the judge

your train was late so I sat in the car to wait
dreaming, watching people hurrying in and out
with bags, without, waving, standing about
cars pulling in, loading, unloading, moving away again

opposite me, in the shadow of the bridge
there was a large poster advertising a private girls’ school
the picture, a child dressed as a judge, the title
understandably enough – The Judge
I stared at it for a while
imagining what it might be like
to see her put a black hanky on her head
and say, in a child’s voice: ‘…hanged by the neck until you are dead’.
And see her laugh, and throw off her robes,
and run off to play. I wouldn’t know what to say.
Until they grabbed me by the shoulders
and dragged me out of the car

That’s when you opened the door
and that’s why I flinched

dead man’s handle

we found a bridge
in the middle of the woods
a branch line, you said,
well it is now
kicking the roots
that hoop the ground instead of ties
I took some pics of the old brick parapet
rolling with ivy, not steam,
a ballast of leaves beneath our boots
as we stopped at the top to look around
imagine! you were high up then
and moving so fast
what would you think
if, in some unexpected stop
you could climb down
and look with us, here, in the wood
would you see where the apple core landedIMG_6633
you chucked through the window?
(it grew, you know. it grew)
tell me – what would you do?
to see the train and everything else
had suddenly pulled away, and moved on
and the bridge was still there
but the tracks had all gone

up on the downs

I took the dog on a walk
we hadn’t done in a while
ten miles south of here
up on the downs

I parked in a lay-by in the lee
Lola ran on ahead
I strode behind
clapping my hands
drunk in the early light and line
glad of everything
taking pictures
trying to leave myself behind
and already – look!
fungus stepped like ears on the stump of an elder;
a twist of fleece on a hawthorn;
graffiti on a beech;
a lifted cover on a mine shaft
on and on, higher and higher
up to a line of golden sheep
staring as I tried for the shot
is one of them wearing a hat?

on the way back down
exploring an unexpected tributary
of the quarry at the bottom of the lane
I came across a wide scattering of junk
everything you could think of, really
fridge, TV, sofa
the only thing lacking
a family to sit on it
I liked the TV best
its screen blown, a tangle of weeds
lolling out in real HD
it was only when I knelt down
to frame the shot
I realised I was surrounded by glass
poor Lola would cut her paws
how would THAT look?
I put the camera away
called Lola (in a softer voice;
hoping she wouldn’t dash after me
quite so crazily)
and walked back to the car

home is due north
it couldn’t be simpler
but for some reason
I put on the sat nav
why, i’m not sure
I liked the warmth
of the car heater
the roll of the road
Lola watchingIMG_6591
from the back
and, I don’t know
maybe I just needed
something else
a few clear words
a sense of direction
to go with all that

the test

The woman whose birthday it is
– whose birthday it was – 
stares at me through glasses
so broad and thick
it’s like she’s studying me
through a diver’s mask
flooded with brine.

‘I just don’t understand
why the communication is so bad’ she says.
‘Not just bad – I mean – terrible.
laughably terrible. Insane.’
Does no-one ever pick up a phone?
Does no-one ever speak?’
‘I’m so sorry you’ve had a bad experience,’ I say
slowly sliding a leaflet
from the back of the folder.
The woman narrows her eyes
a focusing of disdain
so fierce it would cauterise meat
‘but maybe this might help…’
‘What’s that?’ she says.
‘So – once a month we run this Friends and Family test.
Don’t worry. It only takes a second to complete
And what it is – it’s a way of finding out
what people really think of the service.
Now – funnily enough – I had a conversation
with one of my colleagues about it
first thing this morning
when they were handing them out.
Me? I said it was a good idea
you know – getting a snapshot of what people thought
but maybe this wasn’t the way to go about it.’
‘No?’
‘No. Because this way you’re going to suffer from
Confirmation Bias. It’s human nature.
You’re more likely to ask those people
who had a good experience
because you won’t want to antagonise
the ones that hadn’t
even though their views
would actually be more helpful.
People tend to be happy in much the same way
They’ll say Yeah…No… It was okay.
all very non-specific.
Either because they actually DID
think it was okay but can’t elaborate,
or because – consciously or otherwise –
they don’t want to stir things up
and nix the prospect of any
help in the future
– even though we do stress
these questionnaires are completely anonymous
and you’re perfectly free to say
whatever you like.
So my argument was – there’s a psychology
behind the whole thing
that means the results will always be skewed towards
the happy people, who’ll be over-represented in the figures.
Because if someone’s angry about something
you’re unlikely to want to extend the experience
for them or for you.

It’s just too uncomfortable.

It’s only natural.

You’d just want to get the hell out of there.

But this friend of mine,
he said that’s why he makes a point
ONLY to test the unhappy people
to balance the whole thing out
and – well – because he’s a bit like that anyway
you know? Contrary.
Do you see what I’m saying?’

‘I know perfectly well what you’re saying,’ says the woman
pushing her glasses up her nose
with a finger on-point as a nail-gun
‘It’s what I do for a living.’
‘What? Customer surveys?’
‘Yes.’
‘Oh’
And you know what I think?’
‘What?’
‘It’s bullshit.’

whatever you do, don’t

sixty years married
and now look
she died in hospital
wha’d’ya have to go and do that for
she said
then rolled over
closed her eyes
and was gone

could you draw the blinds
only it’s getting dark
put on that side lamp
and get me some tea
could you refill my hot water bottle
and one last thing
sorry to be a pain
but, please, when you go,
whatever you do,
don’t close the door

liza of lambeth

nah! I’m a proper Londoner, me
Lambeth Walk – heard of it?
‘Course you ‘av!
Doin’ the Lambeth Walk – Oi!
Charlie Chaplin, he was round the corner
Genius, he was. Genius.
They didn’t none of ‘em understand him
They thought he was a Commonist
So he married that Pickford gel
and they run orf to Sweden or someink
I don’t mind telling you
I get a bit blue now and again
– don’t you go writing that down!
stands to reason, though, dunnit?
I’ve got a lot on me plate
what with me feet and me chest
Specially now me husband’s gone n’left me
we used to do everythink together
me n’Stanley. Everythink.
proper team we was
only now it’s just me
on me Jack Jones
‘cept for the girls who come round
helpin’ me aht
they’re good girls
one of ‘em’s a dancer
legs up to ‘ere
she only does this to keep her
‘ed above water
although you’d fink
wiv legs like that
she’d be alright, eh?
Family? Yes and No.
I got four sisters
and I hate the lot of ‘em
Jes’ because you share the same farver
don’ mean to say you’ll get along
anyway, there’s only two left now
so all’s well that ends well
during the war?
I worked in a factory
making bullets
I didn’t want to, mind
they ‘ad to drag me orf
kicking and screaming
still. I made some good friends
course – they’re all dead now
either that or too tight
to send a card at Christmas
my family? Or-straylia
I know. It is a long way
probably why they chose it
I’ve been there a coupla times
didn’t like it
I couldn’t never open me eyes
d’you know what I mean?
it was all too bright
Swimming? You must be joking!
Only if you want to get et by a shark
taking aht the laundry weren’t no joke, neither
what with all them widowy
spiders waiting for you
under the rim of the basket
they got fangs like this, mate
and poison what’ll turn yer air green
Nah. I’m alright here, fankyouverymuch
So long as I’ve got the girls
me CSI Friday and me
Saturday night strictly
How many children you got?
Two? Tha’s nice!
‘Cos you know what they say
two’s company three’s a whasisname
I bet they give you the runaround.
Nah then. What’ve you gone and done
wiv me slippers?

 

 

circa 1966

I don’t wan’ tae appear ungrateful
but I wish you’d all just sod off
You don’t need to tell me I’m ill
– I mean: Look at the state o’me!
dragging my sorry seln’ around
roped to this machine
like an old goat to a tyre
everyone too sentimental
or squeamish – or busy, no doubt
to break out the shotgun shells
and put one in tha’ back o’me heed
I mean – come on, son!
Who’re we kiddin’ here?
The thing is – it’s bad enough
losing ma’ freedom like this
getting dragged off to hospital
at a moment’s notice
hanging around on a trolley
while some fifteen year old doctor
hums and harrs and scratches
the fake wee beard he got fer christmas
lookin’ everywhere but straight in ma’ face
don’ bother, sunshine
I know what day o’ the week it is
I know what my lungs are like
C’mon in, number eight, your time’s up
No – what’s worse is a hundred people
I’ve never seen before in my life
traipsing through the house
like there’s no front door
saying ‘Hello Janet How are you Janet’
when I’ve never clapped eyes on them in me life
It’s like I don’t live here na’ more
I feel like sayin’ ta them:
‘Janet’s gone, mate.
She fucked off back to Glasgow
circa nineteen sixty-six
you’ll have to deal with me instead.’

the skull on the rock

Leonie, professor of anthropology (ret’d),
sits in her Riser-Recliner,
a blanket of crochet squares
tucked snug on her lap,
a view of the garden,
(bird feeder, gnomes,
water-feature – two children
sheltering under an umbrella
water running like rain).
‘Justin the priest was here earlier,’ she says.
‘You just missed him.
I think he sees me as a challenge,
a bit of a project.
And I have to say – poor chap,
he does bring out the devil in me.
I told him all about this documentary I’d seen
some paleolithic cave paintings in France.
Now – the thing is, of course
we don’t know why they did these paintings.
and one must always resist the temptation
simply to ascribe to ritual
things we do not understand.
That being said, it was clear the people
had gone to extraordinary lengths
to put those horses and deer on the walls.
And then – the most marvellous detail –
they’d placed the skull of a giant bear
on a large rock, looking to the entrance.
As soon as I saw it I thought
Ah-ha! Altar!
Now. I said to Justin, I said there are two ways
you can think about this. Possibly four.
Either they were celebrating God
as best they could, in a naive way
OR they were scratching a divine itch
in a way that felt appropriate to them
using their own symbolic language
drawings, rocks and bones and so forth.
I said to Justin – I could see he was flustered –
I said that it struck me quite forcibly –
as it had done many times in the past –
that this whole God-thing
was simply an illusion, a trick of the light.
I think no sooner had we the ability to work a tool
we experienced a collateral development of consciousness.
D’you see?
Suddenly we weren’t simply spending our time
running away from lions, or running after deer,
suddenly we found ourselves with time on our hands
looking round at the world
and worrying about our place in it
and that’s when we started painting the walls,
carving flutes, and putting skulls on rocks.
‘That’s an interesting argument, Leonie.’
‘I don’t think Justin finds it interesting.
Horrifying might be closer.
Still, he’s a sweet chap. Easily shocked
but his heart’s in the right place.
He hates to think of me being confined to the flames
when I pop off. Although quite what function
that would serve, I haven’t the faintest idea.
These vengeful father figures, they’re so persistent,
don’t you think?
‘Absolutely.’
‘I wouldn’t mind betting that old bear god
wasn’t known for his easy temper.
I bet you a pound to a pinch
once his skull was on the rock
everyone dropped to their knees.’
‘I bet!’
‘Poor Justin. I wonder he keeps coming round.
Aren’t you worried about the hereafter?
he said. No I said. It’s the here and now that concerns me.
But – bless him – he’d brought a peace offering
some macaroons he’d made.
They’re really rather good
I think there’s a couple left.
Would you like one?’

wedding photo

Me and Vera used to
go dancing Saturday
One night I said to her
I’m just off to the bar,
do you want anything?
Yes, she said, bring me back
a handsome man, she said
but I went one better
and come back with a pair

That’s him in the photo
nods to the mantelpiece
a black and white picture
of a demob suit and
pattern dress, ducking out
a church door, arm in arm,
like the links of a chain
newly struck on old stones
running out to the light

rub a dub

‘If you ever get caught in a storm
with a bellyfull of rocks,
better make sure it’s pumice’ he says.
‘Sounds like good advice’
‘Anyway, this storm,’ he says
‘We could see her coming
sneaking up on the horizon
like a big black cat
following a mouse
growling, flashing her tail
we ran for cover but
she was too quick
jumped us in the channel
jabbed us in the hawse-hole
with a claw of lightning
and waved us around all night
I was ready to throw myself over the side
and save her the trouble
but it was the pumice, you see
it was the pumice what kept us afloat
and after about a thousand years
the storm got bored, gave up and ran off home,
left us high & dry on the bank of a beach
with not a scratch to show for it
‘cept a lot of tears, and prayers,
and wild, white hair.
All told we was there a month
We used to show the townspeople round
give ‘em tea and cake
and photographs and whatnot
little pumice stones
dressed up as mice.
Still, one thing led to another,
as it always does, in my experience.
The owners paid us off,
floated her out the next high tide
sailed her up the coast for scrap,
and that was that.’
He looks a little run-aground now,
so, to show I know what he means, I say:
‘We used to have a rock of pumice
at home, in the bathroom.
My sisters used it
to rub the dry skin off their feet.’
‘That’s pumice, alright’ he says.
‘Made by volcanoes!’