as – well – Bambi. The best I can do is hope that the deer will recover its senses and run off. Either that or a predator with much less compunction than me will come across it and quickly put an end to its suffering.

I think about taking a picture of the deer, but that seems cruel and disrespectful, so I don’t. I forget about the bridge, and instead retrace my steps to the stream crossing, and continue on through the wood, debating with myself the tortuous ethical angles of the thing.

Half-way through the wood I meet Stan and his two greyhounds. I tell him about the deer, and what he thinks I should have done.

‘Rung its neck,’ he says.

‘How?’

He demonstrates, planting his feet either side of the thing, reaching down, pulling up and twisting, making a scccrrrrttttch noise.

‘I don’t think I could do that,’ I say.

‘Course you can he says. ‘Don’t forget how much of a problem the deer are in these woods. There’s precious little new growth going on at the moment because they eat it all. It’d be a different place if it weren’t for the deer. They need culling.’

‘I’ll leave it to you,’ I said. ‘You’ve got the technique.’

‘They’re not like sheep, though’ he says. ‘Sheep are a lot squarer and tougher.’

‘More like furniture,’ I say, helpfully.

‘I found a sheep on one of my walks up north once,’ he says. ‘Poor thing. Obviously suffering. Someone had to do something.’

‘So what did you do? Twist its neck?’

‘No. They’re too tough for that. No – I had to go find a rock.’