the low to no pressure blues

we’ve been jawing & toying
but there’s no more avoiding
these low to no pressure blues
the roses – who sent ‘um?
they’re devoid of momentum
their colours look sad in this outer space spectrum
the low to no pressure blues

Einstein was right
about doughnuts and light
and the low to no pressure blues
his virtual particles
are the genuine article
they phase in and out with trajectories farcical
in the low to no pressure blues

your stars were too hot
and they imploded a lot
with the low to no pressure blues
there’s no more surprisin’
your event horizons
their appetite for light was quite mesmerisin’
in these no to low pressure blues

but I’m done with the weather
out here in your aether
the low to no pressure blues
you needed your space
and I’m so out of place
the tears have been boiling clean off my face
in these low to no pressure blues

I’m through with the suction
molecular reduction
these low to no pressure blues
I’m losing my spark
in your virtual heart
and I’m worried we’re rushing things out in the dark
and the low to no pressure blues

so let’s stay as friends
with our love through a lens
and the low to no pressure blues
it’s not you it’s me
I need air to breathe
and I’m panicked with the mechanics of entropy
in these low to no pressure blues

I’m sorry but it’s true
what else can I do?
with the low to no pressure blues
yeah?
the low to no pressure blues

(…. fade out according to the rules of General Relativity….)
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a christmas ghost story

Strictly speaking, Mr Jeffries is a double-up.
Not for the usual reasons – manual handling issues, a history of aggressive behaviour, substance abuse, hazardous environment or a tendency to make accusations – but for something else, something unspecified. So far I’ve been unable to get to the bottom of it, just a series of knowing smiles and nods. I’m supposed to visit Mr Jeffries to take blood, but unfortunately the nurse I was scheduled to go with has had to run out to a blocked catheter, and for one reason or another, there’s no-one else.
‘It’s okay. I don’t mind,’ I tell Anna, the Co-ordinator. ‘I’m fine going on my own,’ .
‘Are you sure, darlink? I’m so sorry there isn’t anyone to go with you. But I’m sure you’ll be fine. You used to work on ambulance before. I’m sure you’ve come across things a lot more – how should I say – strange.’
‘In what way strange, exactly?’
‘Just – you know – strange. Odd. Something different. But there’s no danger involved and you are strong person so I’m sure you’ll be fine. Just go in, get the blood and come out again.’
She smiles at me. ‘Maybe like this…’
She frowns, crossing her arms across her chest.
‘Why? Is it filthy in there?’
‘No! Is not filthy. Is very nice.’
‘What then? Is he a bit lecherous?’
‘Lecherous? What is this lecherous?’
‘You know. Hands everywhere.’
‘No, darlink. No. He is not lecherous. You’re perfectly safe as far as lecherous is concerned.’
‘So what then?’
‘You’ll see. I’m perfectly happy for you to wait until someone becomes available…’
‘It’s fine. I’ll go get the blood.’
‘You are good boy. Very erm… how you say…?’
‘I don’t know. Brave?’
‘No-ooo….’
‘Foolhardy?’
She doesn’t say what she means.

Mr Jeffries doesn’t answer his phone, which is something the notes say is typical for him. He has a keysafe, though. The only thing is to go there and take a chance he’s in.

* * *

Mr Jeffries lives on the top floor of a run-down block of flats. The architect must have designed the place in a rush over breakfast, because it’s exactly like an upturned cereal box, with a lift at either serving long, unbroken corridors of doors and security grilles. If by the day the block is austere, at night it’s perfectly bleak. The lamp out front flickers, animating the entrance in such a menacing way I can’t help zipping my jacket to the neck and shouldering my bag more squarely. Inside is worse, utterly lightless, with that heavy kind of dark you’d think was pumped in from deep underground. The corridor lights only come on when you move, and even then there’s a delay, so the effect is of a steady falling forwards, disconcerting, not at all pleasant.

I knock on Mr Jeffries door. There’s a muffled answer. I use the key and let myself in.

The flat is warm, close, unaired, filled wall to ceiling with shelves and shelves of books – art, astrology, folklore, history, that kind of thing. Mr Jeffries is sitting in his lounge on an electric wheelchair, as perfectly contained in the glow from his desk lamp as a hunched insect preserved in amber.
He spins round to face me, and the first thing that strikes me are his eyes, wide-set and unblinking, tub-water grey, with a diverging bulge that gives him an acute and predatory appearance. That, coupled with his dry smile and knowing demeanour are as unsettling as you could get, and I suddenly understand why Anna thinks this is a double-up.
‘I suppose you’ve come for my blood,’ he says, arching his long fingers together and scrutinising me over the top of them. ‘The doctor doesn’t think I need it, but I think I know more about my condition than a simple GP. If only I had more energy – and a better prognosis – I’d sue them for millions. But really – what good what that do me?’
‘I don’t know,’ I say.
‘No. I don’t suppose you do.’
He parts his hands in a simple gesture of letting go, but then his attitude hardens just as suddenly.
‘Here’s what I need you to do…’ he says, and then tells me where to set up my things, what bottles to use, what the tests need to show and so on.
‘Some people find me intimidating,’ he says. ‘My last consultant actually started to shake.’
‘I don’t think I’ll shake,’ I tell him, although it’ll be a miracle if I don’t. ‘I’ll save the shaking for afterwards.’
It helps when I find out that Mr Jeffries used to dialyse in the renal department around the time I was a ward clerk there. I don’t remember him – and I feel sure I would – but it means we have a shared history of names and places I can use to distract him from focusing too much on me.
‘No,’ he says, interrupting a story about one of the PD nurses with red hair out of a bottle, ‘not that vein. Use that one, there…’
It’s annoying, but he’s right. The blood starts to flow, and I’m immediately more relaxed.
‘So you had a transplant?’ I say.
‘I’ll tell you a little story about that,’ he says. ‘The department had been having a run of deaths. A whole year of them. So much so that everyone was beginning to lose faith in their abilities. It was nothing to do with that, of course. But people divine all manner of things from simple coincidence. When it came to me, the consultant brought the kidney back himself, in a box on the backseat of his car. Can you imagine? It was a few years ago, of course. Things are different now. Anyway, I was prepped and readied. Everyone wished me luck. And that was that. The next thing I knew, I was waking up in the recovery room. I was conscious of someone standing by the bed, and I thought it was a nurse. But when I turned to look, I saw a young woman, right beside me, staring down at me, with the oddest expression. Not sad – no. Not angry. Just – I don’t know – confused. She stood there for the longest while. So long I couldn’t bear it. I said Thank you for the kidney, closed my eyes, and prayed she would leave me alone. When I opened my eyes again the surgical team were standing around me, everyone smiling, waving blood results in the air, relieved the operation had been a success and their run of bad luck ended. Who was the girl who gave me the kidney? I asked them. She came to me. They dismissed my experience as post-operative hallucinations, and, of course, it was policy for them never to disclose any information about the donor. I knew it wasn’t a hallucination, though. I’ve always been able to see things. Some people can. A little while later, just before I left the unit for good, I saw the consultant again. ‘Who was she?’ I asked him. ‘Let’s just say she was a woman who was formerly wealthy.’ What does that mean – formerly wealthy? What do you think it means?’
‘I don’t know. It’s an odd expression. Maybe he was speaking metaphorically. Maybe he meant wealth as in life, and formerly because she lost it.’
I tape some gauze to the crook of his arm. He gently holds his fingers to it, as if he’s healing the wound by the power of touch.
‘I never saw her again,’ he says. ‘Which is a shame, because she seemed so lost.’
And he turns his enormous eyes up to me, and I have to look away, because I don’t want to see my own reflection contained in them.
‘All done!’ I say, shaking the vials of blood.
‘Thank you,’ he says. ‘You’ve been most kind.’
‘You’re welcome.’
And he watches me closely as I pick up my things and go.

how to make an impression

‘To begin with, I’m not Cedric. I know it says Cedric on my birth certificate and all those official places, but it’s really a terrible mistake. I wouldn’t have the faintest idea how to be a Cedric. I think my parents must have lost at cards or had some kind of fit or something. So although it says Cedric, please feel free to ignore it and call me Bill. Everyone else does.’
He settles back in his armchair.
‘The bathroom’s through there if you’d like to wash your hands,’ he says.
‘It’s okay. I’ve got a bottle of hand cleanser here.’
‘As you wish.’
I take a small bottle out of my bag and pull the cap off. I’m a little heavy-handed, though. When I squirt some foam onto my left palm, a gob flies over and lands on the leather pad of an antique writing desk.
‘Oops,’ I say. ‘Sorry.’
‘Will it stain?’
‘I shouldn’t think so.’
‘Here. Give it a dab, would you?’
He passes me a pressed cotton handkerchief and I gently pat the area. It doesn’t look great, but I’m hoping the difference in colour is due to the wetness rather than any damage caused by the antiseptic soap.
‘Oh,’ I say. ‘Have you got any polish? I’m sure that’ll sort it out.’
‘Hm’ he says. He takes the handkerchief back from me, folds it up and puts it on the little table next to him.
Bill is so immaculately dressed – hair oiled and combed to one side, silver moustache trimmed to an even millimetre around his mouth, a precisely knotted tie just visible at the V-neck of a treacle-coloured jumper, an ironed crease running mid-leg down to a pair of monogrammed slippers – he hardly looks real. In fact, he’s so perfect I wouldn’t be surprised if, when he stood up and turned sideways, he revealed that he was in fact a tall, beautifully illustrated, two-dimensional bookmark.
Funnily enough, Bill used to be an antiquarian bookseller, a job he strode into when his frigate docked for the last time after the war. It’s easy to imagine him, sitting at the back of the shop, reverentially turning the pages of a rare book, then swiping off his glasses and getting down to business.
‘One thing I do want you to do is look at my back,’ he says.
‘Because of the fall?’
‘Yes.’
‘So what happened, Bill? I read the ambulance report but I wouldn’t mind hearing it from you.’
‘Would you? Very well. It happened about a week ago now. I was getting out of bed to visit the bathroom in the early hours, as one does. Especially at this age. Several times. So anyway, I sat there a moment on the edge of the bed, collecting my thoughts, berating my fate and so on, and I thought – I wonder what the time actually is? So I reached forward to look at the watch I keep on the dressing table. Well – for some reason that I cannot account for, that simple gesture extended, and extended, and the critical point came and I just couldn’t help myself. I think as I rolled forwards I must have turned and caught my back on the dressing table, because apparently I have a mark there that rather supports the supposition.’
‘Okay. Let’s have a look, then.’
He stands up, and then holds on to his zimmer frame whilst I untuck him and expose his back. As well as a livid, generalised bruise across the upper left side, there’s the impression of one half of a dressing table drawer – the corner of it, mostly, with some of the ornamental handle – everything picked out in a livid red line.
‘Ouch!’ I say. ‘That’s pretty harsh! It’s so clear I could almost read you the name of the cabinet maker.’
‘Yes. Well – it is a fine piece. I bought it at auction fifty years ago. Probably paid a little over the odds but what can I say? It rather made an impression on me.’
And he gives me a perfect, stage wink as he begins the painstakingly slow process of gathering together his many layers and tucking himself back in.

bad king wenceslas

Bad King Wenceslas looked out
on the scene of sirens
blue lights flashing round about
the neighbourhood environs

Fiercely shone the chopper lights
bullhorn shouts were cruel
negotiator came in sight
struggling to stay cool

Hither page and stand by me
if thou know it telling
yonder agent who is he?
where and what his dwelling?

Sire he lives a good league hence
underneath a mountain
works for government defence
narco crime accountin’

Bring my vest and bring my piece
bring my bullets hither
thou and I will this guy grease
send his brothers hither

Page and monarch forth they went
forth they went together
till their weapons all were spent
and down they went together

Sire the night is darker now
and the wind blows stronger
fails my heart I know not how
I can go no longer

Hark my footsteps my good page
tread thou in them boldly
thou must find the righteous rage
to freeze thy blood less coldly

In his master’s steps he trod
past the cars so dented
the heat was in the very sod
and Wenceslas demented

Thus shall gangsta men be stopped
wealth or junk possessing
ye who now do waste the cops
shall all soon be resting

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the shard

I found the fragment
of an old plate
a shard of blue and white
washed out by the rain

I thought about
the meals it represented
a clicking of cutlery
like the ticking of a clock

now it lies like a mosaic clue
a spray of blue leaves
a pair of boots
a swollen river

we are made of elements
random accumulations
that form and break
according to the weather

we pattern out our time
it rains, or it doesn’t
someone carries a plate
nothing lasts forever

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star wars: the retirement

Yoda parks his Skoda
badly
sadly affected
by scoliosis
COPD with a poor prognosis
wheezes into his local
where he ends up getting vocal
with some stormtroopers on the pool table
waggling their cues a lot
so they miss their shot
till the owner gets called
and he’s hauled
back out on the street
(which happens most weeks)
he gets back in his Skoda
licence plate YODA
and a sign on the back of the car:
If Read This You Can Too Close You Are
and heads back to his cave
half watches Dave
whilst he knocks out a series of gnomic tweets
to Kylo Ren and the Imperial Fleet

Admiral Ackbar
runs a shitty little snackbar
somewhere out on Kessel
serving doughnuts and slime
to the guys from the mine
and random passing vessels
days when it’s slack
he loiters out back
playing cards with Fett and Finn
rolling his eyes
when the generator dies
and a Jedi wanders in

Princess Leia
works as a quantity surveyor
(she wanted something more regular)

Jabba the Hut
is a fitness nut
owns a number of successful franchises
aimed at customers of equivalent sizes

C-3PO and R2D2
disappeared after #metoo

Obi-Wan Kenobi
shaved head and goatee
works in security
standing all night on the door
‘this is not the club you’re looking for’

Darth Maul
doesn’t do much at all
just sits all day in his study
cantankerous and moody
watching reruns of Judge Judy

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end of the day blues

I’m slumped / dumped / spiritually gazumped / I’m rolling on the forecourt with the last gas pumped

I’m slack / cracked / wasted and whacked / I’m a shop soiled cosmonaut drifting off track

I’m snookered / bazooka’d / soulfully verruca’d / I’m a wonderland caterpillar totally hookah’d

I’m trolleyed / squalid / more liquid than solid / I’m a bottle of windolene chugged and volleyed

I’m stuffed / snuffed / artlessly roughed / I’m a dragon with a fag on fatally puffed

I’m steaming / keening / vacantly dreaming / I’m one part how’de do, two parts screaming

at least / if I’m honest / that’s how it’s seeming

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creative differences

Klugman as Quincy
scowling as he rinses
his hands
landing
a series of reprimands
on the actor
playing the hapless inspector
who shakes his head and looks at the director
who’s too stressed, bored
inexperienced & over-awed
so the actor’s concerns are ignored
and whilst they clear the studio floor
getting ready for the next shot
the actor wanders outside for a spot
and thinks about all the parts he hasn’t got
and whether he should quit or not
or give the whole thing one last shot
and stares up at the sky and smokes a lot

that’s me
one hundred percent absolutely

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almost done

Eric used to work at Battersea Power Station.
‘I was so tall they used me as a crane, off-loading the trucks,’ he says. ‘Only kidding. I was an electrician.’
‘That’s a cool place to work’ I say, immediately thinking how hot it must’ve been. ‘Iconic. I think it’s luxury flats now.’
‘Well…’ he says, unlacing his huge fingers and holding his hands apart, illustrating with that one, broad gesture the way things go in the world.
Eric’s wife, Georgie, carefully pushes a wheelchair into the room. Even though she’s a few years younger than Eric she’s still in her nineties.
‘Old bones run in the family,’ she says, getting the wheelchair ready. ‘If you can call it running. C’mon, Eric. Chop chop. He wants you on the bed.’
I’ve come to redress Eric’s pressure sore and generally give him the once over. He’s so stiff and frail now it’s like manoeuvring an old longcase clock. It doesn’t help that we’re surrounded by tables of photo frames and ornaments, souvenirs and trophies, the random accumulation of a long and busy life.
‘There!’ says Georgie. ‘Nothing to it!’
Georgie’s tells me as brightly as she can about the nursing homes they’ve been looking at. Eric rolls onto his side and puts the flat of his right hand over his forehead. I can see how painful this is for him, the indignity of strangers coming into the house to perform such intimate functions, the prospect of moving to a nursing home where he’ll be even more dependent.
Suddenly, the light seems to dim in the room, as if there’s been a momentary interruption to the power supply.
‘Oops,’ says Georgie, and then, when it comes back up again: ‘There we are!’
I try to distract him from the task at hand.
‘Were you born here, Eric?’
‘America,’ he says.
‘America? Wow! What happened?’
‘My father was a soldier in the Great War. He fought with the Americans and ended up going over there. To see what it was like. My mother went too of course and that’s where I was born. They did alright I think, but she missed home too much and we all came back. I was only little. And now here we are.’
I’m conscious of the jump he’s just made, and how maybe I should say something about it, about the sudden and dizzying vistas that can open up between the past and the present sometimes. But I can’t think how to put it into words, and anyway, I’ve got to concentrate on the dressing. So all I end up saying is: ‘Almost done.’
Georgie squeezes me on the shoulder.
‘I’ll be out back if you need me,’ she says. ‘I like it when the nurses come. It means I get five minutes to myself.’
And she hurries out of the room.