death by powerpoint

thanks for coming / please be seated

now – death does not envy, is not boastful, is not conceited / death means all your paperwork’s completed / death be nimble, death be quick / death be colonel mustard in the conservatory with the candlestick / death is the opposite of whatever the hell this is / death means never having to do the dishes / worrying about where to put all the surplus oil / death is TOIL / time off in lieu / to you / I mean of life, of course / death is a no-legged horse / death is the death of strife / death is the cure for life / death means never falling asleep reading a heavyweight literary book / you’re off the hook / on vacation / death, the ultimate prevarication / where all your hours accrue like mold / death has put you on hold / an awkward pause, a longueur / death does NOT make the heart grow stronger / death is a Masonic lodge /where everyone knows the dodge / and swears allegiance / and thanks you for your perseverance / and you take your last breath and lie down in the basket / and you have one last question but can’t ask it / and they close the lid and sing a sad song / and finally you belong / because death is me and you, you and me / lots and lots for us never to see / from here to eternity / whichever comes sooner / death and the maiden, the baby boomer / and every other child that ever was born / death the dealer, death the skunk / death the comically desiccated monk / hung on a wall in a catacomb / death the cartoon / that works on every level / death the death of trouble / death means never paying for another overpriced ticket / or falling drunk in a bramble thicket / or playing cricket / you’ve pulled stumps / quit that shit / you’ve big time quit / you’re three feet under / what death has joined together let no man put asunder / death means never again feeling uneasy / queasy / or seeing one more goddamn film by Martin Scorsese / death means never riding another bike / or cab / or any new form of transport currently in development back in the lab / like a maglev train / or a teleporting brain / a driverless lorry / death means never having to say you’re sorry / death means never listening to a politician on the radio and then switching it off because you haven’t understood a word they’ve said / death is the longest you’ve ever stayed in bed / and then some / death is a loss of momentum / death is a complete absence of the enjoyment of avocado / death is incommunicado / a lack of bravado / or anything else for that matter / death is a no-food platter / death means never having a son and calling him Xavier / or saviour / which is a better rhyme / death is a surfeit of time / death is Quintus Fabius Maximus Verrucosus, the delayer / death is the world’s most prolific slayer / a whoreson betrayer of truths / and half-built roofs / or maybe it’s rooves / I’m not quite sure / anyway, death is a door / you’re either one side or the other / death is the world’s worst brother / who never, ever keeps in touch / death doesn’t care all that much / because death is basically lazy, crazy, a putz / death is totally kaputz / an absolute vacancy of Pizza huts / death means never again mistakenly ordering the stuffed crust / death, a loss of trust / death is a lockdown, lie-in, no-show / death is on the down-lo / but anyway, thanks for trying / death is buying / burying / death is boring / death is the blissful absence of snoring / death is the end to all philosophical endeavour / death has come to everyone in history who has ever been called Trevor / or Eve / or The Rt Hon Sir Nicholas St John Reeve / death wears its heart on its sleeve / as it dances forlornly with its sickle / death is the last remaining pickle / in a jar of brine / shining and divine / floating round a doughnut of time / death is a one way sign / death wants you to slow down a little / death is waiting for you at the hospital / so now, get you to my lady’s chamber / she’s scared to death and who can blame her

5 reasons not to be flat

1   At the hospital. I’m walking up the slope to the pathology lab when I pass three bricklayers building a wall. I feel sorry for them; it looks such hard work, especially in this hot sun. They’re wearing fluorescent tabards, bare chested underneath, hard hats, filthy trousers, scuffed boots. Their deeply tanned skin is covered in a fine layer of white dust, almost but not quite concealing their tattoos. The first two bricklayers are middle-aged, grizzled, grim-faced. The one higher up the slope is much younger, in his twenties, I’d guess, a silver chain round his neck, his helmet pushed back on his head, his long, sweated hair spilling out all around. Suddenly he stops, straightens, lifts his head and starts to sing:
Young hearts…run freeeee….never be hung up… hung up like my man and meeeee…duh-du-duuuhhhh
Then wiping his forehead with the back of the trowel-holding hand, he bends back down again and carries on working

2    A woman stops me in the corridor approaching the path lab. She’s brisk, focused, in a pressed blue suit with a visitor’s badge pinned to her lapel.
‘Can you tell me how to get to A and E?’ she says. ‘I’m lost’
‘Yeah. It’s not where you think it is. I mean – because the hospital’s built on a hill, A and E is actually below us. So you’ve got to go down. A bit of a warren, I know. But follow this corridor round, you’ll come to some stairs. Go down the stairs a floor and then follow the signs.’
‘Why do these places have to be such bloody labyrinths?’
‘I know! It’s so confusing. But you should be okay. Just follow it round, go down the stairs and eventually you’ll see it.‘
‘What – the minotaur?’
‘Oh? So you’ve met the consultant?’
‘No,’ she says, shaking her head and re-shouldering her bag. ‘But maybe you should call ahead and let him know I’m coming.’

3    Portia’s sunglasses. Round, turtle-green frames, purple-tinted lenses. When she’s wearing them she reminds me of an electron microsopy image of a rapt and fabulous insect.
Happy. Smiling. Scarlet lipstick.

4    I’m chatting to Maude over the fields. She’s telling me all about her labrador Suki’s latest health problems – a flare-up of her arthritic paw. Front left. That’s why she’s on the lead, Maude says. ‘We’re just going for a stretch around the park, then it’s back home for some R&R and Andrew Marr. I’ve booked her in for lazer treatment first thing Monday, physio and massage and the rest of it. Poor thing!’
Suki is sitting at my feet staring up at me with a doleful look. You think you’ve got problems her eyes seem to say. You should try being me for a change. Meanwhile, Lola is racing round and round, showing off, demonstrating the advantages of healthy paws.
An elderly man with a collie approaches. The collie takes off after Lola, whilst the man comes over, looking furious, holding out a handful of sweet wrappers.
‘Look at this!’ he says. ‘They make such a mess!’
‘That’s Saturday for you,’ says Maude.
‘The council should give all the dog walkers grabbers,’ he says. ‘Grabbers! And sacks to put it all in!’
‘And a wage’ I say. The man frowns.
‘What d’you mean, a wage?’ he says. ‘I don’t want money. I just want a clean park.’
‘I was kidding about the money,’ I say. ‘Maybe you should put the grabber idea in the suggestion box.’
‘Hmm,’ he says, turning to go. ‘Or maybe next time I should find someone with some influence to talk to.’

5    At the pub with Kath and a couple of friends for a drink and something to eat. For some reason we all go for the same thing: beetroot burgers, humus, fries, and four pints of beer (okay – three pints of beer and one of cider). For starters, we have two portions of fried tofu in chilli sauce. We skip dessert. We have more beer, then four espressos (okay – three espressos and one cup of earl grey tea).
We get the bill.
‘Why don’t we just split it down the middle?’ I say.
They all look at me with the same expression – meaning (I’m guessing): Well – d’uh!

sig

portia and the cricket

Portia. Sounds like Porsche – appropriate, actually, because she works so quickly. She’s stylish, too, with a bright, economic kind of aesthetic that perfectly complements her therapist’s uniform: henna-red hair cut in an angular bob; red nails, and a pair of round sunglasses in a turtle green frame.
‘Are you’s okay, eJim? Wha’s the matter? You seems a bit flat.’
‘Yeah – I’m okay, thanks Portia. This patient we’re going to – it’s difficult. And when I got back to the office to speak to one of the lead nurses, everyone was so stressy and snippy. It didn’t help that manager was wandering around with her notepad, giving me the evil eye.’
‘I’m sure she was too a-busy thinking about her looshus ass to worry about poor little Jimminy Cricket’
‘Yeah’

It’s fantastic that Portia’s agreed to come with me for this follow-up visit. It’s such a depressing case of self-neglect, I feel in need of psychic protection. The patient had cried when I spoke to him quite firmly about what it might mean to his health if he continued to refuse help, slumped on his chair by the window, the room so rank, run-down and malodorous, it felt like I’d been pitched blue-gloves first into an ante-room in Hell.

And of course, Portia is as dynamic and effective as ever. It’s a pleasure to watch her, effortlessly moving through the place, as refreshing and galvanising as the breeze through that window she opened so discreetly. The patient opens to her, too, irresistibly drawn – as everyone is – by her frank and life-affirming demeanour.
‘There you go my lovely!’ she says, shaking his hand. ‘Is a pleshur to meet you. Take care, and we see you soon, okay? Okay!’
And we’re out of there.

Back in the car, she turns to look at me.
‘Feeling not so flat now?’ she says.
‘Yeah! Thanks for helping me out.’
‘Of course!’ she says, then resting an elbow out of the car window, drops her round sunglasses down and gives me a big, lipsticky smile. ‘So come on, Jimminy Cricket! Less’ go!’

ralph’s owl

Ralph reminds me of that paleolithic fertility statue, the Venus of Willendorf, updated for the modern age, with trackie bottoms, steel-rimmed glasses and a wild beard.
‘I just want to be left alone’ he says.
‘I’m sorry you feel like that,’ I say, squatting down near to him, mostly because I don’t want to intimidate him by standing tall, but also because there’s nowhere clean to sit. ‘We’re worried about you. That’s all.’
‘I just …. don’t appreciate … all this fuss.’
I can understand why he feels exposed. Whilst he was away in hospital a deep clean team stripped the place. I hadn’t seen what it was like before, but a trainer they missed is a giveaway. I found it when I moved the coffee table to make room for his zimmer. The trainer is caked in brown matter, a ghastly combination of dust, dirt and accumulated awfulness, the inside of the shoe spilling over with ropes of web so thick even a spider would shake its head and walk on.
‘You can always say no,’ I say. ‘You don’t have to have any of this.’
‘I just wish … I could say … what I want… to say.’
‘Take your time.’
I leave lots of room for him to try, but he’s too distressed to speak. He sits there gripping the arms of the chair, taking anguished gasps of air, puffing his toothless cheeks in and out and rolling his lips.
‘Don’t worry,’ I say. ‘It’s okay.’
I can’t even make Ralph a cup of tea. All he has in his cupboard are cupasoups and instant porridge sachets; the only things in his fridge, a couple of pens of insulin. There’s a scattering of medication strips on the windowsill, which make me question the accuracy of the ‘competent to take meds independently’ description on his discharge summary. In fact, I’d have to question much of what’s on that paper. Ralph lives up a flight of stairs (the paper said basement); he has a keysafe, because he couldn’t possibly answer the door (the paper said no keysafe), his phone number is carefully transcribed (he hasn’t got a phone). You’d hardly think it was the same patient at all.
‘Who does your shopping?’ I ask him, looking around.
‘Alfred. He helps out now and again.’
‘That’s good! D’you mind if I give him a call?’
‘I don’t have his number.’
‘Do you know where he lives?’
‘He’s not far’
‘If you give me the address I could pop round.’
‘I don’t know where he lives. I don’t even know his last name. All these questions…’

It’s a difficult assessment. The thought of anyone living like this is depressing, especially someone with Ralph’s limited mobility, sitting for hours and hours in a dilapidated armchair by the window, his skin breaking down, his only company the radio or the hum of the flies circling impatiently overhead. Ralph could be a poster boy for the Self Neglectful.

One of the most difficult things to accept in community health is the business of mental capacity. Essentially, so long as you understand the consequences of your actions, you’re perfectly at liberty to live however you like, whether or not it’s bad for your health. A free climber is perfectly free to jump up on El Capitan with nothing but a bag of chalk and the strength in their fingers between them and certain death; similarly, Ralph is free to live in this filthy flat with one crapped-up trainer and nothing in the fridge and no-one to see him, and he has every right not be pestered by nurses and therapists and social workers.
‘Maybe you could write a list of the things you want to say,’ I tell him. ‘You could take a while, and have a good think, and put it all in two columns – what I want, and what I don’t want.’
‘Just… I don’t…. oh’
‘It’s okay. There’s a lot going on at the moment. The deep clean must have been stressful.’

They’ve left one thing on the walls, though: a crude, blockish, primary coloured tapestry of an owl, staring out of its grimy frame with an outraged expression. Tucked into the frame is a polaroid of something that looks like a glass owl on a mantelpiece, but the picture’s so faded I can’t be sure.
‘I like your owl,’ I say. ‘How long have you had that?’
‘Thirty year,’ he says. ‘My wife did it. By numbers.’

the mousetrap

I needed a pot to put a cactus in / so I went out to the stack back of the compost bin / a smorgasbord of rubble / a heinous, grievous, Leaning Tower of Trouble / things I couldn’t think what to do with / but wasn’t quite through with / plastic trays and bamboo canes / a wheelbarrow with a flat tyre / rags of gardening attire / a destrung lyre / okay, I’m lying about the lyre / but you get the point / a half-assed recycling point / where the recycling had kinda slowed and slumped / and things just got dumped / until I’d built my very own pottery Shard of Shame / my Babel of Blame / an improvised, bastardised Monument to the Wrecked / and me, the feckless architect / still, a good place to look for a pot / even though it had rained a lot / and everything was soaking wet / I hurried outside to see what I could get

I thought I’d find a chinese cup / maybe I could clean it up / and it might just be exactly the thing / to put a spiny cactus in / so I moved things around some / restacked it on the ground some / until suddenly I found / three dead mice, drowned / their pink corpses bloated and rotten / in a container with no holes at the bottom / and I guessed / that’s where they must have made their nest / and when it rained and rained and did not stop / the container filled right up to the top / and the poor mice drowned / anyway, this is what I found

it was horrible / I felt terrible / if I’d just been a little better behaved / three innocent mice could’ve been saved

there was nothing else for it / I had to do something before the cat saw it / so I tipped out the noxious soup / depositing the tragic group / on the ground / then looked around / and found / the cracked top of a jardiniere / green with mould and beyond repair / and I thought that would make the perfect pottery mausoleum / so I put it on top so the cat wouldn’t see ‘em

I went out to the pile last night / the garden bright with moonlight / stood in the biting air with my hands in my pockets / and saw them, three little ghosts with eyeless sockets / turning their heads to sniff the air / smiling when they sensed me there / ‘never shake thy gory locks at me!’ I cried / screamed / ran back inside / put some (very small) obstacles against the door / what for / I’m not quite sure / and anyway / we’ve still got the cat

(would three ghost mice be scared of that?)

angus the demon

Angus, the focus of all this Scottie dog memorabilia, is lying on his tummy on a Scottie dog patterned rug. I’m relieved that he IS a Scottie dog, otherwise everything surrounding him – the Scottie dog toy in the white plastic alcove hung with fairy lights; the hundreds of Scottie dog pictures hanging on the walls, some as hyper-colourised 3D versions, where the eyes open and the tongue lolls out as you pass; the Scottie dog tea-towels neatly draped on a rail; the Scottie dog biscuit tin, the Scottie dog cushions, the Scottie dog puzzle half-completed on the table, with (ominously) only the eyes to complete – well, if you walked into a flat like this and found a doberman, you’d probably lose your mind.
‘Don’t go near him,’ says Jean. ‘He bites.’
‘He’s so sweet,’ I say.
‘Only when he’s sleeping,’ says Melanie, Jean’s daughter. ‘He bites me, too.’
‘Oh.’
‘I wonder what he dreams about?’ says Jean, yawning.
‘Biting,’ says Melanie.
I go to put my things down. Angus looks up. He’s so old, his fur has a rubbed, slightly greasy look.
‘Fifteen’ says Jean, anticipating my question.
‘Wow! Fifteen! Well!’ I say – then after a pause, where I can’t actually bring myself to say that he looks good for fifteen, I manage instead: ‘We’ve got a dog.’
‘Oh yeah? What sort?’
‘A lurcher.’
‘How old?’
‘I think she’s about ten.’
‘Ah!’ says Jean. ‘Long-legged dogs don’t live nearly so long.’
‘No. I’ve heard that.’
Angus may have lifted his head, but that’s as much as he’s prepared to do.
‘Angus! GET over here!’ says Melanie.
‘Oh – he’s alright’ I say. Too late. Melanie has already pushed herself clear of the sofa. She reaches down to scoop him up, and immediately his eyes spring open, revealing two black buttons of insanity. He bares his teeth, as thin and brown and horribly curved as the teeth on a deep sea angler fish, and he begins paddling furiously with his paws to turn and tear a lump out of her arm. It’s a horrifying spectacle, like watching someone pick up a scatter cushion and finding it transformed into a demon.
‘Oh no you don’t, you little bastard’ says Melanie, expertly wrestling Angus into a non-biteable position, and then sinking back onto the sofa with him, where she smothers the dog into submission. Eventually he taps out with a paw, Melanie cautiously relaxes her hold, and Angus sits there huffing and gasping and catching his breath, all the while watching me with an expression of the purest hatred.
‘Good boy,’ says Jean.

thanatocoenosis

please do NOT allow your carapace
to scratch the glass

thank you

now
gather round
look closely

tell me what you see

yes! excellent!

in fact, we think item A
was a communication device
detailed plotting
of the debris field
suggests the subject died
holding it to its face
mid-stride

Item B is the remains of
a head dress
probably protective
possibly ritual

Item C is a form of manufactured sac
worn on the back
for the conveyance of material
pertaining to the diurnal activities of the creature
too degraded to open now, of course
but careful examination with a tendril ray
has revealed a miscellany
of fascinating objects
organic, synthetic
not yet fully understood

Who can tell me about Item D?

anyone?

in fact, item B is a food wrapper
‘Dorito chips’
an index fossil
with a wide geographic distribution

on a lighter note
we think you’ll agree
the mandible fixed
in the open position like that
does lend the subject
a somewhat vacant aspect

yes?

there are many such fossils
in this biome
if you would like to learn more
follow the protocol, please
hold up your eye

the claw will find you

next stop market street

All I’ve done is asked Ken to stand up for me. I’ve asked him as gently as possible, making it clear that I need to see for myself exactly what he can and can’t do.
‘Righto’ says Ken, and gets himself ready.
‘I’m not staying here to watch this,’ says his son, Barry. ‘I can’t be doing with all of this.’ And swiping his coat from the back of a chair, he slams out of the room. Barry’s wife, Jean, is equally tense.
‘I’ve told you. He can’t stand. If he could stand, he wouldn’t ‘a pissed himself in the chair. ‘Scuse my language. They’ve sent him home too early. He should never’ve been let out like this. They just don’t give a damn. All they care about is the beds and kicking people out. They don’t give no thought for anybody else.’
Meanwhile, I’ve put Ken’s zimmer frame in front of him and stood to the side, just in case he needs a hand.
‘Okay, then. Right, then,’ says Ken, and stands up.
‘Of course he does it for you,’ she says. ‘He’ll do it for a uniform. But how’s he supposed to manage when there’s no-one here? We’re supposed to be going away on holiday tomorrow. How’s he going to cope then?’
Whilst Jean is talking I’ve discreetly checked the seat of the chair, which doesn’t appear to be damp in any way.
‘Well that’s the next step,’ I tell her. ‘That’s what we need to find out.’
I rest a hand on Ken’s shoulder. ‘How do you feel about a trip to the bathroom?’
‘Oh, yes!’ says Ken. ‘Fine. I’ll give it a go, like. Y’know – I used to be a tram driver before the war. Next stop market street! Hold on very tight…’
‘Just concentrate on what you’re doing,’ says Jean.
‘Righto,’ says Ken.
He starts walking with the frame in the direction of the bathroom. He looks pretty steady, so I go ahead and clear some bags and things out of the way. He makes it there in good time, manages to turn round safely, lower himself onto the toilet, and get himself back up again.
‘That’s great!’ I say. ‘There are a few bits and pieces of equipment that’ll make it even easier, but I think you’re pretty good.’
‘You think so?’ he says. ‘Because I don’t want to be a bother to anyone.’
‘It’s no bother. Come on. Let’s get you back to your chair.’
Whilst I’m helping him back there, Barry comes back in, followed by a waft of smoke.
‘He’s only gone and got him to walk,’ says Jean.
‘Have you?’ says Barry. ‘Who the hell are you? Jesus Christ?’
‘Me? No. I’m his more talented brother.’

postmortem

I smell the badger before I see it / sprawled flat / on its back / in a bramble thicket / right by my boot

despite my revulsion / I have a compulsion / to witness the scene / so I part the brambles to get a better look

black and white fur laid out to the root / that fine spine / those whorls of ribs / teeth and skull / the whole machine / cruelly broken open / exposed to the rain / raw mortality / measured out in maggots / diptera / coleoptera / devout followers / hotly rolling in the hollow chamber of an eye

and suddenly I don’t want to be there / horribly aware / of the pattern of bones / in my boots / the rooks in the trees / the roots below / and I really have to go / get well away from there / and fill my lungs with cleaner air

alas, poor badgerIMG_1495
go, get you to the sett / tell them / let them eat a thousand worms /
to this favour they must come

 

jean in black

Stephen is telling me about the dream he had last night. He’s sitting in his chair looking left towards the windows with his eyes tightly shut, his bony fingers laced in his lap, one long leg crossed over the other, the foot gently bouncing up and down, as if he’s judging the weight of the slipper hanging from the toes.
‘I’ve been having these vivid dreams,’ he says. ‘They’re so real it takes me a while to wake up from them. I wondered if it might be the medication.’
‘Possibly. What kind of dreams?’
‘Last night I was floating in a warm, deep sea. And there were all these people splashing about around me, laughing and shouting. Some I knew, some I didn’t. And then I started to sink, down and down and down, not drowning exactly, but not happy about it either. And no-one tried to help me or seemed all that bothered, and everything was getting far away. It was such an odd, lonely feeling. I can’t say it was a nightmare, exactly, but I didn’t like it all that much. And when I woke up, I found I’d … had an accident.’
He opens his eyes at that point and twists his mouth into a one-sided smile, cartoon-like, superficial. I can’t help thinking he’s spent his whole life practising it.
‘The last time I wet the bed must have been seventy years ago, so you can imagine how surprised I was. Still,’ he says, his slipper falling to the floor,’ I’ve put something on the mattress tonight, in case I have the sea dream again.’
I pick his slipper up and hang it back on his foot.
‘Thank you,’ he says. ‘Now – what else do you need to know?’
We go over his medical history, medications, recent admission to hospital.
‘And of course, no sooner have I come out than Jean goes in. We’re like those funny little people on a weather clock.’
‘So why has Jean gone to hospital?’
‘Didn’t they tell you?’ he says, closing his eyes and turning his face to the window again. ‘I fell on her. She was helping me down the stairs and I lost my balance. Broke her arm in three places. And then they found other things wrong with her, too, in that way they have. So all in all it’s been a bit of a disaster.’

* * *

Later on, when I’ve finished all the tests and I’m writing them up, Stephen asks me where I live.
‘Oh really?’ he says. ‘Well it’s a shame Jean isn’t here, because I think I’m right in saying that’s where her grandfather came from. He was a policeman – oh! I’m talking years ago, before the war. I remember her telling me about him. He used to ride around on a motorcycle, like he owned the place. And everyone hated him and his dreadful moustache, which is why they had him killed.’
‘Killed? Really?’
‘Apparently. And they all showed up at the funeral, lining the streets with their heads bowed and their hands in front of them, and all of them thinking the same thing. Glad to be shot of him.’
‘I’ll have to look into that.’
‘It was a long time ago. The old police station’s flats now, apparently. Called Peelers, I think. Funnily enough, that’s where I met Jean. At a funeral. She’s not my first wife. My first wife died unexpectedly.’
Stephen suddenly opens his eyes and stares straight at me.
‘It wasn’t her funeral we met at,’ he says. ‘I don’t want you getting the wrong idea.’
‘No, no,’ I tell him. ‘I didn’t think it could’ve been.’
‘Good,’ he says. ‘Because I know how it sounds.’
He finds another cartoon smile, then resumes his blind inspection of the window.
‘Yes. Jean looked wonderful in black. She was a shorthand typist, down from Scotland. We got chatting over the cold meat selection, and then shared a cab back to mine. And do you know what I tell people?’
‘No? What do you tell them?’
‘I tell them it was the only one-night stand I ever had, and so far it’s lasted ten years.’