jim! jim!

I’m in danger of being thrown out of book group.

Not just thrown out, but ceremonially unbound, de-leafed, dust-jacketed, redacted, tossed on the remaindered pile, pulped.

Reason being, I tend not to like the books. Not even the ones I choose. (I mean – I’m a fan of John Steinbeck. He’s written some of my favourite books ever. But East of Eden? Yeuch. C’mon!)

The latest one is Absalom, Absalom! (So good they named it twice). Faulkner’s masterpiece. ‘The best novel yet written by an American’ (according to Faulkner). And sure – it looks good on paper. A civil war saga told from several viewpoints, each one as unreliable as the other. I think the idea is that you patiently peel away all the narrative layers and achieve understanding amongst the wreckage. Something like that. Which is fine, until you set to work, and find yourself overcome by layer fatigue. I’ve never read a book with such narcoleptic power. It didn’t matter how sharp I felt when I sat down, in just a couple of pages I was yawning and wondering what snacks we had in the cupboard. The febrile drama of the whole thing only made it worse. It was completely numbing, like finding yourself trapped next to one of the main characters on the bus, monologuing without end, requiring no input from you whatsoever, or any sign that you’re interested, or even alive. You’d have to pretend to faint to escape. And even then they’d insist on going with you in the ambulance.

Apparently Faulkner was influenced by Joyce. That doesn’t surprise me, having tried and failed to read Ulysses. I don’t know if they ever met, but I think they would have got on. Either that, or cancelled each other out, like two literary black holes colliding, disappearing into a prose singularity that swallows narratives whole, twists them up and splurges them out into an eternal parade of string people sitting on porches or horses smoking cigars, sipping whisky and bitching about Gettysburg.

Anyway. I’m just hoping everyone else is having the same trouble as me. My fear is they all completely love it, the immersive experience, the overwhelming, supersaturating drama of it. And pity me for my inability to engage with the passion and the poetry. And then vote to have me thrown out on my raggedy beginning-middle-and-end ass.

But at least I know what I’m going to choose next.

Farewell My Lovely.

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leila’s recipe for old age

It’s a broad, bright morning, a little colder than of late but still unseasonably warm, so I don’t understand why Leila’s house should be so dark and cold. It’s in a good position, set back from the road up a steep incline; there aren’t many trees around; it has generous windows front and back. But stepping over the threshold is like stepping into a mausoleum: musty, shadowed and quiet.
‘Have a seat’ says Leila, soundlessly pulling one away from the dining room table. There’s a bowl in the centre of the table piled with glossy ceramic fruit, and it strikes me that all the living things in the room – the large vase of orchids in the fireplace, the cat sleeping in its basket, are all fake. Leila seems a little fake, too, as perfectly made-up and buttoned-up as a lifesize doll. There’s a large painting over the mantelpiece – a fishing scene in a sunny Mediterranean harbour – and somehow it makes the place seem colder.
‘I don’t feel it,’ she says. ‘I’m a December baby.’
I tell her why she’s been referred to the community health team, and she takes the news with a polite but detached interest, like someone being told of a development somewhere that doesn’t particularly involve or interest them overmuch.
‘It’s so kind of you to visit,’ she says. ‘Can I get you anything…?’
‘I was just going to ask if I could get you something! Some tea or toast?’
‘Oh, no!’ she says. ‘I’ve had my breakfast.’
‘What did you have?’
‘Some porridge and a cup of black tea.’
‘Sounds healthy.’
‘Oh – I’ve always eaten well.’
And it’s true, she doesn’t seem malnourished. In fact – environment aside – she seems in pretty good health. The only medication she’s prescribed is for memory loss, but of course, she often forgets to take it, which is one of the reasons Leila’s been referred to us.
Her short term memory is severely compromised. Her conversation is on a loop, on this occasion revolving around two things: how active her mother was into old age, and what happened when she got together with her sister, Dolly.
‘I just think I’ve been rather lucky as far as health goes,’ she says, for the sixth or seventh time already. ‘But you see my mother lived till a fine old age, and I get my old bones from her.’
‘That’s lovely.’
Leila giggles and brushes her skirt a couple of times.
‘Yes! You should have seen it when she got together with Auntie Dolly. They used to play whist, you see, and honestly! They were like a couple of naughty schoolgirls!’
I steer the conversation back to the plan for the next few days, the carers who’ll be coming in, the appointment at the memory clinic and so on. She listens to all of this very seriously, nods to show she understands, then brushes her skirt again.
‘Yes! Well! I just think I’ve been rather lucky as far as health goes,’ she says.
‘I think you must have looked after yourself, too, though, Leila.’
‘Yes. I think I have. And do you know what my secret is?’
‘No. What?’
‘I believe in onions.’
It’s such a shock to hear her say something different that it makes me laugh.
‘You can laugh, but it’s true!’ she says.
‘In what way, onions?’
‘Well,’ says Leila, brushing her skirt again. ‘They bring out the flavour of meat.’

little red hen inc.

let me tell you ‘bout the little red hen / she knew her way round the farm and back again / when to run & when to relax / the sharp rain & the sharper axe / the narrow margins on milk & eggs / the tractor monsters beyond the hedge / anyway / one day / she scratched up some grains of wheat / and instead of just laying on with her beak to eat / she packed ‘em up neat / & took them to / the rest of the raggedy farmyard crew / namely a dog, a cat / a mouse & a rat / all ducked out suspiciously in a line like that / so / y’know / true / an unlikely combo / but – see – the farm had always been a little absurd / the lines between the animals blurred / anyway / this particular day / LRH flaps up on a stanchion / and the gang of four I previously mentioned / stood together with apprehension / (y’see – she had a certain reputation / for poultry flights of imagination) / Who will help me plant this lil’ ol’ mess o’seed? / she said / with a beaky smile & shake of the head / not I said the dog & the cat / not I said the mouse & the rat / well shit on you, she said / stuffed it back in her pocket instead / I’ll do it myself she swore / and dropped down lightly onto the floor

and so she did

well my god – such dusty dedication / daily feeds & fancy irrigation / until one day she saw with pleasure / how far it stretched on her retractable measure / so back she went to the mangy quartet / to see if they’d shifted their stance yet / not I said the dog & the cat / not I said the mouse & the whatever / well – that plucky bird she gave them the feather / kicked off back to her corner / spent an egg-bustin’ week / scything the corn into heaps with her beak / threshing the grain with a rusty bedspring / brushing it together with her wings and things / and it was only after she’d crooked her back / filling a mess o’hessian sacks / that she took herself back to the barnyard chapel / to see about some venture capital

(oh…kay said the duck with a cynical quack
I wish you the best of luck with that)

so then what the hen needed to know / was where she could bake her batches of dough / no way was she going to the farmhouse kitchen / the farmer always bitching / & moaning about all the criminals / & crazy animals / no better than cannibals / the sheep in some kind of woolly cooperative / the pigs openly combative / the geese coquettish / the donkey with a wiccan flower fetish / so he spent his time / checking land prices online / dreaming of the moment / he could quit this torment / and live in Greece or Spain or somewhere hot / basically anywhere the animals were not / so it was lucky the hen was a bird of utility / able to source her own facility / & eventually / when the bread was done and dusted / and the production schedules busted / LRH packed her ciabatta / branded with high-end promotional matter / an artisanal label / the LRH gesturing with a wing to a table / as if to say / look at this wonderful display / fresh to you today / and her order books grew / and the products fairly flew

and so did she

and the dog, the cat, the mouse & the rat? / she put them all in blue net hats / employing them in a productive capacity / in her burgeoning baked goods industry / the sparrows / of the hedgerows / she used to seed the artisanal loaves / while the doves / from the dovecote / working to a strict but flock friendly rota / far exceeded the daily quota / loading the little vans / that were driven by a dozen little red hens / each a personal friend / who had eagerly bought into the venture / & a heap o’creatures too numerous to mention / until everything was progressing according to schedule / and the Little Red Hen was given a medal / Awarded in Recognition of Entrepreneurial Endeavours / and a badger hung it over her beautiful feathers / while everyone applauded / (even the dog, the cat, the mouse & the rat did) / and the farmer Skyped from Faro / saying he was due back tomorrow / to give her advice on tax evasion / but wished her the best on this happy occasion / and the Little Red Hen went back to her perch / to watch as the sun set behind the church / and dreamed about spreadsheets, losses & gains / grown from just a few scattered grains / a gizzard of self-belief and a sharp business brain / and she settled down to roost / wondering how to give it a boost

and so she did

so the next day she called an extraordinary meeting / the pigs grunting and the sheep bleating / the farmer grinning by satellite link / from a laptop propped on an upturned sink / next to a well-dressed fox / paws up on a box / who the doves were sure they recognised / from some corporate scandal televised / I want to thank you for everything you’ve done / said the little red hen / when the meeting began / You’ve all worked so hard and that’s fantastic / you’re perfectly loyal & wonderfully enthusiastic / But the time has come for bigger things / for the LRH to spread its wings / So I’m very happy to say / I’ve asked to speak to you today / Sir Reynard Fox of Fox Incorporated / who’ll be taking the reins of the family we’ve created / and me? I’ll be staying on in an executive role / whilst I move out into the wider business world / utter silence from the floor / then a creaking from the old barn door / as the dog, the cat, the mouse & the rat / muttering bitterly snuck out back / just as Reynard Fox stood up to speak / and the Little Red Hen clucked her beak / and smiling widely preened her feathers / dreaming of blue skies and better weather / of personal assistants / a portfolio of investments / offshore identities / and other supranational amenities / maybe a penthouse hen house / in the Philippines or somewhere else / (the farmer was advising her / he was sending brochures) / and she felt herself changing from a Little Red Hen / to a Fowl of the World and back again

and so she did

freddy

Elsa has a history of falls and unexplained blackouts, so when she doesn’t answer the phone I drive straight over to investigate.

The house is a low white building set back from the road, a dark garden to one side with contorted sculptures dotted about and random things strung from branches, giving the place a watchful, witchy feel. I fetch the key from the keysafe and let myself in.
Hello? It’s Jim, from the hospital…
There’s uncollected post right by the door. I pick it up and put it on a stool.
Hell…oooo
Nothing.

Last time I was here the house was full. There was Elsa’s husband, Freddy, his carer, a carer for Elsa, and then two therapists whose visits had unexpectedly clashed. Freddy had been shuffling excitedly up and down the hallway, stirred by all the commotion, presenting random things after looking for them with great enthusiasm, tugging on his braces, marching on the spot in his slippers like a seagull paddling for worms. Elsa had been the quiet centre of it all, sitting on an armchair in her nightie, overwhelmed.

Now the hallway is silent, what little light there is reflecting dully off the parquet flooring.

Hell…ooo. It’s Jim … from the hospital…
Every door leading off from the hallway is shut, which I take as a sign the place is empty. Still, I have to open each one and check that Elsa isn’t on the floor.
Kitchen.
Bathroom.
Closet – ( a shock, to be confronted by coats on hooks, close-up).
Which leaves the door to the sitting room at the furthest end of the hallway.
Hell…ooo
I knock and open the door.
Utterly silent except for the honeyed tocking of a longcase clock. A saturating green light spills in from the garden through the patio windows illuminating an empty leather sofa, dark paintings on the walls, a carved mirror and dining table, a leather bucket armchair with its back to me. And as if my entrance has stirred everything up, the clock suddenly gives a shuddery kind of cough and a kick, and starts grinding out the quarter. And that’s when Freddy decides to swing round in the bucket armchair, his hands spread, his eyes wide.
‘Oh my Jesus Christ!’ I say, falling back.
‘Har hah!’ says Freddy.

little red mathematician

‘I must say everyone’s been so nice’ says Anthony, staring down at me with his arms folded as I clean the blood off his toes. ‘For the most part. And even then you can see why they might be a bit off. Pressure of work and all that. The hospital was absolute bedlam, of course. People coming and going at all hours of the day and night.’
‘I don’t think they’re very restful places, hospitals.’
‘No. I spent three weeks trying to escape. And it was always the same thing. We’ll tell you when we think you’re ready to be discharged they’d say. We’re just waiting on this result or that review. And on and on it went, absolutely without end. Until one morning a nurse appeared and started shoving things in a bag and said I had half an hour before the transport arrived.’
‘That must’ve been a shock!’
‘I couldn’t believe it. I thought it was a dream. I had such odd dreams in hospital, you see. I couldn’t tell what was real and what wasn’t. I had one particularly vivid dream about bicycles.’
‘Bicycles?’
‘Red ones. Growing out of the ground, like trees. What d’you suppose that means?’
‘I don’t know. It sounds kind of stuck.’
‘Well I suppose so. I was ready to start tunneling my way out with a spoon.’
There’s a knock on the door.
‘Ah! That’ll be June!’ he says, pushing himself more upright on the chair, dragging his cast leg back on the stool. ‘You couldn’t let her in, could you?’

When I open the front door I’m met by a small elderly woman dressed entirely in red. A red tartan shawl with darker red patches and golden thread; a red blouse fastened at the neck with a beetle brooch; a red corduroy skirt; red stockings, and shiny red patent leather shoes. She’s carrying a wicker basket with the handle looped over her arm, and the basket is draped with a white cheesecloth square.
‘Cake!’ says June, smiling at me as innocently as if I was a wolf dressed in a nurse’s tunic. ‘For the invalid!’
I can tell by the way she marches round the corner and into the flat that she’s been here many times before.
‘Helloooo!’ she calls ahead. ‘Only me!’

Anthony makes the introductions when I follow after her into the living room.
‘June is my oldest friend. The best mathematician I know. And I know a few.’
‘Oh now!’ says June, but she doesn’t deny it, giving me a broad, red-lipped smile instead.
‘We’re going to celebrate Anthony’s release with a lovely morning eating cake and talking algebra,’ she says, resting the basket on the table.
‘Well don’t mind me’ I say. ‘I’m all done with the foot. All that’s left is to write up the notes and I’ll leave you to it.’
I pick up the folder and click my pen. ‘And I promise I’ll only chip in if I hear you say anything completely outrageous about the theorems.’
‘Theorems?’ says June, suddenly serious. ‘What d’you mean? What theorems?’
‘Only kidding,’ I tell her. ‘I struggle putting the right number of shoes on in the morning.’
She looks at Anthony, they both laugh, and she sweeps off into the kitchen to divide up the cake.

the last bid

margaret sits in the flickering gloom
cancerous queen of the old front room
presses a B&H to her lips
watching antiques road trip
I think that wonnacott’s such a wheeze
she says, nodding at the little TV

margaret worked for the HMRC
(she didn’t want to confess it to me
because people can be seriously off
when it comes to money and all that stuff)
she says she was in her element there
up to her elbows in people’s affairs

margaret nursed her dying mother
endless nights watching TV together
blind date, ruth rendell, mr bean
furosemide, ramipril, mirtazapine
she’d never have believed it if you’d said
one day she’d be the one in bed

margaret takes one last long drag
then carefully grinds out her fag
as wonnacott models a regency muff
and worries if it’ll earn enough
she shakes her head and sighs
wonders when the woman died

margaret has her things to hand
remote control, juice and contraband
cheerfully waves me out the door
as wonnacott paces the auction room floor
and the muff bottoms out on the closing bid
and the gavel comes down on eighty quid

about a squirrel

‘Tell me about the squirrel.’
‘It would never have happened if Sheila were still alive.’
‘Was she good with squirrels?’
‘She was good with everything. I’m lost without her. Lost and lonely.’
‘I’m sorry to hear that.’
‘It’s not your fault.’
‘So go on, then. What’s all this about a squirrel?’
‘I’d just got back from the shops. I opened the front door and came into the hallway, put the bag down, leant the stick in the corner, turned round to close the door when I heard this little skittery noise from the bedroom. Hello I said. Who’s there? Because I thought it might be a burglar. Which, in a way, it was. So I nudged forward a little bit, and there was the skittery noise again, and something falling over, like a glass. So I said Right! I’m calling the police – although the phone was in the kitchen, and anyway, to be honest with you, I had a feeling it was too small to be a burglar. More likely a cat or something. But you say stupid things when you’re on your own, don’t you? Sheila wouldn’t have had none of that. She’d have marched right in there and sorted it out, burglar or otherwise. She was always the same, right from when we met. She weren’t afraid of nothing, except maybe at the end, and that was different. That was more than anyone could’ve coped with. Anyway, there I was, standing in the hallway, wondering what to do, picking my stick up again and holding it out in front of me, when suddenly – wham! Out flies this squirrel. And I know I’ve probably remembered it all wrong, because it happened so quick, but I swear, this squirrel, he ran up the wall, across the ceiling, back down the other side, through my legs and out the front door. And I spun round on the spot to whack him one, and fell over, and I must’ve caught my head on the hall table, because next thing I know I’m sitting on the carpet covered in blood, and my daughter Carol’s standing over me, and shes’s saying Oh my God, Dad. What happened to you? And I told her about the squirrel, and she told the paramedics, and now everyone thinks I’m this crazy old fool who got mugged by a squirrel. But I tell you what, they’re not like they used to be. I remember when a squirrel would tiptoe up to you and maybe take a nut or two out your hand. Now they’re just as likely to steal your car and burn your house down. But things change, I suppose. Life goes on. I just wish I was coping better.’

legging it

Pine Close is a tributary of a dozen streets, everything leading off from everything else in repeating patterns like a fractal maze, the town planning equivalent of a fern or maybe an ice crystal. All the streets are named after trees, which is odd, because actually there are no trees here at all, excepting one or two brutalised sticks at best, and a scattering of drought-tolerant shrubs. The only characteristic the estate shares with a forest is that it’s easy to get lost. All of the houses are identical, a monotonous procession of red-bricked buildings, shoulder-to-shoulder behind iron railings, green and black and blue bins, cars parked in numbered bays, the only thing to differentiate each from each maybe a variation in the way the net curtains are hung, a plastic heron or a planter with a blob of box and a solar-powered night light, and a sign on the corner of each group to tell you how the numbers are running. I half expect to see a giant hand reach in to push a car around the turning circle, stop, open the boot and pinch out shopping bags of tiny, ultra-realistic shopping.

To add to the unreality of it all, I’ve come to collect a leg.

‘Sorry to ask you’ says Lucy, one of the senior OTs. ‘Only it got left behind when Bill went into hospital. Now he’s gone to rehab and he needs it. There’s a keysafe, so all you’ve got to do is pick it up and take it to Bevan House.’

I slow to read the numbers, attracting the suspicious gaze of three elderly people standing on the corner. They can see my uniform, so I’m hoping they’ll guess I’m legit – although by the way they stare at me it’s like they think I’ve bought the kit off eBay and I’m scouting for mischief.
‘Morning’ I say through the open window as I crawl past.
They stare at me and say nothing.

I park in a space marked with a V (for Villain, judging by the looks I get from the trio), take my diary, and walk along the path in the direction of Bill’s house.

I knock on the door, just in case there’s anybody there, and then start fiddling with the keysafe, which doesn’t seem to work. Then I notice another keysafe, a newer, nicer one, to the other side of the door. I’m just replacing the cover of the old one when a back gate opens and an elderly man appears. His face has a slack and aggrieved look.
‘What are you doing?’ he says.
‘Oh! Hello!’ I say. ‘I’m Jim, from the hospital. I’ve come to collect Bill’s leg.’
‘Who did you say you were?’
‘Jim. From the hospital.’
‘Bill’s not here.’
‘No. I know.’
‘He’s in the hospital.’
‘Yes. Well – no. Actually – he’s just been transferred to a nursing home.’
‘Who did you say sent you?’
‘The hospital.’
The man frowns and pulls back, keeping his hand on the gate.
Meanwhile, the three people who’d been standing at the corner have migrated to the railings behind me.
‘What’s going on, Ted?’ says one of them, a woman in a hat that looks like a tea cosy.
‘He says he’s come to see Bill.’
‘Bill’s in hospital,’ says the woman.
‘He’s been there weeks’ says one of the others, an elderly man with a walking stick that he taps on the ground a couple of times. ‘I saw them take him away. In an ambulance.’
‘What do you want?’ says tea cosy woman. ‘Who sent you?’
I hold up my pass, feebly, an atheist waving a crucifix.
‘I’m Jim, from the community health team. Bill’s been transferred to a nursing home and they asked me to collect his leg.’
‘His leg?’
‘Yes. He’s an amputee.’
I’m suddenly stricken with the thought I’ve got the wrong Bill.
‘He’ll need that,’ says the other of the three, a bored looking man in a voluminous duffle coat. I smile at him, playing my advantage.
‘So let’s get this straight,’ says Ted. ‘The hospital asked you to come and fetch Bill’s leg because he needs it at the hospital. Is that right?’
‘The nursing home. Yes. I think they want to start rehabilitation. I’m sorry but – are you a relative?’
‘His brother,’ says the man, straightening. ‘Why?’
‘Patient confidentiality. Can’t say too much.’
Which sounds ridiculous, even to me. I don’t think it’s helped.
‘Bill doesn’t have any secrets from me,’ says Ted.
‘No, no. That’s not what I meant. Anyway – look – sorry – we’ve got off on the wrong foot,’ I tell him, holding out my hand. ‘Ironically.’
‘Why were you fiddling around with the keysafe if Ted was there?’ says tea cosy woman.
‘Well I didn’t know that, did I?’
‘You could have knocked. That’s what people generally do, you know.’
‘I did knock.’
‘Not very loudly,’ says Ted. ‘It was like you didn’t want me to hear.’
‘Did you hear that?’ says tea cosy woman, turning to stick man.
‘Hear what?’
‘He didn’t want him to hear.’
‘Oh’ says stick man, but he looks confused, and he taps his stick again.
‘So – do you live here, too?’ I say to Ted, as innocently as I can.
‘No. I just came round to have a tidy up.’
‘That’s nice of you. I don’t suppose you came across a leg, did you?’’
‘Of course I did. It’s in the conservatory.’
‘Would you mind if I took it, then? Only…’ I smile and shrug and hold my diary up, in a mime that’s supposed to illustrate how busy I am, what a day, etc, etc. But it’s a tough crowd and they don’t say anything.
Ted purses his lips and shakes his head, as if this is the most unsatisfactory thing that’s ever happened to him.
‘You don’t have to give me the leg if you don’t want to,’ I tell him, hoping it’ll take the pressure off and make him more compliant. ‘I’ll just tell them at the nursing home and they can make other arrangements.’
‘Like what?’ chips in duffle coat man. ‘He needs his leg.’
‘Exactly!’
‘Come on, then,’ says Ted, sighing and retreating. ‘But I’m not happy.’

A couple of minutes later I’m walking back up the path holding Bill’s leg. It’s a below-the-knee amputation, so the leg consists of a large, silicone cup and stocking, an aluminium strut, and a plimsoll on the foot. I carry it in front of me in a self-conscious way, like an olympic runner holding the flaming torch, making my way through the crowds.
‘Don’t drop it’ says duffle coat man. ‘It’ll run away.’

bad penmanship

I was busy checking out my stuff at the supermarket when I noticed the woman next to me had dropped her pen. She was wearing a baggy combat jacket, and I guessed that when she pulled an extra bag out of the pockets the pen came with it. I thought she’d probably see the pen lying there, so I didn’t say anything to begin with. But she was so preoccupied, both with the packing and with her conversation with the checkout guy. They were talking about Pompeii. Or at least, some place that got wrecked by a volcano. And not recently, otherwise I they probably wouldn’t be talking about it so lightly and happily. I thought the pen woman had recently gone there, or was planning on going, or checkout guy had gone there sometime recently, or possibly even grown up there – or at least, nearby. Anyway, the woman was too engrossed to notice the pen on the floor. It looked like quite a nice pen, so in the end I went over, picked it up and gave it to her.
‘Oh!’ she said. ‘How did that get there? Well! Thank you very much!’
And she showed the checkout guy the pen, and he nodded with his eyebrows raised, as if to say well – another disaster averted.

I went back to my packing, which was piling up, because the guy on my till was due to finish or on steroids or something because he just kept it all coming at an alarming rate.

Anyway – I couldn’t help glancing at the woman, just at the moment she went to put the pen back in her pocket. She missed. The pen fell on the floor.

Which put me in a dilemma. Do I pick it up again or not?
These were the options:

1. If I picked it up again, she’d be embarrassed that exactly the same thing had happened, and in that case, maybe a lost pen was the lesser of two evils. But it was a nice pen.
2. She’d wonder if I’d pulled some kind of stunt, and would look at me as if she expected the same thing to happen a number of times before she left the store.
3. She’d wonder why I was paying so much attention to her and her pen.

Any of these options would almost inevitably lead to more of a ‘thing’. And I didn’t want a ‘thing’, I was on a mission to get the shopping, get back home and get writing, so I wouldn’t feel my day off had been wasted. I’d already had to go to the vets to get flea treatment for the dog and cat. The last thing I wanted was anything else to slow me down and distract me. (Ironic, then, that I ended up writing about the pen incident instead, but hey – that’s the way it goes. The essence of displacement activity. Writing about dropped pens at the checkout is more inviting than finishing a novel. Maybe I should just accept it – mission aborted: this novel will never be done. I’m horribly aware of its deficiencies. And my characters are getting mutinous. They spend way too much time sitting around smoking, flipping through magazines, waiting for me to come sit at the keyboard and write them some more goddamned stuff to do. But I can’t help it. I’m easily distracted. Maybe I should try cultivating the writing habit equivalent of my checkout guy – shovelling the words through in a great, undifferentiated heap. I bet he’d finish a novel in a week. And earn vouchers off the next one).

But fate took over, as it often does in these situations. The woman stepped on the pen. Even above the general chaos of the supermarket, there was an audible crunch.

‘Oh shit I don’t believe it!’ she said, picking it up and then brandishing the broken pen in the air. ‘I don’t deserve good pens!’

I hurried away.

sig

adversity rhyme

jack and claire
went up the stairs
to shoot a baggie of smack
jack fell down
and broke his crown
and claire she ran out back

jack pulled through
in ITU
six months later – home
he looked for claire
she wasn’t there
so jack was all alone

jack’s mum Lynne
she stepped in
forgiving to a fault
jack lay a-bed
and took what she said
with methadone and salt

his mum slammed out
he gave a shout
and injuries notwithstanding
crawled from the sheets
on his hands and knees
to the stairs at the end of the landing

he lay at the top
looked down at the drop
a spaceman by a crater
the hole in his life
he’d burned with a pipe
and landed six months later

jack and claire
went up the stairs
to shoot a baggie of smack
jack fell down
and broke his crown
and claire she ran out back