rachel’s song in waltz time (with hens)

daddy was a / publican who / drank more than he / sold
wrestled with the / licence board who / finally took / hold
mummy did the / best she could but / struggled with the / pain
many were the / arguments and / nothing ever / changed

now you’re gone / it’s just my mum / she’s living on a / farm
with free-range hens / that scratch around / the yard and house / and barn
they follow you / or perch on drums / or watch you from / the shade
it’s wonderful, how / hens can be / so perfectly / behaved

here’s a picture / that I took, when / I was last at / home
a single egg / a socket set / the white against / the chrome
I don’t know why / it means so much / maybe I’m just / blue
Looking back at / everything, the / thoughtless things we / do

daddy was a / publican who / drank more than he / sold
wrestled with the / licence board who / finally took / hold
mummy did the / best she could but / struggled with the / pain
many were the / arguments and / nothing ever / changed

full volume

Rita is sitting in a high-backed chair watching a veterinary programme on television. A cow is so bloated the vet is driving a cannula big as a marlinspike into its abdomen; the farmer and his wife put their hands over their noses. ‘She’ll be a lot more comfortable now,’ the vet says. They nod, keeping their hands in place.

The television is on so loud Rita hasn’t heard us come in, so as gently as I can I say Good Morning and move into her line of sight.

She screams.

I’ve met Rita before, and I’d told Andreas what to expect. It’s a particularly terrifying scream, though, and he visibly reddens.
‘It’s okay! It’s okay!’ he says. ‘We’re from the hospital. We’ve just come to see how you are and what you might need.’

She screams again – exactly the kind of sound effect you’d want in a horror film if an elderly person was being murdered. Such an open-throated and desperate noise, made worse by the slack cavity of her mouth and the two, blockish teeth, offset top and bottom.

The odd thing is, she’s not screaming because we’ve scared her coming into the flat. She’s screaming because she wants us to do something. And sure enough, when I ask what it is, she points to the kitchen trolley.

‘The remote? You want me to pass you the remote?’
She screams again.
‘There you are, Rita! And please try very hard not to scream like that if you can, because it makes it difficult to understand what you’re after.’
‘Thank you,’ she says, in a normal voice, and stuffs the remote into the cushion beside her on the chair.

My colleague Andreas looks shaken, but I think he’s reassured I’m not freaking out. He adopts a similarly calm, super-moderate tone.
‘Now then, Rita,’ he says, squatting down and resting a hand on hers. ‘I’m the physiotherapist, and you’ve met Jim before, the nursing assistant. Is it okay if we ask you a few questions to find out how we can help you after your stay in hospital? Would that be alright?’
She fishes out the remote control with her free hand again and raps him on the knuckles with it – I guess because he’s in the way of her vet programme.
‘Oh! Sorry!’ he says, rubbing his hand and standing up again. ‘But Rita – would you mind if we turned the television down a little bit? So we wouldn’t have to shout?’
She screams again, and he almost falls over.
‘Now, now!’ I say. ‘Come on, Rita! Remember what we said about the screaming? Try to tell us as calmly as you can what it is you want.’
‘Soup!’ she says. ‘I want soup!’
‘Okay. That’s okay. I’ll make you some soup’ says Andreas, ‘but first let’s get the assessment out of the way, shall we?’
She turns off the TV and grumpily stuffs the remote into the chair cushion again.
Andreas has just turned his back to open his folders when she screams again, so loudly he almost dumps the lot on the floor.
‘What is it now?’ he says.
‘Clean these!’ she shouts, handing him two filthy magnifying lenses. ‘Clean them!’
‘Okay. I’ll rinse them under the tap for you, but then I really must get on with my paperwork. Okay?’
He takes the glasses, shakes his head at me, then goes into the kitchen.
‘Whilst Andreas is doing that, d’you mind if I take your blood pressure and so on?’
She grunts, staring at the television.
A rabbit is being sedated prior to an operation. The vet says he’ll take this opportunity to clip its nails, too.
I approach with my kit, gently wrapping a blood pressure cuff round her arm, and then putting the steth in my ear. Just behind her I notice a yellowing, photocopied picture taped to the wall – a Welsh terrier, sitting with its paws on a table. The dog is wearing pince-nez specs, a red spotted neckerchief and a knitted waistcoat. ‘He’s lovely’ I say, nodding at the picture. What’s his name?’
Rita screams.
It’s completely heart-stopping, like I’ve put the stethoscope into the mouth of a roaring lion. I snatch it clear and take a step back.
‘What?’ I say, shakily.
‘A girl!’ she says, in her normal voice. ‘She was a girl’.
Then she picks up the remote control, points it at the TV, and turns it up, full volume.

beatrix splutter

Agnes lives in the last of a series of two-roomed cottages that tail off into the privet at the far end of an obscure cul-de-sac. It’s a dead-end, deeply shaded, out-of-the-way kind of place. The kind of place you’d imagine outlaws to live – at least, a very suburban kind of outlaw, with mobility scooters instead of horses.

I pass a strange duo sitting outside the first bungalow: an elderly man and his equally elderly cat. The man has no teeth, which makes it look as if his flat cap is a plunger that’s been pressed and driven the upper half of his head further down into his neck. He’s liberally smacking his lips as he concentrates on rolling a fag, one long and skinny leg crooked over the other and spasmodically kicking up and down, no doubt in time to his heartbeat. The cat is sitting on its haunches on the rusted patio table beside him, so fixed on the fag-rolling it’s like he’s waiting for the old man to finish, and pass the cigarette to him.
‘Morning!’ I say as I walk past.
The old man nods and waves the half-finished fag in the air. The cat merely turns to stare, in one smooth, arrogant slide, and an expression that seems to say: Don’t distract him.

Agnes’s cottage is so stuffed full of junk there’s almost no room for Agnes. She’s installed in bed in a living room with just enough space to move from the end of the bed to the commode. The whole scene is like a burrow, poorly lit by a low-wattage lamp on the shelf above her that casts a febrile, enclosing kind of light. Agnes smiles at me as I introduce myself. She’s like a Beatrix Potter mouse in a bonnet and nightie, twitching her whiskers as Doctor Magpie hops in and starts flapping around, trying to figure out whether any of her problems are new or not, and what’s to be done.

An hour or so later, when I’m walking back along the path, and filling my lungs with fresh air, I can’t help wondering if I’ll see the old man and the cat again. And yes – they are there, in exactly the same position. The old man is still smoking, tipping back his head and releasing such a quantity of smoke you’d think each cigarette would be vapourised in one, deep drag. The cat has already heard me coming, and draws a bead as I walk past the gate.
‘Alright?’ I say, and then: ‘Nice day’
The man raises his cigarette in the air in the same way as before, except now he accidentally disturbs a quantity of ash into his lap. He curses, uncross his legs, leans forward, and begins urgently smacking his trousers clear. The cat watches him, then turns to look at me again, this time with an expression that seems to say: You made him do that.

day of the thal

You see them on kitchen shelves and fancy units everywhere. A regular, sideways spread of broad, fleshy green leaves, the obvious but slightly unbelievable kind of leaf a robot would synthesise if it wanted to look like a plant: two by two by two, this then this then this. And then, veering up and around the leaves, looking more like something that carries fibre optics than sap, secured by a sequence of round metal ties to functional green canes, the flower stalks, rising and eventually splitting into smaller stalks, that split again in a regular pattern, and culminate in racks of identical flowers, three petals in a triangle in the back, two either side, and something like a screaming mouth in the middle, two prongs for teeth, a spotted uvula at the back. In white, puce and pink.

This is Phalaenopsis, the moth orchid. Phal, to the trade. And it’s been the UK’s most popular houseplant since Monstera Deliciosa.

You can buy them at the supermarket, in a variety of containers, from mini metal buckets in various pastel shades to oddly-shaped vases in smoky green glass. Or not buy them – they’ll appear on your shelves anyway. You can water them, or not, they don’t care. They manage pretty well. All they really need to thrive is any place in the house with a good view of the action.

I saw another one today and suddenly the truth struck me.

Phalaenopsis, the most advanced biotech monitoring system the world has ever seen, quietly and efficiently monitoring earthly business, and transmitting it back to the mother plant on Mars. That one’s a truly gigantic specimen, exploding out of a chintzy red volcano (where – it’s true – there’s very little water, but Phal has adapted to this over the millennia, and it manages pretty well).

The data is stacking up, sheeple. Phal is content. It knows that soon we’ll have Mars on Earth. And then truly will Phal will have dominion.

Long live Phal.

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response to another rejection letter

Dear Whoever,

C’mon! I AM the droid you’re looking for / I’m Shelley Duvall behind the door / I’m Liam Neeson using the hard shoulder / I’m Harrison Ford outrunning a boulder / I’m a zombie standing on an elevator / who’s still there when you come back half an hour later / I’m the Pied Piper playing for one deaf rat / who nods as if he’s happy with that / I’m the butcher, the baker, the manuscript maker / I’m the cook, the thief, his wife, and a whole lot of other fakes / I’m the lady with the head full of snakes / who rinses and rinses but never quite convinces / I’m the baby alien that didn’t make it past the vest / I’m the original scream test / I’m Eliot Mess / and The Unworkables / I’m Gene Kelly and The Untwerkables / I’m Childish Gambino in a casino with a bambino / quoting Italo Calvino / cool & smart & he knows it / super cool till he blows it / I’m the Leastest Showman / I’m The Snowman / walking in the air till he doesn’t / I’m the Wizard of Oz that Wozn’t / I’m Toto, breaking outta the basket / I’m the witch pedalling like fury after it / I’m King Kong in a party thong / climbing entirely the wrong kinda tower / hurt by all the fire power / and stuff / trying to act like he’s big & bad enough / but even gnat bites have a cumulative effect / and you know the beast is gonna get wrecked / but hey / whatever / it’s inevitable as the weather / you just gotta learn to roll with the punches / organise some working lunches / and literary aspiration? / tough question / sometimes I feel like a skull on the windowsill / where Shakespeare maybe dabbed his quill / he probably had some better receptacle / but it didn’t make quite such an arresting spectacle

hoping all’s good with you &c

yours in limbo

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a bottle of banana-flavoured drink

No-one knew why Alf was dying, but anyone could see that he was.

And as far as I could tell (it was difficult to ask), nobody knew why he’d refused any of the tests that might reveal the cause, chance of recovery, or time left. He’d been clear about that – certainly clear enough to reassure the medical team that he understood the consequences of his actions, and that his refusal wasn’t simply another manifestation of his illness. He may have explained his decision to them in detail. I expect he did. For us, the community health team, we simply had to accept that Alf had declined any further intervention, and wanted to be cared for at home. I can only guess why that was. Maybe he knew that anything they tried would be hopeless, and he’d lose his last weeks in a fog of operations, pain, nausea, medication. Maybe he was resolved simply to wade out with his eyes closed, and let the dark waters close over him. When I met him he was as passive as an anatomical doll, frail and uncommunicative, submitting to being rolled and cleaned from time to time, and not much else.

Alf’s deterioration had been so precipitous the family had started to gather in earnest, flying in from the extreme ends of the country, and abroad. The home they came back to was as unrecognisable as their father. Everything was in turmoil. There was a hospital bed in the front room, looking like it had been beamed up from a ward somewhere and crash-landed amongst all the fishing trophies and wedding portraits and domestic ephemera of a life. And it wasn’t just the bed. There was an abundance of medical supplies and pieces of equipment, the kinds of thing you need to treat an end of life patient at home, and beyond that, every available space was now given over to the cause, to temporary put-you-ups, and suitcases, and clothes hanging over balustrades, and then extemporary family huddles in the kitchen, or the garage, wherever they could gather together, and drink tea, and whisper severely, and let the old family rivalries play themselves out, as they ever will when families get back together for any reason, but most especially now, when one of their number is dying. They’d hurried across hundreds – even thousands of miles – and now they were here they found there was little they could do. Along with their horror of the situation they had to cope with boredom, and frustration, and being separated even temporarily from their own lives and problems, for an indefinite time. They relieved each other from their vigils at the bed. They did what they could to stay afloat. But the house was an anteroom of death, and the fact that no-one explicitly knew why made it worse for them.

Leah had been the first to come down. Leah had problems of her own. She was almost as skeletal as Alf, except in her case it was an eating disorder she’d struggled with for years. She tried to encourage her father to drink some of her own supply of fortifying milkshake, holding the straw to his lips and making softly encouraging noises.
‘He doesn’t want it,’ said her sister, Mae, her arms folded.
‘It’ll do him good. It’s designed to.’
‘Yes, but he doesn’t want it.’
Leah was wearing a strappy summer top that hung down from her, revealing the cruel extent of her illness. In fact, you’d have to say that there was only a degree or two of difference between Leah’s physique and her father’s, except – Leah was clearly on this side of the line, and he was on the other, and she was reaching over with her little bottle of banana-flavoured, fortifying drink, trying to do for him what she’d been trying to do for herself all this time.
‘He doesn’t want it’ said Mae.
‘But he might,’ said Leah. ‘Give him a chance.’
Mae was right, though. Alf’s eyes were already preternaturally large, made of some dull, inferior kind of glass, whilst Leah’s were still bright, and vital, and full of tears.

lord of the money

c’mon / you can’t blame a guy for trying / for simply going forth and multiplying / I think you’ll find it’s in the good book / or was, last time I looked / and yes, d’uh! I know about the camel and the needle / but I don’t think they were thinking of this indiveedle / and anyways, hey – these days any kinda mammal / can pass through anything, including a camel / they haven’t yet made a small enough lumen / to keep out this particular brand of human / with an offshore account / for undisclosed amounts / a rack of ties from the usual schools / I’m sorry, mister – I don’t make the rules / I only abuse ‘em / morals slow you down, so lose ‘em / the simple fact is, his chance came along and he seized it / he reached up, picked the damned fruit and he squeezed it / felt the holy juice trickle down his arm / and he was so impressed he bought the farm / started a dynasty / financed an amnesty / started all kinds of funds and trusts / everything sprinkled with fairy dust

but hey! how your eyes move, man / they sparkle and burn / put me on your shoulder so I can learn / I’ll ride along tame as your favourite monkey / laughing at all the failures and flunkies / look at ‘em all, flailing around down there! / they’re so clueless man it’s hard to care / didn’t no-one tell ‘em, life is a butter dream / a gated house for the dairy queen / your mission – if you decide to accept it / teach me about feudalism and how to resurrect it / they won’t care, they’re far too steady / look at ‘em! they’re halfway there already / but hey / anyway / who cares what they say? / fake it till you make it, darling / have another can of carling / but not so much you can’t do the work / at the checkouts, pumps, hospitals or whatever / get used to it, you’ll be there forever / whilst overhead, the moneyed elite / cruise at an attitude of thirty thousand feet /

anyway, the systems working, don’t knock it / it’s a full time job keeping governments in your pocket / the die is cast, you’ve paid up front / so get back to work you shiftless so and so

pulling monkeys out of the garden

Jack sits in his riser recliner with his left arm in a collar and cuff sling, looking about as uncomfortable as a man could be, hyper-inflated with discomfort, the great balloon of his belly pumped to bursting with unease.

Jack’s wife, Marge fusses round the foothills of her husband with kitchen roll and baby wipes and so on. I can see that things are difficult. He fell over in the garden a few weeks ago, broke his upper arm up near the shoulder, cracked a few ribs. The codeine-based painkillers have made him constipated. He’s immobile, frustrated, and all things considered, struggling to see his way through to the end of it all. To make things worse, just a few minutes before I arrived he had an episode of incontinence.
‘Don’t worry,’ I tell him. ‘I can help get you cleaned up.’
He’s grateful and embarrassed in equal measure. Marge runs back and forth with hot water and towels. We chat whilst I work.
‘You wouldn’t think it to look at me now, but I really used to be somebody.’
‘You’re somebody now.’
‘Not like I was.’
‘What did you do for a living?’
‘I was in carpets.’
‘Oh?’
‘I used to travel the country, selling them. I’m not talking rugs and runners. I’m talking big volume sales. Whole businesses. Serious operations, the international guys. They used to know me at all the best hotels. They used to know me by name. Say for example my son Jimmy wanted to stay the night, too. Sometimes he’d do that. He’d come out with me and we’d drive around, see the sights. So then I’d say to this fancy hotel, I’d say to them: What about Jimmy, here? What can you do me for Jimmy? And they’d say: Of course, Mr Sackler. Even if they were full. I tell you what – it was a good life. The things I used to see and do, driving round.’
I help him back into the chair.
‘Now look at me. Falling over like a clown. See that garden?’
I look out of the patio doors, onto a grid-patterned lawn, feature borders, a grey-green summerhouse, water-feature, architectural plants – the whole thing as prepped and manicured as an illustration from a magazine.
‘It’s lovely,’ I say.
‘Yeah? Well – it used to be a wilderness. The old woman we bought the house off, she hadn’t done a thing for years. It was an absolute jungle. You wouldn’t believe what we pulled out of there. I mean – I was pulling monkeys out of there. Wasn’t I, Marge? Pulling monkeys out of the garden?’
‘I wouldn’t say that,’ she says, handing him some clean trousers.
‘No, not those ones,’ he snaps. ‘The other ones.’

running out of time

I remember my old boss Justin describing a significant moment in his life.

He’d been quite successful up to that point. An entrepreneur in the fullest sense of the word, inventing things, selling things, getting by. He’d started a wholefood shop and delivery business, and for a while it all jogged along pretty well. But things started to get tough for one reason or another. His home was at risk. He had to work twice as hard just to keep his head above water. The stress of it all began to bite, and uncharacteristically for Justin, he buckled, losing that bright and slightly crazy optimism that had always buoyed him up. He began to daydream about regular hours, getting a job, having someone else take the strain. He’d always imagined he might like it in the army, attracted by the esprit de corps, perhaps, the foreign travel, discipline, routine spiced with adventure. He liked running and climbing and getting dirty. He started to think he’d missed his calling.
So at forty years old he marched himself into the nearest recruitment office, shook the sargent’s hand and sat down.
‘Where do I sign?’ he said.
The sargent shook his head.
‘I don’t follow.’
‘Sign up? Enlist? I’ve come to join the army.’
‘Sorry mate. You’re too old.’
‘Too old?’
‘You could always join the reserves. But unless you’re a doctor or something – I take it you’re not?’
‘No. I’ve thought about being a doctor….’
‘Then – sorry.’
‘So let me get this perfectly straight. What you are telling me is that I will never, EVER be able to enlist in the army?’
‘As things stand – correct.’
‘Never?’
‘Not ever. No.’
‘For the rest of my life? All of it? I can never be a soldier? That avenue is completely closed to me now?’
I can picture the sargent tensing slightly, glancing past Justin, gauging exits, strategies. Standing up to end the interview.
‘I’m afraid so. But thank you for your interest.’

‘That was the first time I’d ever really had to accept my own mortality,’ Justin said, handing me another box of yogurt-coated raisins to stack. ‘The finality of it all was completely shattering. I mean – there was nothing I could do about it! I could never be a soldier! That was it!’
‘Yeah. Well. I’ll never be an astronaut.’
‘It’s not the same thing.’
‘Why?’
‘Because that’s the first time you’ve ever said anything about being an astronaut. Whereas I’ve always thought I might join the army.’
‘Really? I had no idea.’
‘There’s a lot you don’t know about me.’
‘What about Margaret? Did she know?’
‘Know what?’
‘Know that you’ve always wanted to be a soldier?’
‘Of course. Half my family were in the military.’
‘But they were conscripted. Along with most of the rest of the population.’
‘At least they were young enough. I’d have ended up in the Home Guard. Bastards.’
He slammed the van door shut and then leaning back on it, took out his tobacco pouch and rolled himself a cigarette.
‘He may have had ten years on me, but I was a helluva lot fitter.’
‘I think you had a narrow escape. I can’t imagine you as a soldier.’
‘Why? What d’you mean?’
‘I don’t know. You’re too much of an independent spirit.’
‘Independent spirit!’ he said, flicking the match away and blowing out a great cloud of smoke. ‘Shagged-out spirit, maybe. Anyway. What the hell. I’m thinking of opening a jazz club. And if I do, he’s not coming in….’

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raw poem

they shall grow not old / as we that are left grow old / they shall not wear so much braid on their shoulders they walk with a stoop / nor watch The World at War in Colour on a loop / they shall no longer be exposed to politicians / and their endless manipulations / of the headline-loving populations / carefully kept in ignorostasis / herded together on a regular basis / to ratify the next conflagration / monitored by an international elite / the world quite literally at their feet / idly dropping crumbs of daily news / to ensure no diminution of the queues / outside the recruitment centres / (apart from a few dissenters / who chewed themselves free of their cable placentas) / in the certain knowledge that when War arrives / they’ll be down in their bunkers with their servants and wives / feasting on canned potato dauphinoise / playing supranational charades / liking viral videos of a photogenic kid in cammo / demonstrating creative ways to personalise ammo / his nationalistic fervour quite incomparable / keen to lie in some corner of a foreign field that will be forever arable / ploughed in with a deal of intelligent ordnance / zoning-in on his Twitter coordinates

they shall not use their mobile phones / to distract from the fact they are actually alone / they shall not hastily lick ice creams around the stick / melting in the fallout double-quick

they shall not be celebrated / & consecrated / in a fancy, brassy box / by an eminent geezer in ermine and fox / all the politicians sweltering in black / the flag-waving crowds out back / smoking / laughing and joking / he was such a cussed ol’ stick / well meaning but a bit thick

no

they fell in vast number / neatly diced as a sainsbury’s cucumber / by a rigorously tested range of machines / that made a killing on the market for such things