learning to write underwater

yes – yes – I’m swamped with stress
a bad blogger in a waterlogged mess
you’d have to say I’m drifting at best
Ophelia in the drink in her wedding dress

I just can’t make the right words stick
I’m falling down on the job, calling in sick
I’m Peter Piper without his pick
a deadbeat poet sharpening his dick

it’s like I can see something weird nearing
and I can’t believe what I’m hearing
the concert crowd is actually cheering
as the blind conductor’s disappearing

you’d think I’d be bored of all the hurting
the witless schtick, the tragic rehearsing
the carry on shithead, carry on nursing
caution – dreadful old diva reversing

I don’t know how to work the game
dig the foundations again & again
cut my losses, bury my name
my brown eyes wide and my beard aflame

but d’you hear that? is it thunder?
or a thousand poems sliding under?
quick – weigh my eyes with coins of silver
kiss me once, set me on the river

IMG_3259

urban codex

Quetzalcoatl / digging in the fine soil beneath his feathery coils for a tequila bottle / snatches it up and drinks / sinks to the steps of the pyramid and thinks / in a daze / as the burning sun settles and fades / beyond the ruined shopping arcades

and the more he drinks the more he sees / ghosts of shredded white plastic snagged in trees / long and ragged queues / for water and food / blazing cars in abandoned lots / flashing lights and pistol shots / ringing on the blade of the equinox

Tezcatlipoca / creeping low as a jaguar over the baking steps to get closer /
whispers Hey Big Mister Clever Snake Feather / let’s drop all the moody shit about the weather / whatever / come take a look in my smoking mirror / let’s royally fuck this place together

Quetzalcoatl / tormented by restless dreams of battle / the hollows of his eyes reflected in the mirror / draws his ancient tormentor nearer / you n’me babe he says / I guess you know best / but first we have to find Cortes

IMG_3253

accounting for ghosts

It’s been a hot day, busy and chaotic, but it’s late now, almost finishing time, and the fierce light of the afternoon is settling around the old hospital into something easier and more golden. There’s only me and Jane in the office, the long, empty room settling and ticking in tiny sounds of absence, like a car finally parked up and cooling. I’m sitting opposite Jane at the coordinator’s desk. Jane’s been pretty quiet the last hour, focused on working through a printed sheet of stats, the summation of the week’s activity. It’s a painstaking task and she sighs a lot. I’ve been fielding all the calls from patients and staff to give her the space, but they’ve eased off now and there’s nothing much else to be done.

Suddenly one of the connecting doors on the far side slams shut. At the same time, an overhead light flickers and goes off.
Jane looks up.
‘Ghosts,’ I say. ‘This used to be a surgical ward. It’s probably infested.’
She leans back in her chair and stretches. When she sits forward again she fixes me with a long look.
‘You’ll probably think I’m mad if I tell you this,’ she says. ‘But the place I live is haunted.’
‘Is it?’
‘It used to be an asylum. Then it was just a big, fancy house. Then it was flats. So it’s no wonder there’s stuff going on.’
‘What sort of ghosts?’
‘It depends,’ she says. ‘Mostly it’s odd bangings and things, whispering. Stuff gets thrown around. The other night when Steve came over, I went to bed and I saw his shadow on the door. So I told him to stop mucking about. Nothing happened, the shadow just stayed there. Suit yourself, I said. Then the shadow went away, and I heard Steve coming up the stairs. Who were you talking to? he said. So I realised it wasn’t him.’
‘Were you scared?’
‘Not really. I’ve got used to them now. I think they like the company. They get a bit restless when there’s been some change in things, like the lockdown. But otherwise they keep themselves to themselves. They’re basically just lonely, I suppose.’
‘It’s weird about ghosts,’ I say. ‘I mean – logically I don’t believe in them. But that doesn’t mean I don’t spook myself out a lot.’
She nods, but in a non-committal way, acknowledging the words but not the feeling.
‘When you think of all the places people die,’ I say. ‘Not just hospital, but everywhere. All over the place. Like where we live. It’s pretty old, used to be owned by a farmer. When we moved in, the old woman next door took great delight in telling us he choked to death on a chicken bone, in the front room. She rushed in to save him, but it was too late. So I thought – Oh, great! We’ve moved into a haunted house. But nothing. Not a cough. And none of the dogs or cats we’ve had have hissed or done anything strange. And they’re supposed to be sensitive, aren’t they?’
‘Depends on the dogs.’
‘And then you’ve got to think – if everyone who dies makes a ghost, wouldn’t we be completely snowed?’
‘Maybe we are. Maybe only some of them can make themselves known. And only some of us can see them.’
She smooths out the spreadsheet in front of her and stares at it.
‘Who knows?’ she says, planting her elbows on the desk, cradling her chin in the palms of her hands and pressing her fingers into her eyes so vigorously her glasses ride up onto her forehead. ‘I’ve never been good with numbers.’

status update II

like the poor performer in court
dressed like a charity shop pantomime horse
wiggling my raggy, baggy arse
tap dancing through the routine I rehearsed
desperate to get my sentence reversed

like the sweaty shopper who scurries
across the supermarket car park pursued by Furies
who flap around me like monstrous canaries
and drop to do me unspeakable injuries
then thank me sweetly for shopping at Sainsbury’s

like the maudlin mafioso mobster
struggling to finish his plate of lobster
out in the alleyway back of the dumpster
where he just took the seafood cook and tossed her
for failing to pay his dyspeptic sponsor

IMG_3247like the slimline actor peddling goop
eggs for the mange and herbs for the droop
and a chakra cleanser like a neon hoop
that’s great for cancer, crabs and croup
if you sign up now for her exclusive group

 

Chapter 12: The Hole-in-the-Hedge gang

A horse called Onion, or something – A simple hack across the moor – Butch C. & Co. – The Wild Bunch – Stanley & why foals like him – Bushwhacked (again)

paw print

 

I don’t understand horses.

Not that I’m particularly good with dogs (as this diary proves), but horses? I can’t read them. I certainly can’t RIDE them. I got up on one, once. A narcoleptic piece of furniture called Onion or Blanche or Rasputin or something. Anyway, it was enormous and old and sprouting with hair, so lacking in enthusiasm you could have offered it a carrot the size of an oak tree and it would’ve curled its lip – something it seemed to do a lot, exposing teeth so horribly blockish and yellow the only thing I could imagine it eating was a bucket of hardcore. I did my best to be friendly, reaching out to stroke the nozzle or whatever it’s called and say encouraging things, but it just turned and stared at me as if I was just the latest damned thing to walk in the yard. All this happened a few years ago and I’m not quite sure but I think I was lowered onto it by crane. We set off for a hack across Dartmoor. Not the most comfortable ride, like throwing your leg over a chest of drawers with a piece of string to guide it. Every few steps Onion would stop to tear at some meagre clumps of grass by the side of the lane. The grass was terrible. He knew it. I knew it. He was only doing it to make a point. And anyway, he probably thought there was a good chance I might slide off into a ravine, and he’d be led back to the paddock to make room for the emergency services. I held on, though, my knees up by ears, hip bones snapping like an old pretzel. I was determined not to be beaten and somehow made it to the end of the ride. But he had the last laugh. When we got back to the farm I had to be dragged off sideways. I could only walk by wobbling from side to side like a model cowboy, with a fixed, plastic grin of pleasure.

All this is to say that, like Stanley, I was wary of the Hole-in-the-Hedge gang.

No-one seems to know who owns the horses that live in the fields to the north-east of the village. I’ve certainly never seen anybody tending them. (Is that what you do with horses? Tend?) No horse boxes or bales of hay. No vets striding across the field in white coats and green wellies, waving big syringes. (Seriously – I’ve no idea). There used to be a group of three adults. Two completely brown, one a sort of unfinished brown and white. The brown and white one was the leader. For the sake of argument, let’s call him Butch Cassidy. Butch would step out from behind a tree and come right up to you, giving a peremptory nod of his head, as if to say Hands Up before he frisked you for treats. The others always hung back a little, sniggering and nudging each other, in that psycho-subordinate way you often see in cliché gangs of this nature.

Recently there have been some younger additions to the gang. A couple of frisky teenage horses on legs they’ve improvised out of clothes props and bed springs. Let’s call them The Wild Bunch. They seem to spend their time either horsing around or lying in stupefied heaps. You have to admire their commitment, if nothing else. When The Wild Bunch are crazy, they’re completely crazy, leaping and kicking and chasing each other in circles like teenagers in stolen cars pulling doughnuts in a supermarket car park.

Their favourite thing, though, is sneaking up on Stanley.

Maybe they just want Stanley in their gang. They like his anti-establishment stance, his wild, apocalyptic, who-gives-a-damn look. A punk hybrid of sheep, goat and cartoon wolf. They probably see gunslinger potential in his lope.

Whatever the reason, whenever we walk over those fields, and however far away The Wild Bunch happen to be when we go through the gate, they always look up, and then disappear, and then suddenly reappear, lunging enthusiastically out of a thicket, or swinging in on ropes, ears and nostrils flaring, hooves flexing provocatively over their holsters.

Stanley always barks, of course. Not anything extended. More like swearing. And I really can’t blame him, because I’m swearing, too. But there’s not much to be done but walk on calmly as if being bushwhacked by a couple of psychopathic foals is perfectly routine and normal and nothing to worry about and oh, look! A treat!

And we run smack dab into Butch, who’s planted himself further along the path.
It was all a distraction. We fell for it, goddamn it.
Butch gives me the nod.
‘You, there! The guy with the Mad Max kinda sheep!’ he seems to say. ‘Stop right where you are and turn out your pockets.’

Horses, eh?horses

 

half man half biscuit

You know you’re REALLY in the shit
when the guy tasked with getting us out of it
holds a press conference with a packet of biscuits
and the biscuits win

Seriously. What’s WRONG with him?

BISCUITS?
Is this the future of UK business?
If this is charisma
then I’m Father Charismas

What IS this?

Maybe he’s smarter than that
Maybe there’s half a plan under that hair-like hat
Maybe he’s tying the media in knots
playing them with multiple money making plots
ready to dump shares in Vegemite and Arnott’s

Or not.

Is this what passes for a serious trade representation?
Taking a press briefing dressed as Sir Les Patterson?

IMG_3233What other Australian things does he know?
I’m surprised he doesn’t mention Russell Crowe
What about Skippy, or Kylie Minogue?
Or stand there dressed as Ned Kelly instead
with a dented tin bucket on his head
a sign round his neck that says G’Day! I’m Boris!
We’re up shit creek, mate – please don’t ignoris

how they met

Stepping through the front door into Mary’s house is like stepping into a crazy echo chamber. There’s a radio playing full blast in the kitchen, a TV in the front room with loud music and studio applause, and a TV in the back room with explosions and machine gun fire. The whole effect is made worse by the fact that the house has laminate flooring, and there’s not much in the way of soft furnishings. When I call Mary’s name to announce myself I have to shout. Her four wheel walker is at a strange angle in the middle of the hall, like she dumped it there in a hurry. I’m worried something’s happened, but as soon as I go forward to put it straight, she emerges from a tiny bathroom under the stairs.
‘I said go through,’ she says. ‘Didn’t you hear me?’
‘Well it’s quite noisy, Mary. D’you mind if I turn things down a bit?’
‘Suit yourself,’ she says, then takes the walker from me and walks with it through into the back room, her shoulders hunched, rolling heavily in the hip, like an old farmer ploughing a muddy field.
I do a quick tour of the house, switching off the TV and the radio. It only leaves the TV in the back room, a giant plasma affair. It’s playing a forties war film. There’s a close-up of John Mills looking tense, which feels about right as I ask Mary if she’d mind turning it off for a bit.
‘You do it,’ she says.
I can’t see the remote, so I just touch what looks like the off button on the bottom of the screen. The whole thing immediately dumps to a white fuzz accompanied by a hideous noise.
‘Oh what’ve you done now?’ she says, producing the remote from her cardigan pocket and zapping it off. ‘Good God almighty!’
‘There! That’s better!’ I say. ‘I couldn’t hear myself think.’
She raises her eyebrows, like she could say a few things about that if she wanted to.
‘How are you feeling?’ I ask her.
‘Much the same,’ she says. ‘Terrible.’
‘I’m sorry to hear that. In what way terrible?’
‘What?’
‘I say in what way terrible?’
‘What d’you mean?’
‘Are you in pain?’
‘No. Thank God.’
‘Do you feel sick? Dizzy? Short of breath?’
‘No.’
‘Lacking in energy?’
‘I do my best.’
‘I’m sure you do. So when you say you feel terrible, what… erm….’
She’s ignoring me now, fussing with a heap of stuff next to her on the sofa, so I decide not to push the “feeling terrible” thing any further and see if her obs offer any clues instead.
‘Would you mind if I did your blood pressure and temperature and so on?’ I ask her, unzipping my bag.
‘Be my guest,’ she says, and immediately rolls up the sleeve of her cardigan.

Just behind her on the wall is a large, three part picture frame, a photo of the Queen on the left looking a little dazed, a royal letter on the right, and the two panels separated by a golden tassel like a light pull or a curtain closer. I wonder what would happen if the glass wasn’t there and you could reach in and pull it. Maybe the national anthem would play and then the whole thing burst into flames.
‘What’s that for?’ I ask her.
‘We were married sixty years,’ she says.
‘Wow! That’s lovely.’
‘He’s gone now.’
‘I’m sorry.’
‘What can you expect?’
‘I suppose.’
‘He built this place.’
‘Did he? That’s amazing.’
‘He was a builder.’
‘Yes. I bet he must’ve worked hard.’
‘He never stopped.’
‘Sixty years! That’s very impressive, Mary. You’ll have to tell me your secret.’
‘What secret?’
‘How you managed to stay married for sixty years.’
‘I couldn’t think what else to do. Besides, you get used to someone.’
‘I suppose that’s true. So how did you two meet?’
‘He tripped me up in Woolworth’s.’
‘Where? By the pick n’mix?’
‘All I know is, his friend was going with my friend.’
She sighs and looks pained, as if the effort of remembering these things is exhausting her.
‘’That didn’t last,’ she says. ‘Are you done now or what?’

Boris vs. Winston

Boris shares the pouchiness
the shoulders & the grouchiness
lacks the hat
but makes up for that
with his hands thrust resolutely deep in his pockets
hair like Warhol stuck a fork in a socket

he’s very fond of speeches
but often overreaches
panics
and goes splashing around in the classics

Boris went to Eton then Oxford
which is a little bit awkward
given his ‘common touch’ schtick
he’s no idea how normal people tick
but then again, Winston went to Harrow & Sandhurst
so I’m not sure really who comes off worst
in that regard
it’s hard
and anyway, the working classes love a toff
as long as it’s not clear who’s ripping them off

IMG_3200so – in conclusion
it’s true they both had a bit of a power delusion
but whilst Winston was famed for his persuasive pugnacity
Boris is known for his evasive mendacity
I’m afraid his gravitas is more gravitasn’t
he says he’ll do something but dasn’t
his main talent is for being absent
and whilst Churchill led us in World War II
Boris hasn’t got quite as much to do
just driving wedges in the United Kingdom
tipping us out of the European Thingdom
making us world beaters in screwing up a pandemic
– so I suppose in that way you could say he’s been epic

 

statue PR

my stiff neck became brass neck
accompanied by
what I can only describe
as pose yearning
and a gritty kinda burning
way back of the eye
where my brains started to shrink & solidify
with a numbness like concrete
that dropped like a sheet
thumbs to feet
I started to feel – I don’t know
all plinthy, I suppose
tethered by my toes
in one weird, wired position
until I realised I’d transitioned
from person to public exhibition
a fancy perch for pigeons
it was a giddy proposition

but even I could see the benefits
of this super-stationary genesis
my slate had been swept
my darkest sins side-stepped
I’d been morally cleansed
through the weighty marble lens
of public sculpture
chiselled into the culture
hoisted onto a podium
left there ad nauseam

IMG_3182so if you’re standing there wondering
about all the heroic rendering
considering, consulting your phone
asking who the creep is, set in stone
why he deserves to be so well known
honestly – don’t trouble yourself what the truth behind this is
just take another selfie and go about your business

 

monster movie

Godzilla squares up against Trump
top of a North Korean nuclear dump
Godzilla roars
wiggles his ears & claws
flashes his incisors
Trump gives out a little scream and turns to his military advisors
but they’re all miles away, smiling & waving in oven gloves & safety visors
Trump straightens his tie, raises a finger
Now just a minute
This is not the picture
I swiped right on Tinder
You’re nothing but a big, mean, nasty lizard…
Godzilla stuffs him wig first straight down his gizzard

IMG_3149