mid-life croesus

stop right there / yeah? / do like the Floyd said and breathe, breathe in the air / see what I mean? / so spreadsheet sexy it’s obscene / laundro-money clean / it’s the beast, man / the best / the cool, straight A for Asset test / the sweet smell of success / it’s a mai tai in the mile high / the aroma of the arrivée / the uber privé / it’s offshore olfactory / super satisfactory / it’s the rich & beautiful top note / of krugerrands in bank vaults / the squeak of monetary purity that speaks to me / in perpetuity / the floral aura of celebrity endorsement / michelin stars & law enforcement / the nourishing glow of not what but who you know / so c’mon, man / loosen up / you gotta grab ‘em hard and goose’em up / let me tell ya about the space a platinum card’ll get ya / a field of poppies in the Wonderful Wizard of Ours / hours & hours of golden showers / in penthouse glasshouses / top of Qatari towers / the chiming of a titanium Tag / backseat of a luxury cab / gliding across the city like an angel from above / in diamond-pinned collar and cuff / God – I love the smell of testosterone in the morning / over the bridge at dawn / to spawn / in this vast and glittering Temple of Stuff / where enough is not even close to enough / but the perpetual augmentation / and noble curation / of a great family dynasty / feeding the roots endlessly / relentlessly tending the assets / while you leaf through Tatler & Debretts / worrying about all the shit you haven’t got yet /

so anyway / tell me the truth / how d’you get up on the garden roof? /

Oh, really? / well I’m sorry, sir / usual rules apply / you got no wings, you ‘ain’t gonna fly

alice in the underworld

Despite having to work in an office that looks suspiciously like a converted cupboard, Alice, the warden is remarkably upbeat.
‘Have you come to see Terry?’ she says, squeezing past a heap of junk out into the hostel landing. ‘Shall I show you the way? It’s a bit of a warren…’
Even though I have been before, I know how confusing the layout is, so I say ‘That’d be great, thanks.’
‘Poor old Terry,’ she says, locking the cupboard/office door behind her then marching off up a set of stairs so narrowly twisting and creaking it’s like being processed the wrong way through the guts of a dilapidated monster. ‘He’s had such a time of it. We’re a bit worried about him, to be honest. He’s wasting away. I mean – he barely eats a thing, and he’s not going out like he used to. Mind you…’ she says, pushing through a fire door and then on through a series of branching corridors, ‘…at least he’s not seeing Keith.’ She turns and frowns at me, as if to say You know – KEITH, then carries on down the corridor. I feel like I’m in one of those nightmares where the way gets smaller and smaller and you end up on your knees tapping with one finger on a door the size of your hand. But suddenly Alice stops, turns on the spot, raps smartly on the door to her left, and goes in.

She’s right about Terry wasting away. What makes his condition worse, somehow, is the contrast between his emaciated body and the dark luxuriance of his beard and hair, curling upwards and outwards with such vigour you’d think they were wigs, stuck on a cadaver for the contrast. Terry’s still in his green hospital pyjamas, an ID band around his wrist. It says in the notes he self-discharged, against advice. Quite how he made it home I’ve no idea, although maybe Keith helped.

The room is a mess. Someone has had a rudimentary go at clearing some space at least, the piles of trash and bags and boxes and clothes pushed to one side of the room, occupying every spare foot of the galley kitchen surfaces and sink, giving the bedsit a lopsided feel. A light breeze plays in from the sea just a fag-flick away through the window, dispelling to some extent the heavy atmosphere in the room.
‘Sorry it’s in such a two-and-eight,’ says Terry, struggling to sit up on the edge of his soiled bed and then picking at his nails. ‘I haven’t had a chance to tidy up.’
‘We’ll get it sorted, Terry,’ says Alice. ‘Anyway. Listen. There’s a support worker guy coming later with some supplies. So that’s good.’ She pauses a moment, raising her eyebrows and smiling, to let the good news percolate through, I suppose. Terry waves his hand; she nods emphatically again. ‘’Okay! I’ll leave you to it, then,’ she whispers, and quietly closes the door behind her.
‘Damond girl, Alice’ says Terry. ‘They all are.’
‘I like their office.’
‘It’s a cupboard.’
‘I thought so.’
‘They ‘ain’t got no money for nuthin’.’
‘No. I guess not.’
‘They do their best though.’

I’m halfway through the exam when there’s another knock on the door and Jack, the support worker steps inside. Jack’s enormous, a bear in a parka, check shirt and caterpillar boots, holding a carrier bag of shopping in either paw. He’s wearing a face mask, and looks startled to see me there without one.
‘Oh!’ says Jack. ‘We were told we had to wear them. You know – ‘cos of the – thing.’
‘It’s fine,’ I tell him. ‘As far as I can tell. Terry’s being treated so it’s not classed as active.’
‘Oh!’ says Jack again. I expect him to take the mask off, but he stands there a moment undecided. Eventually he carries on, ignoring the fact he’s wearing it, so Terry and I ignore it, too.
‘I bought you a selection of things,’ he says. ‘Honey nut cornflakes, bread, milk, biscuits, tea. Y’know. The basics. Alice gave me a list.’
‘That’s kind of you, mate. Thanks,’ says Terry. ‘I need fattening up.’
Jack looks at him, then at me, then at Terry again, then carries on unpacking. Although it’s hardly unpacking – more like stacking – in the one clear corner of the kitchen he can find. He hesitates before opening the fridge to put the milk and butter away, and I expect he’s glad he didn’t take the mask off.
‘There!’ he says, closing the fridge again. ‘All done! We’ll be back this afternoon to talk about some other stuff, but I’ll let you crack on for now.’
‘Okay mate. Thanks again,’ says Terry. Jack clumps out and shuts the door.
‘I can’t complain,’ says Terry, crooking one leg over the other and crossing his arms. ‘I ‘ain’t got no reason not to get better.’

He starts telling me about his recent past. How he fell in with some big time gangster who let him stay in the cottage in his grounds rent free for a little delivery work.
‘Man – you shoulda seen that place!’ says Terry. ‘The house was like a castle. Actually I think it was a castle. He had this pond in the middle of the lawn, and it was filled with these enormous fish, all flood-lit, swimming about like bastards. Each one of ‘em worth a monkey. And the cars he had. From little fancy Italian sports jobbies to big fuck-off landrovers, all of ‘em in temperature controlled stables.’
‘Didn’t have any horses then?’
‘Horses? Nah! He didn’t like horses. ‘Cept down the track. Anyway, one night I was in the cottage, minding my own, having a little puff, when there was all these flashing lights outside, and I know it sounds stupid but at first I thought some’ink had gone wrong with the fish pond. But then it was all like Police! Open up! And I’m like How do I know you’re the old bill? Anyone can shout anything. So they smashes the door down and they drag me outside. They were after my mate, ‘course. Same old story. They was always trying it on. But they didn’t have nothing. He was a lot of things, but he wasn’t careless.’
‘So then what happened?’
‘It all went a bit Pete, I didn’t have no scratch, so I split.’
He shrugs, then leans forwards on his folded arms to inspect his leg as it kicks up and down.
‘Funny how it goes, innit?’

junkenstein’s lament

I built a creature out of scraps / inner tubes, kitchen taps / a bucket for a head / (I mean, sure – I had a corpse I could have used instead / with slick black hair & moustache / but I thought it’d make it way too flash / so fuck it / I went with the bucket) / for the brain I scavenged some window cleaner’s spongies / hemispherically linked by courier bungees / marinated overnight / by the light / of a box set of Walking Dead / (I wore headphones and read instead) / it didn’t really need a heart / I mean, for a start / there wasn’t any blood as such / just a weeny sump / in his trunks / that didn’t need pumping all that much / so to enliven / the mediastinum / and give some zhuzh to the void inside him / I hung my dad’s old pocket watch / a watch he never used that much / but kept it hidden away because / he thought it was worth much more than it was / but I think even he would agree / it twirled and chimed in the cavity / beautifully

at last it was time for the creature’s innervation / the moment of truth for my monstrous creation / so chuckling in a manner I thought befitting / for the cliche horror I was committing / I snapped two crocodile clips on his bolts / and shot him through with a thousand volts / he juddered, he woke / he opened his eyes and spoke / what the fuck, he said / smacking his bucket head / with a terrible clanging / my sponge is banging / what the fuck did I DO last night? / and then flexing his grabbers left and right / he swung his plunger feet off the trolley / and came to a sitting position slowly / and suddenly saw me standing there / in my goggles and gauntlets and frazzled hair / jesus christ he said you’re worse than me / any chance of a cuppa tea? /

we were together two years / before the cracks appeared / I suppose I was introverted, happiest in the laboratory / he was extroverted, sexually exploratory / polyamory / HE suggested / even though I protested / I didn’t think I could share / he didn’t care / slicking back his wire brush hair / welding spats on his suckers / striding out for a sordid tryst with his truckers / I have to admit, I fell to pieces / while he indulged his sexual caprices / he lost the watch in a casino / as far as we know / my dad’s half-hunter / gracing the waistcoat of some sleazeball punter / I mean – is that what my Dad deserved? / the treasure he’d so lovingly preserved? / and in the end it was the watch that did for us / calling time on the hurt and mistrust / and after a lot of hard words and crashing about / he finally moved out / a single, oily rag / trailing from his overnight bag / a slam of the door, a fling of a wrench / and me, sobbing on the laboratory bench

five years later /

I’ve built myself a different kind of appliance / we sit on the sofa in comfortable silence / plug in hand in regulatory compliance / it’s a cosy little domestic scene / and I’m happier now than I’ve ever been / and the creature? / he’s a star presenter / on a reality show about mad inventors / the contestants get a box of junk / and have to make a sexy lunk / while the creature hams it up and leers / fondling all the cogs and gears / (and y’know? I’d be the first to admit / he was always good at that flirty shit) / and I’ll sometimes binge-watch back to back / and wonder how we drifted off track / how he lost his heart / and mine was diminished / and our love affair was fatally finished / despite all the levers and lightning shocks / the plutonium grains in a lead-lined box / the scribbled plans, the body maps / the rapturous rise, the thunderous collapse / and for WHAT? / some bucket-headed creature, lumbering home at dawn / monstrously drunk on the castle lawn?

I mean – fuck that

teeny, tiny sharks

‘We’re going to convert the laundry room into a downstairs bedroom for him. There’s a small bathroom next door, so that’s good. And I think it’s nice with the sun coming in like that, don’t you, Stelios? Plus he’ll be in the action – you know? The comings and goings.’
Elena is bright and charming and matter of fact about the whole situation, the matriarchal engine of love behind the family. Her husband Stelios is lying on a riser-recliner, his left hand draped over the side of his head in an attitude of great forbearance, his right reaching forward, as the nurse and I irrigate the fist-sized cavity in his side.
‘How is it looking?’ says Elena, leaning over. ‘Infection still?’
‘I think it’s improving,’ says Gill. ‘Look – see there…and there? A little sloughy, but not too bad. We’ll pack it out again and see you again tomorrow.’
Gill has a fantastically reassuring manner, easy as a mechanic up to her elbows in the bonnet, as happy to chat about where she went on her holidays this year as the way a post-operative wound should progress.
‘Here,’ she says, sitting back on her heels and smiling broadly at me. ‘You can do the next bit.’

The living room is a family shrine. Large, blurry portraits of babies and children, couples being married, couples on holiday, in boats, shops, university gowns, every portrait mounted in swirly, gold-leaf frames With all the ornate furniture, the marble tops and carriage clocks and yellow and green porcelain pot stands, and with the broad bands of sunshine leaning in through the patio windows, the effect is quite overwhelming, like trying to dress a wound in the Cave of Wonders.

‘That was the first place I ever went abroad, Greece,’ I say, gently probing the deeper recesses of the wound.
‘Oh lovely! Where did you go?’ says Elena.
‘Serifos. A beautiful little island. Nice ferry ride out. I couldn’t get over how clear the water was. I think it was the first time I ever swam in a sea where you could actually see fish.’
Stelios groans a little.
‘Is that okay?’ I say.
He waves his free hand.
‘Is good,’ he says. ‘Please – go on.’
‘Anyway – I remember when we got there, I pretty much ran into the sea and swam out as far as I could, and it was all wonderful. But then I stopped, because I thought oh my god, what about sharks.’
‘Sharks!’ laughs Elena. ‘Little tiny teeny ones, maybe.’
‘I had no idea. So I ended up swimming back really slowly, trying not to make a splash.’
‘That’s funny,’ she says. ‘Jellyfish, maybe. Sharks? No. The worst could happen maybe you get tickled by squid.’
‘Or hit by motorboat,’ says Stelios, groaning some more.
‘Your name’ says Elena. ‘Is Jim, yes?’
‘Yes.’
‘I can’t think what this is in Greek, you know?’
She speaks quickly and emphatically to Stelios, who lifts his hands when and how he can as part of the argument, and it goes on like this for a minute or two, whilst I continue to pack the wound. Eventually, Elena turns to me again and says: ‘Okay. Okay. Is Dimitris for Jim, but Iakovos for James, and anyway some of this depends on what your grandfather was called. It’s complicated. Names can be complicated.’
‘I’ll settle for Dimitris, then. And maybe Iakovos when I’m in trouble.’
‘Are you in trouble a lot?’
‘Don’t get me started,’ says Gill. ‘All done, are we?’

full catastrophe writing

okay /

so here I am, taking the dog out / wandering along, wondering what the hell to write about /

maybe I could vent / about the rise of the establishment / how it’s always the workers who end up getting canned / when there’s a market crash and fall in demand / and meanwhile the bosses / that engineered the catastrophic losses / get endless juicy bonuses / and other contractual phonus balonuses / january thru’ december / one long golden shower for the private members /

hmm…so I could write about that /

or maybe disasters of an environmental nature / focusing on some poor unfortunate creature / floating by the camera / with its head wedged in a bottle / or a porpoise, throttled / by a discarded net / or a million tonnes of plastic crap / from avocado cartons to bubble wrap / spreading round the world in a mantle of waste / until we’re forced to evacuate headlong into space / planet to planet, ad nauseam / the continuing adventures of homopollutiens / until a higher being unexpectedly descends / in a whirl of stars, saying fuck it / cleans us all up with a cosmic mop & bucket

so I could write about that /

or Brexit Britannia, up on a plinth / of takeaway cartons and 5% mince / in her left hand, a trident of tourist tack / in her right a riot shield union jack / and curled at her feet a monstrous dog / the head of Boris Johnson, the arse of Jacob Rees-Mogg

but I don’t know

maybe I’ll just settle for the usual guff / about the end of time and all that stuff / sinkholes, tsunamis, day after tomorrow shit / the sun disappearing, and me along with it / sucker-punched to eternity / (which of course passes instantly / because if I’m dead how on earth could I tell ya’ / if I’ve been dead five minutes or five millennia?) / anyway / fast forward to judgement day / the celestial finger beckoning / for the dead to come forward for the final reckoning / the graves of the world gaping wide / slowly revealing what’s buried inside / iphones numberless lighting up as one / catching up on updates a’trillion / and god stamps, and swears, and tugs his beard / and shouts Goddammit! this is so fucking weird / you know – I thought it’d be more spiritual than this / not just phone zombies taking the piss / so he slams the lid shut on the apocalypse / and settles back down to watch kitten clips /

or something

the end of the line

Eamon is too tall for the recliner, his pale legs extending beyond the foot rest, so that his slippered feet hang in mid-air.
‘We need to get you some support there, Eamon. It’s putting pressure on the backs of your legs.’
Eamon turns his face to me, the waxy skin taught across his cheekbones. And whether it’s the cancer, the opiate medication, the distress of his decline, or a combination of all of these things, but he smiles in an off-centred way, like someone trying to make sense of a dream.
‘I’ve always been tall,’ he says.
I improvise an extra footrest from a packing crate and cushion, then finish the rest of the assessment, writing a long list of all the people I need to ring. I’m frustrated that Eamon was discharged without everything in place, but the wards are impossibly stretched, I don’t know all the facts, and anyway, I haven’t got time to worry about things I have no control over.
‘Can I get you anything?’
‘A cup of milk,’ he says, and looks down at a little porcelain cup on the cantilever table by the chair. I take the cup into the kitchen, rinse it out, then open the little fridge under the counter. There’s a huge, six pint carton of full fat milk in the door, a couple of microwave meals, a punnet of strawberries, and not much else. I pour him some milk, take it through and carefully hand it to him.
‘Ahh!’ he says, holding the cup with both hands. ‘Yes!’
Eamon’s chair faces a sash window that overlooks the backyard. In the yard is a clothes line with two white pillowcases gently stirring in the breeze. The sun is directly overhead now, and it blazes down on the linen, giving it a transcendent, brilliant quality.
‘I worked on the ferry,’ he says, staring at the washing line. ‘Then I left to nurse my parents. And here I am.’
‘I’ve always liked ferries,’ I tell him. ‘You really feel like you’re going somewhere. I remember we took the ferry back from France once and it was great. We had a cabin, and I was so exhausted from the long drive I just lay on the bunk and stared out at the sea…’
I almost say that it felt like dying and going to heaven, but I stop myself in time.
He nods, as if he knew that, then shakily swigs down the last of the milk and hands me back the cup.
It’s a small backyard with a limited space at the top between the buildings. The sun has moved only a fraction, but it’s enough to alter the angle of light so the line is now in shadow.
‘Can I get you anything else?’ I ask him.
‘No,’ he says. ‘Thank you.’ Then gently resting his hands back on the arms of his chair, he directs his attention to the window again, the washing on the line, and everything beyond.

patrick’s fracture

Okay. It’s true. I towed Patrick into a ditch and he broke his arm.

Forty years ago, actually. But some things take a long time to heal.

I suppose, the thing is, if you tow someone into a ditch, and you stand at the top looking down at them, all tangled in their bike, and they’re complaining about how they’ve broken their arm, and you say mate – are you crazy? you can’t have broken your arm, if you’d broken your arm you’d know about it, and they say well I do know about it, thank you, and you say c’mon, stop making such a fuss, and you climb down to grab their hand, and they yelp, and you grab their other hand, and you drag them out, and you walk the rest of the way making awkward conversation, and they spend the rest of the afternoon moaning about how they’ve broken their arm, and shouldn’t they go to hospital and everything, and everyone says honestly, it’s not broken mate, and then they turn up to school the next day wearing a cast – well – you might feel bad about it, too.

The thing was, we were skipping school. Triple PE. Patrick had gone on ahead, because I had a moped and he was on his bike, and anyway, he was used to skipping school and didn’t worry too much about the When and the Where of it. We were aiming to meet at Gavin’s place to drink beer, smoke fags and listen to Bowie. Gavin lived in a bungalow out on the Fens. His dad ran a ditching company (had probably excavated the ditch I towed Patrick into, come to think of it). I was terrified of Gavin’s dad. He was like a bear. Made of granite. Without the humanity. But the good news was that Gavin’s dad was out for a few days on a contract, and it was only Gavin’s mum and sister in the house, and I got on with them fine. His parents were an odd couple. As if the bear had suddenly woken up married to a social worker, who always spoke in the kind of voice that made it sound like she was perpetually in another room. I was always glad to see his mum, because she had obviously formed the impression years ago that I was oddly hilarious, and she’d laugh at the slightest thing. For example, if she asked if I was hungry and wanted anything to eat, and I said no I’m fine I had some toast before I came out, she’d squeeze her eyes shut and shake her head and say toast! helplessly, because it was the most bizarre thing she’d ever heard. But it was gratifying, nonetheless, because I never felt like I had to think what to say, and maybe that was the idea. Gavin’s sister was great, too, funny and smart, and her boyfriend was the most glamorous rocker in town. He had long black hair and a pointy beard like a musketeer or Charles II or someone, except in a leather jacket  riding a Norton Commando. It was disconcerting when he smiled, though, because his teeth were completely fucked, blackened stumps, all-angles. But as long as he just nodded and sneered, he was immaculate.

We had the house to ourselves that particular afternoon, though, the afternoon that Patrick broke his arm.

I’d been racing over the Fens to get there, tucked into the handlebars, making myself as aerodynamic as possible, throttle wrapped back, making about thirty miles an hour and two hundred decibels. And then I saw Patrick up ahead, doing that emphatic bobbing motion with his head, backwards and forwards as he pedalled, his sports bag balanced on the crossbar between the saddle and the handlebar.
I drew level.
‘Want a tow?’
He shook his head.
‘You go on ahead,’ he said.
‘Seriously! We’ll get there a lot quicker.’
‘No I’m fine. You go. Go on. Go.’
‘Grab hold of my arm!’
‘Seriously?’
‘C’mon, Patrick! Let’s do it…’
So reluctantly he grabbed hold of my arm, and I built up speed again. But then a slow, oscillating wobble of his front wheel grew wilder and more alarming, his bag dropped off the crossbar, snagged the pedals, the bike flipped, Patrick screamed and went cartwheeling into the ditch.

Luckily it wasn’t filled with water. Although, if it had have been, maybe he wouldn’t have broken his arm.

Not that I thought he had.

 

sig

little my and the bear

Minton Green is a blandly perfect, municipal kind of heaven. A development for supported living so new and pristine it’s like I’ve been miniaturised and placed in an architect’s model. I wouldn’t be surprised to see the top of the building lift away and a cluster of gigantic faces peer down to see how I interact with the lobby; instead, what happens is an elderly woman wanders over and asks what I’m doing. She’s wearing a black and yellow square pattern dress that flares at the hips like a bell, her silver hair is swept up into a top-knot, and her face is so pale the intricate threads of her veins run in clear blue patterns across her temple like satellite shots of river courses from space. She has a serious expression, but there’s something hazily sweet about her, too, more a girl of five than a woman of eighty. She reminds me of someone, a fictional character, Little My from the Moomin books.
‘I’m waiting for my colleague’ I tell her. ‘She said she’d be about ten minutes.’
‘Well sit down and talk to me instead,’ she says, and without waiting to see what I think about that, marches off into a wide, communal lounge. There’s no-one else there, except for a large, caramel coloured teddy bear in one of the bucket seats in the window.
‘Come on’ says the woman, and she goes and sits next to the bear.
‘I had a lovely day today,’ she says, as I put my bag down and sit with her. ‘Me and my friends went out to lunch.’
‘Well it’s a nice, sunny day for lunch!’ I say. ‘Where did you go?’
‘The high street,’ she says. ‘Near the old pet shop.’
‘Famous’ I tell her. ‘Lovely.’
‘I want to get a parakeet,’ she says.
‘A parakeet! Wow! That’s exotic!’
‘Or maybe the other one. You know. Smaller.’
‘Budgerigar?’
‘Hamster’
I can’t help laughing.
‘What’s funny about hamsters?’ she says.
‘No, no. Nothing. It’s just – I can never see the point of them. They only come out at night. And then they run round in a squeaky wheel and drive you nuts.’
‘Oh – I wouldn’t mind that. I’m a good sleeper. What do you think of my bear?’
She reaches across and grabs the teddy, squeezing it to her. It’s so big she has to lean round to the side to look at me. The bear has an alarmed expression, its arms up left and right and its eyes bulging, as if she’s squeezing too hard.
‘I bought him in a charity shop. I’m going to give him a wash later, as a treat.’
‘He’ll love that. Just don’t put him in the washing machine,’ I say. ‘He’ll come out a cub’
‘Is that your friend?’ she says, suddenly tossing the bear to the side and leaning forwards to get a better view through the window.
‘No. I think that’s a postman.’
‘Oh. Where are they, then?’
‘I don’t know. She said ten minutes.’
‘It’s been longer than ten minutes, hasn’t it? Well – hasn’t it?’
‘Yes. I suppose it has.’
We sit there, staring through the window.
Two carers come into the lounge, each pushing a resident in a wheelchair. I half expect them to say something about me sitting there in the window with Little My and a giant bear, but they just nod and smile as if I’m a resident, too. And for one, dizzying moment I wonder if I am.

over the top

I volunteer to sing in a choir / a commissioned piece / about the first world war / we meet for practice in the church / I sit at the end of the row / next to a plaque on the wall / a memorial to someone or other / supported by two marble skulls / the conductor talks about the score / it makes me think of dad’s dad / Edward / shot in the stomach / addicted to chlorodyne / Achille, mum’s dad / who fought in the ruins of the house / his mother eloped from in France / I didn’t know either of them / they died before I was born / Edward from the booze / Achille from angina / the director raises her arms / I don’t read music / and struggle to make sense of the score / so when she points in my direction / I pretty much just follow the guy next to me / and do what I can to keep up

locked away

It’s like the motorboat was dragged ashore some time ago to avoid a hurricane, and then forgotten.

The whole thing sits on two substantial wooden structures like trestle table legs. The deck is covered by a sagging, blue nylon tarpaulin secured by a single length of rope that crisscrosses from cleat to cleat like the threadbare lace of a giant boot, and the propeller is fixed in the up position, spotted, corroded. And if by some catastrophic tidal anomaly the boat suddenly found itself in the water again – and you found yourself in the water, too – and you tried to get on board using that aluminium ladder at the stern – well, who knows? You’ll try anything when you’re desperate. Scattered around the boat in the long grass are several heavy iron wrenches, lengths of rusting chain, and standing guard over the whole collection, a massive cylinder of pressurised gas the birds at least feel safe enough to use as a perch.

Judging by his beard, cable sweater and tan, I’m guessing it’s Henry who owns the boat. He’s so vague and repetitive, though, I have no doubt it wasn’t a hurricane that saw the boat laid up all those years ago, but a disturbance of a subtler though no less damaging kind.

‘Thank you so much for coming,’ he says. ‘It’s so kind of you to bother.’ He shows me inside to a wooden rocking chair, and then immediately asks again who I am and why I’ve come. Luckily, Henry’s wife, Jean hurries in, wiping her hands on her apron, her smile as taut as the tarpaulin on the boat.
‘Don’t you remember, darling? I told you. This is Jim, from the hospital. Come to see if we need any help.’
‘Well that’s so kind! Help, d’you say? I don’t think we do, though, do we Jean? I think we run a pretty tidy ship.’

Jean talks me through the key points of the referral. The long stay in hospital, the memory loss and other problems, the struggles of the last few years. And at every point in the story, she carefully includes her husband, who receives the information with a wistful expression, as if he’s hearing it all for the first time, the sad decline of a well-meaning but doomed mutual friend of theirs, someone he’d love to help if he could, but doesn’t know where to start.

One of my jobs today is to run a dementia blood screen. I chat to Henry as I locate the vein, taking his mind off the needle. He tells me he used to be a locksmith.
‘You’ll like this story then,’ I say. ‘Sharp scratch.’
‘Oh yes?’ he says.
‘I was brought up in a little market town called Wisbech. Out in the Fens.’
‘Yes?’ he says, as if it’s the most extraordinary thing he’s ever heard. ‘My goodness!’
‘I remember – years ago – there’s was a big fuss. They were renovating an old shop or something, and they found an old safe in the basement. Hadn’t been opened in years. So they got the local locksmith in, and HE couldn’t open it, because it was so old and fancy…’
‘Open what?’
‘This safe they found. In the basement.’
‘Goodness!’ says Henry. ‘Go on.’
‘But the locksmith knew this other locksmith who was an expert in old safes. And he came to have a look. And by this time it was quite an event. The local paper was there. Police. You name it. Because everyone wanted to know what they’d find when they finally managed to get it open.’
‘Well – fancy that!’ says Henry, flashing a look at Jean, standing in the kitchen doorway overseeing the whole thing.
‘So finally, after a lot of drilling and cutting and banging, they finally managed to crack the door and open it up. And you’ll never guess what they found inside.’
‘What?’ says Henry – commenting more on the fact I’ve stopped talking rather than anything to do with the safe.
‘Green shield stamps! Books and books of them!’
Jean laughs.
‘I remember them,’ she says. ‘You’d save forever and end up with a clothes brush.’
‘I suppose they were an early form of reward card,’ I say, withdrawing the needle from Henry’s arm and pressing down on the gauze for a minute or two. ‘There! All done!’
‘They used to have pink stamps, too,’ says Jean, taking her apron off and hanging it behind the door.
‘Did they? I don’t remember that!’
‘I do,’ says Henry.