There is a middle-aged man and woman, standing side-by-side at the living room window of the bungalow next door, staring at me as I walk down the path. I wave – as best I can, with all the bags I’m carrying – but they don’t wave back. It wouldn’t surprise me if they were actually cut-outs, set there by an estate agent. But if that’s true, why not give them wavy arms and flashing eyes, activated by a sensor when you got close enough? As it is, their bungalow looks about as homey and real as a house made of Lego. Even the juniper in the planter wears a tag.
Mind you, the bungalow I’m visiting has more than enough reality for both. A low, brick wall separates the two of them as severely as the line between a ‘Before’ and ‘After’ feature. It’s a wretched, cliche, tumbledown affair, with an overgrown garden, rotten woodwork, missing tiles, and a car parked round the back, one of those boaty old Citroens, crusted in mould, the bonnet disappearing into the tarmac like a junk submarine in the world’s slowest dive.
I glance over my shoulder. The cut-outs have been repositioned to get a better look.
I put my stuff down, reach out, and knock.
The instantaneous and outraged barking of a dog.
Scuffling, swearing, crashing – the sounds of a desperate struggle in the hallway. I guess the dog is being put in a cage; if it is, it only makes the barking worse, like trying to stuff a panther in a box after it’s got blood on its snout.
After a composing kind of moment the door opens. George stands there, breathing hard, pushing his hair back from his face, smiling, whilst a small terrier tries to cut through the bars with acetylene fury.
‘Don’t mind Trampus’ says George. ‘He’s very protective.’
‘I’d never have guessed he was a terrier!’
‘Well. He’s crossed with something bigger.’
‘Possibly. In his head.’
‘I don’t mind if you let him out. I’m alright with dogs.’
George’s smile tightens.
‘Oh, no,’ he says. ‘Oh, no, no, no. I couldn’t possibly.’
As if to illustrate, Trampus redoubles his efforts, the cage rocking from side to side.
‘Well. Alright then,’ I say.
‘Thank you for coming,’ says George, backing up.
George is as friendly, nub-faced, vast and shiningly white as a beluga whale, his trousers suspended by hoops, the lenses of his glasses thumbed with grease. He leads me back through the house, which is just as awful as the outside promised, comprehensively silted up with trash in the hoarder-style, unwashed plates stacked in plastic buckets, strata of food trodden into the floor. Even though it’s early in the year, a couple of plump black flies are on the move. One buzzes past me in a straight line from Crap A to Crap B, somnolent and satisfied as a bank manager on the daily commute.
‘Mother? There’s a gentleman to see you. From the hospital.’
‘Hello Gladys. My name’s Jim. How are you today?’
Gladys is as thin as George is fat. A frail and spidery old woman in a housecoat and flowery bandana, she’s not sitting in her chair so much as nesting in it, kyphotically hunched over a plate of digestives, scooping up the pieces and pressing them into her whiskery mouth.
‘Trampus has gone quiet,’ I say, looking for somewhere to put my bags, not finding anywhere.
‘Eerily quiet,’ says George.
‘What’s he doing? Tunnelling?’
‘Oh no!’ says George. ‘Don’t say that.’