the strange case of the branch loppers

There’s a meeting place over the woods. A hexagon of rough benches, each one a stack of four cut timbers capped with a plank and then wired together. I’ve never seen anyone sitting on them, let alone a fire in the middle – which they must light sometimes, as the centre is blackened with a scattering of cold embers. It must be nice to sit there chatting about this and that with the fire burning and the light playing over the perimeter of trees and undergrowth. Like old times.

Yesterday when my dog walk with Lola took us through the woods past the meeting place, I thought I’d stop for a while, sit down on one of the benches and imagine what it must be like. As soon as I sat down, the plank wobbled alarmingly and I got up again to see what the problem was.

A long-handled branch lopper. I could see what had happened. One of the volunteers who work in the woods must have left it out. And then someone else found it, and hid it under the plank to keep it safe until it was found again. The volunteers have a tin shack nearby with all their tools locked away. The bench was as good a spot as any – or was it? The meeting place is pretty open. I figured it might be better to take the branch lopper and hide it round the side of the shack.

So that’s what I did. There was some timber to the right and I hid it under that. I was a little anxious someone might see me and wonder what I was doing. It looked suspicious, rootling around like that. But if they came close enough I’d explain, and we’d all have a good laugh about it.

When I was happy the branch lopper was well hidden, I set off again with Lola, aiming for the meeting place again. This time I didn’t stop, but walked right through. And it was just when I’d left the hexagon on the north side that I saw them – another pair of branch loppers, lying in the grass.

It was all so unlikely. What was this? Some kind of sign? How many times would I have to repeat the same thing before I realised what was happening?

I picked up the branch loppers and headed back to the shack. Lola took a while to come back – as if even she was uneasy about the way the walk was going. But I dealt with it quickly. I was an old hand already with the whole lost branch lopper thing. I knew exactly where to put it.

As I made my way back to the shack I started to think of a story that might account for this scattering of branch loppers, and what I might find next. And it was then that I remembered years back when I was out walking with a friend and we found a body.

We’d been trespassing on private land. We knew it was private because there were all these crazy signs, red paint on warped boards, saying KEEP OUT and TRESPASSERS WILL BE SHOT. By the look of the place no-one had been around for years, so we thought it was a fair chance we’d be okay. We carried on past the ruined farmhouse and into the overgrown fields beyond, making up a cliché horror story about the guy who lived here and all the people he’d killed. It was only when I pretended to get shot and did a spectacular cartwheel death fall that I noticed the jacket

It was dropped in the long grass just exactly as if someone had taken it off and carried on walking. There were odd things in the pocket – a bus pass, a ball of string, a blood-stained handkerchief.

‘Shit!’ said Rich, glancing back in the direction of the farmhouse.
We started looking around. We came across other things: a shoe, a pair of trousers. And then we saw the body, lying on its right side over by the barbed wire fence at the nearest edge of the field. We both ran over, but as I’d done a first aid course by that time, I went first.
‘Are you all right?’ I said, leaning over and tentatively touching the body on its shoulder. But the face was all rotten and fallen in, and when I jerked back I remembered the trousers we’d found, and realised that the legs were uncovered and blackened. It was winter, though, and there was no smell. I remember a blackbird perched on a post just a little way away, bobbing up and down, chip-chip-chipping in alarm.
‘We’d better call the police’ I said.
‘Has he been shot?’ said Rich. ‘Turn him over and look.’
But I didn’t really want to do that and in the end neither did Rich.
‘We’d better call the police.’

This was before mobile phones. We could see the roof of a cottage over a nearby hedge, some smoke rising. We walked over there. I climbed on a stump and peered over. There was an elderly woman gently prodding around in a flower bed with an immaculate trowel.
‘Excuse me’ I said
She straightened, and looked about, the trowel held out to one side.
‘Over here,’ I said. ‘The other side of the hedge.’
‘What do you want?’ she said. ‘I’m not alone.’
‘No. It’s okay. Only – we found a body and we wondered if you’d call the police.’
‘I will call the police!’ she said.
‘Great. Thanks. We’ll wait on the road by the abandoned farmhouse.’
‘I’m going to call them right now!’
‘Thank you very much’ I said, jumping back down.

There was a long wait, but eventually they came. Two patrol cars, blue lights flashing, no sirens. We took them to the spot, and then whilst one of them made calls on his radio, another drove us back to the police station to take statements. It was only months later I got a call to let me know what happened. An elderly man had absconded from a home for people with dementia. He’d become lost and confused, and the weather was bad, and the likely cause of death was hypothermia.
‘Why’d he take his clothes off like that?’
‘It’s called paradoxical undressing. People do that when they’re very cold. Apparently,’ said the officer on the phone. He sounded like he was in a rush and didn’t want to be drawn into anything. I thanked him for the update.
And that was that.branch loppers

the anxious forager

Mushrooms are great, but you have GOT to be sure.

It’s a salutary story, the one about the two families who went out mushroom picking, both thinking the other knew what they’re doing, both ending up on dialysis a few days later. Because the trouble is, the differences are often subtle and really hard to spot.

I’ve got a field guide to mushrooms & toadstools (first lesson = there’s no real, scientific difference between a mushroom and a toadstool), but I don’t find it easy at all. There are handy logos at the top of each page – a knife and fork on a plate, a knife and fork on a plate in brackets, a knife and fork on a plate with a line through it, and a grinning skull.

It’s the grinning skull that puts me off the other three.

The distinctions between each specimen are often extremely subtle, and go against your natural inclination. Take the smell. Strong odour of cucumber, or cedar wood? Or prussic acid? Which amongst those would you want to eat? That’s right – the prussic acid odour. Belongs to the Fairy Ring Champignon  – delicious, apparently, if you could ever relax enough to force it down.

The whole thing seems rigged. For example, the Deathcap – the mushroom vying for friendliest name, along with the Destroying Angel – well, apparently when it’s young it’s encapsulated in a ‘universal veil’ which gradually disintegrates. Before it does, though, it looks exactly like an edible puffball.

Great. Thanks.

If all that wasn’t enough, the deadly varieties like nothing better than to sneak in amongst the edibles. The Deadly Webcap has been known to grown next to hallucinogenic Liberty Caps, so you’d get way more of a trip than you bargained for.

Although there is the Contrary Webcap, which you can eat.

It’s supposed to be reassuring that most of the poisonous varieties will only give you severe cramps, diarrhoea and vomiting and a mild longing for death. There are only two or three with no antidote and a guaranteed one-way trip to complete renal and liver failure and a plot of your own for the mushrooms to spring up in. *shiver*.

All of which is to say that I’m a complete coward when it comes to picking mushrooms to eat. I did actually go on a one day course once, to get more confidence. The woman running it was amazing. In her late seventies, keen naturalist all her life. She looked more at home in the woods than anyone I’d ever seen. Well – at one point she cut a mushroom, held it up for a while, and said Hmm. I’m not sure about this one. So I’m content with taking a few pictures, and buying the cultivated kind from the supermarket.

I prefer this, anyway. To be really sure about a mushroom you have to cut it and have a good look. (You’re not killing it. What you see above ground is the fruiting body, with the mycelia extending underground to a surprising extent). You have to examine the thing carefully, the gills, the stipe and so on, slicing it in half to see what colour the flesh is and what happens to it. But the mushrooms look so beautiful in situ, it seems a shame. I’m not ruthless enough to be a collector, or a (safe) forager. I’ll content myself with taking pictures, and leave the rest to nature.

Here are a few I took today. (Once you become aware, you start seeing them everywhere…)

 

sig

mantell piece

two hundred years ago
Mantell filled a bucket
with teeth and bones
from the local quarry
hurried home
put two and two together
and came up with a crocodile
later, re-jigging the puzzle,
he made a giant iguana
with a hook on its nose
named it Iguanadon
(the hook was actually
a claw; well,
even monstrous herbivores
needed a little something,
given the size
of the carnivores
hanging around
back then)

now it’s all changed
mountains have peaked
and gone, the earth’s
plates spun out
the Isle of Wight isn’t where Egypt is anymore
and the river delta
where that Iguanadon
chewed his leaves
staring unblinking
at the horizon
– even those endless
shivering softly yielding sands
are rock hard
and where the iguanodon fell
the meat counter at Sainsbury’s

I’m sitting in the foyer
of the health centre
thinking about nothing in particular
sipping a mocha
glad I hadn’t gone for the sprinkles
when a guy walks past with his hood up
the hood is designed to look like
a dinosaur head
not so much Iguanodon
as Godzilla
quite convincing though
especially the way he’s hunched
over an energy bar
the size of a small bus

I wonder what Mantell would’ve made of it

Iguanodon_feeding

notes from the frontline of adult social care

an arrow to point the way

arrowOut with Lola for a dog walk this morning. I was thinking maybe I ought to find some new routes if I’m going to be writing more day-to-day stuff for this part of the blog. But then I thought how changeable things are. There’s always something new to see, different times of year, differences in the light, the people you meet, the way you feel in yourself. No two walks are ever the same. And then, to illustrate the point in a rather blunt kind of way: I found this arrow propped up against a tree…

Lola as Sam Spade (if you see what I mean)

lola looking sneakyLater on I met Mary. She stopped to make sure her black Labrador Charlie had a firm grip on his ball, because Lola has been known to nick it and then run around for ages celebrating / taunting. It was obvious to both of us –  and no doubt Charlie – that Lola was only pretending to be interested in something a little way ahead. Sure enough, as we stood talking, Lola slowly started to circle back, irresistibly drawn to the ball. She really can’t help herself.
‘All she needs is a trench coat and trilby hat,’ I said, thinking about detectives in pulp thrillers.
‘And a pipe,’ said Mary.
She put the slimy ball in her pocket.
I carried on walking.

A complete absence of bird

woodpecker tree

Out onto Broken Tree Hill. Saw a woodpecker on the dead pine there, but the zoom on the phone camera isn’t great, and when I tried to get closer the woodpecker had gone, flying in that funny, dipping way they have, a lazy-kind of blanket stitch along the edge of the field. So I didn’t manage to get a great wildlife shot of a woodpecker tapping around for bugs. You’ll just have to make-do with a shot of the tree, and trust it was ever there at all.

 

Andy says

I’m a big fan of my smartphone. They come in for plenty of stick, especially re.‘phone zombies’: people walking along staring into them without looking up phone zombieand falling into the sea &c, or sitting scrolling through lunch and not talking to anyone. All these things are true and a bit of a hazard. But there are so many other, positive aspects to them, beyond just the phoning, the googling and the satnav. For example, I love the note function, that lets you dictate things you’d otherwise forget. The camera’s good, too, and the voice recorder. And then there are the apps you can download. I’ve been using Headspace these past few months. It’s a meditation program, which you can tailor to your own needs. Things were getting stressful at work, and I needed something to help me feel more in control & calmer about things. Headspace has really done the trick (which sounds like a blatant bit of advertising, but it’s just a personal recommendation – honest!) I was thinking this morning that it could be seen as something of a cult. ‘Andy’ the charismatic voice guiding you through all these deep relaxation & visualisation techniques. I wonder if the government has approached him with a ton of money to hypnotise a good proportion of the population so that at one key word we all become Andy’s Army (free story idea, right there). Anyway – I thoroughly recommend the app (must serve Andy… must serve Andy….).

New poem:

Iguanodon_feeding
mantell piece

sig

 

p.s. Big thanks to Mark Spencer for recommending Irfanview as a handy photo re-sizer in place of the much-missed Picture Manager. (I downloaded via filehorse, but there are plenty of other place). So far, so good. It works a treat!

how timber breaks down

avatar_smSo the idea is, instead of having a static homepage, which maybe lacks a little colour, I’m going to put up a blog post for the day. It’ll have links to new pieces of writing in the voices and poems sections, but it’ll also be somewhere just to hang out and say stuff that’s too baggy & unfocused to make it as a more finished piece of writing.

Of course the danger is I won’t keep it up as a daily thing, and the date will hang there on the front page as a sombre indictment of my failure to produce – but hey, I’m going to do it anyway.  It’ll be worth it just to have a few more pictures on the site.

Whilst I’m on the subject of pictures – does anyone know some really simple, free software that’s good for sizing pics? I used to use Picture Manager, but it’s no longer available on Windows 10. I’ve got GIMP, which is amazing, but that’s for more involved stuff with layers &c (and takes longer to load). Any suggestions gratefully received.

So anyway.

Here’s a picture I took today:

curtainfungus

 

I looked it up in a book and I think it’s called Hairy Curtain Crust Fungus (you’ve GOT to love the names of these things). Listed as the fungus that you often see first when timber starts to break down.

 

splittree

 

I also took a picture of an ash tree that had split in a recent storm. I wish I’d been there to see & hear it :

 

 

 

Okay – as promised: a link to today’s new piece….

 

trailerb
Trailer B

 

It’s a poem, partly inspired by Trump’s new communications director, Anthony Scaramucci, and partly because this trailer looked a little sad, and I wanted to imagine a heroic role for it.

A huge thanks as ever for reading the blog. Please do drop me a comment, email – or maybe follow me on Twitter!

Jim

trailer b

WHERE THE HELL IS TRAILER B?
I’ve got the white house on the phone
the eagle has flown
& he’s not a happy bunny
so where do you think that leaves you, einstein jr?
whistling bieber in the goon shop
dabbing a lollipop up your ass
while a tornado screws up the joint
that’s where, mister
so if you wouldn’t mind
GO OUT AND GET ME TRAILER B

well where the F major did you leave it?
okay, so I politely request that you find it
the head horror of who-gives-a-shit
just sent me a valentine made of bricks
yeah?
he says he’s sending the monkey brigade
they’re gonna line up outside, two by two
kick my hairy butt and put it on youtube
so if it’s not too much trouble
would ya get yourself on that bike with the basket on the front
or whatever the hell it is you drive these days
AND BRING ME TRAILER B

am I the only living brain in this god forsaken
kindergarten with any idea of anything?
am I the only nubhead who ever read a book?
how’ve you made it this far?
what d’you brush your teeth with every morning? mooch paste?
wha d’ya put on your cornflakes? semi-stiffed milk?
cheesus h starfish I don’t care who you know or who you don’t know
I know what you should know, okay?
you should know where the GOOD GODDAMN TRAILER B IS
so do it. do it now. do that thing.

the prince of hubcaps just sent me a note
email? hell, no. this was nailed to the forehead of the former ambassador
a warning, if you will
look – am I the only schlub with a window?
wha d’ya think those birds are doing
hitchcocking-up the playground like that?
why’’d ya think it’s gone so quiet?
watch the news once in a while, goldilocks
the cartels are stocking up on duck tape
and believe me, it ain’t for no ducks

trailer b

pool party

I’m off to France tomorrow
an engagement party
my niece is getting married
no, the other one
we’re all invited to a villa
she’s hired, somewhere down south
i know, sounds heavenly
but you know what?
i’m dreading it
a pool party, for fuck’s sake
what am I going to do?
it’s all right for them
all her leggy friends
striding around
skinny and fabulous
sunglasses on their heads
and their hair like OMG
they’ve got abs, some of them, six packs
and I don’t mean lager
me? my tummy’s as saggy
as an old cushion
the cat ripped up
nails? the last time
I had my nails done
I looked like I had a circulatory disorder
bikini? I’ll have to wear a kaftan
a fucking bathing machine
would show too much

pool party
god! what the hell am I going to do?

what things are

i was going to tweet
a picture of an old tree
the front looked normal
but the back was hollowed out
(does a tree even have a front and a back?)
blackened with fire, anyway
lightning, maybe?
dramatic, whatever
i took the shot

i thought it might be a lime tree
but i wasn’t sure
and i wanted to get it right
so i was standing there
looking it up on an app
i’d downloaded the day before
from the woodland trust
when a guy i see sometimes
came by with his little black dog
(labradoodle?)

anyway, i thought i should
explain to him
what I was doing
just standing there like that

absolutely, he said
you pass these things every day
you see them all the time and you never know
i have a friend
point to anything and he’ll tell you
me? i haven’t a clue
yesterday I saw a huge bird
tearing something to pieces on a roundabout
i thought it was an eagle
but do we even get eagles round here? lime tree
not sure
anyway – good luck! he said
and carried on
his dog bundling after him

i went back to the app
working through the algorithm
leaf shape, colour, seed type, bark

lime

 

detour

Sometimes a detour is what you really need. Almost always, come to think of it.

The day hadn’t started well. I’d checked my email over breakfast and found a reply from the last literary agent I’d contacted. A succinct but polite rejection of my manuscript: Thanks for the submission, but I’m afraid it’s not for us. I’d had rejections before, of course. Not enough to paper the walls of the room, but enough to decorate a modestly-sized writer’s coffin. And though I’d trained myself to withstand the sting of it all, inoculating myself with peppy articles describing how rejection is as much a part of the writer’s life as the writing itself; how every rejection is an opportunity to learn what could be done better; listing all the famous writers who’d been turned down, how casually, brutally, indifferently, comically; how you can tell a real writer more by the scars they bear, the piles of rejection slips as much as the piles of scripts. Articles that said ‘Get back on the horse. Re-submit. Be working on new things.’ And above all, write, write, write. Because that is what a writer does. You’re only a failed writer if you quit.

I thought a brisk dog-walk would help. I took Lola over the woods.

As I followed the usual paths and track ways, the idea took hold that this latest rejection might be a terminal sign I just wasn’t getting. I was like a sailor in a leaky bucket, grimly clutching the tiller, head down, hood up, doggedly following the wrong star, refusing to believe that the sounds of cataracts up ahead were actually the end of the world, even as I tipped down over it (this being typical of the ludicrously apocalyptic thinking I fall into in the hours after a rejection). What I mean to say is, more rationally and sensibly, is that maybe ‘learning from your mistakes’ can and sometimes should extend to ‘knowing when it’s a good idea to change course’.

I’d already devoted almost ten years to writing. Deliberately subordinating any sense of a career or progression at work to learning how to do it, and most importantly, to finishing a book. I’d had some success. When I was an EMT in the ambulance service I’d written a blog of my experiences, and over time I’d picked up quite a few followers. A book – of sorts – had come out of that. And then whilst I carried on with the blog I’d written other things. A time-travelling ghost story. A thriller about a cult. A fantasy book about a boy with a mysterious affinity for whales. I hadn’t found a publisher for any of them, but it didn’t matter. I’d self-published, been happy with the result, carried on writing. And then came this next book. The Fabulous Fears. An epic story of love and loss, starting in the Hungarian Revolution of ’56, and ending on a canal boat in London. I put everything into it. I re-wrote it seven times. I cut far more than I kept. I shaped it ruthlessly to explore as simply as I could the relationships between the main characters, not telling but showing, leaving the reader to make up their own minds. And when it was done I could actually see it in print. A paperback of average size, with a dramatic and colourful cover – ropes, handcuffs, escapology equipment, canal boat art, soldiers smoking in the foreground. I’m always hopeful when I send submissions off, but this was a different species of optimism, brighter, harder edged, one that might really happen.

They say, semi-helpfully, that the last rejection is as tough as the first. But I think it’s probably tougher, because Time starts to stack up the other side, and you start to worry that you’ll run out of road.

This was the tenor of my thoughts when I took Lola over the woods. She sensed my negativity. She picked a fight with the most perfect Labrador you’re ever likely to see this side of a Dog Calendar. I apologised, put Lola back on the lead, and we headed for home.

And it was then that I met Jack.

Jack is one of those people who are naturally positive, in the same way that some people are tall or short, or good with figures. Even though in his long life he’d suffered more than his fair share of tragedy, still he’d always found a way to pick himself up. He had two rescue whippets, Stella and Pippin, and there was something about their expression – level brown eyes, slightly sad mouth – that reminded me of him.

Jack knew about my writing. After a while I came round to telling him about the latest rejection, and how badly it had thrown me.
‘I’ve got a story about that,’ he said, just as we reached a fork in the path. ‘At least, I think it’s about that. Anyway – it takes some telling, and I know you normally go the other way from here. It’d be a bit of a detour.’
‘I don’t care,’ I told him. ‘I’d like to hear it.’
‘Okay then.’
Stella and Pippin both stared up at me sadly.
Lola fell in beside them as we all carried on.

Jack is retired now. He’d been an engineer, designer, entrepreneur. These days he divides his time between family, dogs and then helping out as a conservation volunteer for the woods I’d just walked through, maintaining the bridges and the paths, coppicing, cutting back, keeping things in order. It wasn’t surprising. Jack’s the kind of man who takes care of things.

‘It’ll be okay,’ he said. ‘Everyone gets knocked back once in a while. Sometimes it’s worse than others. I remember this one time – I was properly down and out, on the ropes and the rest of it. Almost bankrupt, actually. I’d spent the last two years developing this software for ships, a new way of managing dangerous cargoes. It was a good product. I knew it was. At least, I started off that way. But then I’d spent so long on it, making it the best I could, in the end I wasn’t sure. And what made it worse was the fact no-one was biting. I was constantly writing to the big players, faxing them, calling them up. I wasn’t getting anywhere and I couldn’t understand it. It was quite a setback. I didn’t know what else to do. But then, this one particular day, I got a fax from one of the biggest shipping companies in the business. They wanted me to come in to see them, to discuss things further. I can’t tell you how excited I was. I mean, I hardly had the money for the fare, but I caught the next train up to London, in the one good suit I had left to me. So I went in to this meeting, and I sat down with the manager, wondering where everyone else was. And he said to me: Jack. I’ve called you in to ask you to stop pestering us. I said What do you mean? And he said I admire your persistence, so I wanted to tell you face to face. The fact is, we don’t need your product. We’re perfectly able to take care of our cargoes, thank you very much, but  – please – if you wouldn’t mind – never, ever contact us again. So I stood up, shook his hand, and came all the way home again.’
‘That’s terrible!’
‘It was a blow, that’s for sure.’
‘So then what happened? How did you keep going?’
‘The next three months were tricky. But then one of their ships upped and sank. A whole load of toxic chemicals were lost overboard, stuff they couldn’t account for. The entire management was sacked, and the new lot called me up, and they said Jack. About that software…

swifts!

Getting out of the car, I stop to look up.
Swifts! Swooping and screaming round the high buildings of the old hospital.

It’s incredible to think how far these birds have come, thousands and thousand of miles, up from Central and Southern Africa to spend just a few months of the summer here before flying back. I read about them the other day. Apparently they only land to breed, making nests from any material they can snatch from the air, gluing them together with saliva high up in the eaves of old buildings, where they can drop straight back into flight from the entrance. Their whole lives are lived on the wing, eating, drinking, mating. When they need to sleep, they rise ten thousand feet or more, and close their eyes, riding the isobars so expertly that when they open their eyes again, they’re pretty much in the same spot.

I watch them for a while, then lock the car and head inside.

With creatures like these flying above us – well, it feels wonderful! A benediction!