a difficult climb

I haven’t been to this block before and I’m confused by the entrance. There’s no intercom anywhere I can see, and the door seems to be closed. It reminds me of another block on the other side of town. The only way in is to phone the resident and ask them to release the front door, or to knock on the window of the scheme manager’s office (an arrangement that always baffles me, because really – how difficult do you want to make life?)

So figuring this is another place like that, I phone the patient again.

‘Oh really?’ huffs Angela. She lowers the phone and shouts for her daughter to go down because the nurse is ‘outside and doesn’t know how to open a door.’

She says something else, too, but it’s muffled so I can only guess.

After a few minutes, Frances waves to me from the lobby as she approaches. She’s a cheerful, red-faced, middle-aged woman in a bulging tartan skirt and yellow cardigan, her hair so frizzy the hairdresser must stand on a ladder to prune it with shears. But then – I’m so busy remarking on her extraordinary look I don’t realise she’s miming for me to push the door. Which I do – and find it’s been open all along – just a little stiff. And just inside the lobby to the right is a second set of doors with an intercom to the side.
‘How embarrassing!’ I say. ‘Sorry to drag you all the way downstairs!’
She shrugs cheerily.
‘Salad!’ she says.

I know from the notes that Frances has a form of expressive dysphasia that means she struggles to speak in complete sentences and often uses the wrong word. I’d read that she’d come back to live with her mum after her stroke, but that Angela was struggling now, had fallen recently and needed a home assessment.

‘This is such an interesting building!’ I say, making conversation as we walk up the stairs.
Frances nods and smiles back at me, her eyes wide but her lips tightly pursed, as if there were a pressure of words wanting to come out but she couldn’t be sure which to use.

She shows me into the flat – a large, coolly shadowed place with dark parquet flooring, antique furniture, serious photographs in serious frames, and at the furthest end, a floor to ceiling window overlooking the park.

‘Hello Angela!’ I say, putting my bags down. ‘I’m Jim, the nursing assistant from the hospital, come to see how you are and what help you might need.’
‘Have a seat,’ she says, nodding to the scallop backed affair opposite her.
‘Thanks!’
I settle in. Frances climbs up on a stool at the little cocktail bar to the left, stuffs her hands under her thighs and starts gently swinging from side to side whilst Angela scrutinises me. Between the great bony arc of her mouth and her hooded eyes, it feels like I’ve been granted an audience with a giant, royal frog.

‘I can’t believe I had such a struggle getting in,’ I say, laughing drily. ‘I was standing there, pulling away…’
‘You push,’ says Angela.
‘Yes!’ I say, closing my eyes and shaking my head from side to side, like Stan Laurel. ‘I know that now!’
‘Hmm,’ says Angela.

It’s a struggle to make any progress after that. If Angela was resistant to the idea of help before I arrived, nothing I can say now improves the situation. My mouth dries. I become horribly self-conscious, feeling like an imposter who found all this equipment down in the lobby and tried it on for a laugh.

Frances beams at me from her stool, chipping in with non-sequiturs. The shadows in the room close in, take on more weight.

‘What a lovely view of the park!’ I say, finishing off her blood pressure. ‘Beautiful! All the … you know… trees.’
Angela nods.
‘My husband chose this place,’ she says. ‘Then he died.’
‘Oh. I’m sorry.’
‘He was a climber. He went to the Himalayas.’
‘Wow!’ I say, looping the stethoscope back round my neck, just exactly the kind of thing a fraudulent nurse would do. ‘The Himalayas!’ I say, making too much of it. ‘Even I’ve heard of the Himalayas.’

‘Sandwiches!’ says Frances.

Angela ignores us both.

‘He was a well-respected climber,’ she says. ‘He was so good, he used to train people in climbing. All over the world. There wasn’t a mountain he hadn’t climbed. And then, of course, he went to the Himalayas…’
She trails off, gravely rolling down the sleeve of her blouse, like a surgeon about to give bad news.
‘Oh…?’ I say.

She doesn’t react.

I’m desperate to ask if that’s how her husband died, plunging off Mount Everest or being buried alive in an avalanche (all of which I’d rather be doing right now). But that would be a difficult question at the best of times, and I feel about as ready to ask it as a Yeti would feel to knock on the door of a tent and ask if I could come in for tea.
‘So… what happened?’
Angela frowns up at me.
‘What do you mean – what happened?’ she says. ‘We bought this place! What do you think happened?’
I look over at Frances.
‘Christmas!’ she says.

I’m a Demagogue…Get Me Out of Here!

Welcome to the new world war / a little different to the ones before / which were just too damned destructive / brainlessly brutal & counter-productive / so in an effort to conserve precious resources / and save ourselves millions on military forces / I’m pitching a saner, alternative event / which I hope you’ll back one hundred percent

I’m a Demagogue…Get Me Out of Here!

Okay – so – all the world leaders / all the conflict pleaders / xenophobia breeders / rally rousing autocue readers / they’ll all be darted / before the conflict’s started / drugged and helicoptered / onto a tropical island we’ve adopted / to undergo the bushtucker war trials we’ve concocted / surrounded by cameras / concealed in bananas / fake cockatoos / pouches of kangaroos / hollowed out bamboos / and so on / giving the viewers plenty to go on / to see what these people are REALLY like / when they’re forced to hike / through inhospitable jungle / and struggle / to find water / or food / and shower in a waterfall in the nude / (that’ll be an extra / you can elect to / pay on top / of the subscription you’ve got / pretty niche I know / but there you go / so…. / if you wanna see Boris / naked in a forest….)

Terribly sorry – technical glitch / forgive the interruption and on with the pitch…

You’ll see Xi Jinping / trying to look cool and convincing / but undeniably wincing / as he sits before the steadicam / chopsticks ready and wham! / they take the lid off the dish / and it’s as terrible and horrible as you could wish / and you watch him carefully raise from the receptacle / a single, wrinkled deep-fried testacle / and after cursing all our yesterdays and tomorrows / he chews it once and bravely swallows

Hear Scott Morrison / chuntering on and on / about nuclear subs and rockets / whilst fondling a Dairy Milk in his khaki pockets

Watch Kim Jong-un / bellowing like King Kong / on a fraying vine rope / as he builds himself up to cope / with the horrifying grope / for tokens in the box / they’ve hung above the canyon of snap-happy crocs

Follow Joe Biden / playin’ hide n’ / seek / with a reaper drone in a bug-filled creek / whilst he’s forced to speak / his thoughts today / on truth, justice and the American Way / and what’s going on in Guantanamo Bay

See Vladimir Putin / using his shirt to carry fruit in / then go full Rasputin / when the vote’s finally in / and he’s out / a popular eviction without a doubt / his tough guy act completed / the entire Russian Federation defeated / which I think you’ll admit is harsh but fair / and the reason this season’s so populaire

Hosted as always by Ant and Dec
who’ll hand the winner a giant cheque
signed by the head of the United Nations
so that’s the format – any questions?

Frankie & Rita

If you didn’t know better you’d think Frankie’s wheelchair was a time machine. A particularly down-at-heel version, ruined by food debris, bodily fluids, scorch marks. And if it is, you’d have to think he’d leant too hard on the joystick, because suddenly he’s found himself in a brilliant new flat – a futuristic development, all chrome, glass and sharp corners – without an abusive partner, but with a beautiful dog. And the dog is strangely quiet, with deeply golden eyes and a deeply golden manner. And Frankie is slumped in his chair, as if this last leap has wiped him out, and he needs a good long sleep to catch up.

‘Sorry I didn’t answer your call,’ he says, slowly rousing and raising his chin, hooking aside his great mass of hair, stroking his beard into some kind of shape, his great silver skull rings glinting dully in the overhead spots. ‘Only I was a bit distracted.’

It’s always impossible to know what to do with Frankie. It’s obvious to anyone who deals with him that his problem is drug addiction. Frankie is the kind of user whose entire life has been sacrificed on the altar of altered states. You couldn’t name a drug he hadn’t swallowed, snorted, pumped in his veins or shoved up his rectum. He’s something of an expert in the field, and his destroyed body is his CV.

‘Rita!’ he says, leaning so far out of the chair I can’t help putting a hand out. By some miracle of gravity he stays seated, though. Rita leans up to accept a stroke.

‘She’s a good girl!’ says Frankie, mussing her head a couple of times then flopping back into the chair. ‘She deserves better.’

Rita turns her golden eyes up to me as if to say: You see?

We chat about how our service can help – which isn’t much, it has to be said. The flat is as good and well-adapted as you could wish for. Certainly better than the certified Pit of Hell I saw him in just a couple of years ago. And whilst his drug use is gradually working its magic on the place, still there’s room to move, and you can breathe with a measure of confidence, and there’s light coming in at the window.

‘I want to kick this shit,’ says Frankie. ‘I really do. Ya know? It’s not good for you. But I had that guy from mental health come by the other day, and he sat there, and he said did I want to go on the methadone. And I said to him What? Substitute one drug for another? Why would I wanna do that? I wanna come off the shit completely, ya know? Start over. Get on with my life. So he said Suit yourself. Just like that. And then he sat there, looking round. He was really mean. A mean, horrible, uncaring kinda guy. What’s he doing, being in a job like that? He oughta be caring for people, not judging them and making dumb suggestions. I told him to get out and not come back. But I tell you what, though. I’d LIKE him to come back. ‘Cos if he did I’d put some gloves on. And I’d give HIM some gloves, because I’m a fair-minded kinda guy. And I’d say C’mon on, then! Let’s settle this, man to man! Because I’m not a violent person, y’know? I teach street kids Taekwondo and Jiu Jitsu – but only for self-defence, yeah? Not aggression. And there’s a big difference, my friend. A BIG difference.’

He strokes his beard thoughtfully for a while and seems to fall straight asleep. I can’t imagine how he’d teach martial arts having only one leg. But maybe that was some years ago, before the drugs took over and he lost not just the leg but everything else.

I fuss with Rita whilst the physiotherapist wakes Frankie up to talk about options. Rita is a staffie, solid as a pommel horse, with a fleshy mouth and nipples like tire valves. Her eyes really are the most incredibly warm, extravagantly deep caramel colour. I can’t help staring into them, and blinking slowly, whilst she pants with her big fleshy mouth, and widens her eyes, and draws me in.

It’s an effort to break free.

‘Rita’s lovely!’ I say, eventually standing up again, as the physio writes something in the folder, and Rita curls up by the wheelchair’s footplate. ‘Where did you get her?’

‘Rita?’ says Frankie, orienting himself to me in a blindly approximate way, much like a bear might look to the mouth of the cave in the middle of winter. ‘Dunno mate. She just kinda showed up.’

me II

I made an approximate model of me
from a disreputable, raggle-taggle potpourri
of whatever old crap
I could find round the flat

A potato for a head
eyes sprouting & scouting ahead
the body
was shoddy
just a sock stuffed with tissue
lumpy in spots but not a big issue
for the arms and legs
an unholy arrangement of wires and clothes pegs
and although it looked it a complete fright
at least it stayed reasonably upright

the next stage was animation
and what I did was an abomination
I downloaded Pinocchio off Netflix
whizzed it up in the Magimix
poured the gunk down this tuberoid monster
then said hello to my blank faced imposter

my fault entirely
it was undeniably
a serious moral lapse
and whilst it’s true perhaps
I should have taken a long, hard look in the mirror
before committing myself to such a mortal error
still
it was a thrill
to slide down that particular
double-helix helter-skelter
and anyway – this funny, potato-headed feller
turned out much better suited
to the challenges of the daily commute
the workplace routines
the tasks and teams
political skullduggery
so – in summary
the dummy me
made a BETTER me

and now I sit here cursing myself
out of reach on the monster’s shelf

the first act

of a musical about global warming / called STORMING! / there’s this fishing family / more or less happily / trapping eels on a marsh / it’s relentlessly harsh / heavy on the protein, light on the starch / the father is an Aquarian / a caring but overbearing authoritarian / formerly a librarian / wary, pretty scary / increasingly hairy / who took his family / and friends / way out into the Fens / and started a colony amongst the saltmarsh pens / they weave for the eels / in canoes they carve with ornate keels / depicting creatures with flaming eyes / which isn’t such a huge surprise / given their leader’s / idiosyncratic demeanour / an unholy cross between a lion and a lemur / anyway / the family name is Healey-May / and they carry on in this really eely way / until the fateful day when he weather changes / and the Gulf Stream catastrophically rearranges / the kind of low lying regions / where the Healey-Mays are living for eely reasons / so they get horribly inundated / destroying the lifestyle they created / and the only two that make it out / are the kids I haven’t told you about / Kylie and Jenna / who secretly together / had anticipated the weather / and learned to surf / when all the adults had been going to church / (another detail I forgot to mention / they worshipped a God of their own invention / unsurprisingly an EEL god / which wasn’t that much different to a REAL God / except with gills behind the beard / and a cloak for the tail so it didn’t look weird) / and Kylie and Jenna surf it out / while the rest of the commune flounders about / with the eels and the flounders / and the dangers our duo encounters / are the subject of the second half of this eco musical / which I’ll tell you all about straight after the interval

Stanley vs. The Hay Bales

Stanley was confused
he totally REFUSED
to go through the field
where the hay
was displayed
all baled up in wheels

quite why he was scared I don’t know
hay bales aren’t a big deal you’d suppose
but maybe if you’re a lolloping lurcher
you’d worry they’d suddenly roll over and hurt ya

but I have to admit
when I stop and think about it
dozens of gigantic wheels of hay
neatly lined up in a field in that way
IS pretty odd
like the act of some crazy, geometric god
bored with the general mess of creation
suddenly wanting a tighter formation

Stanley CERTAINLY didn’t trust ‘em
he gave them the side-eye when we tiptoed past ‘em
maybe he was afraid
of what else he’d see displayed
cows made of cubes
rabbits tumbling by in tubes
he probably likes his nature more natural
which is why we jogged past on a hasty diagonal

the cad with the hair

(with apologies to Dr Seuss…)

The sun did not shine
We had nothing to say
We held a referendum
and it went the wrong way

I sat there with Sally
we sat there we two
and I said how I wish
we were in the EU

And then something went fart!
How that fart made us start!
We looked!
And we saw a big red bus park!
With words on the side
that were big, white and wide
promising the millions we’d earn outside
but no exclamation mark

And we saw him step off it!
And his hat he did doff it!
And he walked in right there!
We looked!
And we saw him!
The cad with the hair!

And he said to us
Why are you two sitting there?
Face it – you lost
to me and Lord Frost
Lord Frost is so funny
the kind of grim funny
that rhymes with no money
so try to be sunny
I’ve got lots of tricks
this thing I will fix
it’s all oven ready
like quick cook spaghetti

Then Sally and I
had nothing to say
Truth had deserted the house
for the day

But our fish said, ‘No! No!
Make that cad go away!
Tell that cad with the hair
you do NOT want to play!
He should NOT be here!
He should NOT be about.
He’s a cheat and a chump
and his brain is a lump
He talks about sovereignty
Take back control constantly
But he deals with facts wantonly
He cares nothing about fishes!
He just does as he wishes!

‘Now! Now! Have no fear.
Have no fear!’ said the cad.
‘My tricks are not bad
Why, what fun we can have!
Lots of good fun, if you wish,
when we lose all our fish
and our exports all squish
and we play a good game
I call fuck business

‘Have no fear!’ said the cad
‘I will not let this fail!
It’s not so bad!
Britannia will prevail!
Hoorah for grand gestures!
Bah sucks to the Truth!
Let’s hunker down proudly
under one leaky roof
The EU was migrants
and bananas and rot
Let’s hold our heads high
and build a big yacht
Let’s cut foreign aid
and hold big parades!
Let’s zip this thing up!
Let’s fill the back pockets
of our friends from the club
Down with Dither & Delay!
You can play right away!
You can play without pay!
Down with dull detail!
We signed the agreement!
which, all things considered,
was quite an achievement

I will hold this country high
as I stand on this ball
Protocols in one hand!
and in my head – why – nothing at all!

‘Look at me!
Look at me now!’ said the cad
‘with a protocol and a cake
and I will eat it
and I will keep it!
I know how to cheat it!
I can hold up TWO notions!
I can hold up the fish!
Sign deals where I wish!
And look!
I can hop up and down on integrity!
because incredibly
you voted for this!’

That is what the cad said
Then he fell on his head!
He came down with a crash
haemorrhaging cash
And the bus with the promise
that was dumb and dishonest
mysteriously vanished
like a big red whale
and Sally and I
saw the whole thing fail

And Sally and I did not know
what to say.
Should we tell our children
what went on here that day?

Should we tell them about it?
Now, what SHOULD we do?
well…
what would YOU do
if your children asked YOU?

the sea captain

Alex reminds me of the sea captain in The Simpsons. If you rapped the TV with a wand, pulled the sea captain out of the screen by the shoulders of his great coat, gave him a shake to fill him out, swiped off his captain’s hat, pulled out his corn cob pipe and substituted it with a cheap Russian cigarette, took off one of his legs and sat him in a wheelchair – you’d have Alex. The orneriness you could leave.
‘No, no! Not there! THERE!’ he glares. I take a step back.
‘Okay. Off you go, Alex. I’ll stand here just in case.’

Alex has a routine for everything, which is fair enough of course, except it’s all so inappropriate and hazardous you have to bite your lip and cross your fingers and everything else and hope beyond hope he manages it. But the thing is – he invariably does. Which is half the secret with Alex.

‘How come he doesn’t bite your head off?’ says the coordinator. ‘Everyone else he tears a new one.’
I shrug.
‘Maybe he sees me as as pushover.’
‘Yeah?’ she says. ‘Or a kindred spirit. Still, at least he gets to see someone.’
I don’t like the way she says ‘someone’. There’s something of the dot dot dot about it.

Alex is what you might call a non-compliant patient. In fact. he gives non-compliance a bad rap. He’s forever self-discharging against advice, then throwing his hands up and calling for help. Then when the help comes, he puts so many demands on the various clinicians and therapists and carers he makes any meaningful intervention impossible. And to make the situation worse, he talks. And talks. And talks. Great rolling monologues that brook no interruption or question. Vast avalanches of discourse that will bury the novice unless they know the trick, which is to surf his words to a rapid and professional dismount on the beach, which, in this Alex-worthy, extended metaphor, would be the corridor outside his flat.

And breathe.

Which is, of course, the other thing about visiting Alex. Those Russian cigarettes.

I don’t know who supplies them, or who makes them. I’m guessing they’re secretly rolled out in Chernobyl or somewhere, a novel way of offloading waste. Because they stink. It’s the kind of spoiling, roiling, super-leafy stink you’d get if you took a flamethrower to a compost heap. With a splash of detergent to zip the whole thing up. I’d guess if I walked out of Alex’s flat and straight into an X-ray machine, you’d see noxious curls of the smoke wedged like bed springs in my bronchioles. Coughing doesn’t help. You need the respiratory equivalent of a douche.

Which is why I wasn’t keen to see Alex again.

‘I can’t believe he’s back on the books.’
‘Yeah. Well. Whaddya gonna do?’
‘What is it this time? It can’t be care. The carers hardly last a minute.’
‘I don’t know,’ sighs the coordinator. ‘He went into hospital with an AKI. They changed his meds and he self-discharged without anything. Refused to sign a non-concordance. And now he’s back home calling the ambulance every five minutes. So I think they figured they’d either refer him back to us or wheel him off the pier. And these days the pier’s fully booked.’

I have a nightmare vision of Alex as a figure on a carousel – one of those garishly painted wooden versions, all brightly coloured eyes and flaring nostrils, scattering equipment and pills and ambulance sheets as they go round and round and round.

‘Anyway, just go and see he’s okay, try to make sense of where we are now. Maybe get him to sign a non-concordance,’ says the coordinator. ‘And stamp his reward card.’

When I get there, it’s difficult to find anywhere to park. There’s a fire engine, a fire officer’s car, a rapid response ambulance car and an ambulance truck, and a small crowd of people on the pavement. I excuse my way through just as a throng of emergency officers lumber out through the lobby in hazmat suits. At first I wonder if it’s Alex, and the team are all suited up because they heard about his cigarettes. But weirdly, the patient on the stretcher is an elderly woman looking perfectly healthy, wearing a comedy, cliche-old person Astrakhan coat with a fur hat, her handbag clutched to her chest. She waves to the crowd as she emerges on the trolley. I’m surprised the crowd don’t burst into applause – but actually what they do is start moving away, somewhat disappointedly, as if what they really wanted was something more dreadful and entertaining.

It seems odd to go into the block, but there’s no reason not to and the warden is standing nodding and smiling at me.
‘Come for Alex?’ she says. ‘Good! You know where to go…’
And leaves me to it.

Alex is where he always is at the start of any visit, which is smoking one of his goddamn cigarettes over by the closed window.
‘Hello Alex!’ I say. ‘You wouldn’t mind putting your cigarette out, would you?’
‘I haven’t finished it.’
‘No, but I don’t smoke so I’d really appreciate it if you did.’
‘It’s my house.’
‘I know, but still. Thanks. That’s very kind…’ (hoping it’ll clinch the deal – which, miraculously, it does). He nips out the burning end as if he were dead-heading a rose, and rests it tenderly in the ashtray.
‘There were loads of emergency services down in the lobby,’ I say, to kickstart the meeting. ‘I was worried. I thought it might be you.’
‘Me?’ he says. ‘Why? I’m not the only person who lives here.’
‘No,’ I say. ‘That’s true. You’re not.’

And even though the next half an hour will be filled with Alex telling me everything about those lost weeks, where he’d been and what happened to him, who he talked to and how he put them right, what they wanted him to do and what he ended up doing – with much better results – and so on and so on. But instead, just for one moment, one, slender unexpected moment of silence, backgrounded by the sound of slamming ambulance doors outside, framed by the melancholic curls of smoke rising from the pinched cigarette in the ashtray next to him, Alex stares at me, and I stare back, and we don’t say a word.

I’m tempted to break the silence and say ‘Ahh! Squiddy!’ – affectionately, like the Simpsons Sea Captain when he meets his nemesis, the giant squid, again.
But I don’t.
I adjust my mask.
And the whole visit goes ahead as normal.

status update XI

I’m a clown in a library / a circus in a cemetery / a mosh pit in a monastery / I’m Mr Tumbles played by Sean Connery

I’m a flighty ITU nurse / under rehearsed / wrestling with the drips / fixing the respirator with paper clips

I’m a dreary, teary TV drama / about a melancholic melon farmer / who drags in two of his finest favourites / puts ‘em in T-shirts but leaves ‘em faceless

I’m tokin’ n’jokin’ with J R R Tolkein / in an orc den in Hoboken / till the joint gets broken / by eleven Elven cops in slow motion

I’m a glitchy witch with a troublesome itch / dragging her broom under the bridge / vengeful and vexed / cursing her exes / cliche-cackling about what comes next / firing off a bunch of hexes by DMs and textses

I’m Meanderful man, Homosloppiens / body of a pup seal, head of a Pomeranian

I’m the Marks & Spencers mannequin / stuffed in the coffin when the undertakers were panicking

I’m a rooster on the roster, a chimp on the glam / I’m ‘Tell us a story Tory Jackanory’ on a pay-per-view cam

I’m backroom backups, tea with the Queen / I’m outside rinsing with gasoline

I’m corporate distension, business requirement / I’m fifteen years in solitary alignment

I’m great with a gusset but floundering in straps / I’m the bastard war child of Jonhson and Shapps

I’m a spider on a spinning top, a whale in the shower / a giraffe in a scarf who pays by the hour

I’m Rumpelstiltskin / phoning it in / jumping up, singing / Don’t Stop Believin’ / at the Kurly Kicker Karaoke club while the King & Queen are grievin’

I’m a flag on a fender, a shadowless moon
and I’m hoping those UFOs park up soon