There are two single beds side by side in the middle of the room, the nearest one occupied, the furthest one empty with the bedclothes rucked up. Ted’s wife Rita is in the nearest, lying on her back with her arms by her sides on the top of the covers, perfectly aligned with the legs beneath, as graven and still as the alabaster figure of a woman in a tomb – albeit one that was irritated her partner had got up after a thousand years and gone to sit in the Windsor chair by the window.
‘She’s on that many pills,’ whispers Joan, their daughter, standing in the bedroom doorway and looking in on the tomb with her arms folded. ‘If I took what she took you could tie a string round my leg, take me outside and fly me.’
Ted is staring out at the communal gardens below. There’s an empty perspex bird-feeder suckered to the window just the other side of him.
‘Do you want me to put some seed in the feeder?’ says Joan. ‘It’ll give you something to look at.’
‘I’m alright’ he says, batting his hand. ‘They’re alright, too, I ‘spect. They’re birds.’
It’s hard to know what to do about Rita. Degenerative illness means she suffers from chronic pain. Even if there was a total body replacement available, at ninety one she’d never survive the op. Joan had given me the heads-up downstairs in the kitchen. ‘‘She’s become her illness,’ she said. ‘She doesn’t talk about anything else – except when she’s being snippy about my cooking. I thought coming to live with us would help, but it’s been a nightmare.’
‘Do you want to speak to a social worker about it?’
‘A social worker?’ she’d said, frowning and leaning back. ‘Why? What could they do?’
‘Well – if things are too stressful here, they could talk about alternatives.’
‘What d’you mean, alternatives?’ she says over her shoulder as she filled the kettle at the sink. ‘D’you mean put her in a home?’
‘Some kind of residential care, yes. Somewhere set up for someone with complex needs. You never know – she might like it.’
‘And what about Dad? What would he do?’
‘Maybe he could go, too.’
‘Put Dad in a home?’ says Joan, slamming the full kettle onto its stand and jabbing the switch. ‘You might as well shoot him.’
Whilst I’m with Rita, taking her blood pressure and temperature and so on, Ted divides his attention between us and two dogs that have run into the garden to play tug-of-war.
‘I met her when I was back on leave,’ he says, as if the dogs brought it all to mind. ‘I went to the picturehouse, and there she was, having her hair pulled by these kids sitting behind her.’
‘My friend hadn’t showed up so I went in alone,’ says Rita, her eyes still shut, her eyelids flickering like the film she saw has started playing the other side. ‘I didn’t know what else to do.’
If Ted hears, he makes no sign.
‘So what I did was,’ he says, shifting forwards in the chair, ‘I snuck up behind them, like this… and I reached out… and I banged all their heads together, like this! Then when she ran outside I followed her. And I said to her, I said I’ll walk you home…’
‘I didn’t want him to,’ says Rita. ‘I said I was perfectly capable of walking home by myself, thank you very much.’
‘When we got there, I didn’t try to kiss her or nothing. I just shook her hand, all gentlemanly like, and I said I hoped she had a nice time and everything, and maybe could I see her again. Two years later the war was over. I come back from Italy. We got married. And that was seventy-four years ago.’
He chuckles, settles back in the chair, and stares out of the window again.
The dogs have gone inside.
‘I didn’t want him to walk me home,’ says Rita. ‘I said to him. I said, I’m perfectly capable of walking home by myself, thank you very much.’