the old courtier & the pug

Even Jenny’s pug makes me anxious. There’s something about the way he trolls over to me, waggling breathlessly from side to side like an antique footstool that’s somehow learned to walk. And when he finally arrives at my feet, he’ll stop and slowly look up at me, panting in his tight fleece waistcoat, like he’s expecting me to do something, and if I don’t do it soon he’ll explode, and there’ll be pug everywhere, and it’ll all be my fault.

I pat his head (which isn’t what he wants), and I wait.

Jenny comes striding over the hill, waving.

To be honest, I’ll often try to avoid Jenny. She’s nice enough, but like her dog, she makes me anxious. And I say that despite having tried over the last year through meditation to understand that’s it’s not other people or events that make me feel anything but how I react to them. I suppose it’s the difference between accepting that spiders are essentially harmless, that it’s an irrational fear rooted in family experience & conditioning, and actually picking one out of a box and putting it on my head. So even though I fully understand that wanting to avoid talking to Jenny is really just an indication that I’ve a lot more work to do on myself, still I can’t help looking for the exit.

One mistake I often make is to try to preempt the pessimism. It’s the conversational equivalent of bending down to pick up a box you think is full of books but turns out only to have a duvet and a pillow, so you end up throwing it in the air and falling over backwards.
‘Hey Jenny! How are you? What a lovely day it is today! So Spring like! Everything powering up! God – we’re lucky…’
Jenny stares at me through her lavender tinted glasses.
‘Did you hear about the boy in the high street the other day?’ she says.
‘Boy? What boy? No…’
‘Carrying a machete.’
‘A machete? Oh my god…’
‘Look,’ she says, opening Facebook on her phone and showing me the picture – a weapon that looks more like something a Klingon would use in a ceremonial fight.
‘Bloody hell!’
‘I don’t understand kids these days,’ she says, putting the phone away again, carefully, so she doesn’t cut herself on the picture. ‘I mean – we never had half the things they’ve got. Ferried around from place to place like little princesses. They have the best clothes. The best shoes. I suppose it’s all these violent games they play. But you see they just don’t have any respect. And they seem so angry all the time.’
‘Well. They certainly get a lot of peer pressure on social media. I’m glad I didn’t have that when I was growing up.’
‘I worry about the future. I really do. I worry for the world my grandchildren will live in.’
‘Knife crime’s terrible,’ I say, struggling to stay objective. ‘Horrible. Really awful. But one thing struck me the other day. You know some kids think they have to carry a knife because the other kid’ll have one? Isn’t that the same as our foreign policy? You’ve got to have nuclear weapons because the other country’s got them? I mean – aren’t they just doing what the government’s doing?’
Jenny pushes her glasses back onto her nose.
‘They’ve been smashing car mirrors,’ she says. ‘For no reason. Car mirrors. Just walking along and smashing them off.’
‘That’s terrible.’
‘And I tell you something else. I’ve had my car ten years, and last night the alarm went off! Twice! It’s never done that before.’
‘That’s worrying.’
‘I mean – these kids. They’re so angry!’
‘It’s interesting that all this comes at a time of reduced public spending. Do you think that’s got anything to do with it?’
‘I don’t know about that. All I know is, I’m glad I’m not a child growing up in this world…’

The conversation splutters on like this for a while. She’s not enjoying it. I’m not enjoying it. It’s like we’re wrestling with the controls of a little plane that’s stalling over a chasm. I’m tempted just to embrace my fate, put my arms in the air and try to relish the plummeting – except – I can’t afford to let myself think of life this way. It’s too bleak and soul-sapping. It would feel like surrender.

I look around for Lola. She’s way up the hill, heroically silhouetted against the sky, staring down at me with an expression that – even from this distance – I can read as pity.

Back at university we studied an early Renaissance book by Castiglione called ‘The Book of the Courtier’. Written at the beginning of the 16th century, it was an early kind of How To guide for members of court, but it digressed lightly and beautifully into conversations about social philosophy, religion and so on. The book was surprisingly contemporary in feel. I remember one bit in particular, where the subject of ‘it wasn’t like this in my day’ came up.

“I have often considered not without wonder whence arises a fault, which, as it is universally found among old people, may be believed to be proper and natural to them. And this is, that they nearly all praise bygone times and censure the present, inveighing against our acts and ways and everything which they in their youth did not do; affirming too that every good custom and good manner of living, every virtue, in short everything, is always going from bad to worse.”
(from the beginning of the second book)

He wrote that over five hundred years ago. But despite all his balance and courtly wisdom, all his sprezzatura, I bet even old Castiglione would’ve changed direction when he saw the pug.

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well honestly sometimes i feel like

:::::: well honestly sometimes i feel like the dumbo stamped red rubber band stretched round the trembling right hand of Ernest Hemingway
:::::: or the butterfly engraved beard trimmers catastrophically used to lever open a rusty can of paint thinners by Claude Monet
:::::: other times, i feel like the bent EPNS gecko wedged in the neck of a bottle of prosecco in the second-best fridge of Reggie & Ronnie
:::::: or the poisonous snake receipt shredded in the chaotic christmas present deceit in the glitzy LA retreat of Jay Z & Beyonce
:::::: mostly i’m just the duck handled shoe horn overlooked in the elephant foot umbrella stand of Hubert de Givenchy
:::::: or the half-eaten wild turkey canape at the adoption ceremony welcoming Johnny Depp into the worldwide tribe of the Comanche

:::::: and there aint nothing i can do about it

where’s pepper?

If I hadn’t looked at the notes and seen it written in black and white that an ambulance had been called and taken Maria into hospital where she’d stayed a few days, I’d swear she hadn’t moved since the last time I saw her. The only difference is that her little dog Pepper isn’t leaping around the place in a twitching fury, wondering whether to bite me or throw himself through the window.
‘Where’s Pepper?’ I ask her.
‘He’s sleeping next door with Theo,’ she says. ‘They’re both exhausted. We were all up late last night. Theo came round, for a social. He only popped in to say hello ‘cos I was back and everything, and he ended up staying all night.’
There’s half a chicken leg on the ash strewn table in front of her. ‘I’m sharing that with Pepper,’ she says, as if I’m hungry and on the take. She hides it under some newspaper.

Walking down into Maria’s basement flat is like walking down steps into an Egyptian excavation – except, this isn’t the lavish tomb of a pharaoh, filled with gorgeous sarcophagi, wrapped cats, miniature wooden carts and dishes of carbonised grain. This is the urban degradation version, piles of red reminders, missed hospital appointments, bags of medication, discarded asthma pumps, magazines, grimy throws and crochet blankets, inco sheets, elbow crutches. And the door isn’t protected by an unbroken seal and a curse, but a CCTV camera, securely wedged into the top corner of the hallway like a nuclear bunker for a spider.

I’ve been in to see Maria a few times before. There’s always someone sleeping in the next room. Sometimes it’s Theo, sometimes it’s Clancy, sometimes Giles (none of them sounding like real names at all). But it’s only now I’ve been given the heads up about what’s really going on.

The scheme manager had sounded annoyed on the phone.
‘She’s breaking the terms of the tenancy,’ he’d said. ‘We’ve got vulnerable people living in that place. This can’t be allowed to go on.’
‘What’s going on exactly?’
‘She’s being cuckoo’d.’
‘Cuckoo’d?’
‘You know – when someone moves in and takes advantage. Except it’s a little complicated in Maria’s case, because I think she likes the company.’
‘D’you mean Theo and Clancy and the rest?’
‘Whatever they’re calling themselves. They’re using her flat to sell and smoke drugs, heroin mostly, but other stuff, too. The police have thrown them out of there before. There shouldn’t be anyone else staying. We’re trying to get an injunction to stick on the grounds that she’s breaking the terms of her agreement, but these things are always more tricky than they sound. She’s definitely got capacity. But she’s a vulnerable person, though. No question.’
‘Do you think it’s safe for carers to go in? Because Maria is pretty self-neglectful.’
‘I would think so. I mean – it’s not the nicest environment in the world. But during the day it’s fairly safe with regards to ne’er do wells hanging around. And if they are around they’re unconscious.’
‘Not terribly reassuring.’
‘No. But what can you do. I know it sounds harsh, but I’d like to forcibly take Maria out of there, find her somewhere secure, out of the reach of these people, and then maybe she’d come to see how awful they really are. At the minute, they buy her food and keep her company, and I suppose that’s something. If only they wouldn’t deal drugs, though. Or keep a dog. Pets aren’t allowed.’

I decide to be perfectly open with Maria about the concerns that have been expressed about Theo and the rest.
‘I’m always perfectly open and straight with people because I think in the end that’s the best way,’ I say, by way of introduction. Maria looks worried.
‘It’s about Theo, isn’t it?’ she says.
‘Yes. There’ve been reports that Theo and some of the others are smoking heroin and using you and your flat for a base.’
She’s instantly furious. I’m amazed that Pepper hasn’t rushed in to see what the matter is, and can only think he’s in an opiate haze as well.
‘I know what’s happened!’ she says. ‘And it’s not what you think. There was a man round here a few months ago. Xavier his name was. Said he was my friend and everything, but turns out he wasn’t. Oh no! Tried to sell my dog at one point. So Theo turned up and kicked him out, and now Xavier’s got the hump, going around telling everyone lies about what goes on round here.’
‘He tried to sell Pepper?’
‘Yeah! To Theo. That’s the kind of low life he is! I mean – who’d sell someone else’s dog?’

growing pains

I wanted to grow a beard / something distinctive but not too weird / stylish / not outlandish / man-about-townish / clipped, pristine / easy to clean / nothing droopy / something that wouldn’t get too soupy

I spent a lot of time / online / swiping through the chins on show / so what should I grow? / a balbo? / terminal? / chic imperial? / woodsman? / trendy urban? / but then – on a scary hairy forum / I saw something awesome / a beard called the ouija / an oddly unsettling procedure / full of twists and curls / elegant strands that delicately unfurled / like antic letters from another world

I made a resolution to do it /
took me six months, but I grew it

I had no idea / when the beard / finally appeared / it would look so sinisterly sheared / honestly – it was horrible / diabolical / twitching and witchy / scratchy / unbearably itchy / but with one particular feature I hesitate to mention / a superfast, facial connection / straight through to another dimension

because / there I was / twiddling my curls / thinking of anything but parallel worlds / when suddenly I had a spasm / my lips flecked with ectoplasm / a terrifying feeling of reeling and falling / then: ‘oh my goodness – is that Jimmy calling?’

Grandma? I said / but I thought you were dead / as her words tumbled round and round in my head / like scrabble tiles jangling in a bottomless green bag / scented by an eternity of peter stuyvesant fags / spectral clouds of talcum powder / top notes of incontinent chihuahua /

it was just so completely shocking / my teeth were clacking, my knees were knocking / I mean – I was totally unprepared / it was only grandma, but damn was I scared

I tried to be brave and lighten the scene / Hi there, grandma! I said – how’ve you been?
what d’you mean? / how’ve I been? she said / I’ve been DEAD! / believe me there are plenty of things I’d rather be doing instead
oh, I said / slapping my head / but …. no ….really….how’s it all going?
well – to be honest with you, Jim – it’s an awful lot of toing and froing / depending on which way the psychic wind’s blowing

now – you probably think this was a great opportunity / to engage with the ex-life, ex-pat community / and ask all the questions you’re dying to know / like how’s it all organised and where do you go? / is it harps and clouds? / are pets allowed? / do you flap around singing all day? / or is that just so much angelic cosplay? / you’d want to know if there’s a god or not / and whether hell is actually hot / and how many chances has the average spirit got / to turn things around and improve its lot / and whether the heavenly congregation / increases exponentially with the earthly population / so, if heaven was emptier round the time of moses / are they now suffering spatial anxiety neuroses / and if so, what are the solutions god proposes?

but actually? – I totally lost my nerve

I think I left something on the stove / I mumbled / stumbling / backwards into the kitchen / scrabbling & stretching / over to the sink / praying grandma wouldn’t think / to hover over and check / why I was so hurriedly lathering my neck / but she seemed happy just to glow their innocently / up by the pelmet incandescently / and in a few bloody strokes the beard was gone / I dabbed at my face and slowly turned around

grandma had vanished, just an echo on the air / and a scattering of crumbs on the rocking chair

a couple of months later I grew a goatee / easy to clean & guaranteed ghost free

beards

making it back

The Telegraph is too big for Martha. It’s like watching a duvet blown into a small tree.

‘I don’t know why I read it,’ she says, finally giving up, bundling it into an approximate mess and dumping it on the sofa next to her. ‘It’s not like I understand what they’re on about.’
‘You’re not alone in that, Martha.’
‘Wha’ d’ya say?’
‘I say I’m with you on that!’
‘Good!’ she says, but I know she hasn’t heard. I’d love to talk to her about politics and what she thinks of the world, but Martha’s so deaf now you have to put your lips to her ear and shout. And even then the best you’ll get is a smile and a chuckle and a knowing kind of ye-es. Any important questions or requests you have to write on a pad. Maybe there’s some telepathic component to all this, though, because after all the smiles and nods and eyebrows and complicated mimes, I always come away thinking I’ve had the liveliest conversation.

Martha’s been on our books for a while now. Initially we were called in by the doctor to keep an eye on her after a recent chest infection. But then she knocked her leg somehow – probably going downstairs to fetch The Telegraph – and it morphed into wound care. I’ll be sorry when she’s finally discharged, though. She’s such good company. A hundred years old now, she segues naturally from story to story without any prompting, like Time is a screen she can see through when the light falls in a certain way.

‘We were married seventy years,’ she says as I kneel on the floor dressing her leg. ‘Seventy years! Mind you – I didn’t see him the first three. I almost didn’t see him at all. He was in the RAF. A navigator. In a Blenheim bomber. Terrible planes. Dreadful. I think the Germans liked them, though. For target practice. How poor Tommy got through it all I don’t know. One night they were hit very bad – very bad – and they almost ditched in the Bay of Biscay. But the pilot kept ‘em going and they made it back somehow. Skipping over the waves like a stone, Tommy said. Skipping over the waves like a stone.’

the nightmare continues

Brexit.

Sounds like an energy biscuit. Except this one’s the opposite, the kind you’d eat to bring you back down. Frosted with Diazepam.

As I write, the government have voted to extend Article 50, and ask the EU if we can delay our exit. Which is like being on the rack and asking the guy in the leather apron for a few more turns of the wheel, because – you know – it really is helping with our joint problems…)

For the record, I’m a Remainer. Or Remoaner as we were rebranded. Presumably on the basis that we had the absolute GALL and plain BAD SPORTSMANSHIP to complain about the amount of misinformation that was put out at the time of the referendum, and to point out that maybe such a complex and important move should be worthy of a little more balanced thinking. I mean, you wouldn’t put in an offer to buy a house that was advertised as charming, plucky, full of character, great views – only to read the survey and find out it’s built of Play-Doh, on a fault line, near a reactor, overlooking some abandoned docks – and NOT feel a little scratchy.

Still – a vote is a vote.mrsmay

‘Let’s get this done’ croaks Mrs May, leaning in, reassuring as a fancy dress nurse with an ID badge drawn in crayon.

Part of me wishes it would just go ahead. Maybe it’ll be okay. Maybe we can trust the ERG, the DUP and any of the other reactionary crazies who would love nothing more than to make this country a Land of Hope and Glory theme park, where the log flume is actually a giant Churchillian cigar rushing headlong down a cataract of laundered money, and the golden horses of the carousel are restricted to the kids from public schools; where the canteens are filled with cheap chlorinated chicken and beef burgers oozing with Five Mile Island dressing; where the Queen lives in a glittering tent waiting to tell the fortune of anyone the park inspectors happen to push through her flaps, and the Hall of Mirrors is a miniature Houses of Parliament, where everyone constantly changes shape.

The only hope is that some ragged revolutionary force will storm the gates, push over the Monopoly banker character that says: You Have To Be THIS Wealthy To Enjoy our Rides! , overpower the Facebook sponsored security guards, and then run around unzipping all the minimum wagers trapped in the character costumes, the Frowning Shakespeares, the Laughing Policemen, the Private Doctors, The Trumps.

Then what?

Dissolve cut from the fires of the burning fairground to the not-so-distant future…

Climate change will be the one, unavoidable subject of public discourse. It’ll either be raining too heavily or blowing too violently or blazing too intensely for anyone to think about anything else. There’ll be factions calling for greater cooperation between people and states, factions insisting on a tighter, more protectionist approach, and then another, mysterious, more watchful faction – the one with the money, hubris, tech and military backing – who’ll have thought for a long time that the best thing to do is to pull out completely, in something big and splashy, called The Ark©, and they’ll be quietly studying star maps spread out on brushed steel tables, circling in red some other poor planets we can screw up.

Spacexit. (What a ride).

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morag’s bad dream

Jack’s directions to the block are a strange mixture of precise and vague.
‘We’re the one with the flapping green canopy,’ he says. ‘The last brick building on the right as you head up from the sea. No – wait a minute. What am I saying? Second to last. But hang on – there are lots of brick buildings between us and the top road. But anyway. Flapping green canopy. Look for that.’

He’s right about the canopy. I can only think that all the recent bad weather has partially torn it from its fixings. I locate Jack and Morag’s flat among the forty or so others, press the buzzer, and wait – for so long I wonder if it’s working. Just before I press it again a voice crackles on the speaker.
‘Hello, Jack,’ I say, leaning in, struggling to be heard over the wind and the canopy. ‘It’s Jim. From the hospital.’
‘Right you are, Jim. Come on up.’
He buzzes the door and I push through.

Just as I turn to close it I see a woman walking up the path. She’s zippered to the chin in a metallic blue anorak with just her face showing from the hood of it, carrying a cat patterned shopping bag in one hand and a Cornish pasty in the other. I hold the door for her and wait. She doesn’t acknowledge me at all, just walks and eats, walks and eats, dividing her attention equally between the pasty and the pavement. She’s so methodical about the whole thing she reminds me of a cartoon robot, analysing a sample of human food whilst she makes her way back to the mothership.
‘There you go!’ I say, as she plods through the door. ‘I can see you’ve got your hands full.’
She walks past me without making the slightest acknowledgement – so ruthlessly I imagine she would have simply smashed through the door if I hadn’t been standing there to open it – scattering pastry crumbs as she heads for the lift, which happens to be  ready waiting. By the time I’ve picked all my bags up, both robot pasty woman and lift have gone.

I walk up.

Jack looks exactly as he sounds: pressed trousers, green cardigan, small check shirt and tie, silvery hair flowing backwards like the ripples in a crinkle cut chip.
‘Found us alright?’ he says, silently closing the door. ‘Morag’s in the sitting room. Last door on the left. Sorry – my left. As you look at the window.’

You would absolutely match them if they were playing cards. Morag is a watchful, bird-like woman, perfectly turned out in a silk blouse and tartan skirt, with crinkly hair that goes side to side rather than straight back.
‘Who is it, Jack…?’ she says, gripping the arms of the armchair.
‘Just a nurse from the hospital, darling,’ he says. ‘No need to be alarmed.’
She turns her clear blue eyes on me and waits to see what I’ll do.

‘So – how are you feeling, Morag?’
‘How am I feeling?’
‘Yes. In yourself.’
She frowns at me, as if that’s the most extraordinary thing anyone’s ever asked her.
‘I know you’ve had quite a day of it,’ I say.
‘Have I?’
‘Well – coming home from the hospital. After a long stay. Must be nice to be home.’
She shakes her head, sharing her bewilderment between me and Jack.
‘It’s alright, darling,’ he says. ‘Nothing to worry about. You’re home now.’
‘I am, aren’t I?’
‘Yes. And it’s lovely to have you back.’
Jack smiles at me with a level of control as perfect as his hair.
‘I’ve been sent by the hospital just to make sure you have everything you need, Morag,’ I say. ‘And to see what we can to do help. By way of equipment, physiotherapy, nursing – anything really. We want to make sure you’re safe, that’s all.’
‘I have everything, thank you,’ she says, with great caution.

Whilst the laptop warms up, and to keep the conversation going, I ask Morag if there’s anything troubling her.
‘There is, actually.’
‘Oh yes? What’s that?’
‘I’ve been having bad dreams.’
‘I’m sorry to hear that, Morag. What kind of bad dreams?’
‘There are these people. Young people. And they keep wandering in and out. Sometimes they look at me. Sometimes they don’t. Sometime they walk straight past, carrying things. Pushing things. And I haven’t the faintest idea who they are or what they want.’
‘That was the hospital, darling,’ says Jack, patting her on the hand. ‘That was the hospital.’

3 from Nostradamus’ Little Book of Prophecy

I.

And on the first afternoon / a smiling man shall walk out upon the craterous face of the moon / but the atmosphere generators will have been damaged by a spoon / and consequently he will lift the visor of his helmet too soon / and lo, his head shall increaseth in size like a party balloon / and shall pop / and he shall drop / and The Big Kahuna Lunar mini-break suddenly stop / and all manner of things shall be confus-ed / and all further space vacations review-ed

and great shall be the lamentation thereof

II.

And on the afternoon of the second day (according to my organiser) / a monstrously ravenous hybrid hydra / shall crawl from the sump of the hadron collider / casting instruments and scientists aside / and flinging the heavy security doors wide / shall flex its terrible claws and stride / way out across the glittering Swiss countryside / until a bunch of generals on satellite phones / launch Operation Pile o’Bones / with a flock of fearsome UN drones / to corral the hydra in a free-fire zone / smoke it’s ass and send it home

and great shall be the lamentation thereof

III.

And on the third evening during a calm atlantic crossing / a captain will stroll from the bridge for a little light dental flossing / when he shall see a sailor down on the for’ard deck, dossing / with a crossbow on his lap for some albatrossing / and tho’ the captain will clap his hands and shout / none of his warnings will reach the limey layabout / who will suddenly shoot his bolt into the snout / of the first albatross he sees flying about / and lo, shall the Captain wail / and the luxury cruise shall fail / and the first lieutenant bail / and the second mate be swallowed by a whale / and the waiters & entertainers turn tail / and passenger complaints go off the scale / and then day after day, day after day / they shall be stuck with nor breath nor motion / as idle as a painted ship – well, you get the picture

and great shall be the lamentations thereof  IMG_0441

one hundred and two minutes

Harry’s wife Jean has everything written down. She shows me her notebook – covered in tiny block capitals: one page for the dates and times of appointments, one for the names and dosages of drugs, another for all the names and times of the various clinicians who’ve visited over the last few months, and on the inside back cover, a list of all the important phone numbers, family included, some underlined, some with asterisks.
‘You’re pretty organised,’ I tell her, handing it back.
‘You’ve got to be,’ she says, carefully putting it away on the trolley she’s set aside for meds, dressings and everything else – a hostess trolley for the home nurse.
She’s even taken care of me. I came in with a cough, excusing myself, blowing my nose – an inauspicious start.
‘Oh dear!’ she said. ‘Are you alright?’
‘I’m fine. It’s this cold. Still hanging on even though it’s been three weeks now.’
‘Have some of this’ she says, plucking a bottle of cough mixture out of the air, like a magician. ‘It’ll blow your socks off but it’ll stop the cough.’
She pours ten mil of the gloopy brown mixture into a plastic measuring cup and hands it to me. I hold it up to the light like a fine brandy, and then throw it back in one.
‘Wow!’ I gasp, handing back the cup. ‘That’s potent!’
She raises her eyebrows and smiles.
The cough has gone.
‘I should definitely get some of that,’ I say.
‘Maybe you should. I’ll write the name of it down for you. Do you want to see Harry now?’

Harry seems much better. He’s sitting on the sofa sawing away at a fried egg on toast.
‘Sorry to disturb your breakfast,’ I say. ‘Good to see you eating, though.’
‘Pull up a plate!’ he says, gesturing with his eggy knife.
‘You’re alright, thanks, Harry. I’ve eaten already. Besides…’ I say, smiling at Jean, ‘I don’t think I’ll be tasting much for a few hours.’
‘The mixture? Aye – it’s strong stuff is that,’ he says, directing his attention back to the egg. ‘Kill or cure.’

Harry is an old tank soldier. He tells me about his life in the army whilst I finish writing up the notes.
‘I loved it,’ he says. ‘Signed up for five years. Made it ten. Came out for two weeks, turned round went straight back in for another ten. It’s been my life, man.’
‘You know – I remember, when I worked on patient transport there was this patient we saw a few times. He was a hundred and two or something, and he was a tank soldier in the First World War.’
‘Was he? Well – hats off. That was a tough business alright. I mean – it was never a picnic in the old Centurions. It was no Ford Fiesta, if y’know wha’ I mean? But those early tanks, they was regular death traps, man. I had a look in one once, in the museum. And I tell you what, I wouldn’t have driven it to Sainsbury’s, let alone the Somme.’

I have a sudden clear image of that old tank soldier, shutting his front door, carefully pocketing his keys, and then walking entirely freely and unaided down his front path to the waiting ambulance. I was struck then not just by how tough and wiry and cheerful he seemed, cap pulled down, a glance up at the sky, a cheery thumbs up before he grabbed the handles and pulled himself up the steps – but also by how bent forward he was, by age of course, a marked curvature of his spine, and something else, the posture and demeanour of a man who was used to squeezing himself into small spaces, resolutely getting into position for whatever lay ahead.

‘A hundred and two?’ says Harry. ‘Hats off. A hundred and two minutes and you’d a’ been doin’ well.’

hansel & gretel : mob kids

hanselGretelhansel & gretel / young, mean & successful / bent as a coupla sesame pretzels / I heard they smoked some pedo wizard down on popocatepetl / anyways / theys / scratchin’ around for the next shekel / & they find a job downtown / taking out a renowned / cake & candy gang / whose number one meringue / AKA The Witch / they tease & tumble / til’ she totally apple crumbles / spills the crack-flavoured jelly beans / and a hundred other hard-boiled / shop soiled / confectionary schemes / until the grim final scene / when they push her hat first into a rock-pulling machine / and stand there licking custard creams / as the wicked Witch gets wiped / coming out all long & thin & peppermint striped / I seen the report the coroner typed: / (in big, bold letters to avoid confusion) / DEATH BY MEANS OF EXTREME MECHANICAL EXTRUSION

my own conclusion?

stay well clear my friend, if y’know what I mean / these punks are high on tartrazine