basically superman

I’m Batter Man / my pancakes are dark and brutally, butterly fantancakes

I’m Ironing Man / lethal with a Tefal

I’m SpiderMan / I pick them up with my goddamn HANDS…

I’m Captain America / I really like America / I mean / just ‘cos Trump’s the de facto queen / and he’s always on Twitter venting his spleen / and his administration’s a malign machine / for monetising the American dream / and the Statue of Liberty’s on Sertraline / and the Bill of Rights / set alight / and tossed in a ravine / still, I love their films, books, paintings and music / so these days I’m feeling a little confusic

I’m Doctor String / because string’s an incredibly useful thing / you can tie up the roses / or really anything / that keeps swinging / open instead of closing / for parcels and packets / and a hundred other postal rackets

I’m the Incredible Bulk / not as slim of late / carrying a little holiday weight

I’m Woolverine / I prefer wool because it feels nice against my skin

I’m Pant Man / I iron my PANTS (see Ironing Man)

I’m basically SupermanIMG_0796

good boy

‘Ah’m on ma owen, as yoo ken no dowet see fer yerseln. Ma gel-fren, she’s garn ta see them there Lady Boyz. So there ye hav’it. S’it. End of. A sorry tale, en’no mistakun. But ah’m very happy fer any’in yous tous can do ta help, y’kno wha ah mean? Ah’m ver’ grateful.’

Rufus speaks so slowly it’s like he’s thumbing each word out in plasticine. Not only is he drunk but he has a strong Glaswegian accent, so it’s almost impossible to understand what he’s saying. The only way I can manage it is to completely relax, watch his mouth, and try to take clues from his inflections and sudden, wildly uncoordinated gestures. He’s naked on the bed, which would be worrying if he wasn’t so completely unbothered by it – in fact, much less self-conscious in his nudity than I am in my uniform. I can’t help thinking about Rufus’ girlfriend, sitting in the audience watching the immaculately made-up Lady Boys, their choreographed gestures, perfect diction, and wonder what she makes of the contrast.

Rufus smiles, exposing a mouth of greying stumps.

‘[Translation] I suppose you’ve come to dress my wound? I’m sorry for the state I’m in, but I’ve had a few drinks and I lost track of where I was. I’m an alcoholic, you know. I’m cutting right down. I only had four cans. The doctor knows all about it. I’ve been on detox three times but nothing worked. That’s just the way it is. Sometimes you just have to accept how things are I suppose. Do you know what I mean? Anyway – what about you? How are you? Thanks for coming. I really do appreciate everything you do.’

I’ve come with Jasmine, one of the Filipino nurses. To be honest, she’s almost as hard to understand as Rufus. She speaks lightly and quickly, barely moving her mouth, strange intonations, swallowing some vowels, stopping unexpectedly on others, and ending every other sentence with an isn’t it or a long, drawn-out aaaaah. Her small stature and delicate features completely belie her tough approach, though. She’s small and busy and she’s used to working fast. She tears open dressings kits, snaps gloves on and off, probes, irrigates, photographs, packs, re-dresses – all with a positivity that overwhelms any resistance. It’s not that she’s cold or harsh. Far from it. She has a kind of tough, Catholic love for everyone, including Rufus. Despite the alcohol I think he can feel it, too.

‘I’m nah hurting you am I?’ she says, roughly prodding Aquacel into the wound.
‘[Translation] No. You’re alright. You carry on. I’m used to it. You’re doing a fine job.’
‘You know, you gah to take better care of yourself isn’t it? It very durty down here, too much durty… How you ever going tah geh better? You listen tah me now. You geh wash now. I hep you.’
‘[Translation] No. You’re alright. Thanks for the offer but I’ll just put on some clean underpants and have a wash later. It’s no bother. You did a grand job. Thanks.’

I hand him some clean-ish Minion boxer shorts from a heap of clothing on the floor. By the time Rufus and I have figured out which way round they should go, Jasmine has packed her stuff away, disposed of the rubbish bag and started writing up her notes. She pauses to watch us, sighing heavily through her nose.
To be honest, anyone would sigh watching Rufus get his boxers on. He rolls around on the bed, waggling his long legs in the air, trying to put both through one hole, then taking them out and trying to put them both through the other hole, the whole time displaying with alarming clarity that which normally should not be displayed.
After a minute or two of this Jasmine sighs again, throws down her notes and intervenes.
‘Give me dat,’ she says. She slaps his legs down, rolls him onto his side, guides his left leg, then his right leg, says ‘You bridge now…’, and as soon as he does, she whips the boxers up with a satisfying snap of elastic.
‘All done!’ she says, winking at him. ‘You guh boy.’

IT bytes

:::::: If your computer’s on a download go-slow / the best way to improve its general work flow / is to make the small but positive point / that actually you’re in charge of the joint / by backgrounding a photo of the exact same machine / showering sparks with an axe through its screen

:::::: If your laptop starts losing data / shoving pdfs through a graphical grater / swallowing megabytes like an alligator / simply upload a clip of a Dell / hanging from a tree branch by the power cable / sparks jumping from its intel oblongata / as screaming children whack it like a pinata

::::: If your computer continually freezes / does whatever the hell it pleases / crashes more often than a clown on the flying trapezes / quickly bring it to its mother-boarding senses / by showing it clips of the HAL 9000 and Genisys / freeze-frame the fireball and  nuclear flash / then open your wallet to show you’ve the cash / to buy another when this one’s ash

:::::: If your laptop gives you blue screen / flips you the single digit screen / the ‘oh no you don’t’ screen / the ‘thought you would but you won’t’ screen / the ‘I will burn your dreams’ screen / the ‘in cyberspace everyone can hear you scream’ screen / the ‘bucket of blue blood on the head of the prom queen’ screen / the ‘robert de niro hard restart with a pencil through the heart’ screen / the ‘go back to crayon & paper you big blue baby’ screen / the world-wide, file fried, access denied’ screen / the ‘end of the road, system code, sucker-mode’ screen / well then / my advice in that situation / is to rise serenely from your station / and slickly / and quickly / and very directly / without hesitation / rain violent destruction / upon that technological abomination / with a sentimental, surprisingly hefty present / a simple, glass blown, paperweight elephant

and when you’re through / and you’ve done all the damage you can do / and the hardware’s charred ware / and the software’s nowhere / and the laptop’s a flat-top / and the key’s are in pieces all over the floor
just breathe
and leave
and quietly close the doorIMG_0778

 

 

on a jacobean tomb

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the tomb was meant to look like a bed / four posters either end and a pillow for his head / the courtier – (let’s call him that / I didn’t have time to read the plaque) / was lying on his side and not on his back / as you might have expected / from the way these things are usually erected / no – this one was on his side / propped on one arm, his eyes open wide / gazing out at us straight / like we disturbed him from his slumbers coming in late / and he’s just gonna stare at us / and glare at us / and wait / and wait / till finally we break / get the message and quit / and head for the exit / then he’ll frown / lie back down / rub his noble, stony cranium / and grab another half millennium

I don’t know – maybe the masons were making the case / the courtier was more than just doublets and lace / he wasn’t standoffish and dour / he was totally relaxed about wealth and power / easy in his position / looking on death as a tedious imposition / (but not so relaxed he’s carved in the nude / he needs you to know he’s a wealthy dude)

But honestly? / to me? / THAT does NOT look a comfortable lie-in / (even with my untrained, un-Jacobean eye in) / I mean – that ruff around his neck / would hurt like heck / his doublet looks like it was fitted with rivets / and his pantaloon’s as soft as a skirt made of skillets / so wide at the hip he’d be dislocated / every time he relocated

but then – that’s the trouble with meaningful poses / they never last as long as the sitter supposes / and what passes for status in 1604 / looks like a cosplayer resting on the floor / of the main hall at the MCM ExCeL / because his sandals hurt like hell / and he’s trying to muster the energy / to queue endlessly / just to get a signed photo / from fucking Lou Ferrigno

oz, boz, buzz

You’ll always hear Jenny before you see her.
‘Cecil! No! Don’t! You’ll be sick again and THEN what’ll happen?’
And so on.
Then you’ll see Cecil, a punchy, paunchy, busy little pug who trots bow-legged, snuffling and snorting, wearing an expression like a hedge fund manager who’s been transmuted into a dog and is a little outraged but determined to make the best of it. And Cecil will truffle around the grass, occasionally snapping up a few rabbit droppings, and then Jenny will come striding over, her bobbed hair flying, lavender glasses shining, crying out for the love of God for the pug to stop.
Except today there are two pugs.
‘What are you doing – cloning them?’ I say as she strides towards me.
‘What?’ she says, pushing her glasses back up her nose so positively she almost nails herself in the forehead with her finger.
‘Are you cloning them? The dogs?’
‘No. That’s my friend’s dog, Samuel. I’m looking after him while they’re on holiday…. Cecil! Samuel! For God’s sake will you STOP that?’
She looks at me helplessly.
‘I’m at my wit’s end,’ she says. ‘I can’t take much more. When they get together they’re completely unmanageable. They do what they like.’
I look at them, happily stomping around in the grass.
‘If it’s too much maybe you should think of something else, some other arrangement,’ I say.
‘What do you mean? What other arrangement? There IS no other arrangement. They take Cecil when I go away. I have Samuel when they go away. That’s it. That’s how it works.’
‘But if it’s not working…’
‘They’re brothers!’ she says, as if that clinches it. ‘I mean – honestly! Cecil’s difficult enough on his own, but I don’t know. When they get together something just clicks and they’re – well, they’re absolute hooligans. Cecil! Don’t eat that! Samuel…! Please!’
‘It’s vegetarian, at least.’
‘It’s poison. They’ll be sick all morning and I’m the one who has to clean it up. I don’t know. And I’ve got him for two weeks in August. Two weeks! You know – the police were here the other day.’
‘The police?’
I’m confused. For a minute I think she means they came about the pugs.
‘The kids were back. Setting fire to things. The police walked all the way in through the estate and up through the woods. Although why they came that way I don’t know. So of course by the time they got here the kids were long gone.’
‘That is quite a way.’
‘It’s all getting too much….Cecil! WILL you leave it alone? Samuel!’
She sighs, waves her hand in the air.
‘I’d better go before they kill themselves.’
And she strides off after the dogs. I hear her plaintive cries getting smaller and smaller as she makes her way through the woods.

On the way back up the hill I think about dogs and how difficult it is to train them – or, to be more precise, how difficult it is to accept it’s your behaviour that needs modifying as much as theirs.

I think about Buzz, our first dog, a Patterdale-Lakeland mix (the genetic equivalent of Delusions of Grandeur spliced with Sociopath). His name at the pound was Oz, which we didn’t much like, so we called him Boz instead, because we thought it sounded sufficiently like Oz not to confuse him too much, and if someone asked us where we got the name from, we could prove how literary we were by saying we named him after Sketches by Boz, by Dickens. He was pretty lively, so we signed up for a dog training session over the local park. It was run by a terrifying guy called John who looked like Jason Statham’s tougher brother. He was dressed in black combat trousers and black tight-fitting nylon t-shirt, dark shades, and a shiny bald head he could probably kill you with if his hands were zip-locked. He told us he had seven doberman’s at home that were so dangerous he had to walk them at four in the morning (although Kath had a theory that actually he had a Bichon Frise he called ‘Seven Dobermans’, and they watched rom-coms together, cuddled up on the sofa, sobbing). The very first lesson he misheard us when we introduced him to Boz, calling him Buzz instead, because that was around the time the first Toy Story came out. We were too scared to correct him, so we ended up calling him Buzz, too, which in the end was a better fit. To infinity and beyond was an apt description of how he used to run.
Anyway, the point is, Buzz was always superbly well behaved in John’s lessons.
‘You’ve got a diamond dog there, guys,’ he said, the two of them staring affectionately at each other.
‘Yeah. A very biddable dog. Very biddable.’
Which is the only time I’ve ever heard anyone use the word biddable.

Buzz & ballSo the key thing I took from all the sessions we went to with John over the park was that WE were the ones who were the problem, not Buzz. He was taking his cue from us. When we were keyed up because we thought he’d be scrappy – well, he’d be scrappy as hell. And if we were worried he’d run off, he’d almost certainly run off. The difficulty was in breaking the cycle, which often meant taking him off the lead when that felt like madness to do it, or running the other way when he was pelting off after something. I think we got better at it, although there was always a sense that Buzz was Buzz no matter what, and that meant accepting him for those times when he was grumpy, or distracted, or just plain cussed. And I think he made allowances for us, too. More than some, no doubt. He forgave our sins and we forgave his. And we learned to get along. And he was there when Kath gave birth to Martha, his paws hanging over the side of the bath. And he was there when Jess was crawling around stealing his toys. And he may have been gone these many years now, but we all miss him enormously, the way you do, the way you miss family.

sig

june bug

Her name is June Bergh so of course I write Bug.

She drifts around the house like a June Bug, too – a hapless bumping into things that’s as much to do with cataracts as anything else. She’s perfectly happy in spite of her ailments, though.

I wish I could say the same for her husband, Derek.

‘Now what?’ he barks as the phone rings, glaring at me from the thickets of his eyebrows as if he’s wondering whether to answer it or strangle me with the cord. I offer to help him out of the chair, but he bats me away. ‘I’m not senile yet!’ he says – then spends the next couple of minutes waggling himself forwards in the chair, paddling his great slippered feet, rocking backwards and forwards with his arms on the armrests to get some momentum going, then pitches forwards so alarmingly I can’t help reaching out to stop him plunging head first into the fireplace. ‘I’m perfectly alright!’ he snaps again, finding his balance, then trudges away to answer the phone, which I can’t believe is still ringing (although I’m guessing they’ve rung before and know to wait).

June and Derek are both in their nineties, married for seventy, as moulded together in their ways as two ancient EPNS tablespoons back of the cutlery drawer. I’ve come to dress the wounds on June’s legs and see how she is generally, which I have to say is pretty good.

‘Oh no,’ she says. ‘I never go to the doctor’s and he doesn’t come here. I couldn’t tell you the last time I saw him. I don’t even know if it’s a him.’

The long-term care of June’s legs should really fall to the District Nurses, but they’re the most stretched of any of us and have to triage their workload ruthlessly. Anyone remotely capable of leaving the house will simply be referred to their local surgery and the practice nurse. June has already told me she goes out from time to time – for hair appointments, to see a friend a few miles down the coast, occasional shopping trips and so on – all by taxi, or one of a circulating cloud of nieces and great-great whatevers. When I suggest she sees the practice nurse once a week, she pulls a face.
‘I’m ninety-four!’ she says. ‘I don’t go to the doctor’s! Besides, you can’t get an appointment.’

Derek is shouting into the phone by this point. It’s obviously about something clinical, and I’m tempted to intervene to clarify, but he turns his back for privacy, so I take that as a no.

‘You try ringing them!’ says June, warming to her theme. ‘You can be sitting there with the phone in your hand dead-on half past eight and it’ll still be engaged. And when you finally get through there’s nothing left. No! I’m sorry! If they want me, they know where to find me.’

Just as I’m wondering how to change my line of approach, Derek hangs up and lumbers back to his chair.

‘Who was that, dear?’ says June.
‘The lobotomist.’
‘The who?’
‘The LOBOTOMIST!’
‘Well what on earth does HE want?’
‘He wants to come and take your blood. So I told him. Good luck with that.’

the lime green poo bag at the end of the world

There was a poo bag by the side of the woodland path / lime green / easily seen / you couldn’t miss it / maybe they intended to pick it up on the return visit / but then, no / the way these things usually go / I don’t think so / I think they were hoping someone else would deal with it, y’know? / their precious dog’s effluvio / passively aggressively making the point / they’d like more poo bins around the joint / like a poo theme park / more bin less bark / maybe the odd tree here and there / to make it nice & sweeten the air

so here was my dilemma / do I leave it in the hope they come back later? / or do I carry it myself to the bins in the rec? / what the heck / although, I have to say / it is actually quite a way / to sashay / with a lime green handbag of poo / swinging nonchalantly by the side of you

so I’m ashamed to say / my squeamishness got the better of me today / I left it in situ / and submit to / your judgement / and my lack of environmental de-fudgement

But does it really matter what I do or say / if I carry the poo now or leave it for another day? / it’s not going to stop the rainforests burning / the drill bits turning / the microplastics churning / in the gizzards and the guts / of the leatherback turtles and the guillemots / the droughts, the floods / the cataracts of mud / the superbugs / fat bergs / skinny icebergs / rampaging cyborgs / carrying out their military instructions / for the surgical reductions / of human populations / and a hundred other dystopic situations /

I mean / according to Queen / in Bohemian Rhapsody / existentially / Nothing Really Matters / because at the end of time when everything scatters / and we’re caught changing seats like a trillion Mad Hatters / at the Tea Party / at the End of the World / everything will get scooped and tagged / in one gigantic / galactic / sanitary / interplanetary / super-pooper bag / and tossed with everything we thought we’d lost and won / into the indifferent heart of an imploding sunIMG_0756

I mean – one poo bag’s not going to swing it / is it? / it’s just a little bit of shit / in a shady glade / in a shiny green poo bag that will never degrade /

(why the hell they didn’t just flick / the shit / with a stick / into the undergrowth / I don’t know)

memo from nemo

From out of the surf the Nautilus beaches
scattering bathers with screams and screeches
alarmed by its cannons and other features
boiling sea foam seething from its vents
as it plows nose-first through the parasols & tents

a cautious crowd converges
overcoming their natural urges
drawn to see what emerges
holding up smartphones on sticks
jostling for selfie pics

the rusting periscope is snagged with bags
the portholes encrusted with condoms and pads
the propeller comprehensively snagged
the whole thing lying like a rotten fish
a bad chef served as a stinking dish

the children gasp and hug their mothers
as the submarine convulsively flaps its rudders
the crapped-up top hatch shudders
then rises up with a noxious sigh
rasps on its hinges and clatters aside

After a minute the captain climbs out
flinty blue eyes, whiskery snout
stands, glances fiercely about
then flings his cap with a violent motion
shouts ‘Who the hell’s been polluting my ocean?

‘Twenty thousand leagues have I travelled
warships sunk and giant squid battled
just to see the system unravelled
with cotton buds and wrappers and bottles
and a million happy meal Ronald fucking Mcdonalds

‘My beloved Atlantis! Completely ruined!
You have no idea what this shit’s doing
clingfilm, parcel tape, wrappers & bags
styrofoam cups and the filters from fags
spoons and stirrers and coffee utensils
felt tip pens, colouring pencils
fishing nets, yogurt pots
toothbrush holders, dental floss
and then – at the risk of sounding sarcastic
– the biggest risk of all, MICROPLASTIC!

With that he flushes and glares at the crowd
who listen to his speech with their heads unbowed
smiling and waving and calling out loud
‘Ah what’s the use! he says. ‘It’s pointless shoutin’ at yah
Someone fetch me David Attenborough’

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how to choreograph a riot

  1. Dominate the attack arena with your macarena
  2. If the cops use dum-dums hit back with can-cans
  3. Tango when they tangle; mambo when they mangle
  4. Put over who’s boss with a bossa nova
  5. Foxtrot through the hotspots
  6. And if that doesn’t work, twerk
  7. Then fandango home
  8. Rest, and the following day
  9. Ballet to the ballot box, arabesque, make your X (en pointe), and jete clean away my beautiful stranger…. jete clean away
    IMG_0742

James the First

Rosie is more confused than usual, according to Rosie – the other Rosie, I mean, the one who lives at the end of the road and comes in most days to help. The fact that her husband Jim has the same name as me only adds to the confusion. He’s amiable enough, placid as an old turtle who swapped his shell for a corduroy jacket. If Rosie Two hadn’t introduced him as her husband, I’d think he’d tagged along by mistake. When she asks him to fetch in Rosie One’s address book from the kitchen, he wanders back in, flicking through a photo album.
‘Look at you in front of the Sphinx, Rosie!’ he says. ‘Well, well.’
‘Oh for heaven’s sake,’ says Rosie Two, and goes to get the address book herself.

Rosie One is sitting in her armchair, held in place by an enormous, ash-gray cat. The cat stares at me, its head bobbing up and down and its eyes pulled wide in time with the vigorous strokes. It extends its front paws onto her lap, presumably to spread the impact.
‘Poor Jonesie!’ says Rosie One. ‘I fell on him, you know. Squashed him flat! Broke my fall, though, didn’t you, Jonesie? Hey? You broke mummy’s fall, didn’t you? You clever thing!’
‘Tripped you up, more like,’ says Rosie Two, striding back in from the kitchen and handing me the address book. ‘That cat. It’s an absolute monster. Anyway. There! Karen’s number. The next of kin. Apparently.’
Jim Two has drifted over to the bookcase, tutting and exclaiming as he makes his way along the shelves with his head crooked so far to one side his ear is practically on his shoulder.
‘Well, well!’ he says, carefully sliding a book out. ‘Who’d have thought!’
‘Jim!’ says Rosie Two. ‘You’re supposed to be making breakfast!’
‘Am I? Oh, right,’ he says. ‘Absolutely. Of course. Breakfast. Yes.’
And he wanders away in the opposite direction to the kitchen with a book in his hand. Rosie Two goes after him.
‘Nothing’s the same since my darling husband died,’ says Rosie One.
She’s looking at a portrait on the sideboard, a broad-faced, smiling man in a white naval uniform.
‘I’m sorry,’ I say. ‘What was his name?’
‘Jim’
‘Jim? Not another one!’
‘Well,’ she says, turning back to me. ‘My Jim was the first.’