the hitcher

‘Goodness!’ says Ian, opening the door. ‘There must be a line of you waiting out in the street!’
‘It’s like that, sometimes. Especially at the beginning. We all tend to just pile in.’
‘And a jolly good thing it is, too!’ he says, showing me inside. ‘I must say, it’s been rather overwhelming. But in a good way – you know. In a good way.’

He shows me through to his mother, Peggy, who is propped up on several pillows, doing The Times crossword. She sets the newspaper aside to shake my hand, takes off her reading glasses and puts them on the bedside table next to a porcelain saucer with one partially nibbled, white chocolate biscuit.

‘So kind of you to come,’ she says. ‘Do please have a seat. Is there anything we can get you?’
I tell her I’m fine. She smiles and then nods at Ian, who almost seems to give a little bow before turning and quietly leaving the room.
‘I’ll just be out here,’ he says.
‘Thank you, darling,’ says Peggy. Then once he’s gone, she adds: ‘I’d be lost without him.’

Peggy is almost a hundred years old. Although she’s been pretty independent up until a month ago, it’s all suddenly caught up with her, and now her body is starting to fail in earnest, the flesh retreating from her bones in the most cruelly anatomical way, revealing all the hollows and protruberances, the cords of her neck, the scoop of her temples. Her eyes are still bright, though, as I’ve no doubt they always were – she seems such a poised and intelligent woman – but perhaps with a cooler, more intense grade of light, the fire of a star at night.

‘I was just admiring your frogs,’ I tell her after introducing myself and unpacking my things.
‘Yes. Aren’t they a wonder?’ she says. ‘I used to spend hours out there, crouched down by the edge, watching them come and go. I’m sure the neighbours thought I was quite potty. But there’s no shortage of things to admire in nature, don’t you find?’
‘I certainly do. We’ve got a wildlife pond at home.’
‘Have you?’
‘Lots of frogs. Newts, too.’
‘And all those marvellous insects, skimming about on the surface…’
‘You’re right! Plenty of things to look at.’
‘Yes!’
‘Do they make much noise, your frogs?’
‘No, not really. Except in mating season, when they all get terribly exercised. Or when one of the cats fetches one out, which is horrible, of course, and I’ve tried my damndest to stop them. We haven’t got any newts, though, so I’m jealous on that score. I do so love my frogs!’

I conduct the examination and everything is pretty much as expected, given the circumstances.
‘Well, one thing’s for sure,’ says Peggy, suddenly serious. ‘I will not be going to hospital. You can do whatever else you like with me, but I will not be agreeing to that.’
‘No. I understand.’
‘I mean – for goodness sake! Look at me! What ever is the point?’
‘You are the boss of you, Peggy. We’ll do whatever’s best for you.’
‘That’s kind,’ she says. ‘It’s so easy to get swept up in these things sometimes – don’t you find?’
‘Absolutely.’

As I’m filling out the paperwork I ask her what she did when she was working.
‘I messed about in the government during the war. Started off in the typing pool but after one thing and another found myself in the Foreign Office, helping out in the Middle East. All frightfully interesting. I travelled about quite a bit afterwards, of course. There was nothing I liked better when I had a bit of free time than to stick out my thumb and hitchhike. I travelled right the way through Syria like that. Fascinating country. Breaks my heart to see what’s happening there now, of course. Those poor people.’
‘Did you hitchhike on your own?’
‘Of course!’ she says, ‘although, these days…’ and she spreads her arms wide and smiles just as broadly, ‘I don’t suppose I’d get all that far!’

 

the truth about the beard

‘One of the patients gave you a nice compliment. Well – I think it’s a compliment. Maybe a double-edged compliment.’
‘What patient? What compliment?’
‘The woman whose husband’s diagnosed with mixed dementia.’
‘Oh, I know. She’s lovely. They’re both lovely. Although he really shouldn’t be driving. I always feel like taking his keys off him…’ I mime tossing them over my shoulder. ‘So go on, then. What did she say?’
‘Are you sure you’re ready for this?’
‘I’m sure.’
‘Okay. Well. She said how nice and kind you were. She said you were very gentle, and she said you made her feel a lot better.’
‘You’re making me blush.’
‘Yeah. And she said That’s the thing about the gays, they’re always so sensitive.’
Amy leans in and narrows her eyes.
‘You don’t mind do you?’
‘Me? No! Why would I? Anyway, I’m used to it. Although maybe I should work on my gruff manly skills. Hey! I’m Jim. I’ll be taking care of you today. Look at my tattoos…’
‘I said you were married with kids.’
‘And what did she say?’
‘She said Is he?’

sig

the things he’s seen

‘Is that a bird in the corner?’
‘A bird?’
‘A blackbird. Or a rat. Could be a rat. Something.’
I go over to check, cautiously moving junk around.
‘No. Nothing here.’
‘Oh. I thought I saw something.’
I put the junk back.
‘Do you think you might be hallucinating?’
‘No, no! I definitely saw it. This place – I don’t know. Sometimes things just come in the door.’

I don’t know what to think. Steve’s had a recent history of infection, and he certainly doesn’t take care of himself, with his heavy drinking, his poor diabetes control, and the general state of his flat. But despite all this his obs are normal, and – so far at least – he’s been pretty rational. And he’s certainly right about the place. A tenement block you could use as a film set for the roughest quarter of New Orleans, with a dark, central courtyard, an old tree in a ruined brick planter, and all around rising up six storeys a crumbling iron fire escape.

‘Anyway. I wouldn’t go to hospital, Jim. Not even if I was dying.’
‘Oh? Why’s that?’
‘My son! I haven’t seen him for ten years and he turns up yesterday.’
‘Wow! That’s great!’
‘Yeah. He’s off with his mates the other side of town. I ‘spect I’ll see him later.’

There’s a map of the world pinned to the wall above Steve’s bed. He tells me about his life as the skipper of a yacht, sailing the world, navigating the oceans through a haze of booze, smoke and other substances until unexpectedly running aground on a reef of detritus in this godforsaken flat.

‘I’ve been through storms like you wouldn’t believe. End of the World type storms. Did you know hurricanes give birth to tornadoes?’
‘Do they?’
‘I’ve seen it. The Devil’s spawn. Evil snakes, twisting you into knots. I was always lucky, though. I’ve got a strong stomach. And a strong grip!’

Later that day, back at the hospital, his blood results come in – as bleak a set of figures as the worst severe weather warning. I book him an ambulance to go to hospital, and then call him to give him the news.
‘I won’t go without seeing my son,’ he says.
‘Can’t you call him on his mobile?’
‘I haven’t got any credit on my phone, and he’s left his at home.’
‘I could call his landline and leave a message.’
‘He lives in El Salvador.’
‘Still, I could try…’
He gives me the number, but the number’s unobtainable.
I ring Steve back and tell him what I think.
‘The ambulance are on a two-hour response,’ I tell him. ‘So there’s time. I’m not going to stand the ambulance down, Steve, because your blood results are so out of whack I couldn’t be responsible for that. Fingers crossed your son turns up between now and then. But your health’s the most important thing.’
‘I don’t care about that,’ he says. ‘I’m not going anywhere till I’ve seen my son again.’

A little later I ring the hospital to check Steve went in. There’s no record, so I ring him to find out what happened. When he answers the phone he sounds loud and emphatic, like he’s speaking in the middle of a storm. I wonder if he’s been drinking.
‘No, Jim! He didn’t show up!’ he bellows. ‘But even if he had I couldn’t possibly go now.’
‘Why’s that?’
‘It’s all these kids.’
‘What d’you mean? What kids?’
‘All these seven year olds! Their mums’ve just dumped them on me. And it’s kinda weird, Jim – you know? Because they’ve done that thing kids do these days. They’ve painted their faces yellow and black. Fierce stripes, y’know! Like wasps…!’

I ring ambulance control again. Get the response time upgraded to immediate.

the residents of EMI6

Bond frowns as the safety gate
snicks into place like a Beretta 418
‘Wakey, wakey! Medication time!’
says the nurse, karate chopping the blinds
then carefully opening a colouring book
lays it in his lap and says ‘There now! Look!’
Bond recognises the Orient Express
‘A steam train!’ says the nurse. ‘Yes?’
He frowns and points to that bit of the track
where he leapt from his Aston Martin and back
But the nurse is busy checking her batch,
she produces a needle and smiles: ‘Sharp scratch!’

Q irritably clicks his pen
as the carer passes with the trolley again
‘Alright Queuey? Wha’ d’ya want?
Custard cream or raspberry fondant?’
Q gives the Parker one last stab
wonders what else he’s got in the lab
‘Tea or cocoa? Banana drink?
Hot or cold, love? Wha’d’ya think?’
Q tugs his bowtie, waits for the explosion
…. and waits and waits in utter confusion
‘Oh dear me, love! It’s not a grenade!’
Pulling the tab on a lemonade.

Moneypenny screams, tears off her shawl
throws it at the poodle looking in from the hall
(the poodle reminds her of someone – a spy?
the lascivious tongue, the damp brown eye)
‘No!’ says the manager, cuddling the dog
‘Yet another entry for the incident log!
You really must control your temper.
We all have to share the space, remember?
Just try harder, please, Mrs M. Promise?’
then turns and leads the dog back to the office.
Moneypenny curses – emphatically
Then watches Dr No on her little TV

sofa dreaming

It’s only a furniture store in a nearby town. You’d think we’d asked the satnav to take us to The Magic Faraway Tree.

Take a….right and then take a ….left and then … make a u-turn….and then…. god…. I don’t know….over there? What do you want from me?…I’m just a machine…

Paul, the furniture salesman doesn’t seem to believe he’s really there, either. He keeps rubbing his face, vigorously, particularly the eyes.

‘And this is the snuggle chair,’ he says, gesturing to a cute little sofa like it’s a family member, taking the perspex sign away and reciting a litany of features.
‘Don’t you get embarrassed saying snuggle chair?’ says Kath.
‘No,’ he says. ‘You get used to it.’

Paul talks us through the options. Sets us up with a ledger of swatches, and we spend the next twenty years trying to imagine whether mint tartan will clash with tangerine orange, or whether a pattern of leaves and flowers will be too overwhelming.
‘Earth tones,’ says Paul, tapping an abstract leaf pattern. ‘You can’t go wrong with earth tones.’

Another more elderly couple is wandering round the store. The man says: ‘I’m actually feeling quite low in energy now. Perhaps we should come back later.’

I imagine his wife driving him home and hooking him up to the mains. Or maybe they’ve got an attachment in the car.

‘You can always mix it up with some cushions,’ says Paul, pressing his palms hard into his eyes.

I don’t blame him. I couldn’t work in a place like this. I’m pretty sleepy at the best of times, but this – this is all too padded, too comfortable. I’d spend the entire shift asleep on that ottoman. Next to that giant glass strawberry. There must be a factory somewhere making giant glass strawberries. That might be alright.

‘Okay?’ says Paul. ‘Great. If you’d just like to come over to the desk and we’ll sort it all out for you…’

Kath is very good and tries to angle a better price, but as Paul points out, they’ve already discounted the sofa by twenty-five per cent, and head office have said enough’s enough. But he does say he’ll get the old sofa collected free of charge, as a favour, and we’re happy with that.

Mind you, we’ve had our old sofa so long maybe we should give it more of a send-off. Maybe we should pile it up with DVDs, TVs, books, guitars, clothes, bottles of wine, photos of people, and dogs, and scripts of conversations, and arguments, and laughter and – well, you get the picture. Or maybe I should just fall asleep on it as it’s being carried out of the door to the van, and they could tip me off into the flower bed at the last minute.

We don’t have to decide just yet, though. There’s a two-month wait on delivery.

sig

when the time comes

Margaret’s daughter-in-law Sandy is standing over by one of the bookcases, casting her eye over the spines, taking the odd book out and idly flipping through.
‘Quite what we’ll do with all these when the time comes I don’t know,’ she says. ‘I mean – it’s a shame. These Dickens might’ve fetched something, but the sun’s got to them and they’ve gone a bit foxy.’

It makes me feel uncomfortable, but it’s my own fault, of course.

I’d started setting up to take blood from Margaret, and Sandy and the two carers had been standing round the bed, saying nothing, just watching.
‘I’ve never had such an audience,’ I said, just to break the tension, because it didn’t really bother me whether I was observed or not. ‘Talk amongst yourselves.’
‘Sorry!’ Sandy said, and that’s when she started to walk round the room, pricing things up.

As it turns out, though, I’m glad the attention has switched to Little Dorrit. Margaret is quite poorly, and getting anything remotely viable is like trying to tap-up a strand of hair. I’m not even sure why I’ve been asked to try. Margaret has steadfastly refused hospital – and I’m completely with her on that. She’s in her nineties, for goodness sake. If I was her I’d be refusing hospital, too. The only thing I might do differently is ask them turn my bed around so I could face out into the courtyard garden and that flowering cherry, so vibrantly and abundantly pink it would gladden even a dying heart.

‘Alright?’ says Sandy, coming back over. ‘Getting any?’

what day was I born on?

You were born on a Saturday
Your star sign is Capricorn
Your birthstone is Blue Topaz
Your birth flower is Narcissus
The season was Winter
Your mother put 4 drops of her old, red blood into a copper pot, and danced around it with a bladed weapon
The time of day was midnight
Your guardian angel is Steve (Bella at the weekend & public holidays)
You like pistachios
You don’t like the idea of Baba Yaga’s cottage standing on – what would appear to be from the rough drawings you’ve seen, at any rate – nothing more substantial than chicken legs
*Print a free gift certificate of these results*

noah? i’m sorry, it’s a no

You need tyrannical tendencies to be a writer.

I don’t mean for the dull, day-to-day business of getting the words down – which in my case is fitting in writing around the day job, and revising rejection coping strategies when the slips come back. (Every time you send work off it’s like releasing a pure white dove from the ark, only to have it come back three weeks later, partially carbonised, coughing soot, tail feathers gone… you get the picture).

NOTE TO SELF: Rejection coping strategies in urgent need of revision.

No. What I mean is, you need tyrannical tendencies to write a readable plot.

For example.

Here I am, coming to the end of yet another book (better than the last one – trust me on this).

SIDE NOTE: In the past all your early crappy work would end up composting creatively in a drawer somewhere; now, the internet has made that drawer infinitely wide and accessible to everyone, all hours of the day, so there’s no shortage of opportunity to embarrass yourself before you’ve really hit your stride.

SIDE QUESTION RELATING TO SIDE NOTE: So why put it out there?

ANSWER: Because writing’s communication, and it’s lovely to have an audience, even a hostile one.

But I digress – something I’m prone to in the blog, but be reassured, not something I allow in the books.

COROLLARY TO LAST SIDE NOTE: Hmm. Maybe I should he says, doing that disgusting, kissy-kissy thing with his dove, nose-to-beak.

Anyway, this next book is set in the 1850s. It’s a picaresque tale of two brothers separated and then reconciled (I know – you can totally see that sooty dove slamming beak-first into the deck). Well. I’m at the bit where they’ve found each other again – and something needs to happen. From the brothers point of view, they’ve been through a lot, okay? Parental death, fire, transportation, forced labour, kidnap by bushrangers and so on and so on – the Kindle gives you no idea of the extent – 50% of how much, exactly? – and I know they’d be more than happy to leave it there, and find a cute little cabin together, with rabbits and alfalfa (wait, what?) and have a little peace and quiet for one goddamn minute. But nope. Here I am at the joyful moment of reconciliation, and already I’m getting scratchy. Something has to happen. This is the climax of the book. I can’t have them sitting round a camp fire reminiscing and making happy plans. So I spent the dog walk this morning thinking over all the things that could go wrong for them. Maybe a baddy from earlier on could make a surprise return. One of them could be arrested, imprisoned. And then a daring rescue. Something and then something and then pow! Pay-off. As a concession, maybe a happy ending – of sorts. (This is the 21st century; I think there’s actually a law against happy endings).

And that’s when it struck me. What a tyrant! Worse, actually. A God-like tyrant. Someone with the power to create life and manipulate the world. If there was a storm, I could totally write a whale to surface and keep the boat afloat with his nose and then run them over to some delightfully cliche island ruled by giant comedy crabs who can talk and sing and do tap and who end up venerating the sailors as gods &c &c. (Writes this down for later – along with possible joke: ‘confuses venerate with venereal’). But no. I torture my characters with appalling runs of bad luck. And for what? A good read. (A good read! Yeah, right! Again with the sooty dove, wheezing on the foc’sle whilst I spoon feed it honey and warm water, cursing whatever it is that lurks so powerfully and malignantly beyond the horizon).

I promise I’ll revisit those coping strategies just as soon as I’ve finished this post.

But anyway. That’s what you’ve got to do as a writer. You’ve got to make believable characters, and then make life difficult for them. Because although I was lying about the law, and actually you are allowed happy endings, you’ve got to earn them first. Which is probably just like life, when you think about it.

So what am I getting so antsy about?

ANSWER: I’m waiting on some doves…

sig

a ten month stretch

Ten months shy of a hundred.

From the way Miles is sitting, though, I’d say this was less of an ambition and more of a curse. Miles has a graven look to his face, his eyes heavy, his mouth a perfect downward arc, as if he was resigned to sit out those ten months with his arms folded, not moving at all, and then at midnight on the last day, when the last chime has sounded, he’ll stand up, and quietly leave the room.

At this rate, though, I can’t see him making the end of the week. He suffered a fall a few months ago, and although he wasn’t hurt, it’s made him fearful of any kind of movement. Now we’re at the point where the carers are virtually lifting him from the chair to the commode and back again. His eating and drinking have tailed off, too, and it’s a good day if he can finish a beaker of cold tea or half a boiled egg delivered into his mouth one slow spoonful at a time. He’s developing pressure sores. The doctor has called us in to see what we can do.

Miles’ daughter, Janice has reached the end of her ability to cope. She lives some distance away, and has been spending the majority of her time sleeping upstairs in the room she left fifty years ago. Her own life is on hold now whilst she helps the carers and struggles to make things better. She’s utterly worn down from all the day-to-day indignities, the pleading and the hectoring, the constant bargaining.
‘The worst thing is how guilty I feel,’ she says, dabbing at her eyes in the next room.
‘You’re doing an amazing job,’ I tell her. ‘You’re dad’s lucky to have you.’
‘No,’ she says. ‘He isn’t. Now and again I’ll catch myself looking at him and thinking Go! Just go! I mean – he’s not happy. He doesn’t want all this. But what can you do? And all the while everyone’s traipsing through the house, checking his blood, changing his meds stringing him out even longer, and I can’t see any end to it. Am I bad for saying this? I am, aren’t I? I’m bad. I shouldn’t be thinking these things about my own father.’
She cries some more.
I tell her that it’s perfectly understandable and okay to think or say these things. It’s natural. Anyone would. I tell her I think she should seriously think about organising some respite care for Miles, to give herself a break as much as anything.
‘Where would that be? A nursing home?’
‘I think so, yes. Miles needs a level of care now he wouldn’t get anywhere else.’
‘I promised him he wouldn’t end up in a home.’
‘It’s only temporary. It’ll give yourself space to think and get your strength back. You’ve got to look after your health, too, you know.’
‘But a home?’
She screws the handkerchief into a ragged ball and tosses it into the bin with practised ease.
‘Well,’ she sighs. ‘I’ll think about it. For now, though, how can we make things better for Dad here?’
We talk about hospital beds, stand-aids, double-up carers four times a day, physio exercises he can do in his chair, that sort of thing.
‘Gosh!’ she says, then shakes her head. ‘Don’t get me wrong. We’re so grateful and everything. But you wouldn’t want it for yourself, would you?’
‘No,’ I say. ‘I probably wouldn’t.’
‘But what else is there?’
‘I don’t know. It’s difficult.’
We go back into the front room. Miles is still sitting there, as graven as before.
‘Alright?’ I say, going over and resting my hand on his arm.
‘Yes thank you,’ he says, and then turns his head to stare out of the window, at the wide, sunlit street, and the day that’s just starting into life.

owl henry

Henry is surrounded by paintings of owls. An owl on a branch, an owl staring out from the hollow of a tree, an owl with a mouse in its beak, an owl silhouetted against the moon.
‘I paint other things’ he says, nodding to a cheetah. ‘But there’s something about owls…’
The paintings aren’t all that good, it has to be said (not out loud, obviously). They’re over-coloured and a bit flat. I get the impression Henry learned to paint owls in the same way Walt Disney learned to draw Mickey: one circle for the head, and two smaller circles for the ears, perfectly round whichever way the mouse was pointing.
‘Great!’ I tell him. ‘You’re quite an artist.’
‘It’s good to have a skill,’ he says. ‘I’m lucky. I’ve always been good at art.’
He rolls up his sleeve so I can put on the blood pressure cuff.
‘You know, when Susan was in hospital I was pretty much living there. I used to tuck myself away in a corner, and I’d make drawings of everything – you know, the drip stands, the beds, all the comings and goings. The nurses would come over, and they’d say What are you up to there, Henry? And I’d say: Well, I forgot the camera, so I thought I’d try drawing instead. And they’d look at the drawings, and they’d say: You don’t need a camera, Henry! These are as good as any photograph…’
He smiles at me as I take the cuff off and he rolls his sleeve back down.
‘All right?’ he says.
‘Fine. Everything’s fine.’
‘Good!’ he says. ‘I feel fine, I must say. Everyone’s made such a fuss of me. It really is quite lovely.’
‘You’re worth it – as the advert says.’
‘What advert?’
‘That make-up one. Loreal. I think.’
‘Oh,’ he says, and watches me for a moment as I write down his observations.
‘What do you think of my paintings?’ he says.
‘Yeah! They’re great! Did you do that cheetah, as well?’
‘I did. But owls are mostly what I do.’
He folds his arms and proudly surveys the room, left to right, as smoothly and comprehensively as – well – an owl.
‘You know – when Susan was in hospital I was practically living up there,’ he says looking straight at me again. ‘I used to tuck myself away in a corner, and I’d make drawings of everything, all the drip stands and the beds and all the people coming and going. And the nurses, they’d come over and stand around me, and they’d say: What are you doing there, Henry? And I’d say: Well, I forgot the camera, so I thought I’d try drawing instead. So they’d look at my drawings, and they’d say: You don’t need a camera, Henry! These are as good as any photograph!’
‘They sound like a nice bunch of nurses.’
‘Oh they were!’ he says. ‘They really were.’
I sign off the sheet and put my things away.
‘Well – that’s me finished, Henry. Do you have any questions before I go?’
He raises his eyebrows, takes the tiniest beakful of water from the glass by his side, carefully puts it back, and then smiles at me. And I just know what he’s going to say.