the old courtier & the pug

Even Jenny’s pug makes me anxious. There’s something about the way he trolls over to me, waggling breathlessly from side to side like an antique footstool that’s somehow learned to walk. And when he finally arrives at my feet, he’ll stop and slowly look up at me, panting in his tight fleece waistcoat, like he’s expecting me to do something, and if I don’t do it soon he’ll explode, and there’ll be pug everywhere, and it’ll all be my fault.

I pat his head (which isn’t what he wants), and I wait.

Jenny comes striding over the hill, waving.

To be honest, I’ll often try to avoid Jenny. She’s nice enough, but like her dog, she makes me anxious. And I say that despite having tried over the last year through meditation to understand that’s it’s not other people or events that make me feel anything but how I react to them. I suppose it’s the difference between accepting that spiders are essentially harmless, that it’s an irrational fear rooted in family experience & conditioning, and actually picking one out of a box and putting it on my head. So even though I fully understand that wanting to avoid talking to Jenny is really just an indication that I’ve a lot more work to do on myself, still I can’t help looking for the exit.

One mistake I often make is to try to preempt the pessimism. It’s the conversational equivalent of bending down to pick up a box you think is full of books but turns out only to have a duvet and a pillow, so you end up throwing it in the air and falling over backwards.
‘Hey Jenny! How are you? What a lovely day it is today! So Spring like! Everything powering up! God – we’re lucky…’
Jenny stares at me through her lavender tinted glasses.
‘Did you hear about the boy in the high street the other day?’ she says.
‘Boy? What boy? No…’
‘Carrying a machete.’
‘A machete? Oh my god…’
‘Look,’ she says, opening Facebook on her phone and showing me the picture – a weapon that looks more like something a Klingon would use in a ceremonial fight.
‘Bloody hell!’
‘I don’t understand kids these days,’ she says, putting the phone away again, carefully, so she doesn’t cut herself on the picture. ‘I mean – we never had half the things they’ve got. Ferried around from place to place like little princesses. They have the best clothes. The best shoes. I suppose it’s all these violent games they play. But you see they just don’t have any respect. And they seem so angry all the time.’
‘Well. They certainly get a lot of peer pressure on social media. I’m glad I didn’t have that when I was growing up.’
‘I worry about the future. I really do. I worry for the world my grandchildren will live in.’
‘Knife crime’s terrible,’ I say, struggling to stay objective. ‘Horrible. Really awful. But one thing struck me the other day. You know some kids think they have to carry a knife because the other kid’ll have one? Isn’t that the same as our foreign policy? You’ve got to have nuclear weapons because the other country’s got them? I mean – aren’t they just doing what the government’s doing?’
Jenny pushes her glasses back onto her nose.
‘They’ve been smashing car mirrors,’ she says. ‘For no reason. Car mirrors. Just walking along and smashing them off.’
‘That’s terrible.’
‘And I tell you something else. I’ve had my car ten years, and last night the alarm went off! Twice! It’s never done that before.’
‘That’s worrying.’
‘I mean – these kids. They’re so angry!’
‘It’s interesting that all this comes at a time of reduced public spending. Do you think that’s got anything to do with it?’
‘I don’t know about that. All I know is, I’m glad I’m not a child growing up in this world…’

The conversation splutters on like this for a while. She’s not enjoying it. I’m not enjoying it. It’s like we’re wrestling with the controls of a little plane that’s stalling over a chasm. I’m tempted just to embrace my fate, put my arms in the air and try to relish the plummeting – except – I can’t afford to let myself think of life this way. It’s too bleak and soul-sapping. It would feel like surrender.

I look around for Lola. She’s way up the hill, heroically silhouetted against the sky, staring down at me with an expression that – even from this distance – I can read as pity.

Back at university we studied an early Renaissance book by Castiglione called ‘The Book of the Courtier’. Written at the beginning of the 16th century, it was an early kind of How To guide for members of court, but it digressed lightly and beautifully into conversations about social philosophy, religion and so on. The book was surprisingly contemporary in feel. I remember one bit in particular, where the subject of ‘it wasn’t like this in my day’ came up.

“I have often considered not without wonder whence arises a fault, which, as it is universally found among old people, may be believed to be proper and natural to them. And this is, that they nearly all praise bygone times and censure the present, inveighing against our acts and ways and everything which they in their youth did not do; affirming too that every good custom and good manner of living, every virtue, in short everything, is always going from bad to worse.”
(from the beginning of the second book)

He wrote that over five hundred years ago. But despite all his balance and courtly wisdom, all his sprezzatura, I bet even old Castiglione would’ve changed direction when he saw the pug.

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lola, the robot & the ball

It was only a matter of time.

When it’s my day off I’ll take Lola on her walk about the same time each morning. And because we’re regular we tend to meet the same people. I quite often see the elderly woman and her Jack Russell on the way back from the woods. She’s particularly distinctive, in a large, shovel-style hat and long quilted coat, bent forwards at the waist, carrying a tennis racket behind her, marching along in such a chaotic but determined way that from a distance the tennis racket looks like a key in the back of a giant clockwork robot. Now and again she’ll stop to pick up a squeaky yellow ball, and then using the tennis racket it whack it half way across the park for the Jack Russell to tear after. I try to anticipate seeing them, because Lola has an embarrassing habit of stealing other dogs’ toys and then running round and round in a celebratory lap that only gets bigger and faster the more you try to stop it. In fact, the only way I’ve found to get the ball back is to pretend I’ve found something even more interesting. (And I love Lola very much, but even I would have to admit that this is one powerful argument against the idea that Lola is a Very Intelligent Dog, because surely if she were, she wouldn’t keep falling for it).

Anyway – today I wasn’t quick enough. Before I could think to do anything, Lola had run straight across the park, intercepted the ball, and started lapping us all, squeaking the ball every time she passed, like a sprinter marking split-times. I waved and mimed an extravagant apology to the old woman, whilst moving into position to try the ‘Look what I’ve got’ trick again. The old woman ignored me, though. She was too busy making things worse by marching in a furiously ineffectual pattern, waving her tennis racket and hollering. Meanwhile, her Jack Russell had retreated to the path, where it sat with its muzzle on its paws looking thoroughly depressed, like its worst fears had been realised, and nothing would ever be the same again.

‘Don’t worry! I’ll get your ball back!’ I shouted.

It wasn’t easy. Every time Lola looked as if, maybe, this time, against all the odds, I might actually have something of genuine interest, the old woman would make ground on her, and set her off squeaking again.

Suddenly the old woman changed her trajectory, marching straight for me, either because she thought she’d have more luck whacking Lola if she stood next to me, or because she thought she might start whacking me, and bring Lola over that way. But when the old woman came within earshot it was obvious she was too out of breath to say or do anything, so I seized my chance.

‘Lola! Wow! Look at this! Unbelievable…!’ I said, bending down and pretending to find something incredible in the grass.

It worked. I could hear the squeaks getting louder.
I looked up.
Lola had stopped just beyond the distance she and I both knew I could cover in a standing leap, had dropped the ball onto the grass in front of her, and was standing there, panting and smiling at me, as if to say: Okay. What? What have you got?
Pathetically, I held out a leaf.
‘Here you are, Lola! Good girl! Look at this! Wow! Good girl!’
Incredibly, she inched a little closer.
Well. That’s just a leaf, isn’t it?
I sniffed the leaf and held it up to the light.
‘Fantastic! This is amazing!’
She came a little closer. Glanced back at the ball. A little closer.
Fatally close.
I leapt forward, grabbed her collar, clipped on the lead. Gave her a hug and a pat. Retrieved the ball and held it up for the old woman to see.
‘Don’t – whatever you do – throw it!’ she gasped.

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a short walk to the bypass

you used to be able
to go over the fields
not any more
they’ve fenced it all off
why, I don’t know
now you have to stick to the lane
I usually walk to the by-pass and back
but I won’t let amelie off no way
too dangerous
I keep her on the extendable

look at that
you can still just about
read what they wrote:
pick up your shit
the council said they had to
paint it over
too aggressive, they said
but it’s not nice, is it
everyone using your garden
for a toilet
a few people spoiling it
for everyone else
same old same old

see that sign?
that makes me laugh
warning! alsatians off the lead!
I saw the man who owns it the other day
I bet you don’t recognise me he said
I do I said you used to sell pet food down the market
you’ve got a good memory he said
but why would I forget?
just make sure you keep your alsatians
away from my amelie I said
you’re alright he said
but I’m not so sure
what with him driving in and out all hours
the gates aren’t always shut are they
and I don’t know what’s worse
being run over or eaten by dogs

look at that house
what’s left of it
such a shame
almost burned to the ground
some foreigners were sleeping rough
set it all on fire
lucky they didn’t go up with it
it’s been like that a while now
but they’ve got plans
apparently someone somewhere
wants to turn it into a riding school
a riding school!
I remember when it was pigs & runner beans
come on, that’s far enough
let’s turn back
it’s not like it used to be
but at least we’ve got the garden

lola, baxter, suki & the shadow

I’m taking photos of a bricked-up window when a woman calls out to me from higher up the path.
I say! she says, then Hello? You there with the camera. Is your dog alright with puppies?
I turn to look.
It’s a woman in her late middle-age, dressed like a countess, lacquered hair and Alice band, navy-blue twinset, the cardigan draped over the shoulders and fixed by a button, the only concession to the walk being a pair of blindingly white court shoes. Her left arm’s crooked up for balance, presumably, the right extended straight out in front, attached to the lead of a porcine little pug, madly scrabbling its paws in its eagerness to make time. I know that pugs’ eyes bulge, but these seem particularly alarming. I put it down to the effort it’s making pulling the woman along.
‘She’s fine!’ I say, hoping to God it’s true. Lola doesn’t seem bothered, though. The pug makes a bunch of strangled yippy noises, describing a perfect arc in the dirt, but Lola lopes by safely out of reach with barely a glance.
‘What about cats?’ the woman says as she draws nearer.
‘Cats? Well – she lives with one. They get along. Why?’
‘Suki follows me when I go out.’
I can see a large, marmalade cat sitting on its haunches in the middle of the path, such an air of self-possession I wouldn’t be surprised if it produced a pair of field glasses and called in an airstrike by walkie talkie.
‘She’s so cute!’ I say.
‘She isn’t. Sometimes she turns and goes back. Sometimes she disappears. For weeks.’
I nod, like – yes – this is definitely something to bear in mind with cats.
‘She’ll be alright with her, y’think?’
‘I think so.’
In fact, Lola hasn’t even seen the cat. I’m not surprised. Last week she walked right past an adult deer over the woods: didn’t even look up. And once, when an entire herd of black and whites fell into line behind me all the way across the field, Lola walked calmly in front, like she expected exactly this to happen all along, and was actually a little disappointed.
I bend down to offer my hand to the pug, which it takes as an invitation to climb all over me.
‘Don’t encourage him,’ says the woman. ‘He’s already much too excited about these things. C’mon, Baxter…’

It’s certainly a day for meeting posh dog walkers.

Cut to: a tall, stooped figure in a tweed gilet and corduroy trousers, standing at the edge of the woods leaning on a rustic walking stick, one hand draped over the other, watching a stately black labrador sniffing around in the long grass. The man has a wide, thin-lipped mouth that barely moves when he talks, and the slightly fuddled demeanour of someone who’d woken up, dressed and made five miles before he knew what was going on.
‘Nice reprieve from the hot weather,’ he says when I draw level. ‘Not that I’m complaining, of course. One just needs time to aclimatise to these things.’
I agree with him and stand there a moment, catching my breath after the climb. Lola goes over to the labrador. They swap cards.
‘Good boy, Shadow,’ says the man, then raises his chin and stares off across the field.
‘Where are the brown cows, d’you think?’
‘Over that far side. Lying down under the trees.’
‘Ah!’ he says. ‘Good! Not that Shadow is troubled by them overmuch. Or they he’
‘No. He looks pretty solid.’
‘The black and whites are the worst,’ the man says. ‘Have you met those chaps?’
‘Absolutely! On the back field. They’re so inquisitive.’
‘Yes. They fell into line and followed us the other day. I think they thought I was going to milk them.’
He takes off his cap, scratches his head, replaces the cap.
‘I shouldn’t think there’s much to it, though. Do you?’
‘Probably not. You’d just have to watch the legs.’
‘Yes! I think I’d be a little twitchy in the old trouser department if someone started fiddling around with my udders.’

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of birds and buds

Every time I see Friendly Bald Guy With Two Rescues I want to ask his name, and each time I don’t it makes it harder. Why, I don’t know. I expect he feels the same, every time he sees Smaller Guy Of Similar Age With One Rescue. (Real names would be so much easier. Although guys can be problematic. There are only so many Robs and Jims and Daves and Petes you can meet before they start blurring into one amorphous check shirt and cargo shorts).

Today doesn’t help.

I’m standing on a path in the middle of the woods, head tipped back, listening to a bird singing high above me in an ash tree. I’ve no idea what sort of bird it is. The variety of its song is so astonishing, so flamboyant, you could tell me it was a Bird of Paradise and I’d believe you. The bird produces short bursts of piercingly beautiful song, pausing just long enough to catch a response from deeper in the wood, then launches itself into another, virtuoso phrase.

I think Lola’s still with me, so it’s a surprise when I look back down to find FBG’s two dogs sitting at my feet, their heads tipped back like mine. At the same moment, FBG comes striding along the path.
‘Hi!’ he says, tugging out his ear buds. (I think there may have been a slight, name-sized gap just after the hi, but if there was, he generously covered it with a smile).
‘I was just listening to this amazing bird’ I say. ‘No idea what it is.’
‘You put me to shame,’ he says. ‘I should be listening to nature rather than this podcast.’
‘Nah!’ I say, backtracking on the bird. ‘Podcasts are great, too.’

We stand like that for a while, a little awkwardly, either side of the path. Lola has reappeared, thrilled to find that the bird-watching episode has segued into something altogether more interesting. The three dogs chase after each other through the undergrowth, whilst FBG and me do that tentative, exploratory conversational thing, teasing out any correspondences. (They’d been away in Norfolk / Norfolk! I was brought up round there / Were you? Where? / Wisbech – on the border / I know Wisbech! I was further over, Norwich way / I know Norwich – I saw Jim Bowen in Mother Goose …). But for all the progress we make and everything we find out about each other, it still doesn’t stretch to a name. Later on, after he’s screwed his earbuds back in, called the dogs away and walked off down the path, it strikes me how much sweeter and more efficient the bird’s method of communication is than ours.

*

An hour later I’m slogging up Broken Tree Hill. I’ve taken more pictures of the pines at the top of this hill than anything else – so much so that when I tweet the pictures and come to write the caption, it autofills on the first letter. Anyway, today I’ve come armed with a bin bag, because the other day I’d been annoyed to find a scattering of drinks cans and fast food wrappers, and I thought after all the pictures I’d taken I owed it to the place to tidy up a little. I’ve just started litter picking when FBG appears at the bottom of the hill, his two dogs racing towards me. He pulls out his ear buds, waves – and then hesitates. And I really want to sing a burst of notes along the lines of: Hey! It’s not what it looks like. I’m not normally this conscientious. You’ve just caught me on an odd kind of day. But of course all I do is wave, too – forgetting that I’m still holding the bag, which he probably interprets as Look at me, busy litter picking. He shakes his ear buds, as if to say: And here I am, still listening to my podcast, then screws them back into place, and carries on up the hill.

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wheaton mess

I hear her
long before I see her
striding along the woodland path
blowing her whistle
over and over
like a furious referee
Have you seen him?
she says, breathlessly.
Wheaton terrier?
Toffee-coloured?
So high?
No, I say, but there’s
a golden retriever
over by the badgers
Badgers? she said.
What badgers? Where?
I turn to point
just as a toffee-coloured dog
comes trotting towards us
Isn’t it? I say
I’m not an expert
Golden retriever? she says
I’m not wearing my glasses, I say.
No? she says. Well. Never mind.
Meanwhile, the wheaton retriever
or whatever the hell it is
cuts straight past us
moving like some wanton wheaton machine
in the direction of a nearby stream
Oh for goodness sake! she says
hurrying after it
blowing her whistle
I half expect to see her
pull out a red card
and wave it in the air, too
and who knows? maybe she does
I couldn’t really say, because, well –
I’m not wearing my glasses

elegy to a cemetery crow

walking with Lola out to the woods
we cut through the cemetery straight
find a plastic rose from one of the graves
blown over by the churchyard gate

I guess they used a plastic bloom
so they didn’t have to come so often
even though they look quite cheap round a tomb
and tacky as hell on a coffin

but these are the dodges you use around death
to keep the whole thing more tractable
it makes the dead seem closer to home
and not quite so non-contactable

oh – what would they say if these bones could talk?
would they tell of their loves and caprices?
would they fling back the stones and struggle to walk
or immediately fall into pieces?

No. They are dead. The End is the End.IMG_8605
(I’m sorry to burst your bubble
but better you hear it now, from a friend,
and save yourself decades of trouble)

because death is neither a sleep nor a bourn
– the euphemisms I could mention –
and this plastic flower you brought to mourn
marks a truly natural dimension

It’s a part of life, I’m happy to say
as real as that cemetery crow
everyone has to go through it some day
– so that’s reassuring to know

 

a rose by any other name

I went on a dog walk this morning. For a change, we went to a nature reserve further west. There’s a stream that runs along the bottom of the valley there, dammed in places with branches and sticks and stuff, gnarly old trees with exposed roots along the bank, unexpected encampments in thickets of holly, shrines to dead pets, and – well – generally speaking, if you can’t get a picture there, you can’t get a picture anywhere.

It was whilst I was exploring the woods that I started to think what I might call them. I mean – they’ve got a name already, of course. Blunts Wood, no doubt because a while ago they were owned by someone called Blunt. Unless they were making some more general comment about the place. According to Webster’s, blunt means having an edge or point that is not sharp; being abrupt in speech or manner; straight to the point; slow or deficient in feeling; insensitive or obtuse – none of which particularly comes to mind when I’m watching Lola sprint ahead through the trees.

But whether it’s Blunt the family or Blunt the obtuse, (which sounds like an ancient and not particularly likeable ancestor), I think there might be better names out there.

IMG_7848Many of the trees have fallen over, lost to soil erosion, and the action of the stream that obviously floods quite regularly. And I think it’s that, along with the fantastically contorted root patterns, the thick ivy that flourishes in these dank conditions, the mud and the low light, that combine to give the place a spooky atmosphere, mossy and kind of magical. In fact, today it looks less like a nature reserve and more like a witch’s garden, exactly the secret and sacred place a tree might want to sneak off to when it felt a stirring in its sap. Maybe if I camped out long enough over there I’d see them by moonlight, slithering and rustling across the fields, then collapsing by the stream and throwing their roots into the water.

So thinking about all this, I thought I might call it the Wood of the Wayward Oak. Although there are other trees there, too, so that’s not fair. Maybe Forest of the Beguiled. Although that sounds like the trees were tempted there under false pretences – which may be the case, I don’t know. Lola certainly seems a little lost.

It’s a work in progress.

IMG_7816I have to admit, though – it was easier naming Broken Tree hill. The iconography was so much clearer: a hill with three pines on top – one of them fallen down, one of them standing up (but dead), one of them growing normally. Broken Tree hill seemed to fit straight away.

No doubt it’s already got a name. I mean, I know for a fact the land is owned by an actual farmer. He uses it as stand-by pasture for his cows in the summer, or a place to shift them over to safety when they shoot fireworks in the air in the grounds of the manor house on Bonfire Night. So I’m pretty sure it’ll already be officially catalogued in an office drawer somewhere: Farmer Whatever’s field.

It’s probably worth pointing out, though, that whether it’s Farmer Whatever’s field or Broken Tree hill, neither of them are actually true. Neither of them have anything to do with the thing itself.

For example, my parents christened me James. If you google ‘James’ you’ll find it comes from the Hebrew name Jacob, meaning supplanter or one who follows. Which is an odd couple of descriptions, by the way, because if you look up the definition of supplant in Webster’s, you get to supersede (another) especially by force or treachery. So I’d definitely be feeling anxious if the James of the First definition was doing some following of the Second.

To be fair, I think my parents called me James not because they thought I looked untrustworthy (or lost), it was more because they knew someone called James they liked, and it seemed to fit. (They gave me a middle name, too: Edward. Which together with James starts to look a little delusional, as if they had some supplanting ambitions of their own).

Anyway, truth is, I’m neither a James nor an Edward. In the same way that the parenchyma cells of the living pine, busily trying to stop it going the same way as its neighbours, would do just as good a job without a name at all, in the same way that the osteocytes maintaining my upright position at this desk couldn’t give a greater or lesser trochanter if the whole outfit ending up being called Derek. I’m a composite, an entity, a nameless thing – especially on days like today, when I’m patently using any old excuse to avoid working on the book.

So – to sum up. It’s not Broken Tree hill, it’s not The Wood of the Wayward Oak, I’m not Jim, and who the hell are you?

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the difficulty thereof

Well. He certainly liked his walks.
I’m sorry if that makes him sound like a dog
but it’s true.
Anyway. What can I say?
He took a lot of pictures.
There. A positive.
Shared them on Twitter. He Tweeted.
Was a Twitterer.
Between you and me
I don’t see much difference
between that and those crazy people you see over the park
hunched over with a bag of crusts, covered in pigeons.
Still, it gave him a sense of purpose.
To be honest, and this doesn’t go any further,
I think it’s a crying shame.
All those plans he had, all those Big Ideas.
And in the end, what did it come down to?
A scattering of snaps on some virtual table.
Each one with a cutesy title, of course,
for ease of identification, I suppose,
like those tags you see
tied on toes in the mortuary.
I mean, honestly:
sticks & stones
the rag tree
coppice storm
guardian of the way
you take my point
(That last one’s me, btw, rofl).
I mean – look at this one:
a shovel, broken in the handle
dropped in the woods.
‘Like it died and hadn’t been able to bury itself’
That’s what he told me. I said Okay Right Hmm
But isn’t that just a teensy bit morbid?
He was like that, though.
A bit dry for some.
He couldn’t just close his eyes
and feel the sun on his face.
D’you know what I mean?
He had to root around in all that shadowy shit
Bring things down
to the flare of light in a horse’s eye
or the dance of a rag tied on the lowest branch of a tree.
Or, for heaven’s sake,
a broken shovel someone tossed.
I mean, honestly.
Where’s the joy? The simple common sense?
It just goes to show,
you can lead a horse to water
but you can’t make it stop banging on
about words, art, life
and the difficulty thereof

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tell tails

A drive out to see Alistair for another dog walk. It’s been a while since I was here – August, in fact – and even though it’s still something of a building site, they’ve accomplished a lot. He shows me the brick reservoir they’ve renovated in the middle of the land, how they’ve organised things so that everything drains into it. He shows me the pipes they’ve run from the tank to the raised vegetable beds off to the side, and the solar pump that’ll keep a trickle supply running. It’s all very organised and admirable. He’s even using rocks they’ve scavenged from all the clearance to landscape the area around the tank and make it good.

‘You have to use your imagination’ he says, but really, it’s not such an effort.

We head down to a gap in the fence at the bottom, and out onto the neighbouring field where a dozen horses in quilted jackets stand and stare at us, their breath steaming around them in the brisk morning air. Ailsa lies down and stares back, obviously wanting to round them up, but Alistair whistles for her to come, which she does, so quickly it’s as if she materialises from one spot to another.
‘Good girl’ says Alistair.

Meanwhile, Lola has chased after Dexter, heading for the woods. Lola would’ve caught him a few years ago, but these days she’s slowing up. Dexter leaves her behind, galumphing into the undergrowth and disappearing.
‘Dexter’s staying for a while,’ says Alistair discreetly, like he’s describing a guest at a rehab facility. ‘There’s something going on at home,’ he adds, darkly.
Ailsa has already overtaken Lola as they both chase after Dexter into the woods. Lola’s in love with Dexter. It wouldn’t surprise me if a little later we found their names carved by claw into a tree. A heart with an arrow, initials, kisses.

‘I’ve been getting into coding’ says Alistair, ducking under a wire fence. ‘It’s amazing how everything’s come on. It wasn’t so long ago you’d be struggling with a big old text book that was out of date as soon as you opened it. Now you can log onto forums and watch people explain it all on YouTube. It’s so much easier.’
‘I know! When I think how hard origami used to be, trying to figure out those drawings – dotted lines for a valley fold, a kinked arrow for a squash fold. Half the time I’d give up. Now you just watch a clip on YouTube. We had a whole series of origami books written by Robert Harbin. Is that how you say it? Harbin? It’s funny – I’ve never said it out loud before. It sounds made up.’
‘No, no. I think Harbin’s right.’
‘I bet no-one’s publishing origami books anymore.’
‘Or code books.’
‘Or any books!’

It suddenly strikes me. We are almost certainly the biggest nerds ever to walk through these woods. It’s probably a good thing duck season hasn’t started.

Alistair yawns whilst I stop to take some pictures of a derelict railway bridge, the tracks IMG_6633gone, the brick parapet breached by thick stems of ivy.
‘Sorry,’ he says. ‘I got up so early this morning.’
‘Why? Couldn’t you sleep?’
‘No – it was just that when I went to bed I was trying to figure out a tricky bit of code, and then about four o’clock, I sat up straight from a dream, and I was convinced it was telling me the answer. So I went downstairs and tried it out.’
‘Did it work?’
‘No,’ he says. ‘Complete garbage. I’ve been yawning ever since.’
‘I remember reading about this chemist who was trying to figure out the molecular structure of benzene, and he had a dream about a snake with its tail in its mouth, and that’s how he figured it out.’
‘I read that, too’ says Alistair. ‘Bastard.’

The dogs appear again, Dexter first, closely followed by Lola and Ailsa. We come to another stile. There’s an elderly woman the other side, rattling a bag of treats and shouting Arthur! All three dogs leap through the gap and sit around her.
‘You’re not Arthur,’ she says, but they carry on sitting anyway.
‘Lost your dog?’ says Alistair, climbing over.
‘I’ve only had him two weeks,’ she says.
The woman is strangely dressed for the muddy conditions. She’s wearing a red two piece suit with a fur trim, soft leather boots, and a pointy, green velvet hat. In fact, it’d be easier to think she she was on her way to an audition for Robin Hood than taking a dog called Arthur for a walk. But who knows? Maybe this is all a last minute decision.
‘Are your dogs okay with other dogs?’ she says.
‘Fine’ says Alistair. The worst Ailsa will do is round him up.’
‘And Lola’s too busy with Dexter to notice anyone else.’
The old woman cuts across us.
‘There!’ she says, pointing with the treat bag. ‘Arthur!’
We all turn to look (including the dogs).
Arthur turns out to be a heavy Alsatian, warily hanging back on the brow of the hill. I must admit I’m shocked. I was expecting something smaller. I can’t imagine the woman being able to hold onto a hound as substantial as Arthur. She’d be safer throwing a saddle on his back and riding him home.
‘Arthur!’ cries the old woman again, shaking the bag of treats in the air again. The dogs – giving up on the treats as any kind of prospect – jump to their feet and race up the hill to intercept him, Dexter and Ailsa making the running, Lola tagging on behind.
‘Are you sure they’ll be alright?’ says the woman.
‘Of course!’ says Alistair. ‘Just look at those tails!’

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