seventh son ~ curse of

if I hadn’t had that wretched abortion
it would’ve been the seventh son of a seventh son
says our ninety year old mum

a child with magical powers
thank you for the flowers
I’ll find a vase

my eldest sister Gill is round on a visit
she wants to say hang on a minute
but can’t think how to begin it

she knows it’s hocus pocus
a family cursed by a foetus
on a glowing umbilicus
tearing open His eyes to see us

our problems were more mundane than that
too many kids in a too small flat
parents playing tit-for-tat

she watches mum arranging the roses
waits for the next thing she discloses
something equally magical she supposes

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what a ride

The best way to see Helmstone is by seagull – if you’re a pixie, don’t have a drone, have no interest in drones, or actually, you DO know someone with a drone but you wouldn’t feel happy throwing your leg over anything with rotors – although the seagull doesn’t seem much better, having a huge beak and a pretty terrifying kind of appetite. But then, I’ve no idea about seaside pixies. They may well have a good relationship with seagulls. Unlike town pixies, who have a thing for pigeons but a terrible allergy to crows. But I digress. The point is, you’re an incredibly cute little authorial device, you’re able and sufficiently motivated to ride a seagull, and you’re all set to give us a tour of this wonderful seaside town that, from the point of anonymity, but entirely unconvincingly, I’ll be calling Helmstone.

Okay?

Good.

So.

Also – I should say – because I want to start the tour from out at sea, for artistic reasons, I’ll be assuming you’re friends with a fisherman, who maybe rescued you from the crappy canoe you made out of coke cans, and you owe him big time for that, and he’s pretty kind anyway, even though economically he’s not doing so great, and there are official letters waiting at home he’s VERY reluctant to open. But whatever – he hooks you from the water a couple of miles off Helmstone, and after some fantastically witty dialogue that I haven’t got time to go into now, he agrees to let you ride the tame seagull who often hangs around his boat,  and who’s looking a little jealously at you, so you can take a tour of the town that will benefit the readers and give them some local colour. And no doubt the fisherman’s hoping that maybe when you’re done you’ll come back and do some interviews and talk shows with him, and make him enough money to carry on doing the thing he loves best, which seems to be sinking empty lobster pots into the English Channel, and hauling them up still empty twelve hours later.

The fisherman – let’s call him Steve, although personally I’m not at all convinced by that, but I don’t want to waste any more time thinking up a better name, because ‘Steve’ doesn’t feature at all in the book except for this dreadful prologue, which I hope you’ve skipped, but there we are – Steve helps you onto the bird’s back, which is waiting at the front of Steve’s crappy little smack, flicking its wings nervously, wondering what the old guy’s planning now, and maybe it’s time to find another boat to hang around. Steve fits the seagull with a hilariously inept canvas saddle and reins made out of dental floss – something the seagull REALLY doesn’t want in its beak, but Steve insists, because it’ll give you some measure of control. And he gives you a cute little flying hat, and a snug little fur jacket he made out of the pelt of a rat, for God’s sake, which you hate putting on, but you don’t want to upset the guy, because he’s doing his best, and anyway, this book will never get started if you don’t agree to wear the horrible fucking rat jacket.
And he says farewell my brave little aeronaut, quite patronisingly, and throws you into the air. And for a second you’re terrified the seagull is planning to flip you over its head and swallow you whole, either because it’s hungry, or because it’s a seagull, and in the rat jacket you look exactly like a rat, which seagulls have long-standing issues with. But let’s just say the seagull comes to terms with it, finds its wings, and actually starts to enjoy having a flying buddy. And the two of you soar away into the sky, circling once overhead to wave at Steve down below, who’s inadvisably standing up his smack, waving his cap, which he loses overboard, and then follows with a splash. And you can’t help laughing, despite everything the poor guy’s done for you, because you’re a cheap little pixie who really doesn’t deserve anything good.

But there you go.

So.

Fly low over the waves, lightly, through the gobs and spits of foam, and watch as the city of Helmstone slides up into view, acquiring definition as you skim towards it, a strip of beach, red brick arches, iron walkways, hotels, conference centres, traffic on the coast road. Rise up over the pier. Rise up along the mackerel lines of the old fuckers at the end, up over the theatre and the hurling seats on the end of crane arms fairground rides, squabbling with the other gulls that scavenge the boarded length of it, high over the heads of the winter crowds there, and follow the boards to the pebble margined land. Snick over the pointy top of the old iron clock; over the beach and the giant blue Slush puppy dog and the crazy golf, the chip stands, the EFL kids throwing pebbles into the sea; bank down and round, faster now, with more purpose, to skim the traffic stalled by the aquarium, up towards the Victorian one way system; go graciously by the hand of a green and bilious Queen, her celebratory gardens, the council workers prodding in bulbs for the spring; come in low along the cycle paths, the bus lanes, the pot-holed roads; flash along past the tourist tick lists, the anonymous business frontages, past the fake Tudor pub, the computer-designed flats, the Georgian terraces and wrought-iron balconies, leave in your wake the traffic stalled by the skate park, the converted municipal buildings, mews apartments and student halls; pull up over the bendy-buses queuing at the lights, blocking the junction; blast away up the hill towards the edge of the great half cup that forms this seaside town, easing off on the seagull’s reins as you reach the top, banking into the  entrance of the old workhouse they made into a hospital; fly up the drive; glide to a stop on the window ledge of the first floor; catch your breath – and when you’re ready, let the seagull tap once on the window with its beak.

And wait.

work it, baby

With his thick black hair shaved at the sides and gelled back in a riotous, rockabilly quiff, white framed sunglasses and perfect designer stubble on perfect designer cheekbones, Ethan the nurse makes every visit a fashion shoot. I can see him waiting for me further up the street. He’s lounging back against a lamppost, one white trainer kicked back, the furry grey hood of his parka arrayed like a luxurious ruff around his neck. He’s snapping gum, staring at the cars going by. He looks fabulous.
‘Oh there you are !’ he says, pushing himself upright, flashing me a look over the rim of his sunglasses. ‘I wondered where you were. I was clean-shaven when I got ‘ere.’

We’ve come to see Martin, a difficult patient with a history of drug and alcohol abuse, a few incidents of aggression. I’ve met Martin before – admittedly a while ago. He’s young, but only on paper. When I met him he’d just been discharged from hospital following a fall down a dozen steps and a long lie at the bottom. The fact he survived at all was a miracle. But miracles are fleeting, and there’s always something waiting the other side of them. In Martin’s case it’s a list of medical acronyms that reads like a roll-call for the damned. What’s worse is his recent history of non-compliance, missed appointments, saying one thing and doing the opposite. He was referred to us by the hospital again, this time to dress an abscess in his thigh, the latest wound from his attempts to find anything resembling a patent vein. We’ve been formally tasked to get him to sign an official waiver if he declines help again, so long as we feel he has capacity.
‘Feeling lucky?’ I say to Ethan.
‘Darling – I was born lucky,’ he says. ‘The rest is just exercise and a great skincare routine.’

Martin is staying in supported housing – in this case, a pleasant-looking semi in a tree-lined street, a tall privet hedge screening it off from passers-by. A mosaic path runs from a gap in the hedge through a functional, stone chipped garden to the front door. There’s a brushed steel intercom by the door with a line of illegible, rain-smeared names by the buttons.
‘Shall we ring it?’ says Ethan.
‘Let’s ring it.’
‘You ring it.’
‘No you ring it.’
‘Okay I’ll ring it.’
Ethan rings it.
Rings again.
Eventually a woman answers in a drawly voice.
‘Who is it?’ she says.
‘Oh hi there!’ says Ethan, leaning closer to the intercom and giving me a cartoon-panicky look at the same time. ‘It’s Ethan and Jim, nurses from the rapid response team? We’ve come to see Martin?’
‘He can’t see you. He’s ill,’ she says.
‘Ah. Well. That’s probably a good reason for us to come in, then. I mean – you know – being nurses and everything…’
‘I told you. He’s ill. Come back tomorrow.’
‘Erm… we kind of need to see him face to face so he can tell us himself,’ says Ethan. ‘Otherwise we’ll get in trouble. Would that be alright?’
‘No,’ she says. ‘Come back tomorrow.’
The intercom goes dead.

Whilst we’re standing there wondering what to do next, a man and a dog appear through the hedge. They both look extraordinary – the man because he has a heavily tattooed face and more piercings than the cenobites in Hellraiser; the dog because it has three legs and a lop-sided, piratical expression.
‘Who’ya’fter?’ he says.
‘Oh, hi there!’ says Ethan, shrugging and tipping his head coquettishly on one side. ‘We were just wondering if we could come in and see Martin?’
‘Martin?’ says the man, frowning. ‘No. You can’t. He’s ill.’
‘Yeah. I know. We’re nurses.’
The man fishes a key out of his pocket (although I wouldn’t have been surprised if he pulled it out of his ear).
‘No,’ he says. ‘Come back tomorrow.’
And he lets himself in.
Only the dog looks back.
The door slams shut.
‘Fine! Suit yourself!’ says Ethan, shouldering his bag. ‘Waste my time why don’t you!’
He puts his sunglasses back on, and we leave. The sun comes out. Ethan walks down the path with an exaggerated throw of his hips.
‘Work it, baby!’ he says.

me, maud & peter o’toole

Maud is watching ‘Lawrence of Arabia’ on a plasma TV screen so enormous you’d need a camel to get from one side to the other. She’s sitting in a padded wheelchair, her bad right leg straight out on a leg support. It’s a nice contrast, seeing Maud in her wheelchair like that, Peter O’Toole on his camel. I picture her tying her leg to the hump.
‘Have you ever ridden one of those?’ I ask her.
‘No. But I went on the dodgems once.’

Maud’s daughter Isabel is supposed to be meeting me here. She’s already rung to apologise and say she’ll be late, though. Apparently the taxi driver sat outside her house and didn’t bother letting her know he was there.
Maud shakes her head.
‘That’s Isabel for you,’ she says.
We’ve done all the medical stuff so there’s nothing to do but wait. Isabel has some questions and concerns, so I need to hang on for a while.
‘I hope she won’t be long,’ I say.
‘She’ll be twenty minutes,’ says Maud. ‘You can set your watch by it.’
We watch as Peter O’Toole and his guide draw water from a well in the middle of a vast expanse of desert. Suddenly they see a shimmering black shape in the distance. A mirage? What is it? The shape gets bigger. A figure on a camel, riding straight at them. The Arab guide fetches out a rifle and takes aim. Peter O’Toole tries to stop him but it’s too late. The approaching figure fires first; the guide drops to the sand, dead. Finally the figure arrives. It’s Omar Sharif.
‘Now there’s a good looking man,’ says Maud, pushing herself more upright in the wheelchair. ‘He can shoot me any day.’
‘I’ve got a story about Omar Sharif,’ I say.
‘Oh yes?’
‘My brother in law is Lebanese. Or was. He’s dead now, unfortunately.’
It suddenly strikes me it’s an odd thing to say. Do you stop being Lebanese just because you died? Maybe you do. Maybe that’s death. You stop being anything.
‘What did he die of?’
‘Cancer.’
‘Yes,’ says Maud, flatly, as if she expected it all along.
‘Anyway, he used to work in Maroush, a famous Lebanese restaurant on the Edgware Road.’
‘I’ve heard of it. I think.’
‘It’s pretty swanky. Saad was the Head Waiter. One day Omar Sharif came in, surrounded by all these glamorous people. Saad went to take their order and settle them in, and Omar looked up at him and said: Would you like my autograph? And Saad said: No. Would you like mine?
‘I liked him in Doctor Zhivago,’ says Maud. ‘He was lovely in that.’
‘I haven’t seen that one.’
‘No? You should.’
Me, Maud and Peter O’Toole watch Omar Sharif ride away on his camel.
The door bursts open. It’s Isabel.
‘So sorry about that!’ she says. ‘Stupid driver.’

and I’ll tell you something else

I’m a liar liar / truth denier
I’m a deep fact fryer
a self-made / weapons grade / dumb for hire
I’ve had a kiddin-me transplant / a government grievance grant
I’ve got a heavyweight, click-bait, racist agenda
a shockproof, through the roof, bias defender
I’ve had a truth tuck / a conscience bypass
I’m invasive as pampas grass
swinging or otherwise
I’m so counter I’m clockwise
I’m a meal deal bants with fries
a vanilla alt shake
all talk and no take
I’m number one
a bit of fun
I’m fast & furious III
built for speed
morally free
one hundred and ten percent me
mate
and if you don’t like it, great

I’ve got rants and I’m not afraid to use ‘em
I’ve got flag pants and I’m not afraid to wave ‘em
so stop misbehavin’
toe the line
wherever that is
see that boneyard? that’s where my flat is
I’ve even got a lanyard / picture of a hokey, low key / old time backyard
‘Accost All Areas’

I’m the lairiest / scariest / hairiest
I’m the 4G golem
I follow people just to troll ‘em
I’m the baddest mother spider on the web
I’ll kiss you goodnight and put you to bed
and transfuse your brains with soup instead
then hurry home to chicken and cheap white bread
I’ve got a whole bag of sticks and stones / mobile phones
and if that don’t work I’ll try hammers
memes and flames from internet scammers
I’m anti-woke / spookily spoke / blankety bloke
I put the onion in opinion and the crack in croak /
I’m all spach like zarathustra / (now I’ve confus’d ya)
god is dead
yeah?
so stand by your beds
I’ve come to speak for Him instead

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st peter, the nhs & the list

St Peter / the last, great meeter & greeter / zips up his perfect windcheater
to the dimpled point of his silver-haired chin / getting ready to let the next one in

He yawns / (he’s been up since about a million dawns) / watching them trail across the lawns
he waves his clipboard / an angel strums a heavenly chord / God I’m bored
he thinks / drinks / from a goblet / takes a bite from a bar of everlasting chocolate
this way! he says / ready with his quiz

A tired middle-aged woman steps up / stands there watching him drink from his cup /
waits politely / trembling ever so slightly

St Peter glares down / frowns / flicks through the list / Jane the podiatrist?

Yes! she nods / What are the odds? / Me hobnobbing with the gods!

God – singular – I think you’ll find / unless you’ve got some other place in mind?

Me? No! This’ll be great / judging by the fancy gate

Hmm says St Peter / stepping back a good half metre
Podiatrist? isn’t that feet? / sounds a little bit too downbeat

Lower limbs too / says Jane / happy to explain
There’s a lot more to it than corns and bunions / a top chef has to know more than onions

Is that right? is that right? / says SP, scrupulously polite / fine….okay / so what brings you all the way here today?

Nothing, shrugs Jane / well – a sudden pain / endless night / a blinding light / a pretty wild kinda flight / why – is that alright?

St Peter slowly lowers his board / he’s been here so many times before / things have moved on since the days of yore (whatever yore is) / the thing is, he’s a bouncer who knows where the door is / and he’s pretty damn hot / about who gets to come in or not

You don’t earn enough / and whilst I know that sounds tough / we’ve got to be strict about this stuff

Jane / looks pained

But I spent my life caring for people / and what was that shit about camels and needles?

Yes, yes, says the elderly saint / how quaint / but that was just a fairy story / it was never based on sound economic theory / look at this place! these clouds aren’t cheap / I’ve got overheads that’d make you weep

Suddenly a suit sidles up / gives St Peter a monogrammed cup

Wow! says Pete / that’s pretty neat! / thanks!
Compliments of the bank! / says the man / shaking his hand / now – if you’d kindly show me the line / where you’d like me to sign…

A cherub floats down, gives his curls a flick / opens the gate with a cute little back kick / The banker chuckles / cracks his knuckles / tips his hat / dissolves into a cloud just like that

So what happens to me, then? says Jane

St Peter looks down at her again / Jesus Christ! Jane! Do I need to explain? / Podiatrists go to hell / with all the other HCPs as well / the nurses and scientists / gardeners and  pharmacists / ODPs and dieticians / drama therapists and audio technicians / the porters and the hospital sparks / the paramedics and record clerks / I’m sorry Jane, but that’s all there is to it / you had your chance to make some money and you blew it / anyway, I’m sure you’re used to that shit / the NHS was ever a fiery pit

But heaven… says Jane… who gets to go?
Trust me, yawns Pete / you don’t wanna know

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a (very slow) uprising

One day all the old people will wise up
tear off their medicalerts and rise up
they’ll finally decide they’ve had enough
of the endless emollient creams and stuff
the scratchy stockings and handy grabbers
the phlebotomists and care home managers
and they’ll move as one to the coded signal
of a renegade grandma in Newport Pagnell
who entered retirement unconvinced
by Murder She Wrote and the purple rinse
by adverts for scooters and fancy lifts
ballpoint pens and benefits
who stole a ship and escaped to sea
to rally the cause electronically
hacking the loops and hearing aids
of the millions who’ll build the barricades
from static commodes and stools and hoists
and taunt the police in one croaky voice
and when the army arrives in tanks and trucks
meet them with vollies of tommee tippee cups
and the soldiers will not deploy their weapons
because they couldn’t shoot Joan or Uncle Kevin
and the rebels will mass at the top of the street
and bang their zimmers and stamp their slippered feet
and their fighting colours will snap overhead
(an overweight pug and a flaming bed)
and so shall it begin, the grey terror of the world
dressing gowns gaping and hair uncurled
(because they may be weak, and they may be confused
but they’re old and they’re fierce and they’ve got nothing to lose)

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the magician’s app

Upon the morning of the first day
enter the nearest bookshop upon thy way
go direct to the outermost shelf
of the section on popular psychology & self-help
close thine eyes
I beseech you
pluck out a book
within easy reach of you
cast it over your left shoulder
take the first and third letter
of the second thing
anyone says
– Quitteth the bookshop

Upon the evening of the second day
enter a green and public space
having first furnished thine head with a hat
and dressed the rim with peanuts and rubbed fat
walk confidently backwardly
widdershins
taking care
to enumerate the seagulls
that flock to you there
– Quitteth the space

Withdraw to holy quarters
Enter the letters and the number
into the app you hath saved
i’the i’Phone

and if thy signal be strong
and thine thumb be true
and thy patience be long
and thy phone doth actually belong to you
the gift of a magic gif
will be thine in a 3G jiff
and thy fatal fortune revealed all at once
for the fee of just one ninety-nine a month

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feeling the heat

Anna, the coordinator for the early shift, waves me over.

‘Jim? I’ve got a P2 for you, darlink. Nothing massively urgent but I think if you could go there this morning that would be wonderful. I’ve sent it through to you. See what you make of it. Let me know if you need anything else. Okay, darlink? Perfect. Okay? See you later.’

I’m about to ask her something but the phone starts ringing again. She pulls a face, holds up a finger, answers the phone – and immediately gets drawn into something complex. It’s early in the shift and she’s already quite red in the face. Some of that’s the office. The boilers here seem to have two settings: OFF for the summer, ON for the winter – ON being approximately The Surface Temperature of the Sun. It’s ironic that there are disposable cardboard thermometers pinned up around the place, the kind that we give out to our elderly and at risk patients. All of them are so far in the RED zone the caption advises calling 999. Nothing ever changes. We stew when we come back to the office to catch up on admin and stay out as long as we can.

I touch Anna on the shoulder, nod and smile as if to say don’t worry, I’ve got everything I need, and loosening my collar, head for the door.

*

A P2 faller is a patient who needs to be seen reasonably urgently but a little delay is probably fine. The ambulance  made the referral. They had attended Mrs Davenport that morning for a non-injury fall, and identified a few things they thought we could help with.

She doesn’t answer the phone when I call, which is a little concerning, given the history. There’s a keysafe number on the referral. I decide to go over there on spec, just in case she’s on the floor again.

*

‘Hello? Mrs Davenport? It’s Jim, from the Rapid Response Team.’
Nothing.
I’m standing in a long, bare-boarded hallway that stretches ahead to a steep staircase, and past that, into a kitchen with the faintest spill of light.
‘Helloooo? Mrs Davenport? It’s Jim. From the hospital.’
Nothing.
I decide to go into the kitchen first.

The light is coming from a table lamp, set by a rubbed but comfy-looking armchair. There’s a bottle on the floor by one of the claw-foot legs, and a dirty tumbler on a table to the side. I’d guess from the look of the kitchen it’s the place Mrs Davenport spends most time. There’s a Roberts radio next to the tumbler, its aerial so bent she either fell on it or took a bite when the news was bad. Either way, it’s resolutely off.
‘Mrs Davenport? Hellooooo?’
The place has a hunkered-down feel. Stuff piled in the sink. Curtains drawn.
There’s a door at the back. I knock and open it. A toilet and washbasin, both the worse for wear.
‘Hellooo?’
I retrace my steps and begin opening the doors along the hallway. The first is the old sitting room, completely dark, nothing to suggest that anyone’s been in more recently than 1962. Opening the next door makes me jump, because there are coats hanging from a hook and they swing out a little. The next door is Mrs Davenport’s bedroom.
‘Hello?’
She’s lying in bed, completely covered by a quilt. All I can see – apart from the lump in the quilt – is a spread of lank grey hair on the pillow.
‘Mrs Davenport? Hello. Sorry to bother you. It’s Jim, from the Rapid Response Team.’
‘What?’
A clawed hand pushes the quilt from her face and she glares at me.
‘What do you want?’ she says. It’s like I’ve disturbed a wild creature, an owl or something.
‘I’m so sorry to wake you like this,’ I say. ‘I was asked to come and see you by the ambulance.’
‘The who?’
‘The paramedics. They said they picked you up when you fell this morning.’
She blinks a few times.
‘I did not fall,’ she says. ‘I slipped.’
‘But you didn’t hurt yourself, so that’s a blessing.’
She blinks again. It’s like being photographed.
‘Why would I have hurt myself? I went to sit on the bed. I slipped gently to the floor. That’s it.’
‘But then you couldn’t get up.’
‘So I pushed my button. As I’ve been told to do. The paramedics came. They helped me up.’
She stares at me, a little more awake now.
Who did you say you were?’
I tell her, explaining as simply as I can what the Rapid Response Team is, and how we can help.
‘But I don’t want any help.’
‘That’s fine. We’ve only come round because the paramedics said so.’
‘We?’
‘Well – me. But there are other people on the team, as I say.’
‘I was asleep!’
‘And I’m so sorry to have disturbed you.’
‘I don’t understand why you’re here.’
I take a different tack.
‘Are you feeling unwell?’
‘No! Why would I?’
‘Are you in pain? Is there anything troubling you at the moment?’
She stares at me for a very long time, then hooks the quilt back even further so she can get a better look.
‘Yes,’ she says, eventually.

Janet the dog walker

Millie’s poodle Rosie bounds off the sofa when I come in. She lies with her paws either side of a well-chewed rubber Bugs Bunny, glancing down at it, then up to me, then down to the rabbit again, daring me to take it. I can’t decide who has the maddest expression: the rabbit or the dog.
‘I think… she thought… you were Janet,’ says Millie. ‘Janet… the dog walker.’

Millie furniture-walks to a seat at the dining room table. COPD has blasted her body, robbing her of any spare flesh. It’s left her tentative and frail, spindle-thin as a giant crane fly, fumbling for purchase, somewhere to land and catch her breath and think about the day.
‘I don’t want much,’ she wheezes. ‘I’ve got… the medication I need… plus a little something… for anxiety. What I really need… is someone… to come in now and again… to help me… with a bath. That’s all. Do my back… y’know?… the awkward bits.’
The doorbell rings and a breezy woman swathed in waterproofs stamps into the kitchen. I’m guessing it’s Janet.
‘Hiya Millie!’ she says. ‘Phew! It’s bad out there. Oh! You’ve got company!’
I introduce myself, get up to shake her hand which is ice cold.
‘You need gloves’ I say.
‘I need a lot of things,’ she says, pulling out a hankie and blowing her nose so loudly I take an involuntary step backwards. ‘I need to win the lottery,’ she says.
Meanwhile, Rosie has ditched the rabbit and dashed through to greet her. Janet kneels on the kitchen floor with her arms wide. Rosie puts her paws on the woman’s knees so she can reach up and lick her face.
‘You silly girl!’ she says. ‘I’ve had a wash today. I don’t need another one. Do I? Hey?’
‘Will… she be… alright?’ says Millie. ‘It looks… pretty bad out there.’
‘Of course!’ says the woman, grasping the kitchen counter, struggling to get up again. ‘Oof!’
She looks at me.
‘Got any spare knees in your bag?’
‘I’ll have a look.’
‘Good boy.’
She reaches into her pocket for a treat, and for a moment I think she’s going to throw it to me. But Rosie sits excitedly at her feet, and Janet hands it down to her instead.
‘She’ll be fine,’ the woman says. ‘It’s so windy out, I’m thinking of tying some string round her legs and flying her like a kite.’
Millie gives her a panicked look.
‘Seriously, though, we’ll just go for a short one round the park,’ says Janet, giving me such an exaggerated, lop-sided wink I’m guessing her face is still numb from the cold.