what do you mean, norway?

a man in a rainbow tutu and purple feathers
stops with a gaggle of parakeet dancers
to wave me through to the parking lot
how has it come to this?
how have I ordered my life
that I should be visiting patients during carnival?
working not twerking
hauling out of the car
not a hooped skirt or headdress of fire
but a rucksack of medical equipment
and a medium narrow zimmer frame
I wear the frame over my shoulders
to free my hands for the rest
and it strikes me I could totally
turn my back on the building
and join the parade
and the award for best costume
goes to NHS man in the steampunk cloak
I don’t though
I make my carnival-of-real-life way
to the main entrance, where a resident holds the door for me
shaking her head as I struggle inside
‘Careful!’ she says
I waddle across the lobby to the lift
and when it arrives, reverse into it
like a sad, unwieldy creature retreating into its burrow
just as the doors are about to close
an elderly man comes in the main door
he’s as laden down as me
with two large shopping bags
and a hat like an upturned fruit basket
‘hold the lift!’ he shouts
(ironic; I’m holding everything else)
still – I manage to free a hand to press
the button, and the man
rolls towards me at a snail’s pace
where the snail has been retired more years than he worked
We surely can’t both fit in the lift
but I can’t think how to explain that to him
without sounding cruel
maybe I should come out of the lift and let him go ahead
but by this time he’s with me
packing himself into the space
with the confidence of someone
perfectly adapted for this exact thing
‘Thank you,’ he puffs. ‘Tenth, please’
I dislocate my shoulder getting that for him.
‘Thanking you.’
We both breathe the lift-baked air, and wait.
Whether the lift is always this slow
or whether it’s making a point
I don’t know. But the doors are an age to slide shut
and I can’t reach round the man to do that thing
I normally do, which is frantically tap the close button a few times
The man looks at me and smiles sadly
‘Hot, isn’t it?’ he says.
So hot!
‘Hottest day yet.’
‘I bet.’
‘Too hot.’
‘Phew!’
The lift doors close. After a teasing pause
(no doubt whilst the donkeys on the roof
rouse themselves sufficiently
to start pushing the wheel round)
the thing drops, shakes
then starts the slow drag upwards
‘In fact, I’ve decided it’s too hot for me,’ says the man
‘I’ve decided to go back home.’
‘Oh? Where?’
And I see him for the first time
The white hair spilling from the hat
those eyes blue as glacial chips,
that scar on his cheek
I see a longship
run aground for the last time
in the ASDA car park at the marina
police line / do not cross
dragon prow smashed through the lobby
snarling at the scattering of scratch cards on the kiosk floor
‘Yes – it’s finally got the better of me’ he sighs
‘It’s high time I went home’
‘I can understand’
‘It’s called air conditioning!’
We both laugh
‘Do you need air-conditioning in Norway?’
‘Norway? What do you mean, Norway?’
‘Is it Norway?’
‘No! I live on the tenth!’
The lift crashes to a stop.
The doors grind open.
He struggles out to Valhalla

the ghost comes home

‘To be honest with you, I can’t believe I’ve reached the age I have. I had four brothers and sisters, and now I’m the only one left. My sister Judith was the first to go. She was only eleven. I was fourteen. And now here I am, ninety-one! Me and Judith, we used to love going to the pictures on a Saturday. The matinee performance. This one Saturday, my mum stopped me as we were headed out the door. You’re not going out till you’ve sewed that button on your cardie like I asked you to she said. And I was furious about it but I did what I was told. I sewed the biggest button on there I could find, quick as I could, then I took Judith’s hand and we ran off down the street to the cinema on the corner. We were about half way through the main feature when there was an almighty crash and a flash and the whole place came down around us. Because we were late getting there we’d had to sit at the back, not like all the other kids sitting at the front. They were all killed outright. But we made it outside, and Judith, she was badly hurt, worse than me. We both got taken by someone to the hospital, and Judith died a little while later – not that I knew about that straight away, because I was having bits and pieces taken out of me. When I came round in bed a day or so later, the doctor showed me a chunk of metal and d’you know what he said? He said This would’ve finished you off if that button hadn’t taken some of the force out of it. So it just goes to show. I learned later on what happened. A German bomber had ditched its load early trying to get away from some Spitfires that were chasing it. He wasn’t targetting the cinema or anything. It was just one of them things. Didn’t do him no good, though. They caught up with him over the Channel, and that was that. The film? I’ll never forget what that was. A comedy, a silly little thing, only just out. The Ghost Comes Home.

addio catania

‘The doctor, he was here yesterday, he said Squeeze my hands. Hard as you can. I said to him, I said You sure you want me to do that, squire? He said Do your worst. So I grabbed a hold and give him a squeeze, and the next thing you know he was pulling ‘em away shouting All right, mate! All right! You’ve made your point!
Mr Wilson laughs, a desiccated kind of rattle, and shakes his head.
‘I was a stone mason all my life. I could squeeze the juice’ve a pebble.’
I think the doctor was being kind, though. Whilst it’s true Mr Wilson’s wrists are still impressively thick, the rest of his body has been sadly depleted by age and illness, and he pays for his enthusiastic outbursts with a degree of gasping that the oxygen through his nasal cannulae struggles to correct.
I’ve arrived at the same time as Mr Wilson’s morning carers. It’s lovely to see how they chivy him along, making a game of it all, distracting him from the frustrations and indignities of his situation. I’ve no doubt Mr Wilson has been a positive kind of person all his life, though, used to making the best of things. He cusses and carries on in the wheelchair, tetchily snapping the oxygen cable when it gets in his way, kicking his slippers off when they snag in the footrests. The carers obviously love him.

When he’s settled in the wheelchair and recovered his strength, and the carers have given him a peck on the cheek, signed the book and left, he folds his great hands on his middle and shakes his head.
‘I can’t go to Catania,’ he says. ‘I don’t suppose I’ll ever see it again.’
I get the story in short bursts. He fought in Italy during the war. Met his wife there. Settled back in the UK, but every year they went back to Catania to see her family. But his wife died last year, and his illness had progressed, and he was faced with the fact that he’d never see Catania again.
‘I wanted to say goodbye proper, like,’ he said. ‘I wanted to say Addio. Now look at me.’
He picks up the green plastic tube and holds it in front of him, like he was showing me something else, the thing that was tethering him to this world, the line that he’d play out if he could, all the way to the eastern shores of Sicily, and Catania, and his wife, and the adventures and the life they’d had together, so he could relax his grip, and let go the end, and disappear himself, off into the sun.

a head for depths

Craig has the key so we agree to meet outside Sally’s flat at midday, when he’s due to make her lunch.
‘Have you been here before?’ he says, bending down to stretch some blue plastic covers over his trainers.
‘I hear it’s bad,’ I say, taking some out of my bag.
‘It’s not the worst, but you’ll definitely need these.’
Craig seems tired, a reflection of my own state of mind. It’s not so much the number of patients on the list and the number of miles we cover, hurrying from place to place. It’s more the endless parachuting in to situations that are failing in one way or another, trying to set them straight – or, at least, straight enough so you can feel some kind of progress is being made, and that things might change for the better.
An adult safeguarding report has already been put in on Sally, but it’s complicated. In the meantime, we’re going in to do what we can to ameliorate the situation.
‘Ready?’
‘Ready.’
‘Okay then.’
He knocks on the door and then opens it with the key.
‘Sallly? It’s Craig – and Jim. From the hospital. How are you doing?’

He’s right. Whilst it’s not as bad as many places I’ve been in, it’s definitely the kind of place you have to start with shallow mouth-breathing for a minute or two, till you’ve adjusted sufficiently to breathe normally through your nose. Walking down the hallway, our covered shoes make the ticky-tacky noise so characteristic of encrusted and unsanitary surfaces, and the air has a familiar and gloomy sag to it.
‘Hello?’

Sally’s waiting for us in the lounge, in an armchair so low and squashy and discoloured it looks less like a piece of furniture than some giant, malignant bloom. She’s wearing an electric blue silk nightie with a green cardigan over the top. Her bare legs are mottled, swollen, pressed together at the knee. She smiles easily, reaches up to shake our hands, but her conversation is muddled and difficult to follow. One of my tasks is to take some blood, to determine whether infection is making her more confused, but I can see I’m going to have to sidle up to it.

Whilst Craig busies himself preparing a microwave meal in the kitchen, I chat to Sally about this and that, and take her observations as carelessly as I can, almost as if I’m as surprised as her to be doing it.

When Sally talks it’s the equivalent of pretend writing. The patterns of her words, the fact that they follow a line, and start and stop in the usual way, with the usual loops and flourishes, everything looks superficially like conversation. But the truth is, I have to make assumptions about what she might mean, and reflect it back to her, and she’ll either laugh or frown, or wave her hand in the air, and we’ll move on, as if something’s been said, though neither of us really knows. But there’s the reassurance of the tone of what we’re saying, if nothing else, and it does seem to be working. She’s distracted sufficiently to let me take some blood, and whilst she obviously doesn’t have mental capacity to refuse, I take the fact that she doesn’t pull her arm away as consent.
Just before I actually puncture the vein, I ask her some more about her family, particularly her father, who (I think) she said was a miner.
‘Have you ever been down a mine?’ I say, preparing the needle.
She answers with a laugh and a string of garbled words that, if they were in a foreign language and I was forced to guess the meaning, I would say: That was a long time ago now / He was a lovely man / He worked so hard.
‘He sounds great!’ I tell her. ‘You know – I’ve always quite fancied the idea of going down a mine.’
She laughs again.
The blood flows into the tube.
‘God knows, it must be a difficult job.  But I quite fancy seeing what it’s like. I mean, when you think where it all came from, what it was, all that coal. Millions of years ago, all these giant trees and plants in some wacking great swamp somewhere, and then it all gets buried and changed into black rocks you can burn. I know I probably wouldn’t pay much attention to any of that if I had to go down in a cage every morning and swing away with a pick. If that’s what they do. I’ve really no idea.’
She listens to me with a tolerant smile on her face, tutting at some things, frowning at others, but keeping her arm still so I can get what I need.
‘There! All done!’ I say, taping a piece of gauze to the crook of her arm. ‘You’re a model patient!’
Meanwhile, Craig has come through with lunch. He’s standing just behind me with a tray of Lancashire hotpot.
‘You thinking of a career change, Jim?’ he says, helping Sally get set up in the chair, ready.
‘Me? Maybe,’ I say, stashing the phials of blood and peeling off the gloves. ‘I don’t know though. I’m not sure I’ve got a head for depths.’

dogs & what they do

Working three long days straight is a sapping experience, so it was a relief to have the day off today and start with a good long walk with Lola through the woods.

It didn’t start well. We’d barely made it over the park when Lola got a little snappy with a chocolate lab. It had wandered over to have a sniff whilst she was relieving herself against a tree, so she growled and bared her teeth. Luckily the owner, an elderly man who looked so friendly and soft and grey he could actually have been a life-sized cloth puppet, was perfectly easy about the whole thing.

‘Serves him right,’ he said, laughing. ‘He’s got a nose for trouble. D’you know – yesterday – he found this disgusting old rabbit carcass, and he was munching away like a diner enjoying the most delicious meal. But I really couldn’t bear it, so I called him off. And blow me, today, as soon as we were within a mile, he made a direct line back to it and finished the damned thing off.’

more mushrooms

As I was walking I was thinking about my guided meditation that morning (using the Headspace app – thoroughly recommended). In the last few sessions, Andy had been exploring the idea that sometimes we have certain emotions that we come back to again and again, emotions that end up defining us and our way of thinking. Ironically, the resistance we put up to these emotions can end up giving them strength and permanence. He put the idea that it would helpful not only to recognise what these recurrent emotions might be, but also recognising when the usual pattern of resistance was happening, so that we could rob them of their power by letting them go. (I think that was the gist).

He put the question: What would it be like to be free of them?

Depression has been a problem with me for so long I’ve come to accept it as a fact of nature, like the weather. Sometimes worse than others, exacerbated by circumstances, no doubt, but always there, a latent voice, a bad-mouthed genie in a dirty bottle I’m doomed to rub at certain phases of the moon, ready with the same old tropes, scenarios in which I’m the hopeless case, the dreamer with nothing to offer, the bad lot, the waste of space.

What would it be like to be free of all that?

And actually – I could imagine it. Bizarrely. But then where would that leave me? It’s been the way I’ve orientated myself in the world for so long, I had the light-headed feeling I’d be left with nothing.

But wouldn’t that be great? A blank slate. A chance to start over. A chance to be myself without fighting against some wormy, outdated version of myself.

Anyway,  that’s where I am at the minute. I’m definitely carrying on with the meditation, because this is the furthest I’ve got with this, and it feels right, and anyway, it’s less fattening and blurring than SSRIs.

As I was walking and thinking about all this I was taking more pictures of mushrooms. I was particularly looking for raddled old, slug-sculpted specimens. Don’t know why – just seemed appropriate!

 

 

new poem

trailer b 2_sm
Trailer B II

I wrote another poem today. It carries on from Trailer B, so I suppose it’s really Verse 2

 

 

 

 

Thanks for reading!

sig

 

 

 

trailer b II

so listen
I didn’t mean to bust your balloon like that
there are too many people
comin to the party with pins these days
and I didn’ oughta add to it
so what’d’ya say?
are you ready to jump out the window of the pin factory?
we could be – I don’t know – inflatorers or somethin’
yeah?
yeah!

I mean, jay edgar christ
call me steve naïve, but I do wanna save the goddam whale,
wyoming, the world
whatever else you got starts with a wubbleyou
I mean, purlease
have you buried your face in the papers recently?
did you take your CNN this morning?
no? well let me tell ya
as the Julie Andrews sisters once had it
let’s start at the very beginning
you can ignore all that Lord of the Onion Rings
Jesus on a Unicorn
slidin’ down a Rainbow
wavin’ the bill o’ rights bullcrack
it’s time for a little mano a mano
you gotta say goodbye
to the other furbies in the nursery
sweet pea
and take the red pill

look here
look at this
d’ya see it?
they’re razorin’ up the fleet, my friend
they’re zeroing their zip codes
everything cock-shaped
is swivelling east
this ain’t no time for no baked goods yard sale
there ain’t room on the bus
for no wet dream about Lennon
you ain’t got the luxury no more
of getting’ all Tin-Tin
over some polar bear who once looked sad
‘cos he had to douche with an oil pipe live on Twitter
Goldilocks – look at me
it’s time to eat from the big bowl now
These ain’t tears of joy
This is ninety-eight per cent patriotic moonshine
and there ain’t nothin’ better for the soul than that
I love you like a son I never wanted but grew to love anyway
but you know that
c’mon
make like the filmstrailer b 2
let’s stand together on this one
George and Lennnie
i gotta we gotta
so tell me
WHEN CAN YOU GET ME TRAILER B?

Friday 04

Alistair is one of those easy-going friends where the conversation picks up where it left off, no matter how many days or weeks have gone before. A geologist by trade, his natural inquisitiveness extends endlessly, to everything, from dinosaurs to the Trump administration, computer hackers to the future of transportation – everything flowing one thing to another as bright and lively and refreshing as a spring from an artesian well. I don’t see Alistair so much these days, more’s the pity. We met dog walking, and that’s what I’ve come to do today, driving out to his new house in the country.

So after getting there early, pulling on our boots and discussing the route, we set off, his collie Ailsa running on ahead with Lola, our lurcher, trying to keep up. Briefly stopping to check on the two new chickens he’s added to his flock, in a pen at the bottom of the garden, we have the usual family updates neatly out of the way by the time we’ve reached a gap in the hedge, and the conversation opens out as we step through into the first field.

Religion

ferns on wall ‘Do you think the whole religion thing just boils down to people being scared of dying?’ I say, stopping to take a photo of some ferns on an old wall.  ‘Or maybe it started off when people painted pictures of animals they hunted and then confused the picture with the real thing.’
‘I don’t know,’ says Alistair, examining a twig. ‘It’s such a world-wide phenomenon. It’s like a function of who we are. I read this book once that looked at religion in the context of societal development. It was a bit turgid, but I think he had a point.’
‘Which was…?’
‘Well to begin with you had groups of people wandering about, following the migratory routes and the seasons, settling in places only so long. You get an idea of how their religions might have looked from old peoples like the Native Americans or the Aborigines, where it’s all very much linked to the land, ancestors, spirit animals and so on. I mean, some things you can imagine. Like worrying whether the sun’s coming back, or thinking that lightning or earthquakes are the world being angry. But then as soon as people start settling in to one place, and they start being able to support themselves, and an artisan class, then the more monotheistic religions come in, which fit with the way society starts to stratify into working and ruling classes.’
‘Be content with your lot because your reward will be in heaven’
‘Exactly. And it sanctifies wars of acquisition, because God’s on your side, even though it’s obvious they’ve got a version on their side, too.’

We come to a pine tree that’s been pushed over by a storm. The roots have been leveredtilted tree up, so the bole looks like the door to the underworld prised open. I stop to take a photo whilst Alistair re-laces his boots.

‘Have you ever been to Jerusalem?’ he says. ‘I went there once – by accident – long story – but anyway, fascinating place. We went to Temple Mount, to see the stone Mohammed was supposed to have launched himself from to meet Allah. I was standing there with the rest of the crowd, and I was trying to get into it all – you know – the idea that here was something magical and divine. But I just couldn’t get past the thought that here we all were, standing round an outcrop of limestone on a bit of a tilt.’

Eyes

‘You’d think with evolution you’d see lots of redundant species,’ I say. ‘But you don’t. Everything seems finished. Although hammerhead sharks are pretty weird.’
‘I think the thing is, evolution happens over such a long period of time, and at a genetic level, it’s hard to comprehend,’ says Alistair. ‘But then – think of the spectacular variations you get in eyes. It’s such a specialised bit of kit, adapted for all kinds of environments. Flounders, lying on the sea bed facing up. Or flies, with compound eyes that look like blackberries.’
‘I think I read somewhere that a hawk has two lenses in each eye, one for distance, one for close up.’railway bridge
‘And dogs. Dogs have way more peripheral vision than we do because they needed it for the plains. And that’s why they tilt their head to look at you. Not because they’re trying to be cute. They’re just trying to get past the end of their nose to read your expression better.’

We come to an overgrown railway bridge, abandoned years ago along with hundreds of other branch lines in the sixties. It’s a poignant scene, and seems to fit with the idea of evolution, redundancy, for better or worse.

Left brain, right brain

‘You know swifts?’ I say, stopping to take a picture. ‘Apparently they live almost their whole life on the wing. When they want to sleep, they fly up ten thousand feet, then half their brain shuts down, with the other half adjusting to the wind currents so they stay in the same place.’
‘The whole sleep thing’s interesting,’ says Alistair. ‘I mean – this idea that you close down for hours, in some kind of suspension. I think there’ve been studies done that show if you hear a regular noise you don’t respond, but if you hear something sudden and out of character, you wake up. So you’re actually monitoring your environment – which suggests you’re never completely out. Which makes sense.’
‘Maybe that’s why your brain’s in two halves, so one half can keep an eye on things while the other rests.’
‘There’s definitely something in this whole symmetry thing. Two arms, two legs, two sides of the brain. I don’t know. It kind of fits with the rest of the design.’
‘Didn’t they debunk that whole left brain, right brain thing?’
‘It’s over-played. You get regions responsible for different tasks, and it all comes together. It’s like eyes again. The two inputs merging to give you a stereoscopic picture. It’s probaly something like that. A kind of rounded, three-dimensional apprehension of whatever it is you’re thinking about…’

You are old, father william

We meet an elderly man at a gate, out walking his large, chocolate labrador. The man looks a country sort – gilet jacket with loops for shotgun shells, and a small pair of binoculars. We stop to chat, but Alistair’s from Edinburgh, and his accent completely flummoxes him. Hmm? he says, and then looks at me to translate. Alistair asks him whether he’s spotted anything interesting whilst he’s been out. The man looks to me again. I point to the binoculars.
‘I’ve got a defibrillating pacemaker,’ he says, as if that’s what I could have possibly meant.
‘Oh?’ I say.
He goes on to describe in great detail absolutely everything pertaining to his heart condition. The number of times surgery was cancelled, even though a wire was actually hanging loose, he says.
‘And picking up a local taxi cab’ says Alistair.
Hmm?
I don’t translate. He carries on… the dose adjustments to his Warfarin, transport arrangements, failures, symptoms out walking, and on and on. It’s an exhaustive and comprehensive account. Ten minutes later and the dogs have given up, going on into the next field to sniff about, and even though I keep glancing in their direction and making slight movements of my body to hint that perhaps we should follow, and it’s all been lovely, the man carries on talking. I start to feel desperate and consider my options, but Alistair seems happy enough, standing with his arms folded, listening to the man, drinking it all in. Eventually, through some miracle not of our making, the man runs aground.
‘…but I mustn’t keep you,’ he says. ‘Cheero!’ and abruptly hooking his labrador to him with the crook of his walking stick, he turns and shuffles off.

‘You see!’ says Alistair, utterly unfazed. But I’ve completely lost the thread, and I’m not sure I do.

tailgating

I can only imagine
you’re in cardiac arrest
and haven’t got five minutes
to wait for an ambulance
you’re probably giving
yourself CPR right now
bobbing up and down
on the steering wheel
in time to Jon Bon Jovi
Livin’ on a Prayer
as you drive yourself
to A&E

either that, or you’re trying
to outrun that white
van of assassins I can see
rampaging on your tail
I’m sure one of them’ll
be leaning out the window
sometime soon
a plumber with an RPG
hopefully

it makes me nostalgic
for a simpler time I never knew
thousands of years ago
no cars, no commute
just sabre-tooth cats,
infection, hard grains
and long hours
watching from the mouth
of a cave we gazumped
from a great bear
(big, I mean, not wonderful)
I can totally imagine it
you, me, the van men
sitting down to knap flints
round a fire
at the end of another
busy day surviving
but then – wait.
I bet you’d all be head down
working as fast as you could
flakes flying left and right
I’d probably have to move aside
flashing you a wild
backwards look
beneath all that hair
bastards (neolithic equiv)
what’s the rush

the story of Old No.7

Before I go up to the first floor I stop by the warden’s office.
‘Pete? He’s what you might call a colourful individual,’ says the warden. ‘He’s certainly done a lot in his life, what with his boxing and his business interests and his running around. I’m not so sure about the Krays, though. You have to take a lot of what he says with a shovel of salt. But y’know – we’re all worried about him. Pete’s always had a short fuse, but he’s gotten a whole lot crankier. The carers are having to double-up.  For safety – y’understand? God knows he’s got a lot on his plate, poor bastard, what with his eyes and his back. We take his meals up and try to rouse a bit more of a spark in him, but.he’s retreated to his room these last few weeks, and short of dragging him out by the feet, there’s not a lot else to be done. It’s like he’s given up.’
‘They’ve sent me round to take some blood this morning.’
‘Yeah? Well good luck with that!’ says the warden, shaking his head and leaning back in his office chair. ‘My advice? Keep it simple. Don’t fuss. And wear a tin hat.’

Pete is standing waiting for me in the doorway to his flat. A tall, pale, withered figure, dressed in boxer shorts and a string vest, he peers out at me as I approach along the corridor.
‘What took you so long?’ he says.
‘Sorry, Pete. I stopped by to have a word with Gerry.’
‘What for?’
‘Just a quick hello. He’s a nice guy, isn’t he?’
‘If you say so. Anyway. What’ve you come for? I’m sick of all these people barging in all hours of the day and night.’
‘It must be annoying,’ I say. ‘But I suppose it’s just because people are worried about you. They want to make sure you’re okay.’
‘What people?’
‘Carers, nurses. The usual.’
‘Well, I’m fed up with it.’
‘So how are you today, Peter?’
He shrugs, but lets go of the door handle and turns to walk back to his armchair.
‘Just be quick,’ he says.
‘I promise I won’t keep you long.’
He settles back into his chair as I get my things ready.
‘What are you? Some kinda nurse?’ he says.
‘Nursing assistant.’
‘Ah!’ he says. Then after a pause: ‘In Spain you’d be called a practicado.’
‘I like that. Practicado. That feels about right. So – how come you know Spanish?’
‘Well I should do. I lived there ten years. I had a bar on the Costa del Sol.’
‘Wow! That sounds great. Hard work though, I expect.’
‘See that bottle up there,’ he says, pointing to an ornate glass bottle on the top of a shelf of sculptures and photographs. ‘That’s a traditional Spanish whisky, about a million per cent. So spicy it’ll blow your tits off.’
‘I bet.’
‘I haven’t touched it in over twenty years. Don’t suppose I ever will now.’
‘You know – the worst drunk I ever got was on an American whiskey. Something called Wild Turkey. I was knocking it back because it was so smooth and easy. And I was thinking This is all right! This is great! And the next thing I knew, I was lying flat on the floor with my eyes going round and round, like the red spot on one of those old electricity meters.’
‘American whiskeys are the best,’ he says. ‘Have you ever had Jack Daniels?’
‘Yep. Love it.’
‘D’you know the story behind it?’
‘Was it something to do with the Civil War? Or was that Colonel Sanders?’
‘No! He was the chicken man, you numpty. What I mean is – why’d they call it Number Seven?’
‘Don’t know’
‘It’s because his first batch was just seven barrels, and they all come loose in a storm and rolled down the mountain, and the only one they never found was this number seven. And it’s still out there now. So if you went and found it, you’d be a millionaire.’
‘I’ll just take this blood and then I’ll be off.’
‘Ye-es, mate. I’ve lived all over the world. Spain, Italy. America. I’m no good now, though. I mean – look at me! And then have a look at me on the beach.’
He nods over at a bookcase as I tape a wad of gauze to his arm. Shaking the vials of blood, I go over to the picture. A young man in his twenties, doing that greased-up, muscle-man thing of leaning forwards whilst flexing his arms and shoulders, smile-grimacing into the lens.
‘You look quite a prospect.’
‘Wha’d’ya mean, prospect?’
‘I mean you look handy.’
‘I could take care of myself, don’t you worry.’
I sit down to write the vials up when he says, in a surprisingly shaky and vulnerable change of tone: ‘What d’you suggest I do about all this, then?’
‘About what, Pete?’
‘About all this what I feel. I’m no good any more. I’ve got pain the whole time. I can’t hardly see nothing. The doctors have run out of ideas.’
He licks his lips and then adds: ‘Do you know what irony is, Jim?’
‘What – d’you mean it’s ironic you were so fit and now you’ve got all these health problems?’
‘No. The irony is – a few years back everyone wanted to kill me, and now that I’m properly fucked and want to die, they all want to keep me alive.’
‘I’m sorry you’re feeling so low. It’s not surprising, though, given all the things you’ve got to put up with.’
‘Yeah, well,’ he says.
‘I can refer you on to our Mental Health nurse. She’s really good – and she can start figuring out ways to help you feeling better again.’
‘If you think,’ he says.
‘Good. I’ll speak to her when I get back to the office.’
I’m just putting my stuff away when he leans forwards and says:
‘Have you heard the one about the two psychiatrists in Chicago?’
‘No. Go on.’
‘So there are these two psychiatrists in Chicago, both working in the same building, nodding to each other when they pass in the lobby. The first one’s always bright and cheerful, dressed nice, expensive hat, big cigar, whilst the second one, he drags himself around looking shabby and down at heel, with a face like a smacked arse. So anyway, eventually, this second, sad psychiatrist, he can’t take it no more, and he stops the first one in the lobby, and he says: I don’t get it, mate. We spend all our time listening to the same old dreary problems, none of which we can’t do nothing about, and yet there you are with this big smile on your face. And the first one, he turns round, and he says: ‘Who listens?’

acts of god

I was down by the pond
cutting the willow back
I had to. It was my responsibility.
I’d been like that guy in the bible
who stuck his rod in the ground
and bingo! overnight, it was a tree
but now, instead of thousands
of believers gathering in the garden
to follow where so ever I should walk
it was just Val leaning over the fence
telling me to do something about that tree

it was whilst I was wrestling with the branches
bending them to put stress at the point
I was about to cut with the secateurs,
counter-balancing my weight
in a haphazard and ill-advised way
trying not to fall into the pond
and wondering if I did
whether Val would see
and how hard would she laugh
that I remembered
a clowning workshop
I’d taken when I was at university

the circuit clown who took the class
a morose but patient man
with a face like a dodgy walnut
stood at the back of the hall
‘I want you to go up
juggle three balls
and see what happens’ he said.
I was nervous when it was my turn
I stood on the stage
moving the balls
through their figure of eight
breathing, looking around
trying to be neutral
when suddenly my braces gave way
(yes, I know, I was the kind of student
who juggled, wore braces
and went to clowning workshops)
Everyone laughed!
It felt great!
I’d found my place in the world!
I made a big deal
of struggling with the braces
turning round on the spot
like a dog chasing his tail
feigning embarrassment
dropping the balls and then
accidentally kicking them away

‘Stop’ said the clown
‘The braces thing was an act of God.
The rest of it was bullshit.’