truth hits

Stories are not the truth. Stories get honed over time, losing truth like a wooden figure loses the wooden block that held them. The story depends on the person wielding the chisel as much as the wood, of course. You start out wanting to get to the truth and end up lost in an extended metaphor about whittling. 

Doesn’t that prove my point? 

Stories get practised, condensed, made more streamlined for the telling. And how well the story is received over time ends up influencing which features get emphasised and which get dropped altogether. Stories are like jokes, in other words. The punchline is supposed to be some great insight, some cute revelation, but really ends up a travesty of justice. Something big happens and everyone sees it differently. Me? I might highlight the colour blue. Someone else drags in yet another fishing reference. The only way to get to the real truth is to throw all the stories in a blender, pulse-blitz for a minute, then push the mess through a sieve. Boil this off till you’re left with a residue you can dessicate, purify and then pound into a fine powder. Then snort. Feeling dizzy? Euphoric? 

Push on. 

You’re close. 

a walk thru st johns

A Filipino woman is singing karaoke by a street planter. She has all the gear – a portable speaker and mic, a tripod for her iPhone, a camping chair. She’s dressed in tight purple lycra trousers and a gilet top, and her hair is sensibly tied back at the nape of her neck. She’s singing The Wind Beneath My Wings, leaning into the notes, tilting her head back and throwing her free hand wide. Everyone ignores her – until a glitch on the sound system makes a terrible grating sound and everyone flinches. She carries on singing, a true pro.

A man buys a bottle of toilet duck in B&M. He puts it on the conveyor belt and watches it slide towards the woman on the till, who also watches it. It looks so isolated there on the belt it seems to stand for something. The woman lets it come on, then stops it – no doubt by stamping on a button on the floor. The man looks at her and smiles; the woman doesn’t break eye contact with the duck.
‘One pound fifty,’ she says, swiping it through.
‘Hardly seems worth it,’ he says.
She blinks, slowly.
‘Receipt?’
‘No. Thanks.’
He takes his toilet duck and carries it outside. Stands in the bright morning sunshine, cradling it for a while. Then slips it in his bag.

A jazz guitarist is busking outside a shoe shop. He has a strange, double-necked electric guitar. He plays intricate base and rhythm notes with his right hand whilst his left taps across the wide fretboards like a hyperactive spider. Dressed in baggy sequin trousers and a fancy embroidered waistcoat, his expression is one of complete boredom. Like a court musician from a fairytale who’s been cursed to play in a strange new world of shoe shops and street drinkers. A woman comes up to speak with him but he doesn’t stop playing. He will never stop playing. Even when he sleeps he plays, one hand hanging outside the bed, running scales, playing jazz.

A woman is crouching beside an inert street drinker, lying on the pavement outside Superdrug. A small crowd has gathered to watch, either thrilled by her good samaritan act, or just morbidly curious to know what happens next. The woman is wearing a white blouse and scarlet slacks. She looks like she’s on her lunch break. If that’s true it makes the whole scene doubly surprising; if she works locally, she must know you can see a dozen street drinkers sprawled on the pavement, on benches or in doorways, any time or day of the week. For whatever reason (she found god? had a dream?) the woman is crouching by this figure and shaking him gently by the shoulder.
‘What’s the matter?’ she says. ‘Are you alright?’
After appearing dead for a few minutes, the man rolls over, groans, swats the air between them.
I carry on into Superdrug to buy some Tea Tree Spot Gel.
When I come out, the woman and the crowd have gone. The street drinker is sitting up, pulling a can out of his pocket. The noise when he opens it: Skerrplock!

There’s another street drinker sitting against a wall on the approach to St Johns shopping centre. He looks like a cosplay Captain Birdseye, with a sailor’s cap and bushy white beard. I glance down at him as I pass. He puts a thumb up to me and sights along the line of it, saying: ‘God Bless ‘ee, sir! You have a lovely day, y’hear?’
‘Thanks!’ I say. ‘You too.’
I feel very brave and ‘street’.
I don’t give him any money.

There’s an elderly guy formerly dressed in a grey three piece suit, his bald pate fringed with a wild splurge of grey hair, standing outside a boarded-up shop. The ranting noise I’d heard as I walked along turns out to be him. He’s holding a crappy microphone and speaking too closely into it, distorting what he says so it’s difficult to make out. Something about the Gospels? A choice to be made?
Suddenly a woman steps in front of me. She looks, by her dress and demeanour to be something to do with the guy. They’re on a mission to save souls. His job’s to preach, hers is to reach (with a leaflet).
‘Take this!’ she says to me, smiling. ‘You might find it interesting.’
‘Thanks!’ I say, in exactly the same voice I used with Captain Birdseye.
It’s like I’ve taken a vow.
I put the leaflet in my back pocket.
I wonder if she notices, and wonders how long I’ll leave it before I take it out and drop it in a bin.
But it stays in my pocket all the way home. After I’ve unpacked the toilet duck and the spot cream, I make a cup of tea and settle down to have a look.
It’s glossy, no bigger than my hand, folded in a triptych. The front is black, the blue curve of the Earth at the bottom, the space above it crowded with mathematical formulas and diagrams. The heading is ‘Accident or Design?’ in bold white lettering; the author, Professor Something or Other, at the bottom. In fact the whole leaflet is black, with emphatic white text that asks the question ‘How did we get here?’ and goes on to say that it surely can’t be accident, the bible is proof of God, the dinosaurs were fake, miracles are real, Jesus turned water into wine and so on. Apparently, 2000 years ago Jesus was supernaturally born of a virgin, and lived without doing wrong OF ANY KIND. Then God gave him up as a sacrifice for the sins of others, which you’d have to think hasn’t worked. It seems like a waste.
And another thing: Why put Mary through an immaculate birth? If your magic is that strong, why not simply land Him on Earth in a blaze of wonder? It would’ve spared her blushes and made everything much more straightforward, like aliens landing and saying hi rather than zooming about in deserted forests being mysterious and probing farmers and so on. Why not announce your divine premiership with dramatic flair (which – according to the Bible – He has done many times before). Something with a bit more tact and sensitivity than a virgin birth. What was Mary supposed to do with that information?
Still, the man in the grey suit might say, these things shouldn’t be taken at face value. We need to reach with blind faith to the great mystery beyond. But according to this leaflet. Professor Something or Other seems pretty sure about things, in a black and white, professorial way. The Prof says dinosaurs were fake. God is the creator. And that’s why he’s ranting with a bad microphone in the shopping mall, and that’s why the woman gave me this leaflet.
‘You might find it interesting,’ she’d said.
True.

blackberry snakes

Tommy has been retired for twenty years. Used to be a plumber.
‘I couldn’t have carried on,’ he says. ‘Not with these legs.’
‘I have to put his socks on for him,’ says June.
Tommy smacks his bald head and leans forward. ‘He doesn’t want to hear that, June.’
I tell them it’s fine, I don’t mind. I’m here to get the whole story. How he manages, what he might need. How they’re both doing, come to that. No detail too small.
‘Well – truth is, I take my time,’ he says, leaning back in the recliner, his Tottenham football shirt riding up over his resonant belly. ‘There’s no rush, is there?’
‘I go with him into the shower… well, not actually IN the shower… I just stand guard in case he… you know.’
Tommy smacks his head again. ‘Not now, June. He doesn’t want to hear that.’

They’ve been married sixty-five years. I wonder how long he’s been smacking his head. They’re an odd couple, which may account for their longevity. Tommy pumped up, enthusiastic as a spacehopper with a walrus moustache; June in a pastel twin-set, neat and sweet as a tube of parma violets.

‘I couldn’t be a plumber,’ I say, filling the time whilst I get my kit ready. ‘I mean – apart from not knowing anything about plumbing. I just don’t like spiders.’
Tommy leans forwards again.
‘You get used to it,’ he says. ‘Mind you, having said that, Dave didn’t. Dave went to Australia to make his millions. Found out the place was crawling with them. And not just any old spiders. Big hairy items, hand sized things, with teeth. One nip from them and it was goodnight Vienna.’
‘Oh no! Don’t say that!’ says June, still maintaining her smile.
‘Yes. And snakes. Horrible, venomous things. If they catch you right you puff up like a big black beachball.’
‘Okay.’
‘Next thing anyone knows, Dave goes missing. Gone for months. And do you know what it was? Walkabout! He’d gone walkabout! Dave, the plumber. Who hates spiders.’
‘It’s snakes I don’t like,’ says June. ‘It’s a good thing we live where we live, I suppose.’
‘I’ve seen snakes here,’ says Tommy. ‘When I was a kid I used to go up the top end of the park. There was a secret place where all the blackberries grew. No one knew about it ‘cept me, so I had the pick of the place. Big, juicy blackberries. I sold them to a geezer down the market for a shilling. But you know what? Adders loved it up there. I don’t know why. They’d gather, probably from miles around, in that little blackberry clearing at the top of the hill.’
‘Oh no,’ says June
‘Yes!’ says Tommy. ‘But if you left them alone, they’d leave you alone. I was only interested in the blackberries, so we got along fine.’
‘You and your blackberry snakes,’ says June. ‘I’m sure this gentleman’s not interested in that sort of thing.’
‘I’ve never seen an adder!’ I say.
‘Well,’ says Tommy. ‘Maybe one day I’ll take you blackberrying.’
‘Blackberrying!’ says June. ‘You can hardly get out of the chair!’
‘He doesn’t want to hear that, June,’ says Tommy. And after smacking his bald head again, he settles back.

Jean & The Rat

I don’t know who looks grumpier, Donald or his dog, Kevin. If it wasn’t for the size difference – Donald being a lumpish middle-aged man, Kevin a lumpish middle-aged staffie – they could swap hats and be done. As it is, they turn into the lane about the same time as me and Stan, so we all walk down together, me making the conversational weather, Donald being grumpy about it. That is, until we get onto his favourite subject: the ongoing dramas he’s been having with his elderly next door neighbour, Jean.

‘You never know what’s coming next with Jean,’ he grumps. ‘First it’s her legs, then it’s her central heating. The other day I got a panicked call. Donald! Donald! Come quickly! It’s horrible. And then the line went dead. So me and Kev went hurrying round there thinking the worst, but what happened was, her cat had brought a rat in. Only the rat wasn’t dead. It was just laying on the floor in the kitchen looking depressed, all of us standing round looking down at it, wondering what to do. Including the cat. Kev didn’t seem overly bothered. So I thought that’s it, I’ll have to kill it. But how? No way was I gonna stamp on it, I mean – urgh. I thought I might use one of the brass bed pans on the wall. But then the rat seemed to wake up. It gave itself a shake and made a dive for the organ.’

‘The organ?’

‘The old pump organ Jean’s got in the living room. It’s a horrible old cottage, Jim. Falling to pieces, you know. Hardly room for her and the cat, let alone an organ. Anyway, I said to Jean, I said well, that’s your rat gone where no one’s getting it. And Jean said well what if I play a B flat? Would that shift it? And I said I don’t know about music, and I’m not sure the rat’d does, either. It’s not as if it was one of them big church organs you play with your elbows and everything comes blasting out the pipes. So I poked around – with a poker, funnily enough – but nothing doing, and in the end I said she’d have to get the specialists in or let the rat come out of their own accord. Maybe the cat could finish it off then.’

‘And did that happen?’

‘Well I don’t know if it was the cat or maybe the rat couldn’t stand the racket. Not the organ, the TV. She has it on so loud I’m surprised the cottage is still standing. But either way she called me to say could I go round and dig a hole because the rat was lying out on the kitchen step and she couldn’t go outside to get to the shops.’

The lane branched off in two directions, so we said goodbye, Donald with the kind of heavy expression you might see on the face of a camel before it set off back across the desert. And when I looked down at Kevin, he was exactly the same.

have a nice day

I’m at the front door of Michael’s house, struggling to get the keys out of the key safe, when a man shouts to me from across the street.
‘You! Yes – YOU! I’m talking to YOU!’
I straighten up and turn to look as a man staggers across the road at a tangent, somehow avoiding the traffic, and ends up draped across the railings in front of the house, hugging them with both arms through the gaps, like he’s the only thing keeping the street from spinning out of control. After he’s got his breath he finds me in his sightline again, and gives me a lop-sided snarl, like the old MGM lion, but drunk. With no hair. Or teeth.

‘Oh – so NOW I’ve got your attention,’ he says.

He’s ragged, knuckle-headed. The kind of guy life rolled over and left furious in its wake.
‘Yah think yah so wunnerful,’ he says.
It’s a bright, blue day in April and I’m feeling optimistic, so I smile and say: ‘Hi! How are you?’
‘What’s it to you?’
‘Nothing. Just saying hello. Anyway – have a great day!’
And I give him the thumbs up.
‘Have a great day!’ he spits, like it wasn’t my thumb but a middle finger. ‘Have a great day! Ya know they wrote that on the side of the bomb when they dropped it?’
‘Did they?’
‘Yeah – they DID! So wha’ d’ya think o’THAT?’
‘I think that’s a bit… I don’t know… cynical?’
‘Are you takin’ the PISS, man? Are you havin’ a GO?’
‘Me? No. Just passing the time.’
‘Passin’ the time!’ he says. ‘Right! I’m comin’ over there…’
Jesus Christ but this key safe will not open. It’s an old one, some weird, masonic design, like it’s not a simple code I need so much as an incantation. I glance back at the guy. He’s managed to untangle himself from the railings, and is concentrating everything he has on hauling himself along, fist over fist, using the spikes like the rungs on a ladder. He’s almost at the gate – and me.
I turn back to the key safe.
By some miracle of panicked tapping and button flicking, the front panel suddenly loosens and flips open. I grab the keys – a bunch of them.
He’s on the threshold of the broken mosaic path now, only pausing to check the building’s the right way up before he carries on.
I flap around with the keys. Of course it HAS to be the last one on the bunch that opens the door. I snatch up my bag, dodge inside and slam it shut, just as he shuffles haphazardly up the steps. After a pause, I see a slack, liverish eye press against one of the stained glass panels, rolling around like a whale at the port of an Edwardian submarine. Then the eye pulls back, and he’s gone.
‘Michael?’ I call out into the silent house. ‘It’s Jim. From the hospital.’
And head up the stairs.