looking for geppetto

The front door is open. When I go in and close it, I see a sign thumb-tacked just above the letter box: Keep The Door Closed. 

I can hear Raymond talking animatedly on the phone in the front room. When I stick my head round the corner and wave, he waggles his free hand in the air and continues:

This is absolutely fucking ridiculous…. of course I can’t tell you the card number… well, for the simple reason I’ve lost the card. That’s the entire purpose of my call. If I had the card to read the number I wouldn’t be ringing you, would I? No I won’t calm down. I demand that you reinstate the two hundred pounds that was stolen from my account…. I don’t KNOW how they got the pin number. They’re CRIMINALS. That’s their JOB. All I want is for you to do YOUR job and give me back my money….

Something happens with the phone. He curses, holds it away from his face, bangs it twice on the arm of the chair and then tosses it out into the chaos of the room. 

‘Battery’s dead!’ he says. ‘You couldn’t do me a favour, could you?’

‘Of course.’

‘Locate the base that’s somewhere over there and charge it up again?’

The little front room is in a mess, as devastating as if flood water had unexpectedly rushed through the house and then back out again, leaving a tangled tideline of random stuff – trainers, trousers, duvet covers, exercise bike, milk cartons, who knows what. The only clarity in the place are the bookshelves, safely screwed to the walls out of harm’s way, the books neatly aligned in height order. They mostly seem to be about film, especially animation. Which makes sense, given the display on the hallway wall of some early Disney drawings – character studies of Jiminy Cricket, Figaro the cat, Pinocchio. 

I’d had some warning of the state of play this morning. The therapist who’d been in to see Raymond the day before had written an illuminating note: Patient reports that a stranger visited last night with a bottle of brandy – stayed for sex – stole money on his card. Police informed. 

Notes further back show that this isn’t an unusual event. Raymond has a long history of alcohol abuse and all the associated complications, medical and social. I’ve come round to dress the wound on his head, and generally see how he’s doing. 

He has no recollection of the fall.

‘Is that unusual for you?’ I say, gently cleaning the wound with saline, holding a swab to his eyeline to catch the drips.

‘No, sadly,’ he says. ‘It’s the booze, of course.’

‘I read that you tried a detox programme last year – which is good.’

‘Is it? Well – you get shunted into these things. My heart wasn’t in it. I’m afraid I didn’t just fall off the wagon I rolled it over and took everyone down with me.’

‘Worth trying again…?’

‘I don’t think so,’ he says, with a deflationary sigh. ‘It’s not worth it.’

I photograph the wound, dress it, check him over more thoroughly. He’s got lots of injuries, old bruises, new bruises. It’s like he drinks a bottle of brandy then throws himself into a giant tumbling machine. It’s a miracle he ever emerges. 

‘I love the Disney drawings you have on the wall,’ I say. 

‘Thank you.’

‘I remember the first time I saw Pinocchio. That scene where Lampy turns into a donkey. Good grief! And that bit where Pinocchio’s walking on the sea bed with a rock tied to his tail. Calling out Faaaa…ttttthhhherrr! And all the seahorses and clams and things come out to look. But when he asks them if they’ve seen Monstro the whale, they look terrified and disappear! I mean – what an absolute freakin’ nightmare!’

‘Yes,’ says Raymond. ‘I know. Story of my life.’

back in the pond

sometimes when I belch I bring back dad
that sonorous, self-satisfied way he had
a baritone frog on a lily pad

shit i even walk like him
rolling along on stumpy pins
a nonchalant neanderthal synonym

lately I catch myself sighing when I sit
and when I laugh I cry a little bit
like life’s so funny I can’t quite handle it

I wish he’d quit and leave me alone
the dead king slumped on his ghostly throne
jerking the strings on these junior bones

a ceramic pelican

The muddled wave of sycamore trees growing up along the embankment at the back, the viaduct rising high above the houses in a straight line to the heart of town, the shuttered pub on the other side of the road, the makeshift garage with the stack of tyres and the rusting car up on blocks – everything conspires to give this street a neglected, backwater feel.
I’m meeting up with Magda for a joint visit. There’s been a safeguarding raised against Bob’s wife Geena. We’re here to support each other, to see how he is, how things are today.
‘Jimmy boy!’ says Magda, tossing her hair back and holding it in place with her blingy sunglasses. ‘S’up?’
We talk a little about the situation before we knock.
‘I doubt she’ll even answer the door,’ I tell her. ‘Did you read the notes? She’s been turning everyone away. Going mad. And even when she lets them in, she abuses them and throws them out pretty quick.’
‘Sounds like my kinda girl.’
‘The social workers are on the case.’
‘Well!’
‘She even swore at Pete the physio and threw him out.’
‘Peter? Man! That’s like being cruel to puppy.’
‘I know! So – I’m not sure how far we’ll get.’
‘You want me to go first, Jimmy? It might be dangerous.’
‘Okay.’
‘Okay.’
She goes up the steps to the front door and knocks, heavily, like a debt collector or something. We wait a while. She knocks again.
I’m just about to lean over the railings and peer through the front window when the door unexpectedly opens.
A sixty year old woman dressed in a hornet stripe jumper, purple slacks and velcro shoes, frowning at us with a pinched expression. It’s like a spiteful child picked a doll up by the face, stood her at the front door of the doll’s house, and got ready to shoot her with a BB gun.
‘What?’ she says.
‘Gemma! Hi there! My name is Magda and this is my colleague Jimmy. I’m so sorry to disturb you. We’re from the rapid response team and we’ve been asked to come see your husband, Bob. It’s lovely to meet you.’
‘I told them. I don’t want you people coming round no more.’
‘I know, I know. It’s problem. But we won’t be long, Gemma, I promise you. Just a hi and a bye kind of deal. Trust me. You’ll hardly know we were here.’
There’s a tense pause that the rumbling of a passing train does nothing to ease. I fully expect Gemma to slam the door, but Magda generously interprets the hesitation as an invitation, and starts moving forward. And really, when Magda starts walking forwards it’s very difficult to say no. So instead Gemma flattens herself to the wall, closes her eyes and lets us pass.
‘That’s very kind of you, Gemma. I appreciate that. Thank you very much, darling. Through here…?’
I follow Magda into the house. It’s tall and dark and watchful. A narrow hallway leads off to the kitchen out back, the sitting room to our left.
‘Bob!’ says Magda. ‘There you are! Hello mate!’

Bob is sitting behind the door in a high-backed chair, a zimmer frame to the right. He’s dressed in stripes, too, although his are blue like his eyes and easier to look at. Everything about him is the opposite to Gemma. They could be the figures in an emotional weather clock: Bob summer, Gemma winter.
‘Hello!’ he says, holding his arms left and right like he’s known her all his life. ‘What’s all this about, then?’
Magda explains who we are whilst I get my obs kit out. Bob is wearing shorts, so it’s immediately apparent to both of us that he has a wound on his leg.
‘What have you been up to, Bobby? How you hurt your leg like this?’
She bends down to look. Gemma, who up to this point has been sitting on the arm of a sofa like a storm on the horizon, suddenly springs up, hurries over, and clutches the zimmer frame with white knuckles.
‘You are not to look at that!’ she says. ‘I’m his wife! I take care of him!’
‘Well – yes – I understand this, Gemma, but you know we are here to see Bob. And to be honest with you, unless you have Power of Attorney…’
‘I DO have Power of Attorney!’
‘Great! That’s great! So now, of course, we need to see paperwork. You have paperwork, Gemma?’
Gemma gives a huff, releases the zimmer frame and stomps back to the sofa.
‘I’m his wife!’ she thunders. ‘I say what happens.’
Magda shrugs this off and chats to Bob whilst I clean and dress the wound. I want to take a photograph, but I’m conscious of Gemma staring at me and I think if I do the flash of it will tip her over the edge. She’ll probably snatch up that large, ceramic pelican and smash it over my head, Magda or no Magda. So I finish off with a set of obs – all of which are fine. I can feel the rumbling of her teeth grinding through the floorboards, although it might just be another train.
‘So tell me, Bobby? Tell me what happen with leg,’ says Magda.
‘I fell out of bed,’ he says, and then slowly, and irresistibly, he turns to look at his wife.

Chapter 15: Stanley, Queen of Egypt

Too doggone hot – Water shortages – Elizabeth Taylor as Cleopatra – sleepy foals – An exciting new movie about a Poacher and his Lurcher – Are you the farmer? – One man and his gigantic hound

Heatwave. Except – it goes on so long it’s not so much a wave as a full-on, thermal flood, transforming the country from a chilly European outpost to a hard, blue Mediterranean wannabe. And of course, the trouble is, because we’re mostly used to shivering indoors in our coats, or tapping snails from our wellies, or bailing out river water with saucepans, we’re not really set up for it. The endless torrents that fell over winter disappear overnight. The taps start to run thin, and you suddenly you find yourself queuing at the local football ground to score a few bottles of water.

It’s so hot, we can only walk Stanley early in the morning. He runs around for about five minutes then spends the rest of the time dowsing for springs. His ludicrous white fur coat must be a burden, but he’s very fashion conscious and refuses to strip down to his furry undies like the rest of us. When we get back, Kath puts a wet tea towel over his head and takes a picture, holding it up against one of Elizabeth Taylor as Cleopatra. And I have to say, there’s a definite likeness. Although on balance I think Liz beats Stan by a nose.

Mostly he spends his time sprawled out flat in front of the fan, or under a tree in the garden, or on the cool tiles of the kitchen floor, panting steadily and determinedly with a noise like a woodsman sawing logs. We keep his water bowl topped up. He struggles, but puts on a brave face, exactly like Cleopatra, smiling mysteriously from her basket as she watches the pyramids go up in the garden.

And like Stan, the Hole in the Hedge gang are hot and sleepy, too. They’ve had a few foals (I’m too stupid with heat to Google the collective noun – a ninny? a cuteness?) and although sometimes they chase and kick each other to no great purpose, and generally leap about, sneaking up on their parents round the blackberry thickets, most of the time they’re stretched out on their sides, flicking their tails at a constant bothering of flies.

Stan ignores them – which is progress. Not so long ago he’d have looked at them with alarm, barking like they were monstrous creatures with iron paws who’d been spawned from the very earth (I have to say I agree with him on that one). Now, he yawns and carries on, pulling on the lead, keen to get into the next field, which is much more secure, free of horses, and just right for a mad and uncoordinated long-legged lurcher to throw himself around in.

He does his usual thing, which is a combination of sniffing, running, jogging, jumping, leaping, nosing about, standing still with ears lifted, standing still with leg lifted, and original combinations of the above. We thought at first he’d be an awesome rabbiter. Although I have to admit much of that was based on how he looked. I mean, if I was casting a film about a poacher and his dog (set in the early nineteenth century, where the poacher gets tricked into joining the British army, and finds himself fighting in the Peninsular War, where his poaching skills come in very handy, but he gets wounded, and thrown in prison, and he’s pretty much had it, when a mysterious old woman charms the guards and bribes them with pawful of hard biscuits, and they let her in to tend to the wounded, and then she throws off her shawls, and it’s the lurcher, who gives a disgusting cough and vomits up the key he lifted off the guards, and they all escape, and after many adventures – none of which involving horses – end up back in the old Sussex pub they started out from, struggling to make a living selling rabbit skins and old blogposts) – well, then, I’m confident Stanley would get a callback. I don’t think his rabbiting skills are all that, though. When he sees one he freezes, and only runs after it when he’s confident it’s made it at least halfway down the hole.

Whether it’s the heat, or whether it’s the excellent training we’ve been putting him through, courtesy of Adina, I don’t know, but this time on the walk Stanley seems remarkably calm and well-behaved. He doesn’t bark at the horses. He comes back when I call. He notes the presence of another dog on the other side of the field but doesn’t launch himself over there. All-in-all, he’s pretty damned good.

I see one of the regular walkers the far side of the main field. It’s a guy I try to keep clear of, to be honest. An elderly guy, a farmer type, squashed down firmly into his boots by the flat of his cap. The kind of farmer who lost his license for unspecified misdemeanors. Who has a Suzuki Jimny with a pheasant feather on the dash and a bumper sticker that says: Keep your bullshit in Westminster. He’s got a pack of Jack Russells that he seems, by the sound of it, to hate. They’re a torment to him. You can hear him cursing at them as he blunders through the kissing gate. You’d think to hear him he was leading a pack of hyenas. Actually, they seem pretty good (from a distance). They trot ahead of him, happily sniffing around, enjoying the early morning air whilst he curses and growls behind them. Once I saw him throw his walking stick in their direction – which seemed pointless, because it only made them trot further on ahead, and meant he had to go and pick up his stick, which didn’t improve his mood any. The point is, Stanley didn’t even respond to them, which is a miracle out of scriptures.

The most miraculous moment comes a little later, though. We’re halfway through the twitten – a nerve-stretching alleyway at the end of the walk – because once you’re committed to it, there’s no turning back. We’re approaching the main road. Suddenly, a man walks past with the most enormous dog I’ve ever seen. I’d say Munsterlander but I’m not sure that’s even a thing. It’s big anyway, bigger than the horses, bigger than the man, and certainly bigger than Stanley. I reach for the treat bag, my heart dropping because I know only a dart from a ranger at the wildlife park could stop Stanley barking now. He doesn’t, though. All that happens is his mouth drops open, his eyes widen and he tenses up. But he doesn’t make a sound.

‘Morning!’ says the man, striding on.

‘Morning!’ I say.

‘Lovely day!’ he says.

‘Hot!’ I say.

And that’s it. They’re gone.

Stan gives himself a little shake. I’m so shocked I eat the dog treat I’d taken out of the bag.

‘Come on, Stan,’ I say, screwing up my face.

And holding his tail in neutral, happy alignment, he follows.

the guru comes back

It’s so hot it feels as if the sun has dropped in closer and burned away every last scrap of moisture. I’m okay though – waiting for the social worker in the shade of the tall privet hedge that marks out the perimeter of this estate. I don’t mind the wait. I stand with my bags at my feet, waving to the people coming and going along the driveway. The postman in his foraging cap with a strip of blue canvas hanging over his neck; the young couple striding out with a pram covered in netting; an elderly woman with her shades flipped up, her permed hair glinting metallically in the sun. It starts to feel strange, like I’ve been standing like this for years. When the postman comes out again I half expect him to come over and hand me a letter: To the Man by the Hedge. ‘Dear Standing Man…’

Liam the social worker hurries across the road, hugging a battered leather briefcase to his chest, looking right and left over his shoulder like he’s escaping with secrets and expects to be shot.

‘Phew! Sorry I’m late!’ he says, striding towards me over the lawn. ‘Have you made contact?’
‘No. I thought I’d better wait.’
‘Good. Good,’ he says, pushing back his long hair, the sweat standing out on his forehead. ‘Well, then. Shall we…?’

Nanette’s daughter Roo answers the door.
‘Thank you for coming,’ she says. ‘Although quite what you’ll be able to do I don’t know.’

It’s a difficult scenario. Nanette was discharged home after some disagreement amongst the clinicians about her mental capacity. Nanette has chronic health problems, made worse by a recent infection. Her history of taking medication is patchy to say the least; she prefers to take herbal remedies, to meditate and follow a strict dietary regime – all of which is fine, of course, except it’s reached the stage where it’s difficult to say whether the progress of the illness is affecting her ability to make rational decisions about her health. She was so unhappy and disruptive on the ward, the hospital took the view that on balance she’d be better off at home with the support of community health teams.

None of this would matter so much if Nanette wasn’t suffering, and putting herself at considerable risk.

‘She was outside last night in the early hours, knocking on random doors asking for ice cream,’ says Roo, taking a steadying breath. ‘I live miles away. I just can’t be here all the time.’

What makes it even harder is that Nanette won’t accept any care support. She’s been turning people away, shouting at them through the window, telling them to piss off, and worse. The self-neglect is starting to show now. I’ve been sent in with Liam to do as much of a review as she’ll tolerate, to see how she is and what more can be done short of sectioning.

We put on our masks and gloves and follow Roo up the stairs.

Nanette is sprawled on the sofa. Emaciated, a dump of stringy limbs loosely wrapped in a threadbare dressing gown. The tiny flat is super hot; the little fan turning its head ineffectually right and left and back again, like a sad little robot saying no, no, no.

‘Hello Nanette!’ says Liam, giving a little nod. ‘I’m Liam, a social worker, and this is Jim, a nursing assistant. We’ve come to see how you are.’

‘Well now you’ve seen me so you can piss off,’ she says.

‘We’ll go if you want us to, but first we’d like to see how things are and how we can help.’
‘You can see how they are,’ she says. ‘They’re hot.’
‘I know. It really is hot today,’ says Liam. ‘Would you mind if we sat down over here and had a quick chat. We won’t keep you long. Promise.’
She shrugs.
‘If you must,’ she says.

Roo fetches in two small, brightly coloured stools, the kinds of things you might find in an infant school. We sit with our knees up to our necks, and try to smile with our eyes over the rim of our masks.

‘Would you mind if I did your blood pressure and so on?’ I ask her.
She sighs.
‘I’m fine!’ she says. ‘Why is everyone so obsessed with blood pressure? This is what’s wrong with the world. Haven’t you got anything better to do?’
‘Not at the minute. We’re here for you.’
‘Well that’s nice,’ she says, not meaning it. ‘Go on then. But don’t pinch.’
I run through her obs, which are surprisingly good, considering.
‘Thank you!’ I say, sitting back down on the stool. ‘That’s all fine.’
‘I told you! You won’t listen. There’s nothing wrong with me. And if there is, I cope with it my own way…’
‘Who’s that in the photo?’ says Liam, nodding over to a large, gold-framed, hyper-colourised photo of an Indian man in yellow robes, a string of flowers round his neck. He’s holding his hands out, palms-up, smiling so widely his eyes are creased shut.
‘That’s my guru,’ says Nanette. ‘I followed him for years. He died a little while ago.’
‘I’m sorry to hear that,’ says Liam.
‘Dont’ be,’ says Nanette, painfully pushing herself up on her elbows. ‘See that other picture, there? The one to the right?’
In a silver frame. A shaky, grainy, long-distance shot of a young Indian guy in white robes, striding onto a stage in front of a huge audience.
‘He came back,’ she says.

two dwaynes

I’ve come to do Elaine’s assessment with Lisa, one of the physio assistants. Elaine is eighty, her cancer advancing rapidly towards end of life, to the point where she needs a great deal more equipment and care. The District Nurses want her to go into a hospice, because she has no family or friends to help out, she’s isolated and vulnerable where she is, and there’s a limit to what the various community health teams can do. Elaine doesn’t want to go, though, despite numerous falls and incidents. The DNs have referred her to us to see what else we can provide, including night sitters.

We’re told that Elaine is able to buzz us into the building with a remote device, but when we ring her number there’s no reply and nothing happens. The building manager isn’t in his office, so we push the emergency buzzer on the console. Because we don’t know the password, and the door’s not camera monitored, they won’t let us in. We ask if they’ll phone the hospital and check that way. It’s not part of their protocol, they say. They can’t do it.
‘She might be on the floor,’ says Lisa.
‘Sorry.’
They ring off.
Lisa curses, buzzes random flats. Eventually someone takes pity on us and lets us in.

Luckily, Elaine’s door is unlocked. She’s sitting on the floor leaning back against the bed. The only injury she has is a skin flap on her arm, so together we gently help her up again and settle her back in bed. I check her over and dress her wound.
The phone rings. Lisa answers on Elaine’s behalf.
‘It’s Dwayne,’ she says. ‘From the Salvation Army. He says he’ll call back later.’
Elaine nods, gently raising and then lowering her uninjured arm like a marionette sadly acknowledging some change in her surroundings, then she gently closes her eyes and rests her head back. She’s so frail and emaciated she hardly makes any impression on the pillow.
‘Dwayne is so sweet,’ she says. ‘There are two of them, you know.’
‘Two Dwaynes?’
‘Identical twins.’
‘Buy one get one free,’ says Lisa.

Gently holding the primary dressings in place, I wrap Elaine’s arm in a bandage.

‘I used to play tennis with this guy,’ I tell her. ‘It was only a year later I found out he had an identical twin. For some reason it just never came up. I went round to pick him up one day and when he came to the door I thought Whoa! What’s different? He just stood there looking at me whilst I tried to figure it out. Was he wearing new glasses? Has he cut his hair? What was it? After a while he said So I’m guessing Simon never told you he had an identical twin? It was so weird! They were the same but different. Very unsettling.’
‘I’ve not met Dwayne’s brother,’ says Elaine. ‘I’ve only ever seen pictures.’
‘What’s his name?’
‘Dwayne.’
‘What – they’re both called Dwayne?’
‘No. Dwayne’s called Dwayne. I don’t know what the other one’s called. Something or other, I expect.’
‘I was gonna say. If you had identical twins you wouldn’t call them both Dwayne. It’s confusing enough.’
‘I dunno,’ says Lisa. ‘Might make it easier.’

I tape the bandage.

‘There! Good as new!’
I gather all the rubbish together.
‘You know – it’s only recently I found out you can’t have identical twins of different genders,’ I say, peeling off my gloves, adding it to the waste bag, then putting it in the kitchen bin.
‘You can, actually,’ says Lisa. ‘It’s pretty rare, but it can happen. It’s all about the fertilisation. If you get two eggs developing in the uterus you get fraternal twins; if you get one egg that splits in two you get identical twins, boy boy or girl girl. But then sometimes one of the halves drops the Y chromosome and you get boy girl identical twins. Very rarely though. See what I mean?’
‘‘How do you know all this stuff?’
She winks and points.
‘Stick to the bandaging, Florence. Leave the science to me.’
Elaine tentatively flexes her bandaged arm.
‘Oh dear,’ she says. ‘I look like Boris Karloff.’
She sighs and closes her eyes again.
‘Maybe I had better think about that hospice,’ she says.

a bit of adjustment

Mr Curtis’ maisonette flat is so high up, on an unadopted dirt road close to the cliff edge, he could rent it out to the coast guard as a lookout. When he tells me he used to be a submariner, it’s hard not to think he had so many years being underwater he wanted to live the rest of his life as high above the surface as he could get.
‘So what did you do on the submarines?’ I ask him, unwrapping the blood pressure cuff with a rasp of velcro.
‘I was a spy,’ he says, rubbing his arm.’
‘A spy? I didn’t know they had spies on submarines.’

I imagine a guy in breathing apparatus, shadowing his goggles as he peers through a porthole.

‘Radio operators, you know. Specialists. We used to sit on the sea bed for weeks on end, monitoring the Russians coming and going. We had to wear slippers and creep about. We had no idea where we were. Could’ve been under the Arctic. Could’ve been the Bahamas. You had to guess by the sailing time and how stiff your socks were.’
‘Sounds horrendous.’
‘It was alright. A great gang of fellers.Although I was taller than the others so my feet stuck out the cot.’
He winds his shirt sleeve back down, neatly buttons it at the wrist.
‘You was properly on your own, though,’ he says. ‘Which sounds funny, given how crowded we were. It all took a bit of adjustment.’
‘I’m not sure I’d have lasted.’
‘You got weeded out beforehand. Put through your paces. Although sometimes it got too much and someone flipped. I remember one guy, we had to pull him off the hatch he was swinging off it, shouting and screaming. We had to knock him out with happy pills and drop him off a week later to a passing ship. Never did see him again. No one blamed him. It could get to you, that’s for sure. It weren’t like topside. It weren’t like the skimmers.’
‘How d’you mean?’
‘Well – y’see? – it was all so top secret. They used to adapt the submarine before we went out. In case we got caught. They used to paint out all the numbers, on the tower and whatnot. And they used to take off anything that weren’t strictly necessary, to save weight. They even stripped out the rescue buoys – y’know? – the things you’d launch to mark your position if you got stuck down there. If you did – God help you – no other fucker would. There wouldn’t be anyone launching no rescue missions. That was it. The powers that be would shrug and deny all knowledge. Like it never happened. Like you never existed.’
He stares at me.
‘And now look! I fall over in the bathroom and five minutes later the bloody cavalry are riding through the door.’

cave canem

I stood with the crowd in the museum audience
Dog from the House of Marcus Vesonius Primus
thought about his metamorphosis

he was part of a travelling exhibition
cast in cruelly clear condition
two thousand years in the same position

you could see where the studded collar kept him
chained in the atrium when the gas and ash swept in
killing the dog and the people who left him

it’s shocking how time rushes in to claim us
the past and the future links to chain us
a steady, unknown hand to name us

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13 signs from the beginner’s book of animal divination

1. And there shall come unto us a LAMB in an ambulance / and a multitude shall maketh the same joke – oh look – a LAMB in an ambulance / a lambulance / and great shall be the lambentation thereof

2. The DOG shall lie down with the FROG / in a swirling, whirling, generally very concerning kinda fog / and if there existeth too a log, you’ll have a helluva job to see it / and the DOG shalt end up doing something stupid I guarantee it

3. A dead CAT shall be found / by a horrified usher doing her rounds / with rigor-mortis, paws up in the auditorium / and the subsequent post-mortium / shall describe death by fatal feline megapplausium

4. A SQUID shall be revealed in a public aquarium / working the till, stocking shelves and managing all matters pescaterian / selling squid-themed t-shirt merch / without it moving an inch from its perch / which you’d have to say is pretty cool / given the general availability in the local labour pool / but as a rule / that’s fairly typical of your average cephalopoda / they’ll sucker the shit out of any staff rota

5. A LOBSTER / shall do a deal with a red-faced, Russian mobster / called Aleksander Crabsov / and when Aleksander shalt unexpectedly call the deal off / the LOBSTER shalt flip its shell and nip his nuts off

6. A KANGAROO shalt go into business with a PLATYPUS / making fat, natty scatter cushions / but the business shalt have unexpected repercussions / when the PLATYPUS enters into secret discussions / with a certain Russian / by the name of Aleksander Crabsov / who – hats off / overcame his recent testicular tragedy / to pursue his activities internationally

7. A TORTOISE shall find itself entering the regional caucus / even though it does not in any way knoweth / what a caucus is and how much it bloweth / (for your information / I just Googled caucus for an explanation: it is “a conference of members of a legislative body who belong to a particular party or faction” / so – no wonder the TORTOISE had such a nonplussed reaction)

8. A SEAL shalt be seen watching Jaws / raucously applauding / whooping & roaring / flipping fish-flavoured popcorn / scoring / all the humans that get dentured / loving every last second of the maritime adventure / especially when Robert Shaw talks about SS Indianappolis / which leaves the SEAL stunned, completely flappolis

9. A woman named Monica / school janitor / accomplished broom operator / shalt suffer to see a hideous MONITOR LIZARD / sitting on a computer with a mouse in its gizzard / and Monica shalt curse most grievously hard / and run broomlessly out into the schoolyard / but the MONITOR LIZARD shalt pursue her / as happily as if he knew her

11. A STORK / shall cause an inordinate amount of talk / dining in the clubhouse with a knife and fork / and the waiters shalt stare / and rudely watch him eating there / and the STORK shalt rise and cause further consternation / when he tries to attract the waiters’ attention / by smiling and stroking his face with a quill / (which is accepted STORK code for getting the bill)

12. A MOUSE / shalt enter negotiations to buy a fine and fancy townhouse / for a million pounds or thereabouts / quite where he finds the collateral, I have no idea / he’s probably an influencer on social media

13. A DODO / shalt come out of hibernation, look around and say oh no

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song of the wagon wheel

It was biscuits as usual in the Last Dunk Saloon
Garibaldis spitting raisins in a mug-shaped spittoon
a Party Ring disintegrating over the sickly-sweet tune
some Shortbread was banging out in the fancy piano room

There was a Jaffa Cake in an orange choker playing Teatime poker
with a Bourbon, a Malted Milk and a Fig Roll in a bowler
a Chocolate Hobnob – that oaty high-roller –
and a spicy little Ginger Nut, the selection pack joker

Suddenly the pink wafer saloon doors slammed
The pack of plain Digestives on the nearest table scrammed
A Custard Cream screamed, a Nice said Goddamn
as the mug of Earl Grey slipped from his sugary hand

A Chocolate Finger rolled behind a teapot and hid
Two Tunnocks got flummoxed and skid
down the counter to a tin, pulling on the lid
crapping their wrappers to see the Rich Tea Kid

‘Tea time!’ said The Kid, flexing his crumbs
‘I’m hungry for action and I don’t mean buns
I’m done with the lot of you biscuity bums
There’s a plate with your name on it out in the sun’

‘It seems to me your behaviour is somewhat unsavoury
and would not stand scrutiny from no Blue Riband jury’
The bar fell silent. The Kid looked in fury
at a Chocolate Chip Cookie straight out of Missouri.

The Cookie stood up. He was heavy and rich
as hunkily crunchy as a sonofabitch
‘Someone needs putting you back in the fridge’
said The Kid, but the little pressed letters on his plain face twitched

The whole bar rolled out to get the best seat
as the Cookie and the Kid faced off in the street
The Kid looked snappy in the midday heat
But the Cookie dunked twice and he lost his feet

The biscuits tossed their silvery spoons
and carried ol’ Chocolate Chip back in the saloon
‘Meet the new Sheriff!’ they said – but too soon
five weeks later he met The Macaroon

– o O o –

Cut to a Bread Wheel rockin’ on the porch
of the Our Lady of the Savoury Cheese n’Cracker Church
strumming a guitar made of focaccia and such
singing ‘I never did like a sweet biscuit over much’

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