schatz katze

The key safe is hanging open so I ring the bell instead. I step back and look up at the house whilst I’m waiting – a substantial Regency building, a little down-at-heel and cracking up, perhaps, but still impressive, with a wildly overgrown garden whose depths of shadow hint at stone baths and iron cold frames and other features utterly consumed with ivy.

The door opens and a bright, middle-aged woman in a carer’s uniform steps out onto the cracked mozaic tiles.
‘I’m so glad you’re here!’ she says, showing me in. ‘I think this is one for social services as much as anyone. I’m Karen, by the way!’

I stand with her in the hallway so she can tell me what she’s found so far. Helga is a ninety-five year old with no package of care and generally ‘bumping along the bottom.’ A neighbour looks in now and again. Found her on the floor, called the ambulance, hospital declined, referrals made. Karen points out a sheet of paper sellotaped to the mirror: In Emergency written in shaky green caps at the top, and below it, a handful of names and numbers, the nearest being Munich, the furthest, Hobart, Tasmania.

‘I feel so bad for her, says Karen. ‘There’s hardly any food in the house. Can I leave her with you whilst I nip round the corner and get the basics?’

Helga is lying in bed, stroking a black cat that’s sprawled on top of her, purring so loudly it fills the entire house. In an odd kind of way, it makes the place seem emptier.
I introduce myself, and explain why I’ve come. When Helga reaches out to shake my hand, her hand is so weak and light in mine it’s like the memory of a handshake that happened sometime just after the war.

I start to talk to her about the situation. How she’s feeling, how she’s been coping and so on, gently trying to tease out the facts. Helga doesn’t want to engage, though.
‘Ah! Too tired!’ she says, transferring her attention back to the cat with a philosophical pursing of the lips.
Was ist los?’ she says, feebly waggling her fingers under its chin. ‘Was ist los, shatz? Was ist los?’

portraits of people & their pets

1. Rita, 88. Leaky heart valve. Anemia of uncertain origin, possibly Heyde’s syndrome. Too frail for the op.

Sitting in the window with a heavy marmalade cat called Moo Moo on the arm of the chair. The cat makes no movement at all when I unpack my kit, resting its blue and level eyes on me.

‘Moo Moo appeared from nowhere,’ says Rita. ‘She was completely feral. I really don’t think she’s frightened of anything.’

2. Sally, 91. History of unexplained weaknesses, falls, labile blood pressure, poorly controlled diabetes.

Sally is sitting on the sofa with one white Westie sprawled on the backrest, and one in a dog crate in the alcove. Sally bunches up her sleeve and then stretches out her arm for me to take blood, propping it up one of the dog’s teddy bears. The Westie sprawled on the backrest appears to be asleep, but the one in the crate growls.

‘It’s not you, it’s me,’ says Sally. ‘He doesn’t like me using his bear.’

3. Katherine, 76. Recovering from a chest infection, general debilitation. Poor E&D.

Katherine is sitting on a two-seater sofa, bathed in a sudden wash of sunlight from the bay window. Either side of the sofa are two tall, dark wood jardinieres, each one topped with a giant palm and supported on tripod of carved lions’ feet. A Sphynx cat appears from nowhere and lands so lightly on the folder in my lap it’s hardly like an animal of substance at all, but some ethereal creature conjured from the papers and letters on Katherine’s writing desk, with half a dozen strands of fuse wire for whiskers, and two thimble-sized drops of rainwater for eyes.

‘She likes you,’ says Katherine.

 

cat scene investigation

I took Solly to the vet’s for his vaccination and worming pill yesterday. Which is how I came to step barefoot on glass when I came down this morning.

You see, yesterday I’d taken the cooker extractor fan apart. It had started to make noises and drip gloop on the hob – a noxious, sticky substance that would’ve poisoned the whole family had it fallen into the soup (or improved it, one of the two). De-glooping the extractor fan is my least favourite chore. It doesn’t matter how much kitchen cleaner I spray on it, or how many times I flush it with boiling water, the two panels carry on oozing this stuff like it’s coming from a whole other dimension, like chef’s ectoplasm. Anyway, I did my best. I set the panels on some kitchen towel to drain as much of the gloop as possible. Whilst the panels were off, it seemed like a good time to change the bulb that had blown some time ago (shorted out by gloop, no doubt). We didn’t have a spare, so I put it to one side so I could take it in to get another.

Meanwhile, Solly had to go to the vets. He knew he was in trouble when he saw us bring the cat carrier down from the attic. But we’d thought ahead. We’d closed all connecting doors, shut the cat-flap and turned on all the lights. All that was left for him was to hide under the sofa, but we played the classic pincer-movement and made a grab when he ran for the chimney. Getting him into the cat carrier was tough. It always is. He sprouts extra legs, each one bristling with claws. It’s like trying to wrestle a bale of barbed wire through a letterbox. By the time we’d stuffed him into the cat carrier we looked like we’d been beaten up and thrown in a bramble patch.

‘Good luck at the vet’s’ Kath said, dabbing her arms.

As I took him outside, Solly began to wail. He’s a black and white cat, by the way – appropriate, given that this wail of his sounds exactly like the siren of a black and white cop car in an old noir movie, pulling up at the scene of a dreadful murder.

At the vets he was completely different, though. When the vet opened the carrier door and reached inside, he slunk out onto the examination table, looking straight ahead.
‘Wow! You’re like the cat whisperer!’ I said to her.
‘I wish I could take the credit’ she said. ‘But the plain fact is, he’s terrified.’
‘Poor Solly!’ I said, feeling guilty. I ruffled the top of his head, and that’s when he gave me the look. The look that said: Don’t think it ends here, my friend.
The vet began checking him over. Teeth, abdomen, ears. Stethoscope to chest.
‘How’s he looking?’ I said.
She sighed and took the stethoscope out of her ears.
‘Sorry. Carry on,’ I said.
She put the stethoscope back in.
And that’s when Solly gave her a look. See what I have to put up with?

Of course, when we got back home, Solly disappeared into the garden for hours. When he finally made it back in to eat, he was his usual, darkly mysterious self again, gnarling and chomping through his meat and biscuits with the noisy relish of an old sea captain back in the snug of The Neptune after a particularly harrowing whaling adventure. (Although I might be reading too much into it.) And that seemed to be that.

Except, of course, it wasn’t.

As Solly well knows, I tend to walk around barefoot. Certainly in the summer. In winter, it’s mostly socks, but I did get a pair of slippers, because the tiles in the kitchen are freezing. The only trouble is, I’ll often leave the slippers by the back door, so first thing in the morning, I’ll blunder downstairs, through the sitting room and into the kitchen to get them, not bothering to put on any lights.

That’s what happened this morning. Just as Solly knew it would.

I heard the crunch of glass before I felt the pain in my foot. I gasped and staggered backwards to put the light on, which showed me in an instant all I needed to know, like the flash of a CSI camera: Solly on the counter by the hob, smiling at me. Solly with one paw still extended – from having gently swiped the spent extractor fan bulb onto the floor. Solly leaping clear of the mess, and stalking away into the sitting room, his tail straight up, like an antenna, transmitting to all the other neighbourhood cats: Operation Vet Vengeance: Executed.

 

drag me to hell, traffic warden

We watched the Sam Raimi film Drag me to Hell last night. It was great. Plenty of outrageous set-ups, plenty of gloop (although nothing as horrible as the stuff from the extractor fan). One thing that did strike me, though – how convenient it is that the demons and evil spirits in these films always look so goddamn awful. They’ve all got terrible teeth and skin, weird eyes, ghastly nails. A demon is basically someone who pays no heed whatsoever to the basics of personal hygiene. Which is handy, in a way, because it makes them easier to spot.

Not like real life at all, then.

I mean, I was given a parking ticket the other day by a traffic warden, even though I wasn’t causing an obstruction, and even though I was attending to a very poorly patient.
‘Double yellows, yes. Loading bays, no,’ he said. ‘You should know that.’
‘But it’s Christmas’
He shrugged.
‘So let’s get this straight,’ I said, struggling to hold it together. ‘If I was unloading frozen chips to this chintzy fucking tea room, that would’ve been okay?’
‘Yes.’
‘So it’s chips and not sick people, is it?’
‘Yes.’
‘Don’t even bother,’ said a painter and decorator, passing by, stopping just long enough to give the traffic warden a stare that was worryingly like a curse. ‘He just better hope his family never needs help sometime.’

Looking back on it, setting aside all personal feelings about the matter, I have to say – the traffic warden looked as nice and friendly as anyone else. He certainly didn’t look like a demon, with yellow eyes and sharp teeth. And he had very nice hair, what I could see of it, round his cap.

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loki

Mrs Ransome’s Sphinx cat Loki is aptly named. Not so much because he gets into mischief – I haven’t been here long enough to tell – but because he looks and moves like a creature from another world.

There are so many odd things about Loki it’s hard to know where to start. He’s completely hairless, of course, his skin the colour and texture of an old suede handbag; his large eyes are as luminously blue as two almond-shaped jewels, and his wiry whiskers, long tail and his great, pointed ears, together with a tiny, down-turned mouth, give him the rapt and rather melancholy expresssion of someone who can see and hear everything, even your thoughts, and wishes he couldn’t.

All this is pretty strange, but still the oddest thing about Loki is the way he moves.

To watch him leap from sofa to table to chair, you’d hardly think he was real at all. It’s all too perfect, too exact. It’s like watching an obscure Czechoslovakian animation where a stop-motion cat leaps from sofa to table to floor to the sound of a scratchy violin. And when he’s studied me from the other side of the room, when he’s paused there a while, and scanned my soul with his eyes and ears and whiskers, and decided I’m worthy of trust, in the time it takes me to click my pen he’s suddenly right there in my lap, purring so loudly the whole chair starts drilling itself into the floor.

‘He likes you,’ says Mrs Ransome. ‘Normally he hides on the roof.’