Chapter 1: Do you have anything in this size?

Dogs on stilts – And barges – Hair colour & its uses – Things you can pick up at the Rehoming Centre – Silence of the Bagels – The List

Trudy, the woman in charge at the rehoming centre, has a streak of ice blue in her hair. I’m beginning to think it changes colour according to the person she’s talking to.
‘What do you mean – too big?’ she says, slapping the clipboard down.
‘Well. We’re not sure. He looks enormous next to Biscuit.’
‘Biscuit’s a terrier. Biscuit makes everyone look big.’
‘Yeah – but – Stan’s legs. It’s like he’s on stilts.’
‘He’s a lurcher.’
‘I know.’
‘Anyway,’ she says, raising her eyebrows and sighing, as if she’s had too many years of exactly this sort of thing already and it’s not getting any easier, ‘Canal Boat Man has first dibs.’

To be fair, I think Stan would look great on a canal boat. Wearing a flat cap and neckerchief. One paw draped over the tiller. Mournfully whistling as the boat chugs through a tunnel.

What we don’t tell the woman is exactly why we think Stan is too big. The thing is, we’ve got a pet flap in the door for our existing lurcher, Lola. She’s actually quite small for a lurcher, and we’re not sure Stan will fit through. We shouldn’t feel shy mentioning this, but we do. It’s a practical detail, after all. It’s better for the dogs if they have access to an outside area. It’s just – well – it feels a little insensitive, somehow. Like going into an art gallery and asking for a painting to cover a hole.

‘Why don’t you take him for a walk?’ Trudy says.
‘Yeah – but if we take him for a walk we’ll only end up falling for him and it’ll be harder to say no.’
The blue in Trudy’s hair deepens.

I like this rehoming centre, though. An old thirties semi that looks like it was commandeered for the purpose sometime in the seventies, the kennels extending out back. I like the slightly ramshackle feel of it, the scruffy old reception, shelves of stuff for sale – bedding and cat carriers, feeding bowls and harnesses, shelves of dog-eared Jack Reacher thrillers, Aromatherapy for Cats. There’s a tall counter at one end separating the tiny admin area from the public parts. Today there’s a solid-looking pit bull called Mike helping out; he looks up at me with the serious expression of a lifer with library privileges. The other members of staff come and go, all of them bright and chipper.

The thing is, we’ve got history here. Twenty years ago when Kath and I got back from honeymoon, and moved into our new house, we thought: What this place needs is a dog! (in that sublimating way new couples have). We came to look around the centre and came away with a Patterdale-Lakeland cross tucked under our arms. Well – not immediately. They did visit to check the garden first. When we said we liked the look of Buzz but wanted to think about it, they said that he was a popular dog, he’d already attracted a lot of attention, and if we didn’t move fast he’d be gone. So we fell for the hard sell and took him on the spot. Looking back, it was one of the best decisions we ever made.

Ten years later we came back to adopt a second dog – Lola. She was a tiny lurcher puppy, malnourished, quivering in the pen with a ragged troupe of the same. We took her home, and after a few teething problems – like eating Kath’s mobile phone – she soon turned out to be another great addition to the family.

So it feels as if we’re orbiting this rehoming centre on a long, ten year loop, a domestic comet shaped like a people carrier, swooping into view every decade or so to pick up another rescue. And in a funny way, it’s quite reassuring to see that nothing much has changed. There’s a new roof on the kennels, a reptile facility, and – weirdly – a vegetable and fruit rack with an honesty box (today: mostly pineapples), but otherwise, it’s exactly the same.

We’d visited one other rehoming centre before this one. It was run completely differently, with a plush reception centre, smart boards playing videos of the residents on repeat, social media icons and contact details prominently displayed. It felt more like a professional matchmaking service. We were shown into an office, interviewed formally and at length, our details taken, requirements examined, expectations and experiences forensically tested, and then, after a great deal of pencil chewing and a few brisk calls on the radio, a name was picked from their list. I don’t know what it said about us, but the dog they picked was Bagel, a brindle-coloured lurcher too nervous to be introduced without a particular handler. And even then, we certainly wouldn’t be able to take him for a walk. It reminded me of that scene in Silence of the Lambs, where they wheel Anthony Hopkins out on a porter’s trolley, wearing a mask. But unfortunately, they said, Bagel’s handler was off sick, so nothing could happen that week. We said we were happy to wait, but after two weeks without any change, we reluctantly declined and said we’d be in touch.

‘So – what do you think?’ says Trudy after we give Stan back to the handler and walk past the pineapples back into reception.
‘He’s lovely,’ I tell her. ‘We’ll take him if Canal Boat Man can’t.’
‘Great,’ she says, smiling at me in a rather disconnected way and ticking a box on her clipboard. ‘We’ll put you on the list and give you a ring.’

And it may just be my relief at concluding the deal, but her hair seems to change again – just a little – to a lighter shade of turquoise.

sleepwalk

These are the paths and secret ways / you follow down deep in a dream of days / the lullabies you sing in your sleep / to the woodland creatures who glide and creep / in a shiver of leaves and scatter of stones / flare of feather, flash of bone / falling by moonlight, fetched by crows / to weave into spells in the trees and the hedgerows / rising, calling, settling still

at the edge of the drop on broken tree hill

So you dance with the sun and you drift with the rain / and you lose yourself in the woods again / twist of thorn, pulse of blood / beetled bone and motherhood / tooth and eye and claw and wing / death to life encircling / the watchful night, the waiting dark / the feral rub, the sudden bark / calling you on through your dreams until

you wake at the foot of broken tree hill

IMG_1753

dadbot

Turns out – dad was a robot
I was so shaken I was shot
I should’ve known, though
when I saw him licking the dynamo
on the front wheel of his Pashley
How he spent most of every Saturday
buffing his be’cardigan’d chassis
with duraglit and a chamois
till it sparkled
remarkably

It really shouldn’t have been news
there were plenty of clues
in retrospect
like the way he collected
fridge magnets
his clumsiness with ceramics
the crackle in the air
when he sat in his chair
slicking his single aerial of hair
sideways across his pate
his tie unnaturally straight
the clunk of his slippers
the clackety clack of his clippers
the way he ate his boiled egg dippers
mechanically
unenthusiastically
scanning the kitchen
for anything else we might fetch him

I had it confirmed years later
when I ran into his maker
at a conference for the movers & shakers
of the domestic robot business
‘As god is my witness’
she said, unnecessarily dramatic
a bit too emphatic
for my taste –
but I didn’t want to waste
the opportunity –
‘Yes! Your dad was well respected in the robot community
His software was suspect and his batteries were crap
But we recouped costs when we sold him for scrap’

IMG_1742

in the cage

Imelda’s flat is so small and cluttered it’s like trying to install a commode in a hamster’s sleeping compartment.
‘By the bed’s fine, love,’ she says. ‘I can shuffle m’self straight onto it.’

Shuffling seems to be Imelda’s primary means of getting about these days. Her legs are terribly raw and swollen, and with decreased mobility has come significant weight gain. You might call it the snowball effect – if the snowball had given up rolling, was covered in a rash, and its internal organs were squealing under the strain.
I ask her if she’s got family nearby.
‘Five kids,’ she says. ‘They’ve all done well. Went to college and everything. America. You name it, they’ve done it. And I brought them up all on my own.’
‘That must’ve been hard.’
‘It was hard. My husband died young and there I was, five kids, looking around and wondering what the hell I was going to do about it.’
‘What happened to your husband?’
‘He was killed at work. A big door fell on him.’
‘How awful. So what did you do?’
‘I didn’t have a clue. It wasn’t like I was good for anything much. I wasn’t trained like he was. I didn’t have certificates. Shelling out kids was mostly what I’d done. But once he’d died I had to find a way to put food on the table and shoes on their feet. So I went dancing. And it turns out there was good money in it.’

When I ask her what kind of dancing, I think she says ballroom.

‘You must’ve been really good.’
‘I was good. You wouldn’t think to look at me now, but loads of people came to watch.’
‘That’s amazing!’
‘Yeah. I had a wonderful time. And I made so much money through tips the kids did alright. And now look at them. America and everything.’
‘Tips?’
‘They’d stuff the notes in your costume.’
‘I had no idea there was so much money to be made ballroom dancing.’
‘Ballroom dancing? No! Pole dancing.’
‘Oh!’
‘Can you imagine me swanning around in a chintzy skirt? Don’t answer that.’
‘So you were a pole dancer?’
‘And I was good. I took the kids with me up to London and I did very well. There was a guy there, one of the big club managers, and he said to me Imelda? I’m going to make you a lot of money – but don’t worry! Not like you think! You’ll be quite safe.’
‘And were you?’
‘I was. He put me in a cage.’

ET Alan

The alien was sitting in MY chair eating MY salmon
‘How d’ya do?’ he said. ‘The name’s Alan.’
‘I don’t care if it’s Jesus Uranus Venus’ I said
blurting out the first thing that came into my head
‘That’s MY salmon! Who said you could have it?’
Alan shrugged. ‘I’m sorry but I’m a salmon addict.’
‘So you’re all like – exploring new worlds and nicking their fish?’
‘I’ll eat plenty of shit but salmon’s my dish.’
‘Don’t you think it would be better to ask permission first?’
‘I know! I know! But where salmon’s concerned – I’m cursed.’
‘You didn’t even leave any for me!’
‘I meant to! Honestly!
But once I get started it’s difficult to stop.’
‘Great!’ I said. ‘That’s amazing, Alan. Thanks a lot.’
He pushed back the empty plate with a tentacle
Loosened a notch on his space suit belt buckle
‘So…have you got anything you wanna ask me?’ he yawned
‘What my ship’s like? Where I was spawned?’
‘No,’ I said. ‘To be honest, Alan, I’m narked
I couldn’t give a shit where your rocket’s parked.
I’d been looking forward to some salmon and broccoli.
This first contact has started pretty rockily.’
‘It’s a thing,’ he smiled, looking shifty and smarmy.
‘Next thing I know you’ll be calling the army.’
‘I wouldn’t waste my breath,’ I said, ‘ET you’re not.’
‘No, I agree,’ he said. ‘ET was hot.
Hey! Wait a second!’ he said, as I wheeled him out.
‘I don’t suppose you’ve got any trout…?’

IMG_1729

back to baseline

‘Do you know who we are? Has anyone told you what we do?’

I say it a lot. Almost as many times as I say ‘Do you have a yellow folder?’

Sometimes I feel like an actor in a long-running play, overly conscious of his hands in the middle of a monologue on a wet Wednesday matinee in February.

But that’s the trick, I suppose. Finding truth in the same old lines, even though you’ve said them so many times they’ve picked up a dodgy shine.

‘We’re an NHS community health team. We’ve got lots of people working for us – nurses, nursing assistants (that’s me), physiotherapists, occupational therapists… you name it!…We’ve got a small bank of emergency carers… we’ve even got a pharmacist!’

I like putting that one in. It makes us sound like a friendly high street, all the usual shops.

‘We work on a pretty tight schedule. Just three days. We get referrals from the GP, who might be worried someone needs a little extra support. We get referrals from the ambulance, who might have gone round to someone who fell, for example, and they want us to follow up to make sure everything’s okay. Or a referral from the hospital, because someone’s being discharged and needs help. That kind of thing. So we pitch in, see what’s what, and either refer the patient on to a more specialist health team like the Respiratory nurses, the Heart failure team, the District Nurses and so on. Basically we’re here to keep people safe at home and help them stay out of hospital if possible.’

Invariably the patient will interrupt on the second sentence of the spiel, though.
‘Three days! Is that all?’
And if they do, I’ll say something like: ‘Well – yes – we are what they call an acute service. We’re very short term and we do try to move people on as soon as we can. But the bottom line is, we won’t leave anyone in the lurch. We’ll keep patients on for as long as it takes for the other team to pick-up.’

Mostly that works. Sometimes they fixate on the three-day thing, and it takes a bit more reassurance. More often than not, though, they’re just relieved to have someone – anyone – coming through the door. Because a great many of the patients we see are struggling. They may have suffered a recent exacerbation of their health problems, an accident or an illness. Maybe they’ve suffered a change in their social circumstance, the death of the partner who was their main carer, or some other family breakdown. But although the specifics of their situation change, the basics stay the same: they can’t cope, and they need help to get back to coping, whatever that might look like.

There’s a phrase you see used a lot in the team – Back to baseline – a simple expression of the outcome we’re looking for. Back to baseline means getting the patient back to where they were before they needed all these interventions.

A simple plan. And like all simple plans it hides a world of negotiation, and difficult decisions, and compromise.

Back to Baseline.

‘Any questions?’

seventh son ~ curse of

if I hadn’t had that wretched abortion
it would’ve been the seventh son of a seventh son
says our ninety year old mum

a child with magical powers
thank you for the flowers
I’ll find a vase

my eldest sister Gill is round on a visit
she wants to say hang on a minute
but can’t think how to begin it

she knows it’s hocus pocus
a family cursed by a foetus
on a glowing umbilicus
tearing open His eyes to see us

our problems were more mundane than that
too many kids in a too small flat
parents playing tit-for-tat

she watches mum arranging the roses
waits for the next thing she discloses
something equally magical she supposes

IMG_1728

what a ride

The best way to see Helmstone is by seagull – if you’re a pixie, don’t have a drone, have no interest in drones, or actually, you DO know someone with a drone but you wouldn’t feel happy throwing your leg over anything with rotors – although the seagull doesn’t seem much better, having a huge beak and a pretty terrifying kind of appetite. But then, I’ve no idea about seaside pixies. They may well have a good relationship with seagulls. Unlike town pixies, who have a thing for pigeons but a terrible allergy to crows. But I digress. The point is, you’re an incredibly cute little authorial device, you’re able and sufficiently motivated to ride a seagull, and you’re all set to give us a tour of this wonderful seaside town that, from the point of anonymity, but entirely unconvincingly, I’ll be calling Helmstone.

Okay?

Good.

So.

Also – I should say – because I want to start the tour from out at sea, for artistic reasons, I’ll be assuming you’re friends with a fisherman, who maybe rescued you from the crappy canoe you made out of coke cans, and you owe him big time for that, and he’s pretty kind anyway, even though economically he’s not doing so great, and there are official letters waiting at home he’s VERY reluctant to open. But whatever – he hooks you from the water a couple of miles off Helmstone, and after some fantastically witty dialogue that I haven’t got time to go into now, he agrees to let you ride the tame seagull who often hangs around his boat,  and who’s looking a little jealously at you, so you can take a tour of the town that will benefit the readers and give them some local colour. And no doubt the fisherman’s hoping that maybe when you’re done you’ll come back and do some interviews and talk shows with him, and make him enough money to carry on doing the thing he loves best, which seems to be sinking empty lobster pots into the English Channel, and hauling them up still empty twelve hours later.

The fisherman – let’s call him Steve, although personally I’m not at all convinced by that, but I don’t want to waste any more time thinking up a better name, because ‘Steve’ doesn’t feature at all in the book except for this dreadful prologue, which I hope you’ve skipped, but there we are – Steve helps you onto the bird’s back, which is waiting at the front of Steve’s crappy little smack, flicking its wings nervously, wondering what the old guy’s planning now, and maybe it’s time to find another boat to hang around. Steve fits the seagull with a hilariously inept canvas saddle and reins made out of dental floss – something the seagull REALLY doesn’t want in its beak, but Steve insists, because it’ll give you some measure of control. And he gives you a cute little flying hat, and a snug little fur jacket he made out of the pelt of a rat, for God’s sake, which you hate putting on, but you don’t want to upset the guy, because he’s doing his best, and anyway, this book will never get started if you don’t agree to wear the horrible fucking rat jacket.
And he says farewell my brave little aeronaut, quite patronisingly, and throws you into the air. And for a second you’re terrified the seagull is planning to flip you over its head and swallow you whole, either because it’s hungry, or because it’s a seagull, and in the rat jacket you look exactly like a rat, which seagulls have long-standing issues with. But let’s just say the seagull comes to terms with it, finds its wings, and actually starts to enjoy having a flying buddy. And the two of you soar away into the sky, circling once overhead to wave at Steve down below, who’s inadvisably standing up his smack, waving his cap, which he loses overboard, and then follows with a splash. And you can’t help laughing, despite everything the poor guy’s done for you, because you’re a cheap little pixie who really doesn’t deserve anything good.

But there you go.

So.

Fly low over the waves, lightly, through the gobs and spits of foam, and watch as the city of Helmstone slides up into view, acquiring definition as you skim towards it, a strip of beach, red brick arches, iron walkways, hotels, conference centres, traffic on the coast road. Rise up over the pier. Rise up along the mackerel lines of the old fuckers at the end, up over the theatre and the hurling seats on the end of crane arms fairground rides, squabbling with the other gulls that scavenge the boarded length of it, high over the heads of the winter crowds there, and follow the boards to the pebble margined land. Snick over the pointy top of the old iron clock; over the beach and the giant blue Slush puppy dog and the crazy golf, the chip stands, the EFL kids throwing pebbles into the sea; bank down and round, faster now, with more purpose, to skim the traffic stalled by the aquarium, up towards the Victorian one way system; go graciously by the hand of a green and bilious Queen, her celebratory gardens, the council workers prodding in bulbs for the spring; come in low along the cycle paths, the bus lanes, the pot-holed roads; flash along past the tourist tick lists, the anonymous business frontages, past the fake Tudor pub, the computer-designed flats, the Georgian terraces and wrought-iron balconies, leave in your wake the traffic stalled by the skate park, the converted municipal buildings, mews apartments and student halls; pull up over the bendy-buses queuing at the lights, blocking the junction; blast away up the hill towards the edge of the great half cup that forms this seaside town, easing off on the seagull’s reins as you reach the top, banking into the  entrance of the old workhouse they made into a hospital; fly up the drive; glide to a stop on the window ledge of the first floor; catch your breath – and when you’re ready, let the seagull tap once on the window with its beak.

And wait.

work it, baby

With his thick black hair shaved at the sides and gelled back in a riotous, rockabilly quiff, white framed sunglasses and perfect designer stubble on perfect designer cheekbones, Ethan the nurse makes every visit a fashion shoot. I can see him waiting for me further up the street. He’s lounging back against a lamppost, one white trainer kicked back, the furry grey hood of his parka arrayed like a luxurious ruff around his neck. He’s snapping gum, staring at the cars going by. He looks fabulous.
‘Oh there you are !’ he says, pushing himself upright, flashing me a look over the rim of his sunglasses. ‘I wondered where you were. I was clean-shaven when I got ‘ere.’

We’ve come to see Martin, a difficult patient with a history of drug and alcohol abuse, a few incidents of aggression. I’ve met Martin before – admittedly a while ago. He’s young, but only on paper. When I met him he’d just been discharged from hospital following a fall down a dozen steps and a long lie at the bottom. The fact he survived at all was a miracle. But miracles are fleeting, and there’s always something waiting the other side of them. In Martin’s case it’s a list of medical acronyms that reads like a roll-call for the damned. What’s worse is his recent history of non-compliance, missed appointments, saying one thing and doing the opposite. He was referred to us by the hospital again, this time to dress an abscess in his thigh, the latest wound from his attempts to find anything resembling a patent vein. We’ve been formally tasked to get him to sign an official waiver if he declines help again, so long as we feel he has capacity.
‘Feeling lucky?’ I say to Ethan.
‘Darling – I was born lucky,’ he says. ‘The rest is just exercise and a great skincare routine.’

Martin is staying in supported housing – in this case, a pleasant-looking semi in a tree-lined street, a tall privet hedge screening it off from passers-by. A mosaic path runs from a gap in the hedge through a functional, stone chipped garden to the front door. There’s a brushed steel intercom by the door with a line of illegible, rain-smeared names by the buttons.
‘Shall we ring it?’ says Ethan.
‘Let’s ring it.’
‘You ring it.’
‘No you ring it.’
‘Okay I’ll ring it.’
Ethan rings it.
Rings again.
Eventually a woman answers in a drawly voice.
‘Who is it?’ she says.
‘Oh hi there!’ says Ethan, leaning closer to the intercom and giving me a cartoon-panicky look at the same time. ‘It’s Ethan and Jim, nurses from the rapid response team? We’ve come to see Martin?’
‘He can’t see you. He’s ill,’ she says.
‘Ah. Well. That’s probably a good reason for us to come in, then. I mean – you know – being nurses and everything…’
‘I told you. He’s ill. Come back tomorrow.’
‘Erm… we kind of need to see him face to face so he can tell us himself,’ says Ethan. ‘Otherwise we’ll get in trouble. Would that be alright?’
‘No,’ she says. ‘Come back tomorrow.’
The intercom goes dead.

Whilst we’re standing there wondering what to do next, a man and a dog appear through the hedge. They both look extraordinary – the man because he has a heavily tattooed face and more piercings than the cenobites in Hellraiser; the dog because it has three legs and a lop-sided, piratical expression.
‘Who’ya’fter?’ he says.
‘Oh, hi there!’ says Ethan, shrugging and tipping his head coquettishly on one side. ‘We were just wondering if we could come in and see Martin?’
‘Martin?’ says the man, frowning. ‘No. You can’t. He’s ill.’
‘Yeah. I know. We’re nurses.’
The man fishes a key out of his pocket (although I wouldn’t have been surprised if he pulled it out of his ear).
‘No,’ he says. ‘Come back tomorrow.’
And he lets himself in.
Only the dog looks back.
The door slams shut.
‘Fine! Suit yourself!’ says Ethan, shouldering his bag. ‘Waste my time why don’t you!’
He puts his sunglasses back on, and we leave. The sun comes out. Ethan walks down the path with an exaggerated throw of his hips.
‘Work it, baby!’ he says.

me, maud & peter o’toole

Maud is watching ‘Lawrence of Arabia’ on a plasma TV screen so enormous you’d need a camel to get from one side to the other. She’s sitting in a padded wheelchair, her bad right leg straight out on a leg support. It’s a nice contrast, seeing Maud in her wheelchair like that, Peter O’Toole on his camel. I picture her tying her leg to the hump.
‘Have you ever ridden one of those?’ I ask her.
‘No. But I went on the dodgems once.’

Maud’s daughter Isabel is supposed to be meeting me here. She’s already rung to apologise and say she’ll be late, though. Apparently the taxi driver sat outside her house and didn’t bother letting her know he was there.
Maud shakes her head.
‘That’s Isabel for you,’ she says.
We’ve done all the medical stuff so there’s nothing to do but wait. Isabel has some questions and concerns, so I need to hang on for a while.
‘I hope she won’t be long,’ I say.
‘She’ll be twenty minutes,’ says Maud. ‘You can set your watch by it.’
We watch as Peter O’Toole and his guide draw water from a well in the middle of a vast expanse of desert. Suddenly they see a shimmering black shape in the distance. A mirage? What is it? The shape gets bigger. A figure on a camel, riding straight at them. The Arab guide fetches out a rifle and takes aim. Peter O’Toole tries to stop him but it’s too late. The approaching figure fires first; the guide drops to the sand, dead. Finally the figure arrives. It’s Omar Sharif.
‘Now there’s a good looking man,’ says Maud, pushing herself more upright in the wheelchair. ‘He can shoot me any day.’
‘I’ve got a story about Omar Sharif,’ I say.
‘Oh yes?’
‘My brother in law is Lebanese. Or was. He’s dead now, unfortunately.’
It suddenly strikes me it’s an odd thing to say. Do you stop being Lebanese just because you died? Maybe you do. Maybe that’s death. You stop being anything.
‘What did he die of?’
‘Cancer.’
‘Yes,’ says Maud, flatly, as if she expected it all along.
‘Anyway, he used to work in Maroush, a famous Lebanese restaurant on the Edgware Road.’
‘I’ve heard of it. I think.’
‘It’s pretty swanky. Saad was the Head Waiter. One day Omar Sharif came in, surrounded by all these glamorous people. Saad went to take their order and settle them in, and Omar looked up at him and said: Would you like my autograph? And Saad said: No. Would you like mine?’
‘I liked him in Doctor Zhivago,’ says Maud. ‘He was lovely in that.’
‘I haven’t seen that one.’
‘No? You should.’
Me, Maud and Peter O’Toole watch Omar Sharif ride away on his camel.
The door bursts open. It’s Isabel.
‘So sorry about that!’ she says. ‘Stupid driver.’