dear future

when I was nine or ten
I buried an old birds custard tin
with a collection of interesting items in

two fifty pence pieces
a couple of sweets
a letter both sides of two sheets

I talked about the things I liked
the places I went to on my bike
what I watched on telly at night

addressed to future persons unknown
I buried it under a garden stone
could hardly bear to leave it alone

I imagined an electric, silver foil future
scientists on hover scooters
scanning the tin with big computers

what an incredibly generous gesture
by this mysterious ancestor
bequeathing us his worldly treasure

a few days later I dug up the stash
kept the coins, tossed the rest in the trash
fuck the future I needed the cash

wherever there is

The bell activates the dogs. I stand back from the door and listen to what sounds like a bear fighting a pack of wolves. If it is a bear, though, it has learned our city ways, how to curse and swear and slam a gate. A minute later and a paw materialises behind the frosty glass to flip off the latch.

The bear turns out to be Jon, a frazzled middle-aged man in a Motorhead t-shirt, his long, wild hair thinning at the top; the wolves a couple of miniature schnauzers who glare and rage at me from behind a baby gate.

‘Sorry about that!’ he says, pushing the hair back from his face. ‘Come on in! Just ignore them.’

I go past the growls through to a narrow front room where Jon’s wife, June is sitting in an armchair, dozing, her face propped on the flat of her hand. The room is dominated by a hospital bed that must have only landed there recently, everything else pushed to the side to make space, things piled quickly on top of each other.
‘It’s the nurse,’ says Jon, gently touching her shoulder.
She rouses blurrily as he helps her to sit up.

The moment I’ve finished saying hello and explaining why I’ve come, Jon throws himself into a long and frantic description of everything that’s happened recently. It’s a monologue that’s as traumatised as the room, big things mixed in with small, a jumble of information that’s hard to get straight. Jon scarcely seems to breathe as he talks, everything spilling out in a rush. The best I can do is nod and say Yes or Right or I see, letting him vent.

These are the closing hours of a fiercely hot day – the last of a run of hot days. Outside the sky is thickening with storm clouds, the air oppressively close. The windows in the little front room are all open, but nothing moves except the traffic outside and an occasional shout from the street. The net curtains hang straight down.

There’s a cushion on the back of the sofa behind me – a photograph of a schnauzer in close-up, eyes wide, mouth open.

I start to sweat.

I can’t gauge how much Jon is accepting of June’s recent End of Life diagnosis. The job was given to me when I was out and about, an urgent visit to assess the home environment and give guidance to the carers on what’s safe or not. I couldn’t figure out from the attachments exactly how much had been explicitly stated to June and Jon, and it was too late now to ring the other agencies involved for advice. All of the falls and manual handling struggles Jon describes could be put down to June’s declining health. But maybe as a family they’ve opted to do as much as they can to normalise the situation, which would be completely understandable. So I find myself trying to do three things at once: piecing together a timeline of events from everything Jon’s describing; trying to figure out if any of this shows they know and have come to terms with the diagnosis, and worrying how I’m going to talk about safe manual handling for the carers without acknowledging the most significant detail.

June slaps the top of her head and groans.
Jon goes over to her to comfort her.
‘Don’t worry, love,’ he says. ‘Don’t worry. We’ll get there – wherever there is.’

prawn’s gambit

Gerry is on the floor when we arrive to do the assessment. He’d been there all night, and although he hasn’t hurt himself, he’s in pretty poor shape. We clean him up as best we can, then call an ambulance to take him to hospital. There’ll be a two hour wait, the call taker says. Exceptionally high demand. Like it’s ever any different.

In the meantime we try different ways to get Gerry off the floor, positioning chairs, encouraging him to roll over into an all-fours position that he might be able to progress into a kneel then a stand. But although he tries his best he’s just too weak; the chronic pain in his arm from a recent fracture means he’s got limited upper body strength to call on, and his legs won’t support him even if we physically boosted him up. In the end we admit defeat, and decide the best we can do is surround him with cushions and pillows, ply him with water and biscuits, and wait for the paramedics.

My colleague has to go to another call; I settle down on a kitchen chair to wait with Gerry.

Gerry has been smoking forty a day for the best part of thirty years, with the result that the whole flat – from the curtains to the carpets, the doors to the clock on the wall – is coated with a grungy patina of nicotine. It’s a hot day, so I open the windows for some fresh air. Even the flies that blunder in haul on the brakes and head straight back out again.

‘How long have you lived here, Gerry?’ I ask him, sitting back down on the chair.
‘Ooh – a long, long while. When they were built, pretty much.’
And it’s no doubt a consequence of sitting here with him for so long, but I imagine the builders laying the first course of bricks around us, Gerry on the floor, me on my chair, Gerry thoughtfully stroking his enormous Father Christmas beard, me checking my fob watch.

There’s a bookcase just behind him, filled with books on chess.
‘You like chess, then?’ I say, artlessly.
‘Oh yes!’ he says. ‘Yes, yes!’
‘When did you learn?’
‘When I was at Grammar school. I saw some kids playing and I thought hmm – what’s that? So I got a book out of the library. Then another book. Then another one. And I gradually taught myself all there was to know. I played in local leagues, bigger competitions. I was never international, but I got pretty good.’
‘I know how to play,’ I say. ‘Basic stuff. I don’t have any tactics, any strategies. You know? The prawn’s gambit and all that?’
‘Prawn’s gambit?’
‘I just made it up.’
‘Hmm – the prawn’s gambit,’ he says, stroking his beard. ‘You might have something…’
‘My problem is I just throw everything forward and hope for the best.’
‘Hmm,’ he says. ‘Yes.’
‘I don’t know who even invented chess. I know it’s pretty old. I remember seeing the Lewis chess pieces in the British Museum once. They were cute.’
‘There are lots of myths around the invention of it,’ he says. ‘My favourite is the one about the Indian king.’
‘What’s that?’
‘Well you see, a long time ago there was this great king. And he was bored with all the usual games, so he put out a proclamation. Invent a new game and the winner gets as much gold and silver as they desire.’
‘And the losers get killed.’
‘Quite possibly. Anyway, lots of people came forward, but the best was a wise old mathematician who offered the king chess. He told him he’d based it on court life, with soldiers, bishops, knights and so on. The mathematician taught the king how to play, and through playing the King learned his first important lesson, which is that everyone under his command has a role to play, from the most insignificant pawn to the grandest queen. And the king was very struck with this game, and told the mathematician that he’d won, and could help himself to as much gold and silver from the Treasury as he liked. But the mathematician said no thank you – what I’ll have is one grain of wheat on the first square of the chess board, doubled on the second, then again on the third, all the way to the last of the sixty-four squares. And although the king was put out, because he didn’t think a few grains of wheat were a satisfactory prize, he agreed. But of course he soon realised his mistake, because the number of wheat grains grew exponentially, until he owed him more wheat than his kingdom could ever produce. So that was the king’s second lesson – never underestimate the power of mathematics.’
‘Then what happened?’
‘I don’t know. He probably had him killed. Life’s not really like chess, is it?’

standing in the loops

Dad had a terrible lawn mower
that screeched & rumbled & roared
it had two enormous steel rollers
and blades that dragged it forward

it had a long black cable like a tail
that played out across the grass
and I used to see how long I dared stay
in its loops as the monster went past

who knows where that old mower is now
Dad these many years dead
while I stand in the loops as it thunders down
and the swifts scream high overhead

you don’t have to copy him if you don’t want to

When I was a kid
one thing I did
was try to be like my eldest brother
who lived in a whole other
masculine dimension
judo, motorbikes, not to mention
an academic ability
which gave him the facility
to be ridiculously
successful
on the whole growing up was pretty stressful

I even joined his dojo
did it work? no
I was basically scared of the other kids
their sweaty digs
playing ‘British Bulldog’
getting my head pulled off
I’d shake with fright
every Friday night
I mean – Fred the sensei tried alright
bellowed
I never got past yellow

In retrospect
you couldn’t expect
a different outcome
maybe if there’d been some
other stuff I could’ve done
something fun
like figurative ice skating I think
but your ambition shrinks
when there aren’t any rinks
so that’s that
you’re slammed face first through a judo mat

Now I’m free to be me
and life goes on more easily
but if I had the knack
of reaching back
I’d say hey Jim whassup?
and lead me out of that judo club
to a beautiful spot beside the river
where I’d dance and deliver
a song to make me shiver
impromptu
you don’t have to copy him if you don’t want to

canned

There’s a sound like someone managing two sharp turns of a rusty bolt, then a cat walks in – or rather, rocks from side to side, easing its hips.

The cat is ancient, its fur clumpy and all over the place, like someone tossed a tiny black and white throw in the washing machine then slung it over some sticks to dry. The cat’s eyes burn fiercely, fixing it to this life. I imagine if it blinked, the whole thing would simply vanish in one, final, dusty meow, and the little black and white throw would gently settle onto the rug.

‘Twenty three’ says Agnes, pre-empting the obvious question.
‘Wow! Twenty-three! We had a cat that was nineteen and I thought THAT was old. But twenty-three…’
The cat stares at me: Say twenty-three again – I dare you – I double-dare you… I hear in my head.
‘Where did you get him?’
‘The cemetery.’
‘The cemetery?’
‘He was about one they reckon, with his head caught in a can. The fire brigade had to snip it off. It was in the papers. When I read about it I went down to the shelter. He was furious with everyone of course. But I spent some time there, sitting with him, just talking about this and that. And he seemed to come round. And when I asked if I could adopt him they said yes! And here we are!’
‘So what did you call him?’
‘Guess,’ she says.
‘I don’t know. Lucky?’
She shakes her head.
‘Snippy? Beans?’
‘It was a tin of cat food. I don’t suppose he’d have tried so hard if it was an old tin of beans.’
‘No. You’re probably right. I don’t know, then. I give up.’
‘Tintin!’
‘Of course.’
‘Actually I didn’t call him Tintin. The girls at the centre did. But it seemed to stick.’
‘Like the can.’
Agnes doesn’t respond to that; Tintin certainly doesn’t.
‘YOU’RE SITTING IN MY SPOT!’ shouts Agnes suddenly leaning forward. ‘THAT’S WHERE I LIKE TO JUMP UP!’
She sounds so cross I actually flinch. For a second I think she means I’ve inadvertently taken her place on the sofa. But – jump up? The last time Agnes did any jumping up was maybe the Marquee Club in 1962.
‘That’s what Tintin’s thinking,’ she says, relaxing back again. ‘But don’t let him bully you. Now then – where were we…?’

my dentist makes a good political joke

I had to go to the dentist for a check-up
I could only see him from the neck up
but he seemed nice enough
a bit rough
if I’m honest
like he’d just wandered in from the forest
from felling trees
to filling teeth

‘Oh Mr Clayton,’ he said
shaking his head
‘Do you floss?’
‘Yoss’
(speaking’s a struggle
with two hands in your muzzle)

‘Okay
Let’s take an xray
Relax!’
he said, scooting back

Later, when he was studying the plates
I thought I’d break
the tension
with some post-examination
conversation

‘At least we’ve got the NHS
millions don’t have dentists, I guess.’
‘Except Cuba,’ he said
raising his eyebrows and nodding his head
‘Yes! Cuba has a superb dental system
Also, they’re so good it’s insane
when it comes to dealing with hurricanes.
Everyone knows exactly the part they have to play
and immediately snaps into an efficient civic display
medical attention, blood stocks, search and rescue
what have you
everybody out on the streets to help you
it really is incredibly neat’
He jumped to his feet.
‘Hurricanes and teeth
my friend, hurricanes and teeth.’
‘And how’s the x-ray? I asked him
seen anything nasty, hmm?’
‘LM2’s worn, doesn’t need drilling
But Guantanamo Bay definitely needs filling.’

someone left the cake out in the rain

How did it come to this?

me, leaning in a plastic dumpster
fumbling for a mallet or a hammer
to knock in a bamboo marker
the dogs had knocked over
round a patch of wild flowers
singing MacArthur Park?
(to be clear – the dogs just bark
I’m the one singing
the first thing
that comes into my head –
a song from the 70s by Jimmy Webb)

MacArthur Park!

I mean – not even
the cool Donna Summer version
but that godawful, barely lawful perversion
by Richard Harris

Richard Harris!
I’m so embarrassed
singing with the same, geriatric warble
like Richard Harris had gone to the trouble
of building up status with audiences & directors
in the theatre, film and television sectors
but found himself singing like a vivisector
might sing
operating
on a cat
and being suitably horrified by that

mind you
it’s true
the brain is a crazy kinda organ
with weirder projections than a gorgon
signals continually toing and froing
without you knowing
what the hell is going
on, and why you’re getting strange looks from strangers
because you’re singing and snapping your fingers
to Scooby dooby Doo, where are you….?
or that advert for Murphy’s in 1992
p-p-p-pick up a penguin
flickering round your axons
for aeons and aeons
along with a billion other distractions

No doubt if you held a gun to my head
and said sing us something or you’re dead
it wouldn’t be anything I genuinely liked
like Iron & Wine, Die Antwoord, or anything I’d been listening to that night
on Spotify
anything of quality
it’d be some lame-arsed jingle
an advert for Pringles
or Nivea for wrinkles
a tune you desperately snatch
as they frown and flick off the safety catch
as I start singing uncertainly:
Ski – the full of fitness food – for all the family….

and of course – I’m sure they wouldn’t hesitate or waver
they’d shoot me straight off and they’d be doing me a favour

what the stars looked like that night

Grandma was clearly
the exception in the family
qualifications, money
semi-detached house in Jersey Road, Osterley

A headmistress, seamstress
husband in the accountancy business
antiques, interests
drove down to visit, Easter, Christmas

Remarried at eighty
to Dennis, berthing there lately
liverish, shady
discharged drunk from the merchant navy

Moved this way
bungalow, blinds down all day
bills unpaid
an upright piano for an ashtray

When we’d call
Dennis watched from the door
disputed, deplored
rheumy eyes on a ruined floor

Suddenly they vanished
everything sold, bank accounts ravished
panic, anguish
a detective assessed with objective language

It was egregious
eventually tracked with police procedures
distressing features
dumped in a caravan, Bognor Regis

Dennis was ferocious
but his health was atrocious
coroner’s diagnosis?
chronic kidney disease and advanced cirrhosis

Grandma moved back
to a home, wheelchair, bric-a-brac
medicated, relaxed
blue hydrangeas blooming with swimming hats

A peaceful environment
we’d sit in sunny enlightenment
fuddled wonderment
curling smoke from a Peter Stuyvesant

When she died
it was late at night
stepped outside
silver pins in a pincushion sky

the coldest I’ve ever been

let me see
the coldest I think I’ve ever been
was when I was sixteen

it was the winter of ‘78
and I’d gone on a date
by mistake

I was sitting on a ferris wheel
next to a girl called Lucille
It wasn’t just the middle of December
it was a contender
for the worst winter
anyone could remember
whatever
I didn’t care about weather
I was wearing my light leather bomber
the one with the studded nehru collar
because I thought it made me look tough
even though it wasn’t remotely warm enough
and didn’t have any pockets for stuff

I don’t remember what Lucille was wearing
I was ten degrees past caring
and falling
but I do remember her calling
me lots of disparaging names
because she thought I was lame
and the date was too tame
and she should’ve gone to the fair with Wayne
who’d copped off with her best friend Jayne
so she’d been forced to say yes to me
and sat and suffered next to me
cursing the tragic destiny
of a sub zero life with sub zero chemistry

I do remember she had red hair, though
which I tried to imagine was the glow
from a lovely warm fire
as the ferris wheel rose higher and higher
and the blood slowed and froze in my veins
and my legs pistoned in my jeans
and I folded my arms
and gritted my teeth
freezing to death
trying to pretend my breath
was smoke
which only provoked
Lucille even more
and she swore
and narrowed her eyes at the night beyond the door
as we shook and shivered on the hard metal seats
and I tried to look cool like Danny from Grease