three postcards from montmartre

1.
art in montmartre
ten euros
a silhouette
peut-être
in the Place du Tertre

2.
madame la guêpe
aerial artiste
cinched waist
sweet tastes
loses her mind
in the miel et citron
of my crepe

3.
le petit train de montmartre
departs for the hill
next stop
la belle epoque
a gauche: van gogh
a droite: renoir
ceci la: degas
près de cette maison: cezanne
en face de la le chateau: picasso
devant: valadon
mais soudain
the ghost of Alfred Jarry
riding the second carriage
unexpectedly throws his puppetsIMG_0962
over the parapet
then follows them
swallowed
by a funnel
of fennel flavoured cloud
the conductor bats his hand
p’ah! he says, aggressively
spitting dismissively
les symbolistes!
la démence de l’absinthe!
et maintenant…
le petit train de montmartre
rattles on

learning about life

when Pete came home from medical school
that first, long summer break
mine was the only bed high enough to take
his anatomical study tool

it’s hard for a twelve year old to get to sleep
was a real-live skeleton underneath
all his skeleton ribs and skeleton teeth
the thought of him gave me the absolute creeps

so I hid a torch under the blankets
and when Pete was off down the pub
I took out the skull and propped him up
and shone a light in his sockets

I said out loud: this was somebody’s HEAD
as I balanced him on the neck of my knees
illuminating all his cavities
trying to imagine him alive instead

watching telly, smoking a fag
eating a bagel, wearing a hat
blowing Christmas tooters, smiling at a cat
but the skull just vacantly grinned at me back

it didn’t help he had brass catches left and right
shining at either temple
to make it really simple
to lift off the top and look inside

like all his dreams and ideas, his sense of style
were just stuff that got locked
in a fancy, bony kind of box
that he carried around for a while

my only experience of death till then
were all the lurid scenes I’d seen
on page and screen
that I acted out with my Action men

death was Eastwood sneering in suits
running down bad guys
then saying his goodbyes
with a sardonic flourish before he shoots

I tried to work up a sense of life’s mystery
the lived past, the lost futures
hidden in the ridges and knotty sutures
that like a god only I could see

but suddenly I heard scuffed keys in the door
heavy feet coming up the stairs
Pete’s drunken airwairs
so I put everything back as it was before

later as I lay there listening to him snoring
I thought about the skull
the strangeness of it all
and life’s great tragedy I’d been ignoring

but then again – maybe the whole thing wasn’t so bad
the skull I’d interrogated
had been willingly donated
and it was helping a drunken undergrad

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I blame the dinosaurs

I read somewhere scientists suspect
the apatosaurus had such a long neck
was it meant it could stay in one position
when taking on board tree nutrition

it makes me think there must be genes
for turning us into eating machines
maybe explains the current scenario
as we strip the earth of its natural material

and when it’s done and we’re left with a rock
and the planet’s the planet that time forgot
we’ll finally shift our pendulous bodies
and lurch into space for new opportunities

IMG_0955

the truth about john

“A guy who loved his family”
says the vicar, smiling amiably
getting through the service as best he can
because really he’d never met the man

“I’m told John was captured in Italy”
(checking notes surreptitiously)
“but demonstrating the bravery for which he was known
escaped the camp and made his way home
after six months fighting with the partisans
living on bread and parmesan”

it was a nice touch
but I didn’t believe it all that much
the accepted family version?
Ollie was told he was killed in action
her grief short but pronounced
until John turns up unannounced
skipping down Marsham Street
with – weirdly – nothing on his feet

it was a miracle
caused quite a spectacle
you see – Ollie had moved on, of course
KIA being a brutal kind of divorce
she was engaged to a GI – one Flight Sargent Ridge
Who climbed on the parapet of Lambeth Bridge
and threatened to throw himself into the Thames
when she kissed him once and hoped they’d be friends

So John and Ollie tied the knot
and over the years moved around quite a lot
but they’d come down to visit us now and again
in a Zephyr Zodiac with a fancy trim
bags of sweets, a dog called Rusty,
Ollie in furs, huggy, busty
John with his laugh and essential tremor
joking about whiskey, racing, the weather

Some years later, when I visited Ollie
I asked her about that partisan story
no she said, that’s a load of old crap
he was shacked up with this fruit farmer chap
John took a fancy to the eldest daughter
so he’d stand there, drunk, holding the ladder
We’ll fight them in the streets? We’ll fight them on the beaches?
Do me a favour! He was harvesting peaches

advance notice

it’s a click of the turnstile, a twist of the head / a hundred years till the end of the bed
it’s a conference of dreamers, a rolex, a ranch / a barrel of monkeys hung from a branch / it’s an empty ward, a vision in scrubs / a snoring senator asleep in the tub

Mr Trump stood on the stump
smile as wide as a gator
took some honey and plenty of money
and was smiling four years later

it’s a dummy diversion, a faker, a squad / a stockpile of bibles, a run on God / it’s the weight of a shadow, the slip of a dream / it’s a rat with a flashlight, the cat with the cream / it’s the luck of the loser, a criminal crouch / it’s the xerox you kept in a ziplocked pouch

Mr Johnson went to Wisconsin
selling his curds and whey
the farmers were charming but prices alarming
and so he bid them good day

it’s a baby in a baby gro, the lady in the lake / it’s a cemetery crow with a cemetery snake / it’s a victim of circumstance, a patsy, a pal / it’s a plastic bag in the old canal / it’s a pixie in a poncho, a garbage patch / a sub on the seabed with an open hatch / a flickering light, a bloated crew / gathering round for the evening news

Mr Jinping started limping
as soon as he tried to run
he ordered his generals to massage his glutials
then shot them with his gun

it’s a frequent crier, a fearsome toad / who sits himself down in the middle of the road / and licks his eyes and clears his throat / and starts his song with a terrible note / that shakes your windows and rattles your walls

with a song that you hope means nothing at all
no, not a thing
not a thing at all

howl howl howl
the old man said
as he carried his favourite
back to bed

and the weeds grew strong
and the hour grew late
and all we could do was

wait
wait
wait

war of the roses

I’d just come in from helping dad weed the roses in the garden
when my brother mick said: hey, shithead – here’s a hard one:
what’s the fundamental purpose of a rose?
I said : to look and smell beautiful I suppose
no, he said. dummy
you’re so funny
no. roses are there to make other roses
it’s got fuck all to do with human eyes and noses.
that’s it. that’s all there is. basic reproduction.
it’s a little thing you might have heard about called evolution.

it upset me at the time, and still, quite a bit
I was fond of nature and he was spoiling it
like he’d stuck a pin through my chest and put me in a cabinet
with a latin name, a label, and I just wasn’t having it
I mean – it was sad and insane
was life really just a numbers game?

it was like asking a gardening robot a logic bomb
a rose to make a rose and on and on and on
till its circuits smoke and its eyes glow red
and it crashes face down in the flower bed

I LOVE roses. Still – I admit it
I wanted to rip one up and hit him with it

IMG_0952

 

 

 

 

 

framed

Walking into Aldrin’s, my local opticians is like walking back forty years straight onto the set of a seventies sitcom. The shop itself is a bewildering mish-mash of old shop dummies with lopsided glasses and spangly headscarves; a top shelf that’s like an ever changing shrine (this week it’s Bruce Lee / last week it was Egyptian pharoahs); a collection of chairs ranging in style from 1950s dentist to 1850s Parisian bar; a tall, rectangular glass display case filled with sunglasses, and in the shop window, a red corner sofa where a bunch of characters come and go for no apparent reason.

Mr Aldrin, the optician, is a witty, personable, slightly louche character in a tank top and pastel slacks, with jangling wrists of lucky charm bracelets, and a gold tooth. I don’t know whether he does it unconsciously, or whether he read about it in one of the magazines that lie about the shop – but Mr A always adopts exactly the same posture you take when you talk to him. To the extent that it’s become a bit of a thing whenever I go in to stand in the most ridiculous poses and see if he does the same. Which of course he always does.

There’s an old TV up on a bracket, and every time I’m in it’s playing something retro. Last week it was ‘Duel’, the early Spielberg road thriller; today it was concert footage of Roger Whittaker (Mr Aldrin: ‘Watch out! He’ll start whistling in a minute!) Although thinking about it, both Weaver and Whittaker were big spectacle wearers, so maybe that’s why he chose them.

Today I’ve gone in to pick up my new glasses.


INT. DAY.

SCENE: MAN goes into Aldrins Opticians. Roger Whittaker is whistling on the TV. There’s a CUSTOMER, a middle-aged woman, sitting neutrally in the window seats, a giant Scooby Doo cuddly toy leaning up against her. MR ALDRIN is pottering around the glasses display. MRS C, the very ancient woman who sits behind the counter, is … erm… sitting behind the counter.

SFX : Tinkle of a shop bell.

MAN: Morning!
MR A: A very good morning to you. How are you?
MAN: I’m good thanks. Yeah. How are you?
MR A: Absolutely no trace of a hangover.
MAN: Really? That’s great!
MR A: Vodka is so pure it burns clean away.
MAN: I never knew that.
MR A: My eldest took me to Vegas. His stag do.
MAN: I think I saw that film
MR A: They made me watch it before I went. And I have to say it was very helpful. We had a fabulous time. A pool to ourselves. And the waiters! They just kept coming and going with Vodkas and cokes. All told I think I must’ve been drinking about nineteen hours straight.
MAN: Nineteen?
MR A: And everything was as clear as these glasses by the end of it. At one point, Dan went off with his mates to see Calvin Harris. Y’know who Calvin Harris is, don’t you?
MAN: I think so.
MR A: Well I didn’t. That’s why I didn’t go. So I wandered off, and eventually I found myself at this show. A famous couple from the seventies. And they played six hours straight. And they were completely fabulous. Who d’you think it was?
MAN: I don’t know. Chas n’Dave?
MR A: One of them’s a girl.
MAN: Chas n’Dave – no – I’m kidding. Erm – Peters & Lee
MR A: Who?
MAN: Peters & Lee. You know. (closes his eyes and starts singing) ‘Welcome home….’
MR A: (shakes his head) You’re thinking of Ray Charles. No – it was Donny & Marie.
WOMAN: Osmond!
MR A: (pointing at her) That’s it!
WOMAN: Now he IS fabulous. (She picks up the Scooby Doo, dances it on her lap, then hugs it).
MR A: That’s Vegas for you. Full of surprises. And good value. Now then. What can I do for you?
MAN: I just wondered if my glasses were in.
MRS C: (grumpily) I did ring, you know.
MAN: Did you? Sorry. I didn’t get the message. Maybe our phone’s on the blink.
MRS C: (shrugs) Mind you, I left about a hundred messages for a customer the other day, and then eventually got a callback saying can you stop ringing this number, this is Salisbury.
MR A: Phones, eh? (secretly pulling face at me). I say, Mrs C – could you take the lettering off of these lenses for the gentleman? Shan’t keep you a moment.

(MRS C hauls out a large bottle of methylated spirits – pretends to take a swig – then starts cleaning the glasses)

WOMAN: I was at that Health Spa the other day. And I was lying on this lounger… by the pool….
MR A: Not the car park, then?
WOMAN: …and I could see this elderly man out of the corner of my eye, and I thought I know you. And I couldn’t help keep sneaking a look, because it’s terrible when you know you know something but you can’t quite…. you just can’t…..And when he left, and walked past me, he looked down at me and gave me a lovely big cheeky grin, and it was the grin what gave it away. I knew immediately who it was. Guess who it was.
MR A: I think we need a bit more detail.
MAN: Old or young?
WOMAN: Not very old. But quite old. Before YOUR time.
MR A: Well I know who Shakespeare is but I’m not four hundred and fifty, am I?
WOMAN: He was in a sitcom. I used to love it. About this old married couple. Although thinking about it he could only have been about thirty when they made it.
MR A: Brian Murphy!
WOMAN: (pointing at MR A, delighted) Yes!
(she dances the Scooby Doo around again. MAN is just about to ask her where it came from when MRS C interrupts, holding out the glasses…)
MRS C: Well do you want them or not?

(fade)

IMG_0941

coffee & cats

Magda bangs the horn with the heel of her hand, the force of it pushing her back into the seat.
‘Fucking hell! Would it kill you to indicate? How we supposed to know what you going to do at roundabout? What do you think I am? Fucking mind-reader?’
She drives on.
‘My father used to be traffic cop. He made it big thing to learn. He say to me “It doesn’t matter if it’s one, two, three o’clock in morning and no-one on road for miles. You make manoeuvre, you indicate. Because this way it becomes automatic habit, and you do it whenever you drive, without thinking.’
She’s forced to give way to an oncoming car.
‘Jesus fucking bastard! Sorry – I know is bad to swear. But please! Where these people learn to drive? Fucking CLOWN school?’

* * *

One of our carers has gone sick, so I’ve been asked to help Magda out with a double-up call. It’s to Rita, a very elderly and frail woman who has deteriorated significantly in the last few days. The regular care company don’t have capacity to pick up the increased calls yet, so we’ve stepped in to bridge the gap.
‘Rita is lovely woman,’ says Magda, pushing her enormous sunglasses up into her bleach blonde hair. ‘But then you see, I only do lovely womans.’
She jabs at the keysafe with one hand and retrieves the keys without even seem to look, everything so slickly done it’s like watching a stage magician.
‘Rita has lovely cat,’ she says, opening the door. ‘But she is grumpy in morning, like you. Helllloooooo? Rita? It’s the carers, darling. Good morning. We’re coming up there…’

I follow her up the stairs into a large, dimly lit sitting room with a hospital bed at one end. Rita is lying in the bed, surrounded by cushions and bolsters, the mattress raised in the middle to crook her legs up. She turns her head to the side to smile at us, the skin beneath her chin spare and slack, her whole body giving the impression of a generalised falling away, as if life was a tidal force leaving her now, declining with the last phase of the moon.

Almost immediately there’s an imperious yowling sound, and an enormous black cat stomps into the room behind us. The cat is wearing an expression so furious you could simply draw an X with a marker pen and be done. She advances into the middle of the carpet, sits on her haunches with an audible plump, licks her lips once, and waits.

‘Here is cat!’ says Magda, to avoid any confusion. ‘I’m sorry, I forgot already. What is cat called?’ she says to Rita, who manages to say without any interruption to her smile that the cat is called Juniper.
‘Juniper? Huh. I thought was Jupiter. Juniper? Like berry? Is this what you call it, berry?’
I nod.
‘They use it to make gin,’ I say. ‘I think that’s where the name comes from.’
‘Juniper?’
‘I think gin is short for ginevere or something. Dutch maybe. Which means juniper.’
‘Huh.’
She turns to Rita.
‘You like gin, Rita? Is that why you name your cat Juniper? Maybe you have other cat called vodka?’
Rita closes her eyes and shakes her head imperceptibly.
‘No worry,’ says Magda. ‘Let us sort you out, darling…’

* * *

After Rita is freshened up, the sheets changed and everything taken care of, Magda plays with the cat whilst I write up the notes. Magda knows where Juniper’s toys are kept; straightaway she fetches a small plastic fishing rod with a crinkly bee on the end of a string and dandles it in the air above Juniper’s head. Juniper swats at it – a little half-heartedly, it seems to me, flashing me looks now and again as if to say: Look – I’ve just got to attend to this damned bee business and I’ll be with you directly.
‘What is matter with you today, cat?’ says Magda. ‘Is my friend here distracting you? Is that what it is? Hmm?’ She gives up, tosses the rod on the sofa, and subjects Juniper to one more colossal stroke of the head and neck – so vigorously that as a matter of survival, Juniper has to stand and brace herself with her front paws, raising her tail straight up in the air to deflect the energy into the ceiling.
Magda picks up her bag to go.
‘I love this funny cat, Rita,’ she says. ‘We have cat back home, Puszek. But he is farm cat. Like baby tiger, you know? Puszek is so big now he drive the tractor.’
Rita bats a skeletal hand in the air.
‘Okay, darling,’ says Magda, taking Rita’s hand and squeezing it. ‘You take care now. We see you later. Okay? Okay. And don’t worry. We put key back in key safe.’
Juniper jumps up onto the bed, and immediately begins paddling on the duvet with its paws.
‘Good girl,’ says Magda. ‘That’s it!’

* * *

On the way back to base we stop off for a coffee and something to eat. We take five minutes to drink it in the car before setting off again.
‘How old are you?’ she says, giving me a sideways look, twisting the lid off her cup and blowing across the top of it.
‘Fifty-six.’
‘Fifty-six? Jesus Christ! You could be my father!’
I shrug.
‘You don’t look fifty-six,’ she says, biting the end off a croissant and chewing vigorously. ‘What you do before this job?’
‘Well – I was ten years in the ambulance. Before that I was teaching English in a secondary school for a couple of years. Before that I was temping. Different companies, some for a couple of years. I worked for a publishing house in London. A warehouse, office jobs, a couple of bars. I went to university, did English and Drama there.’ I shrug, helplessly. ‘That kind of thing. You know?’
I want to tell her I tried acting for a while, but I imagine it would just add to the generally dispiriting account of my career to date, so I leave it out and sip my coffee instead.
‘You travel?’ she says.
‘No. Not really. I wanted to.’
‘No travel? What about drugs? You do drugs?’
‘Some. Not much.’
‘Hmm,’ she says, finishing the croissant, smacking her hands clean and turning the engine over.
‘You’re telling me, not much. Come, now. Done. Let’s go.’

the wave

On the side of the kitchen cupboard that faces the door there are a series of lines, marking the changing heights of all the kids that lived there. It’s a steady progression, up and up and up, levelling off I’d guess in the teenage years, except for one line way above the others – a good few feet, almost at the ceiling.
‘Jesse did that’ says Ange, laughing. ‘He stood on a chair. Although – to be fair – he probably didn’t need to.’
Bill, the father to all these kids, is sitting impressively at the kitchen table, quite possibly the very chair Jesse used. He’s still and watchful, with a head of hair and beard so full and pure and white it’s like watching snow clouds gather on a craggy peak.
‘I don’t like all this,’ he says.
‘I know, pops,’ says Ange, giving him a squeeze that he tolerates stiffly. ‘I know. But it’s like we said. Remember? Things have got to change. You’re not as young as you used to be.’
She looks at me and smiles. ‘Let’s face it. None of us are.’

It’s an eerie feeling, sitting in that kitchen. At one time it must have been the centre of the house, the first and main room commanding the hallway, which itself leads off into a honeycomb of other rooms. Spilling down into the hallway is a bare, broad staircase whose handrail and boards are smoothed from decades of hands and footsteps. Everything is shadowy, now. Haunted – and quiet, too, with that deep and settled kind of quiet that makes your ears ring.

There’s a knock on the front door. Ange gets up to show in a couple of guys from the equipment department who’ve been tasked to fit a handrail up the stairs on the other side. They get straight to it, and soon the old house rattles with an intensity of drilling and shouted instruction.

Bill winces, directs his attention out into the garden, so wild it’s like the whole world is green and spilling over everything, advancing in a wave. He buries his focus somewhere out there.
Ange gives him another squeeze.
‘Mum would’ve said the same,’ she says.
He doesn’t reply.

rubbed out

IMG_0935If I had an old lamp, and I rubbed it, and a Genie rushed out (especially after all that shaking), and if, after a certain amount of impressive mid-air improvisation, it swept in close and offered me three wishes, the first one would be: Genie? I wish I had more friends.
G: More what now?
Me: More friends. I wish I had more friends!
G: Okay, wait, now. Jus’ a second. Y’see? First of all – let’s get one thing straight. It’s very important when doin’ this whole Three Wishes thing, you get the Ts and Cs absolutely watertight, y’know what I’m saying? You gotta concentrate. This shit’s important. You don’t want to end up saying something that through some legal bullshit smallprint kinda deal ends up giving you something truly awful.
Me: It’s what I want.
G: Okay then. So let’s just take a moment and knuckle down on the facts here. When you say more, do you really truly honest to God MEAN more? Or are we REALLY talking ‘any’? Because, my response to THAT would be: What – are you KIDDIN’ me?
Me: No! I do mean more. I think. I mean – I’ve got friends. Obviously I’ve got friends. C’mon! I’m not THAT bad! I can hold my end in a conversation.
G: Maybe that’s your problem right there, my friend. Holding your end in a conversation. That’s some weird vibey shit you’re giving them, right there.
Me: What I mean is, I can do the normal stuff. I don’t think I’m hard work.
G: Honey? We’re ALL hard work! It’s what makes us interesting.
Me: You, maybe.
G: The cute pants help.
Me: I don’t know. It’s just – sometimes I feel like I used to have friends, and I let ‘em go.
G: Shit happens, man. People move apart. You gotta make more of an EFFORT. You gotta join some CLUBS! Play some tennis or shit like that. Hit a few balls round the park, see where they land.
Me: It’s true. When I lived in London I used to play softball. I got to know a lot of people through that. And when I was at university I had friends. I even married one of them. That didn’t work out.
G: Sheesh! You’re the first person I ever offered three wishes to that had an instant nervous breakdown. I oughta open with a disclaimer.
Me: It brings it into focus, that’s the truth.
G: Okay. So – look. What you’re telling me is you need more friends?
Me: Wish Number One!
G: Great. Yeah – but – see? I’m not sure this is your actual wish territory. Sure I could do it! No problem! One snap of the fingers, there’d be thirty shiny happy people camped out on your lawn. You’d have to set up a ticket system, like at the deli.
Me: I wouldn’t mind.
G: But they wouldn’t be REAL friends. They’d LOOK like friends. They’d be CONVINCING. They’d sure as hell make a lot of friendly noises, make you tea, answer the phone at two a.m. But you’d soon get freaked out by all that uncanny valley shit. I’m good, but I’m not THAT good.
Me: So what do I do?
G: You gotta let go of the past. You gotta stop playing that broken record that keeps skipping back to the lines that hurt you, the throwaway comments like: ‘oh – he’s so alone’ or ‘a bit dry for some’ or ‘antisocial as ever, I see’ – the throwaway shit that’s particularly sticky for some reason. That lodges in the brain, and all you do is play it over to yourself over and over till you end up BELIEVIN’ it.
Me: How long were you IN that bottle?
G: It’s a lamp, num-nuts. And in answer to your question, long enough.
Me: Is this one of your special skills? Seeing into people’s souls?
G: Now – maybe this is why you don’t get the dinner invitations so much.
Me: So what do I do, then?
G: Number one? Relax. Things are almost always better than you think. Number two? Go through your address book and call someone up. Be like the tick on the shoe and JUS’ DO IT! Email at the very least. Ask if they wanna go out for a drink. Go see a show. Aladdin or something classy like that. Number Three? Join a club. I know, I know. It’s the kinda thing your momma woulda said, but y’know what? Your momma ain’t that bad. An’ you ain’t that bad, neither. IMHO.
Me: So you text in there?
G: Signal’s crap but I try to stay current.
Me: Thanks for the advice, Genie. I appreciate it.
G: No – thank YOU! I was getting a bit antsy stuck in that thing. There’s only so much you can do with a spout. So – what about them other wishes?
Me: I don’t know. Give them to someone else. I’ve always felt uneasy when people say they’re waiting to win the lottery. I can’t think of anything worse. It’s like admitting life’s so hopeless it’ll take divine intervention to save it.
G: (pause) No wonder you got no friends.

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