borology

you know where you are with a coronavirus
it only wants to get inside us
boarding our lungs like spiky pirates
turning us into multipliers

put one under a microscope
you’ll get the full dope
a belly coiled with RNA rope
a little protein envelope

that’s it. that’s all there is
laid out for your analysis
a particle that’s a practical whizz
at the biochemical repro biz

turn that scope on the current prime minister
and you’ll find a much more puzzling creature
an opportunistic power seeker
with no discernible moral feature

the virus is easier to understand
as it propagates across the land
to nix its tricks and make a stand
you only have to wash your hands

but the PM is a problem of a deeper complexion
a master of fog and misdirection
so if you want to guard against further infection
vote him out at the next election

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cummings, running

1

look at all the lemmings
loving
worrying
wanting
believing
blindly following
all the stoppings and stayings
the leavings and dyings
the sorry son no goodbyings
the unattended buryings
the forbidden crossings
of non-existent rings
round all those dirty, deadbeat, disposable things

2

it’s crushing

punishing

we need something

anything

nothing?

yeah – well – fuck you cummings

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the fourth date

Jan is chatting to the care coordinator about her patchy dating history.
‘I’ve kissed my fair share of frogs,’ she says. ‘Frogs. Trolls. You name it. A whole long line. One guy I saw had one and a half ears.’
‘On the same side of his head.’
‘He looked alright but he wasn’t the kind of guy I normally date. I just didn’t fancy him. Not ‘cos of the ear thing. I didn’t notice the ear thing till the fourth date.’
‘You made it to four dates?’
‘Yeah – well – it was a slow month.’
So – what? On the fourth date you asked him back to your place, ran your fingers through his ears, and that was that.’
‘We didn’t get that far. I only noticed the ear thing when he turned to get his coat. And anyway – even if he had told me I wouldn’t have believed him. When we met on the first date I asked him what he did and he said he was a dust man.’
‘A dust man?’
‘Yeah. Why? What?’
‘I dunno. Dust man sounds odd’
‘Refuse collector, then.’
‘Thank you.’
‘Anyway. I didn’t care what he did, so long as we got on. Only in his case, we didn’t.’
‘Shame.’
‘But you know what he said on the fourth date?’
‘What?’
‘He said he wasn’t really a dust man.’
‘What was he, then?’
‘He said he was a financial adviser. He said he only told me he was a dust man to check I wasn’t going out with him for his money.’
‘Tosser.’
‘That’s what I said.’
‘Still. I don’t think that’s any reason to bite his ear off.’

you were in my dreams last night

you were in my dreams last night

you were a sad sack city gorilla / leaping pillar to pillar
a hairy tormentor / swearing, tearing up the shopping centre
and me? I was the hapless, hatless alligator / tumbling backwards down the escalator
straight into a screaming waiter / who said he’d get my drinks order later

you were in my dreams last night

you were a crazy aunt / trying to brain me with a potted plant
buffed and bouffant / totally trenchant, brutally unrepentant
and me? I was the toad on your toilet seat / a lascivious, amphibious meet n’greet
with an eye for surprise and a taste for meat / a schlubby old tub with webby feet

you were in my dreams last night

you were a striking, holiday Viking / horns in, thumbs out, hitchhiking
curling your plaits, looking inviting / but the traffic wasn’t biting
and me? I was half man, half midwife / wading through a midlife crisis
losing my shit with laryngitis / outside of the party ‘cos you wouldn’t invite us

you were in my dreams last night

you were a robot mother in disguise / spanners for hands and cans for eyes
who fed me nails and said they were fries / and raced away for more supplies
and me? I was the blinking lighthouse kid / foghorning all the dumb things I did
planning a takeover bid / hitting the skids / dragged off screaming by a giant squid

yeah?

okay

so – what does THAT all mean?

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the december deadbeat club

Walking up the steep stone steps to the Gaynors’ front door is like ascending to heaven – a drowsy, sweet-scented, brightly-coloured heaven, with bees thrumming drunkenly flower to flower, and the afternoon sun laying so thickly over everything I just want to lie down in the shade of that azalea and sleep.

The oldest thing about the house seems to be the door – a worn, iron-riveted oak construction that would look more at home on the front of a medieval abbey. As it is, I can only think the door was here before the house, standing on its own on top of a small hill, before the garden and the other houses and the road and the lines of parked cars. And it was such a perfect door, they thought they’d build a house around it.

Mrs Gaynor is as old as the house. She hobbles to the door and then steps back whilst I put on my mask and gown. She tells me about her accident – or non-accident, actually, as she can’t remember anything about it. Only she caught her leg on something and now it’s swollen up. Mr Gaynor is there, too, a gaunt figure in the background. He hasn’t got much to add, other than that the thing happened, and Mrs Gaynor is on Warfarin, and it’s a bad business all round. The ambulance came and dressed it, she says. They just need something a little more permanent, and some advice.

They show me through to the front room. Oak panelled, a carved settle in the bay window, a Windsor chair, and a spread of framed family photos around the room, daguerreotype to digital, a hundred and fifty years of the same beaky nose and quizzical look, give or take a bonnet or a ludicrous moustache.

‘Let’s have a look,’ I say, after setting up my wound care station on the settle. ‘Does it hurt?’
‘No, no,’ says Mrs Gaynor. ‘I’d hardly know it was there.’
‘Until you fell over,’ chips in Mr Gaynor.
‘That had nothing to do with the leg’ she says.
‘Ah!’ he says. ‘There we are.’

The whole thing is pretty straightforward. We chat about things whilst I work, how long they’ve lived here (they can’t remember exactly), how they’re coping with the lockdown (business as usual, really). I’m overwhelmed with sleepiness again, probably because it’s so hot in the front room, especially in the apron, mask and gloves. I have to wear glasses to see properly, but then they steam up.

‘I’ll be glad when all this is over,’ I say, straightening up and trying to clear my glasses by wiggling my eyebrows and then pushing the glasses back up with the back of my wrist.
‘It’s certainly dragging on,’ says Mr Gaynor.
‘And then my leg happens,’ says Mrs Gaynor.
To force myself to stay awake I jump on another subject – the fact that I share a birthday with Mrs Gaynor.
‘The fag end of the year,’ I tell her. ‘My dad was the same.’
‘He wasn’t!’
‘Well – not exactly. His birthday was the day before. The joke was that I delayed coming out till I could have a birthday of my own.’
I hold my arms out left and right to illustrate how I did it.
She laughs.
‘Your poor mother.’
‘I’m a December baby, too, you know,’ says Mr Gaynor, in case Mrs Gaynor decides not to tell me.
‘So we’re all Capricorns!’ says Mrs Gaynor. ‘How extraordinary!’
‘The December Deadbeat Club,’ says Mr Gaynor. ‘Present company excepted, of course.’

we’re off to see the wizard

I must admit the vicar’s slick
gets through the service pretty quick

reads an anecdote
something the family wrote:

John proposed at the end of a date
top deck of a number thirty-eight
nineteen forty-one
before he was gone
again to fight
like most of the other guys that night

the film they saw was the Wizard of Oz
because because because
they went to see whatever there was
Ollie agreed
they married
it was hurried
but perfect
they fit

(here the vicar pauses, his face darkens and creases
apparently the church was bombed next day and the vicar blown to pieces)

so THAT’s why they started the show
with Somewhere Over the Rainbow

(rather than We’re Off to See the Wizard)

but I have to say, the way the coffin’s delivered
on a kind of fancy stand with rollers
operated by remote controllers
lit by a subtle light
drapes that snake in left and right
it’s all quite magical
tastefully clinical
smoothly invisible
while the vicar says the Lord’s Prayer
blessing us all there
words of comfort from the Mighty Oz
because because because
we all know what the story was
the yellow brick road led right to the City
but Oz was lost like us, more’s the pity

rhyme crimes

the three blind mice
got busted by vice
agreed a price
spilled the cheese on the farmhouse heist
the fugazi tails device
nice

the dish and the spoon
blew cover too soon
the scene was somewhat opportune
we scored the cat, the fiddle, the cow, the moon
– the whole goddamn spittoon
boom

doctor foster
double-crossed her
one last blast of oxycontin then he tossed her
but no WAY had he lost her
he bobbed-up in Gloucester
shocker

old mother hubbard
finally blubbered
tossed her, discovered
a Glock and a Beretta in the cupboard
the murderous old buzzard
god love her

georgie porgy
pie-eyed in a suburban orgy
fingered by clergy
DA says he was DP’d by a Tory
sticking to his story
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little jack horner?
plum off his tits in the corner?
that crusty little performer?
let me warn ya
he’s our best informer
top dollar

the wee willie winkie case is now officially closed

 

Chapter 10: The Great Escape

The Spaniel – Tunnelling for Beginners – Whose dog is this? – Him or Me – Aeronautics for Houndspaw print
There’s a dog we see on the walk sometimes. Or – not so much see as experience. It’s a spaniel. I think. It’s actually hard to tell, because the moment it catches sight or scent of Stanley, it leaps a foot in the air and explodes into a mad cloud of fur and teeth and howl. Incredibly, it’s the one dog Stanley doesn’t react to. It’s as if the dog is crazy enough for both of them. The owners walk The Spaniel together, in the same way that maximum security prisoners get two guards round the exercise yard rather than one. And no sooner has he launched himself into his terrifying impression of a fire tornado, they huddle round him, shielding him from the thing that set him off, whether that’s a dog, a jogger, a cyclist, a van… I don’t know – a snail would probably push him over the edge.

Needless to say it makes me – and Stanley – feel incredibly smug.
We swap glances.
‘What a carry on…’
‘Some dogs…’
‘Some people…’
‘You’d think they’d show some restraint…’
‘Perhaps we should give them Adina’s number…’
(Although even Adina would struggle giving The Spaniel a treat without him being wheeled out of ECT in a strait jacket).

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Lola has started escaping from the garden, and we think it’s part of a campaign. About Stanley.

We thought she’d accepted him. When we caught them sleeping on the sofa together, it felt like we’d turned a corner. And even though Lola still curled her lip when Stanley tried to steal her chew, mostly they seemed to be rubbing along together pretty well.

The garden is one of those long, thin, suburban affairs, a wooden fence on the left and a juniper hedge on the right. The hedge eventually gives way to an apple tree and a loose attempt to disguise a lot of hardcore as a rockery. It’s the obvious weak spot in the garden’s security, so we’d cobbled together a kind of fence to keep the dogs safe. Plus there was a holly tree and a pyracantha shrub tangled in with it all, which was as good as barbed wire.

So it was a surprise when Lola started turning up next door.

I couldn’t figure out how she was doing it. I could only imagine she’d been working on a tunnel since the day we brought Stanley back from the centre, patiently paddling out a bit of soil at a time, carefully disposing of it in the drive, then covering the entrance up with a door made of grass and twigs. She’s such a clever dog, I wouldn’t be surprised to find a whole trolley system down there, with candles in old tin cans and some bellows made of stolen pillows for ventilation. But as hard as I looked, I couldn’t see any way through the hedge or the fence to next door. And the trouble was, next door had no gate between the garden and the main road.

paw print
One morning, around half five, Kath’s phone lit up.
She groaned, rolled over to see what it was.
‘Oh my God!’
‘What?’
A post on the local gossip page (a bit worrying it’s one of her alerts, but this wasn’t the time or the place to talk about it). A photo of Lola standing defiantly at the top of the road, the wind in her ears. The caption read: Whose dog is this?
Apparently, they’d tried to catch her but she’d given them the slip.
The next thing we knew, there was a single bark at the front door. It was Lola. She gave herself a little shake and came trotting through, and the subtext was clear: This will keep on happening until you get rid of Stanley. It’s me or the lummox.

There was nothing for it but to put the pet flap on and keep them both inside till we’d sorted out the problem.

On my next day off we hacked back all the undergrowth down there. Bought a roll of chicken wire, knocked in some posts, and did everything short of hiring guards to make sure Lola couldn’t get through. Even The Spaniel would’ve burn itself out trying to get through that lot. But Lola? She quietly watched us while we worked, from a distance, her paws crossed so innocently and thoughtfully it was obvious she was planning something, sketching her calculations in the dirt.

She really is a smart dog.

I wouldn’t be at all surprised to see her in a few days, leaping off the roof in a hang glider improvised from a clothes horse and the fleeces from her basket.

thespaniel

re. birnam

I.
it’s all been such a damned slog / a curious fury, a fit in a fog / a snigger of witches, a professional whack / smiling, beguiling, drifting off track / curses, reverses / a shimmy in shorts / best intentions, bad reports / some deadbeat motherfucker / with a spectral dagger and an eyebrow plucker / save it, sucker / you’re out of time and out of luck / back of the line with the rest of the losers / beggars can’t be choosers / sit the hell down or I loose the bruisers

II.
face it / it’s untraceable / no-one’s irreplaceable / write it down we’ll pray for it / now please be quiet please / there are men with glasses watching from the trees / it’s a total rip and a wrap / a knowing wave and a slow hand clap / but wait / wait / even though it’s late / we can jump the castle gate / run to the lake / come on in the water’s great / we can dance freely in the deeps / with all the other aqua creeps / in the tangled lines and lunacies / potentially / happily / temporarily at least

III.
I love the way you argue to the finish / while the draggy day slows and the options diminish / among the alarums and sirens / the sudden silences / dodgy contrivances / like a blind boy pointing to the sun / feeling it on his face like everyone / why not stay and play / go on, say it / no way am I going to pay for it / I was the last and the least / I was the strangely limber, lumbering timber beast / the rotten heart of the forest / unholy / slowly rooting it up the hill / I don’t know / shit – shut the window / tomorrow and tomorrow and tomorrow / and so on / fuck you witches you won / come, put mine armour on

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